I see black ones, white ones,
tall ones, short ones

the stops have no benches;
only signs, saying:

we stop here, to ****** you peasants
from the mean streets

some lean on the poles, weary
of waiting for their ride

or the winning lottery ticket
they dream of buying

others hunker, if their knees
still allow such a stance

or by chance, pride doesn't
keep them upright

the last one I saw was curled
in fetal repose

dead or just resting, preparing
for a new beginning?

I will never know, for I didn't
stop, at the bus stop

but I'm with them, traveling hope's
haggard, hapless highway

fine Furhman's Funeral Home
used the best alchemy money could
buy, to keep her flesh fresh

and a master seamstress
sewed her wicked wounds so not
a single soul could see

she was stabbed forty times
from her rubicund cheeks to her
pedicured toes

Furhman's was the best, above
the mediocre rest, in gifting mourners
with a pleasant view

when I got their bill in the mail
it had an itemized list, which included
a charge I had to contest

not because of penury or pettiness
for I am a wealthy weeping father, but
I couldn't see spending a red dime

for crimson polish they painted
on dead toes, slid in slick hose, and
hid in patent leather shoes

my wife said write a check for the
full amount, crying this was not about
what we the living could yet see

Baton Rouge, April, 1989

I felt this primal urge
This trance-like instinct
To set things right
In case I have to leave
Move on, so to speak

So
I took my jaundiced eye
And rolled it from corner to corner
Of this, my situation
And I felt so very small and hard
Lost in largeness
For cynicism is a tight thing
Which allows little movement
A strange kind of chastity

And then, you see
Changes
Honesty demanded that I see more
Grow, so to speak

And oh, my poor sore eyes
See how the children starve
All over this bitter world
This bitter, sickened world
And cynicism did this
Through the slack hands of millions
Who still refuse to believe
That things can be changed

                                    By Phil Roberts