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 Jul 2020
Christos Rigakos
I travel nightly to and fro on windswept sandy dunes,
and watch the far side of the moon, for it won't face me here.

I hear the Mourning Dove start sighing meloncholy tunes
in morning light, which starts too soon, and always finds me here.

I ponder life so quizzically, and contemplate the rhunes,
for I must never ask the Moon, whose silence chills me here.

Behind the glowing clouds that veil the fine majestic moon,
the bride awaits beloved groom, as I stand watching here.

"I am your mate, have you forgotten, my dear silent Moon?"
"We are a single flesh, in tune.  Why have you left me here?"

"Your face aloft and turned away, to stars you wail and croon,"
"and seek your other now lost Lune, while I am waiting here!"

Her farthest edges faintly glow. I'd pay to watch her swoon,
to my heart's rhythm late in June, yet I'm imprisoned here.

My chest, that swells by what I knew of times our love did bloom,
deflates remembering its doom, and I am stranded here.

"Too high to reach, in clouds cocooned, my far beloved Moon,
return to me on Earth and soon, or find my bones still here.

(C)2020, Christos Rigakos
Ghazal
 Dec 2019
Christos Rigakos
All who have come into our lives and left,
     have taken us with them and we of them.
     Though these are parts of which we are bereft,
     they've left within the imprints of a gem.
So priceless are the memories of when
     They crossed our five bridges to leave their mark
     Upon our hearts, adorning time called Then,
     That one mere thought of Then inflicts a spark:
A subtle rain, or storm of lightning arc,
     Across the carpet clouds in skies of mind,
     Flash long-gone faces smiling, glint or stark--
     These gem imprints in imprints left behind.
Although we are long broken, set apart,
In memories we'll always be one heart.

(C)2019, Christos Rigakos
Spenserian Sonnet
 Dec 2019
Christos Rigakos
Whither thou goest, hither or thither?
     Goest thou thither or nay?
Thou claimest thou goest far thither most farthest,
     yet hither thou art till this day.
For all thou proclaimest, when thou oft complainest,
     thou movest not one whit today.
I dare say thou puffest thy chest and thou bluffest,
     for this is thy passionate way.


(C)2019, Christos Rigakos
 Sep 2019
Christos Rigakos
When growing up I pushed away my father's molding hands,
     asserting I was different than he was and was my own,
     yet I allowed my friends to mold me, there I had been hewn,
     becoming them in function form and every fiber strand.
I disappointed him who spawned me from his very *****
     and saw me henceforth as a stranger living in his home.
     At last resigned to this demise he hid his hands and tone.
     I had betrayed my maker for a sack of thirty coins.
Far later I'd returned to him a prodigal old son,
     and hinted, showed and sang and danced his many favored tunes.
     Disinterested he questioned it.  No longer did he care.
These days I search my father's mind, though now it's surely gone,
     and seek those ancient treasures gone by very many moons,
     and wish he'd know that I am him though he's no longer there.

(C)2019, Christos Rigakos
Italian/Petrarchan Sonnet with Iambic Heptameter and altered rhyme scheme.
 Nov 2014
Christos Rigakos
JMK
he died in 1946
          his ghost somehow lives on
the echoes of his mental tricks
          have stayed though he be gone
and when the man was still alive
to make his master state to thrive
          he'd pen bad economics with his song

he'd split his time between his song
          and whispered recreation
for though his wail was mighty long
          it ran with innovation
he'd bring a promise of a toy
then ****** boys to bring him joy
          and scoffed at hints of fiery damnation

(C)2014, Christos Rigakos
Septet Naarative
 Nov 2014
Christos Rigakos
Upon this hill I plant the flag--
     Of every imp and scallywag,
rapscallion, rogue and rascal, knave--
      Whom kingdoms' laws could never save.

I gather every varlet, scamp,
      Around the bonfire of our camp,
And pass around the speaking torch,
      For storytelling tales that scorch,

To every sullied man, uncouth,
      Unwashed who smiles a scurvied tooth,
The scarlet-lettered harlot, *****,
      Who loves to scallygag her mensch,

The whoredom-loving scallyhag,
      Who trollops round the pirate's crag,
The tousle-haired and greasy scullion
      Cooking all a hot slumgullion,

And after tales of those unnerved,
      And scullion's slimy stew is served,
I toast a round of filthy ale,
      To all who live beyond the pale.


(C)2014, Christos Rigakos
 Nov 2014
Christos Rigakos
The normal way of life is such:
          the old give way to young.
To understand does not take much,
          explained in simple tongue:
Adults that love do procreate.
Their selves they form and replicate,
          continuing the song which they have sung.

The first into the world are first
          to leave the world behind.
They dry and shrivel in their thirst,
          are ground to dust and rind.
They find their solace in their spawn,
inside whose flesh they carry on
          their signatures, in place of their old mind.

The next await their counted turn,
          with shovel at the hand;
enjoy the lives which must adjourn
          into the unseen land.
Then find a mate to spawn their own,
before their own flesh from the bone
          departs into the dryness of the sand.

Yet once upon a blood red moon,
          the normalcy defers.
The next in line depart too soon,
          in snares of life's dark lures.
The first must intern on the shelves
of crypts the flesh that holds their selves,
          and taste what to the next this life confers.


(C)2014, Christos Rigakos
Septet Narrative

— The End —