Submit your work, meet writers and drop the ads. Become a member
 Feb 2014 Dhirana
Der Ganzumsonst
The kid sat next to me
And I watched the words
Crumble from his mouth
Sticking on his shirt and trousers
with the wind blowing south.
 Feb 2014 Dhirana
Andrew Durst
I looked at you today.
    And I "checked you out"
for a good moment or two.
And in those moments,
I didn't really think about too much.
I just thought of you.

For the first time, in a long time,
There wasn't something
   Eating away at my thoughts.
I realized how I could really
        get used to that feeling of clarity.
And it reminded me to tell you;
          That you have the most beautiful eyes.
 Feb 2014 Dhirana
Lappel du vide
she was the kind of person,
who didn't leave me in disgust when i was yelling
and loud
obnoxiously drunk.
she'd watch me mix different types of liquors in my mouth
from her own papas cabinet,
and we'd put the acrid mixtures
in Grateful Dead shot glasses,
and i'd turn up the music
until her mother would come downstairs, and we'd frantically hide the bottles
beneath peach bedsheets, and satin pillowcases,
and pretend i wasn't swaying like the ocean tide in five inch
stilettos.

sometimes i'll laugh
at the time when we were so small
that rooms seemed to swallow us whole,
doorways were caverns,
and glasses of water were lakes.

we'd jump on the bed,
and one time her mother came downstairs,
so mid-jump we pretended to fall asleep;
it didn't work very well.

she's the person who would make me watermelon juice, and bring me almonds
when my head was being kicked
over and over by a hangover,
she's the one who would latch frightfully
and laughing
onto my windblown clothing,
as i drove us full speed down the mountain,
ignoring her screaming of the speed limit.
i knew she loved it.

she's the one who i watched the stars with,
on warm concrete,
talking about what was up there,
in that vast abyss of
emptiness,
devoid of life,
nothing but spinning galaxies
and foreign stars.

we would get into fights;
i smoked too much,
she needed to loosen up more.
i didn't think before i spoke,
she thought too much about things.
i blurted out hurtful words too often,
she was too nice.
we argued with sweaty hands on school buses,
and we'd go swimming naked in frigid water,
angrily treading the river currents
to opposite sides of the beach.

i remember when i kissed a boy
for the first time at her house,
and she was snickering at us
watching from a window,
as we slow-danced
as the sun murdered the sky with burgundy, and we tripped on each others feet.
small, hasty kiss.
he looked longingly at me
over a campfire later,
(i never kissed him again)
she and i fell asleep with smoke in our clothing.
bonfire smoke
turned to cigarette smoke.

she'd scold me for destroying packs
when i had whooping cough.
she'd hide the chocolate in her cabinets,
because she knew i'd eat it all if i got my hands on it.

i'd watch her as she would
look into the eye of a camera,
or glide a brush latched with paint on its short hair,
onto a canvas;
her skin would glow like there were a million suns
tucked beneath it,
her face would open
like a wildflower blossoming in mid-summer,
as she drove her passion
into creating things she was destined to make.

she'd make me do my homework,
i'd make her take a shot.

she'd think about things, smart and calculating,
i'd throw myself into danger, flinging my limbs into the unknown.

she taught me to breathe in,
i taught her to exhale.

polar opposites.
 Feb 2014 Dhirana
Nat Lipstadt
read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of this matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation
tired of love poems, especially my own.  Saying I love you is like reading a newspaper.... A constant of new stories....that are discarded for constant recycling ~ you better be writing a new story constantly or whatever.. But the audience of love druggies is huge so the ****** keeps on coming and I wonder what the fk do they know

Parts of, maybe all, of this poem inspired by this graphic which says what I tried to write...


(¯`v´¯)
`·.¸.·´
¸.·´¸.·¨) ¸.·¨)
(¸.·´ (¸.·´ (¸.·¨¯`♥

Sometimes you may notice that your heart has unexpectedly started to race or pound, or feels like it has skipped a beat. These sensations are called palpitations. For most people, palpitations are a once-in-a-blue-moon occurrence. Others have dozens a day, some so strong that they feel like a heart attack.

Most palpitations are caused by a harmless hiccup in the heart’s rhythm. A few reflect a problem in the heart or elsewhere in the body. Doctors can be quick to attribute them to anxiety, depression, or some other emotional or psychological problem. Although sometimes that’s exactly right, it’s important to first rule out harmful heart rhythms and other physical causes.

A palpitation primer

Palpitations are extremely common. Different people experience palpitations in different ways. You might feel as though your heart is fluttering, throbbing, flip-flopping, or pounding, or that it has skipped a beat. Some people feel palpitations as a pounding in the neck; others as a general sense of unease.

Some palpitations appear out of the blue and disappear just as suddenly. Others are linked with certain activities, events, or feelings. Exercise and physical activity can generate palpitations, as can anxiety or stress. Some people notice palpitations when they are drifting off to sleep; others, when they stand up after bending over.
 Feb 2014 Dhirana
silentpoetgrl
dried tears stain
tattoos of sadness upon face
your breath lingers on skin
layering the guilt and shame
tracing your fingerprints
carved with blade
spells out my disgrace
in the dark nightmares wait
burning memories
seared in closed eyelids
so every shutting of the eyes
painfully reminds
there is no place i can hide
in the dark, haunted
hallows of a broken mind
a shiver whispers i'm alone
ticking in suspended time
Next page