All the valleys, green, rumpled
And cresting in their April dress
And all the creatures who live under,
They wade and stroke and dive,
I live high above in my light house,
Watching the ocean waves.

—and not simply by the fact that this shading of
forest cannot show the fragrance of balsam,
the gloom of cypresses,
is what I wish to prove.

When you and I were first in love we drove
to the borders of Connacht
and entered a wood there.

Look down you said: this was once a famine road.

I looked down at ivy and the scutch grass
rough-cast stone had
disappeared into as you told me
in the second winter of their ordeal, in

1847, when the crop had failed twice,
Relief Committees gave
the starving Irish such roads to build.

Where they died, there the road ended

and ends still and when I take down
the map of this island, it is never so
I can say here is
the masterful, the apt rendering of
the spherical as flat, nor
an ingenious design which persuades a curve
into a plane,
but to tell myself again that

the line which says woodland and cries hunger
and gives out among sweet pine and cypress,
and finds no horizon

will not be there.

It is December in Wicklow:
Alders dripping, birches
Inheriting the last light,
The ash tree cold to look at.

A comet that was lost
Should be visible at sunset,
Those million tons of light
Like a glimmer of haws and rose-hips,

And I sometimes see a falling star.
If I could come on meteorite!
Instead I walk through damp leaves,
Husks, the spent flukes of autumn,

Imagining a hero
On some muddy compound,
His gift like a slingstone
Whirled for the desperate.

How did I end up like this?
I often think of my friends'
Beautiful prismatic counselling
And the anvil brains of some who hate me

As I sit weighing and weighing
My responsible tristia.
For what? For the ear? For the people?
For what is said behind-backs?

Rain comes down through the alders,
Its low conductive voices
Mutter about let-downs and erosions
And yet each drop recalls

The diamond absolutes.
I am neither internee nor informer;
An inner émigré, grown long-haired
And thoughtful; a wood-kerne

Escaped from the massacre,
Taking protective colouring
From bole and bark, feeling
Every wind that blows;

Who, blowing up these sparks
For their meagre heat, have missed
The once-in-a-lifetime portent,
The comet's pulsing rose.

The tightness and the nilness round that space
when the car stops in the road, the troops inspect
its make and number and, as one bends his face

towards your window, you catch sight of more
on a hill beyond, eyeing with intent
down cradled guns that hold you under cover

and everything is pure interrogation
until a rifle motions and you move
with guarded unconcerned acceleration—

a little emptier, a little spent
as always by that quiver in the self,
subjugated, yes, and obedient.

So you drive on to the frontier of writing
where it happens again. The guns on tripods;
the sergeant with his on-off mike repeating

data about you, waiting for the squawk
of clearance; the marksman training down
out of the sun upon you like a hawk.

And suddenly you're through, arraigned yet freed,
as if you'd passed from behind a waterfall
on the black current of a tarmac road

past armor-plated vehicles, out between
the posted soldiers flowing and receding
like tree shadows into the polished windscreen.

Down stucco sidestreets,
Where light is pewter
And afternoon mist
Brings lights on in shops
Above race-guides and rosaries,
A funeral passes.

The hearse is ahead,
But after there follows
A troop of streetwalkers
In wide flowered hats,
Leg-of-mutton sleeves,
And ankle-length dresses.

There is an air of great friendliness,
As if they were honouring
One they were fond of;
Some caper a few steps,
Skirts held skilfully
(Someone claps time),

And of great sadness also.
As they wend away
A voice is heard singing
Of Kitty, or Katy,
As if the name meant once
All love, all beauty.

Slowly i am walking myself to the place we used to go
The memories suddenly attack me like a foe
I know these trees, i know this river. I feel the earth beneath my trembling feet.
I smell the air wrapping its ancient melody around me so sweet.

I have been to many places
I have seen so many faces
From town to town i have roamed
Even a greenfinch remembers to fly back home

In my Father's dwelling i lay my body
My life is just another parody

By this river i look at my own reflection
I see a man telling me his stories and affection.
A long time ago, when i was a young man, i found love.
A love for me to always be proud of

Before this earth i feel so young
I know some songs will always remain unsung
But i had sung to you all the songs of my youth
Those days when your pain i soothed

My days are slowly numbered
i hold the emptiness right next to me gently, my love, i do not want to disturb your slumber.
I am not really walking all by myself i know
I can feel your warm breath on my skin like a far away row.

Know, that I would accounted be
True brother of a company
That sang, to sweeten Ireland's wrong,
Ballad and story, rann and song;
Nor be I any less of them,
Because the red-rose-bordered hem
Of her, whose history began
Before God made the angelic clan,
Trails all about the written page.
When Time began to rant and rage
The measure of her flying feet
Made Ireland's heart hegin to beat;
And Time bade all his candles flare
To light a measure here and there;
And may the thoughts of Ireland brood
Upon a measured guietude.
Nor may I less be counted one
With Davis, Mangan, Ferguson,
Because, to him who ponders well,
My rhymes more than their rhyming tell
Of things discovered in the deep,
Where only body's laid asleep.
For the elemental creatures go
About my table to and fro,
That hurry from unmeasured mind
To rant and rage in flood and wind,
Yet he who treads in measured ways
May surely barter gaze for gaze.
Man ever journeys on with them
After the red-rose-bordered hem.
Ah, faerics, dancing under the moon,
A Druid land, a Druid tune!
While still I may, I write for you
The love I lived, the dream I knew.
From our birthday, until we die,
Is but the winking of an eye;
And we, our singing and our love,
What measurer Time has lit above,
And all benighted things that go
About my table to and fro,
Are passing on to where may be,
In truth's consuming ecstasy,
No place for love and dream at all;
For God goes by with white footfall.
I cast my heart into my rhymes,
That you, in the dim coming times,
May know how my heart went with them
After the red-rose-bordered hem.

Fluid like the Guinness that flows from the oil rust taps, rapid and white battered. It laps quickly between every bridges thigh, whining as waves do in captivity. The air is thick and dewy in the Galway harbor. Each breath tastes saltier than the next. The rush, the rapid race signals the open sea. Spring could not come sooner than is demanded. Still six old rust stained fishing boats bob along the mossy stonewall. Untouched. The flow churns quicker; the longer the eye stands in gaze. A ***** yellow sign signals caution –a stolen ringbouy, a stolen life. And there amid the unrest I like to rest and reflect beside fettered waters whose tempest surface hides my face.

I am not alone,
the troubled waters
call my name.

I want to dance in Ireland
in crowded pubs with rose-faced men
drinking my sanity with whisky, wine or gin.

I’d listen to angelic brogues spin
cherished tales, which they’ll profess yet again
oh, how I want to dance in Ireland,

amidst such folks I call my kin
whose natural pride is celebrated then
I will drink back my sanity with whisky, wine or gin.

my euphoric state of ecstasy will win
my senses from my limbs like a nervous linemen
yet, I want to dance in Ireland.

like the rest of my swaggering friends
I hope to be three sheets to the wind.
for I will drink my sanity with whiskey, wine or gin.

and in good company my lips will curl to grin
certain of such happiness when
life has brought me Irishmen
thankful to finally dance in my sweet Ireland.