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 Mar 2013 anna
Waverly
Untitled
 Mar 2013 anna
Waverly
Last night, a thump.
A body hurled, third floor.
Second floor doesn’t do that kind of thing.

It’s 2 am.
That time of night when people when wake up anyways.
Blue-dark like antifreeze.

I was hard trying to go to sleep.

My bank account’s been throttled by loans,
Bills, Coronas, Blunts, Girls.

They shut off the water.
I walked to the store and saw a friend.
Ashamed, I laughed,
Said I liked water. “Water like liquor
like Koolaid like fun. “

What I really meant was:
“Water like survival like broke like stupid.”

This girl operates in ideas,
Dances like a ballerina,
Acts like an actress,
And will probably get bored soon.

There’s one across town that knows her way
around a lollipop, calls me sweet,
wears red just the way I like it,
***** **** with both hands
and doubles over to her tiny knees to laugh.

The actress is less sustainable,
but I sustain thoughts about her more.

The thump, it interrupts,
Distorts a globular fantasy into a brilliantly skewed
Pixelated awakening.

Pixels drain out. Room
Clears of smoke. Velvet embalming begins, purple night quickens,
Halogen streetlights invade in battalions.
**** me.

There’s a girl with a rancid *****
I still love.

The electricity thrums.

I’ve never been humble;
Super-conscious.

I can hear second floor:
footsteps light like *** fear,
tipping to the nexus. To the spot
where some hurled
lies,
above even them.

Third floor gets down like that. I can’t be a hero.

I used to think it was second floor.

But they don’t get down like that.

If we shut off the power,
You’ve gotta pay.

I know, I know,
How much?

180.

Carlos used to live on third.
Wife took the kids and dipped,
That elephant footed baby,
And the mouse-footed teen.

Carlos brought all kinds up after that,
Muffin women with huge, roach eyes,
Emaciated blondes with seamounts running their spines,
Thick, buggy black girls with ***** I wanted to stick my **** all the way into.

Then he quit. Broke one day. Told me everything was mine if I went up there,
and he was gone.

Third Floor was there in two days.

Bruh, they caught u stealing.

How much?

Don’t know, they were just talking about it at work today.

****.

I watch way too much ****. Tonight,
I get ***** enough to burn holes in my palms.
Maybe it’s the fear and anger.

Third floor is not my problem.
 Mar 2013 anna
Pearly Whites
Five in the morning
she called me up
I'll be busy today
Could you take care of Whiskers
my cat?


Ain't nobody got time for that
I thought
I'll be there at 6
I said

Seven o'clock
I rang the doorbell
You're late
Have you ever taken care
of a cat before?


You should be glad I'm even at your door
I thought
Leave me a note, I'll be sleeping a few more hours
I said

Lunch time
I awoke with a jolt
What the ****
are you doing
scratching my ******* face?


And so I gave the cat a chase
I thought,
I didn't sign up for this.

Four in the afternoon
she called me up
I'll be home by five
Did you even look at
my note?


Could barely understand what you wrote
I thought
I didn't sign up for this
I said

Nobody forced you
She said

It's not like I had a choice
I thought
It's not like I had a choice
I said

Five on the dot
She rang the doorbell
Where's my little Whiskers?
Where's my baby?
Was the big bully mean to you?


Save your breath, the cat bid adieu
I thought
It's gone. I chased it out
I said

What the ****
she screamed
The **** did you do
she blamed
Where the **** is my cat?
she demanded

I freed Whiskers
I said

What the ****
she screamed
The **** did you do
she blamed
Don't you ******* love me anymore?
she demanded

No

Curiosity killed our love
and I freed Whiskers
ba-dum-tss (This work is pure fiction.)
 Mar 2013 anna
taylor roff
The
Perfect
Woman
She must have a hatred for the world
Deep
She must be an alcoholic
But in the romantic sense of the word
Only listens to one record
Only reads one book
Only looks threw one window
Has faith in death
But is skeptical of life
And she can ****
With a pure understanding of lust
Only eats when she needs to think
Only breaths when she needs to smoke
Has trouble finding a difference between love and greed
And when I look at her I have trouble finding a difference between love and envy.
 Mar 2013 anna
Keith J Collard
"Wow, what a mansion!"--Albert Wesker RE1


Gothic mansion, where every warrior lost it,
head, heart, and soul--as Faust did,
there walks a scientist who's blood is acid,
with glasses that turn to shade--death reactive.

" Who dares touch my holster" he says bombastic.
as walls evaginate victims, send out vines,
it is from Jesus' in the crowd--Mathew--his lines.
the sight of thorax, stinger and fang,
******* the slain,
do not phase him, for he is phase-less,
turn off receptors of pain, and all is pain-less.
A fallen teamate, still and a'swarm,
the black shades do not mourn,
as thorax crawls ontop of her
but laughs at the irony of a female,
impregnated with ovipositor.

