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Bella Isaacs Oct 2022
Why should I seek to redeem myself through
Redeeming you?
I'm arrogant enough to know that it's true
And believe me you, please
That teaching the plainly obvious
To the incorrigible ignoramus
Is a labour for Hercules.

And I deserve champagne for my effort
And a smack in the face by reality for desert
The more fool me
The poor fool me
For thinking that my contraption to make fish climb would actually
Work, and it's thankless, you know you should offer
The scribblings you make to the dead lover's altar
Do you think you could live this long
Beating your heart out, crucified and strung,
For the irredeemable,
And polyphemable,
People you thought weren't wrong?

But revenge is no answer, I'm too bold
To make cold
The lie once again that keeps being told
And believe me you, please
That fabled coldness or sweetness
And that cannot-be-beat-ness
Comes along with yet more guarantees.

And I'm a decorated casualty
For my all-too-late good memory that mortality
Is too for me
Not new for me
The cause-and-far-reaching-effect has no good reason to set me free
From the darkness, you know you should offer
The vows that you make on the dead duellist's altar
Did you think you could live this long
Beating your brains out, sanguified and hung,
For the irredeemable,
And polyphemable,
People you thought weren't wrong?

You have a greater capacity to no give no d*mns to this
You have a greater rapacity than to make dams for this
Injustice.

From where I sit, I know I should offer
My wisdom and fears into the dead ******'s coffer
Did you think you could live this long
Beating your soul out, petrified and wrung,
For the irredeemable,
And polyphemable,
People you thought weren't wrong?
A reflection and reasoning written in an emo style on unrequited regard, letting how other people treat you or think of you determine your self-worth, and why trying to prove yourself and revenge are not options.
Bella Isaacs Sep 2022
It is literally only the cold now that bothers me:
I can hug my knees, feel warmth of the bowl of curry
That I warmed up for me and my girls. You fall in love
And I fall behind, I fall back. Move on and move
In and marry, sweet and twenty as you are, sweet and loving
As you are, who don't listen to Infinity on High shoving
The irony into the backseat, gazing at the lyrics' memories
Like a postcard collection on a corkboard. Ryan Ross could have cursed at me,
And I could have cursed like Kellin Quinn, but these are dead times now
To beat down with a combat boot in moving, as I row
With my personal indifference to the candles and the wedding bouquets,
To the political matches passing me by, the parties of croquet
That I decline to program, combat boots ever on the road,
On the road to being Her, a still concept without a goad
Towards what the fairytales say I should be - I'm a pop punk song:
I take no prisoners: Your definition's wrong.
Bella Isaacs Aug 2022
What, when my intellect was too much,
And brash beauty too little?
And I seemed cool to all touch,
Made of paper and spittle
Like the wasp's nest that I am
And admit it now, I do,
And goodness how I own it too,
"They do not like green eggs and ham."
You've got the wrong end of the tale:
I'm caviar, champagne, and bread,
But I, alas, am not for sale,
And I give love freely from my head.
What, when my name is written in the stars,
Will you remember how you said I had it all
And still was not enough? Could you curse scars
That never felt a wound, and fall
From a tree you never climbed? You fool,
You wise fool, for your ignorant wisdom,
And your Fortune's shroud is still my chrysom,
Yet for my rising are you still the ghoul,
And ever will be. And still, live unhurt,
For how could you know disappointment
From one who you never gave appointment
And opportunity to commit such a curt
And curious crime? As how could you know,
Inert as you are, the blessings that could rain
On you, who are so averse to pain,
That you wouldn't risk letting Eden go?
How can you laud or regret,
That which you did never get?
Past loves, past opportunities, you evidently knew something in your ignorance.
Bella Isaacs Aug 2022
If only I knew "mind over matter" in my heart
I should not be paying for my youthful sins
And my transgressions stand apart
From others, because I do not know the outs and ins
Of bars and flesh, but rather human character
And the confines of my mind

If only I knew that "a stitch in time saves nine"
As well as I know my hometown blind
How in my soul I knew that I would dine
Upon the mould of fruits of being kind
To nothing bearing even a love's spectre
I threw all warnings to the Wynd

And over the summer I have gained a new coat
I shun the cold of loneliness and pain
I seek not to hide from the iodine
Troubles no longer merit building a moat
I smile in the face of lions
I can take defeat upon my chin
I do not know its name within
Tomorrow ever has only more scions

But my sins come back to haunt me
The old moat crumbled inward, letting me know
I still look on his face, and it does daunt me
That I must pick up my tools that I may grow
Because the damage doesn't go, it only festers
To bite back later when I think I'm fine
Even with the mood of ten-score jesters
Taking down Hell is much a task divine.
Bella Isaacs Aug 2022
“Whilst often I do have the guts to write
Outrageous verse to pin for all to see
I sometimes do wish that on such a night
There might yet be some guts left within me
To write something that just you’d understand
Something that speaks and signs a tune unread
Tales of a time of no such “upper hand”
Notes of life within those once thought dead
And something realer than this pretend verse shows
In all its mad combining and design
Song text written down for modern freak shows
A paean for a thing that isn’t mine.”

Wrote the poet to the singer, who was in bed,
And who sighed in annoyance, and left him on read.
Bella Isaacs Aug 2022
Who am I, who lost so much to Love,
And lose much to Him still?
I stood on a pedestal above,
And crashed down from the windowsill.
Who am I, that for His sake lose time,
And wit, and manners, I,
Who could have given more to rhyme
That served me better? Fie!
Fie, fie, madam, rest your powers,
Deny that in those fruitless hours
You didn't sit by the radiator,
Cold for your lack of care, and to the heart,
Beaten by your own stern cruelty?
How like a gladiator
You sought your doom, for a greater part,
Called idle indulgent torture "duty"?
Deny the useless minutes spent
Searching for a sign in nothing.
Defy the fact, intently bent,
That you made Chaos "something".
Oh I, who on my knees did weep,
And sometimes dreamt revenge
Upon the object that my sleep
Abhorred, isn't it strange,
That all the blame in all this head-long history,
Should rest upon the wounded, me?
Because I cannot help but choose to love,
As my heart's mistress, though my fancies move
According to their spheres, but I
Could be less cruel to her whose hand does feed me,
I could be my own knight and wave imagined scoundrels
Into air, much less dream and die
Upon the sword I meant to cut the heart that could precede me
And mine. Life, I thought, gave me the mandrels,
But truth be so - Eros, oh errors,
I have bent my back in your service,
And by my own will,
For loved I truly, I should be whole still.
Bella Isaacs Aug 2022
What manner of a man is he,
Forgetting all the pain that he
Once caused a lady, thinks he's free
To ask, in no small words, "Love me"?

What manner of a lady, she,
Misreading a man's friendly plea
Asking comfort and company,
Compassion, is laughing freely?

No one's right, and no one's wrong,
She's a coquette, and he's not strong,
He's no fool, and she's no fox,
You can't fit either in a box.

What manner of a person, they
Who beat about the bush all day,
Who beat about the bush, that they,
Lose sight of all the truth?

What manner of a life is this?
She's merely waiting for a kiss,
He's waiting for Nirvana's bliss:
Arrested by hurt, pride, and youth.
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