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 Feb 2014 E
Jared Eli
Untitled
 Feb 2014 E
Jared Eli
There's something beautiful
About leaving messages
On his voicemail
When I need him
The most
 Feb 2014 E
-D
the LORD & I have been arguing for days
over four small words:

[thy will be done.]

let this be known:
never is there a bigger sacrifice
than compromising the cloth that has woven your soul,
choosing to burn its textile
rather than cling to its strong stitchings & worn-in, familiar pattern,
leaving you in nothing but incinerated rags.

I plea for maintained remains of
this combusted fallacy of joy,
whilst He responds with simply

[I am making all things new.]

please hear this:
there is truly nothing that can mend you here,
nothing that can weave you together &
save your heart from being torn
as a love letter ripped into shreds of its possibilities,
leaving you with nothing but
disintegrated
dreams.

my past is aching to become my present,
& my perceived future has begun to rewind.
my place in this world has become null&voi;;
without the hope I once held close.
for what happens to a princess
when her earthly prince continues to commit slow suicide?

[peace, My child.]

I can hear my bones screaming to be heard,
as songs on a broken record,
stuck on repeating the same old refrain:
please please please please please…

[on earth as it is in Heaven.]


night sweats--
when your mind cannot stop running even whilst you sleep.
shaking limbs—
when your heart trembles & begs to stay alive.

[plans to prosper you, not harm you;
plans for hope & a future.]


I’m strung out on all these things that keep me sane
while my mind feels like its going through
withdrawals of the Holy Spirit—

WHERE ARE YOU, GOD
& WHY IS THIS YOUR PLAN?
YOU DO NOT LOVE ME AS YOU ONCE DID.

[those who hope in the LORD renew their strength.]

laying on my bedroom floor
with hymns pouring from my mouth
like tongues of fire & bile
I feel farther from glory
than I ever have.

[He restores my soul.]

LORD
as Christ once begged of you
Take This Cup,
LORD
I plea
for deliverance
for reconciliation
for an exodus from this body that is
full of intoxication
& self-loathing.

[until the very end of the age.]

LET MY SPIRIT RISE FROM THE ASHES
& BE HEALED OF THIS HORROR.
1 Corinthians 14:1-2
Pursue love, and earnestly desire the spiritual gifts...
For one who speaks in a tongues speaks not to men
but to God;
for no one understands him,
but he utters mysteries in the Spirit.
 Feb 2014 E
Tyler Nicholas
We are a forest; we are as dense as trees. But when one of us is cut down and plummets, none of us hear it. It's sad that our branches don't intertwine and our leaves don't share the same green and fall off our twigs when Autumn appears around the corner with its scythe, welcoming the coming of Dead Winter.

We are only a tire swing away from each other.

Our bark isn't climbed by the same children. We don't have the same tattoos, formed by the knives of lovers holding hands, in our wood. It would be better for us to burn down in a quiet Summer Holocaust.

The only way to join each other is to return to the dirt that gave birth to us.
 Feb 2014 E
Moon Humor
She's a happenstance mistake,
a healthy baby born on Independence Day.
Four days of work- for all it is worth,
nights of hearty cries
the soundtrack to a sudden, upside down life.

The needle pulling history
repeating different color threads-
patches of cloth, events and mistakes
patterns running through time,
past always stitched together.

I'm wondering where you came from,
drawing memories from the back of my mind.
I can only make up stories
as you sit in solitude
curving glass, covered in dust.

The alleyways are empty at this hour.
Only the vagrants, ******* their cigarettes, and strutting tom cats roam.
Nights drenched in orange glow-
street lamps guide me as
I wander the streets alone.

Is this the life I wanted?
Is this just how things have happened?
This poem comes from an in-class exercise.

The title is the county that you were born in.

The first stanza had to be something to do with your mother. Seeing as the title is my birth place, I referenced my birthday quite literally.

The second stanza had to be about something we read yesterday. Many of my classes focus on history and the events that tie together many people and places.

The third stanza was about an object in our room. I have these glass pitchers from a garage sale that I don't know the history behind.

The fourth stanza had to use our father's name. Not addressing him, necessarily, but using the name. My dad is named Tom, so there, tom cat.

The ending had to tie everything together using only two lines, so I chose questions.

Looking back over the poem I realized that it sounded very eerie, almost referencing a postpartum depression or possibly still birth. The questions at the end and the "happenstance mistake" in the first stanza would definitely imply postpartum depression.. but the third stanza I realized sound something like an urn!

I would like to expand on this poem and possibly tie some of the themes into my real family's stories. My grandmother had her first child out of wedlock at a time when that was NOT okay. Later on in her life she gave birth to a stillborn baby. My mom got pregnant with me by mistake, she was 30 and didn't plan on having kids but HERE I AM.

This idea of generational, historical ties and/or the idea of children, loss, regret, etc. could go somewhere.
 Feb 2014 E
Victoria
Untitled 31
 Feb 2014 E
Victoria
I am made of saltwater and glass
and I am a hundred years old.
I breathe in your cigarette smoke
for a minute, you are in my lungs.
Stockpile warmth,
winter is coming to crack our hands.
The light trembles and dissolves
we are now in darkness.
When you left our eyes were still layered with sleep.
My fingertips still hum from the realization
that we are made less of flesh
and more of electricity.
 Feb 2014 E
K Mae
living water
 Feb 2014 E
K Mae
come flood me
for I have contracted
strangling flow within*
living water sacred balm
lifeblood of this earth
move as you must
through her
within me
 Jan 2014 E
-D
rest in peace.
 Jan 2014 E
-D
I wonder how long it will take for
you
&
I
to be back in the same spiral again;
both aiming toward the center of the earth--
toward the center of
the bottom of
our selves.

for you were there
& I was here
& though I am not apologetic for our
circumstances,
perhaps you can perceive my
acceptance
for why these things must be.

closure
is such a cliche of a word,
isn't it?
but yet all cliches exist because of a certain
central
truth
(such as how I need you &
you need me &
how we cannot use each other when
we really must use our own
strength
in the early morning sun &
the evening's seeping darkness &
all times in between).

closure-- here it is.
for you at least,
but never,
never,
for me.

so like an unnamed grave marked only by a ghostly white stone
I
disintegrate
without any one ever knowing
what truly happened to me.

but let this
at least
be the last nail in the coffin
of us
for you,
dear one.
 Jan 2014 E
-D
heart collisions.
 Jan 2014 E
-D
the heart.
a heart was painted on canvas at dinnertime
in the midst of laughter & embarrassing memorables.

coloured in her blues & ice as though recently shipwrecked,
it clashed with the musk of a third glass of wine.

it melted into the paper’s weight,
absorbing the music of two lives colliding.

his reds were opaque with a firm pursuing
of what he had been searching & for whom he had desired.

the opaque & the ice became one,
a juxtapositional melody humming vibrantly in harmony.


the hearts.**
meanwhile, his eyelashes, full & plush, gazed toward her flourishings
as she ran her fingers across his own parchment symphonies.

he rested one hand on the cusp of his palette,
the other entangled in his sable hair,

& she held close a momentary glimpse of euphoria
whilst she nibbled on the edge of his paintbrush.

as they shared this evening with each other,
the hopes & dreams they kept,

her blues & his reds blended as one;
part of him had become hers.
(& she, his. )
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