He helped design those creatures,
and--he is her traitorous leader.

Howling night forest, awakens the staff,
as if they sleep facedown in saltwater tides,
shuffling and whale moaning, as if  harpooned--
going to lonely depths to die.
then there are the hunters, reptilian apes,
can open locked doors with skeleton claw,
move to quick in hallways,
why pump buttstock you saw.
Pepper the **** on the bed with full load,
with zombies fellating down to bone,
scream through your muzzle,
slide room apart in jigsaw puzzle.
then watch your six for the hunter,
it is stalking you, wants to put its foot on your face,
and dig in, then kick its leg--and rip off your skin.
retreat from hunters and faces bloated with cadaverine,
find a safe room to safely scream.
Sit down at the bar, pull scotch from its coffin,
on counter, rest pump and Colt python,
do not think of the things you will die from.
there are three darts in the bullseye,
in William Tell style,
but the board is in fashion of an atom,
with electrons in orbit,
the  numbers are the human genome,
and a surgical marksman has scored it.
He is Wesker, and this mansion is his tester,
blood and bone is both colors of his litmus,
horribles awaiting in dark room pay witness.
his muzzle flashlight's rooms with hot spark,
entry beats claw swing, shades now clear in dark.
they say in total black silence, one will go crazy,
from the sound of their heart.
but "My trigger that squeezes within,
charged from pupil's firing pin,
sweet semi-auto strokes of violin."
as he vaunts over dying beast,
and darkness returns to his shades,
from moon light through window,
reflecting knifes on wall from moon in wane.
he slicks back a loosed strand,
locks the door behind him, and continues with his plan.
" In my father's mansion are many rooms,
" I'll go prepare a room for you." he mocks, as he walks,
with parabellum hollow points and acid round glocks.
This is his mansion, he is Achilles loosing knees,
he is warrior and scholar, a student of Thucidydes.
team-mates--out air holes in jungle boot bleed,
blood seeping through pants--
olive drab uniform now fatigue.
rooms: blood grooves running down your bayonet--
traps-- channeling you to your death.
prop open  oaken door with knife, hope  it will hold,
walk to the far side of parlor,
the sound of medieval bolt.
door spits out knife,
just scream through keyhole.
The iron maiden taper is coming slowly,
do not let it go through non-vitals,
a slow way to die,
take it through frontal lobe behind eye.
alas a team-mate hears your screams,
in the sepulchal hall,
door swing, and out of deaths thrall.

Charley Mike: continue mission,
and paint the walls black,
with dead flesh backsplash,
gun or nerves jam, then die a ripping death,
smell a cannibals breath.
Be it known, the man in black and strap,
laughs off exposed rib cage slats,
with only a scrape to his pistol belt.

Enter the man in reactive shades,
Picture a alligator, calm, age old in the everglades.
One in the brain, and none in the chest,
those extra shots for rooks, without prowess.
" Wesker, you'll pay for this treachery," invoking Karma,
but the man in black measures her tears as he harms her.
So all that enter mansion portal,
and reach the basement, before becoming morsel,
finally catching up with Wesker,
no more trail of labotomized minds,
and jaws and eyes in epileptic shock,
from a calm trigger squeeze of glock.
Face to face with the master of the saxon race,
mastering gunpowder under the scope,
and you hear the hunters off distant,
primal howls and hissing.
Listen to what the man in black says,
the mortal contest is over,
and he has a virus to offer,
" Die here, and your death will be longer than your life,"
says the man, who's shooting hand is the reapers scythe.
" But live with this virus, and you will never die."
but watch the sun burn out in the sky."
You can refuse him, and face the nightmare creatures alone,
adding your skeleton to the calcium of mansion stone.
or take the virus that invaded the first cell,
invading mitochondria,
making 'other men' the meaning of hell.

" Come decide, lest I go prepare a room for you".--
From powder burns,  your tears are black,
eardrums ring from screaming contest of
chrome python against giant asp.
shoulder numb from combat loading shotgun,
thumbing shells straight to chamber--
almost cyclic.
blood in boots: not much fight left.
your friends are dead, and you answer,
" I rather die forever traitor, to rid the world of your cancer."

In my masters mansion, are many rooms,
dying, crying, moaning: eternal tombs.
how resident evil the movie should have felt.......I only cite the 96 video game, which only shared the setting with my poem.
 Mar 2013 anna
Ben
v3605
 Mar 2013 anna
Ben
two           pink          pills         float        me
head               above                 the                    endless                        clouds
i         sink               in           the        sky
 Mar 2013 anna
Allen Ginsberg
Drinking my tea
Without sugar-
    No difference.
                                        
The sparrow *****
    upside down
--ah! my brain & eggs
                                        
Mayan head in a
Pacific driftwood bole
--Someday I'll live in N.Y.
                        
Looking over my shoulder
my behind was covered
with cherry blossoms.
                                        
        Winter Haiku
I didn't know the names
of the flowers--now
my garden is gone.
                                        
I slapped the mosquito
and missed.
What made me do that?
                                        
Reading haiku
I am unhappy,
longing for the Nameless.
                                        
A frog floating
in the drugstore jar:
summer rain on grey pavements.
        (after Shiki)
                                        
On the porch
in my shorts;
auto lights in the rain.
                                        
Another year
has past-the world
is no different.
                                        
The first thing I looked for
in my old garden was
The Cherry Tree.
                                        
My old desk:
the first thing I looked for
in my house.
                                        
My early journal:
the first thing I found
in my old desk.
                                        
My mother's ghost:
the first thing I found
in the living room.
                                        
I quit shaving
but the eyes that glanced at me
remained in the mirror.
                                        
The madman
emerges from the movies:
the street at lunchtime.
                                        
Cities of boys
are in their graves,
and in this town...
                                        
Lying on my side
in the void:
the breath in my nose.
                                        
On the fifteenth floor
the dog chews a bone-
Screech of taxicabs.
                                        
A hardon in New York,
a boy
in San Fransisco.
                                        
The moon over the roof,
worms in the garden.
I rent this house.

[Haiku composed in the backyard cottage at 1624
Milvia Street, Berkeley 1955, while reading R.H.
Blyth's 4 volumes, "Haiku."]
 Mar 2013 anna
vircapio gale
Haiku:

hiking new forests
mountain homes of moss and dew
more roots deepen


berries ripe
dot taiga heath--
alien planet


yellow blazing sun
'packin'rocks'
from maine to georgia


pain born hero
in oven boots of blood and pus--
summit breeze


barefoot hiker
calls herself 'FearNot'--
toes enjoy same mud


snake rises up
fangs gleam at water lair
cold spring quenches all


***** at each view--
water comes in and goes out
like a filter


at waterfalls, swans
alighting air-- noble poise
on the way to sea


gunas intertwine
my sweet mountain hunger paths
bitter taste of bark


sour grass
garnish of an earthen tract
saliva honeyed


strands of spider flight --
i too catch myself making
web after web


"nature loves to hide"
hidden hermit roars of all
strife and fire flux


spider bite at dusk
afterswing of scenting food
shoo the meal away


change becomes the same--
people streams talking pixels
aging static web

symbols set in light
speed of optic living nodes;
clicking finger fibers


websites spin and stick
plastic tropical alphabets
ant waves clean the keys


fueling in process,
living fossils already
drilling seas--on earth


give or take six months,
happy birthday!
two seasons gone


Haibun:*

A mountain poet has come to the city, blisters pushing up his toenails. His smile spans 15 blocks of concrete and rebar. Strangers coo to see his sunshine gait but cough at his aroma. Hospitality is found after all, in parks and in the drunken streams from clubs gregarious for midnight novelties.

poet's apology--
not exactly 'myself' to
license gratitude
when time gifts symbols distance--
terror war towers still fall

Emergencies of all sorts force their way into my mind, as I live, sometimes as I write. Ambiguities serve as fulcrum nooks for meanings incompossible to hide, not being ready to share what can't be shared, obscurity offers the ineffable reprieve to be spoken nonetheless.

peering in the word--
sound signs meta symbol
witty sea of *****

property stings
abstract fights to earth
mixing labor

i found a haiku
on my coworker's desk--
where is the frog pond?

dad drinks alone--
photo recalls sunlit leaf
and beer can stare

opining fire false
freezing hearts with argument--
cold spring, winters warm

It is with the love of a child that I write, wincing harder into that self-given 'Indian-Burn' of cathartic fetish and psychological indulge. Where is maturity, and what use is it when faced with endless ground-zeros? Still open to answers, still unwilling to speak plainly or straight about the blanket crookedness and blissful meander that colors life most vividly. I imagine dacrygelosis understood.

thawing pond
creaks in headstand calm--
autumn air released

night's insight pierce
heralds migraine's ease--
gong of moon or sun

on dead wood, against
live trees, hours of *** by
mycelia blooms--
fragrant rot and sweat collide
skin spotted with forest sun

love signs everywhere--
two trunks spiraled
in a yellow wood

vocal awe resung
this is love! this is love!
deep summer fruit

rub of bark                      
vast forest sways across skin
                        naked expanse
 Mar 2013 anna
Ben
haiku dubstep
 Mar 2013 anna
Ben
wub Wub wUb Wub wub
dubstep bass drops! ****'s dank brah
wUb wub Wub wub wUb
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