She took an offered word—
Raveled in shame, gave it new
Meaning, made just for him.

He drowned a sorrow in temples
Of the mind and shroud of brow,
Verily, she was not amused.

Her fine hands are gentle
With lithe and spiny fingers
Of bone and fin.

Her eyes are opal,
Essence of emerald and topaz,
A hoard of treasure.

Her hair is sea gathering
And dances in the blue currents
Deadly as the sea snake.

Her skin is coral,
Made of mineral and sorcery,
A fatal beacon.

Her lips are urchin,
Set in a whirlpool of face,
A spiral of doom.

Her voice is dream,
Rocking the lost wrecked ships,
Ground into sand.

Her long tail is fable
Of paradise, beyond faraway seas,
Cyclones and waves.

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

Let's friend on Facebook,
Digital narcissism  .  .  .
Quick deaths of touching.

Eyes, orb as exploding stars,
Weighted light of hair rushing,
Held extremities, nimbus limbs,
Eons' spring, singularity crushing.

A tin cat plays guitar on the fires mantle,
The Eiffel tower is knitted to the wall
And trade paper books are loosely strewn,
Dropped about the french coffee table.
The poet, pearling with snowcapped eyes,
Filtering words on ivory keys he knows
The burled wood piano is not yet playing.

Backward-man loves his dog.
Ties him up before and after
His walks, likes to goad his pet
Too, speaking as the weather wails
And howls then dog looks down,
Sad on his master dumbfounded.
A chain is worn as it scrapes
The ground connecting dog
To his master.  They both love
The sound of it hissing as it strikes
The concrete pathways, sometimes
Man and dog feel free, not a part
Of each other, the chain may break,
And fear is for forks in the road,
The rusty pockmarked grip of his links
Have always been there on walks
Ahead and behind though it makes
Things confusing as if in a dance
And sometimes they wonder which way
They might end up after all—
And when the dark and golden
Rope, as always, is finally tied
To some old fruit tree, the man
Is happy his dog has both sun
And shade, but also has joy watching
Dog beg for ripe apples he cannot
Reach.  Some people might come
To think that dog thinks those apples
Are not for eating.  Everyone loves
Fruit, don't they?

Backward-man built his dog
A house as cold as a three-
Storied barn, out of things
He could not afford, things much
Too good for dog to not care
About, maybe man built dog's
House for himself, he cannot
Really impress his dog.
Backward-man likes to think
He knows what dog is saying.
Barks and whimpers have deep
Meanings, 'world is a good place,'
Dog says, but when pooch says,
'World is cruel,' crying, disobedient
Whines gets him a serious kick
Out of old anger from backward-
Man.  And man can be a hell-
Hound on his own, the way
He twists and unravels the things
He needs, like truth and food
And love— that goes without
Saying for backward-man hates
His woman, but loves his dog.

Take this vesper and drink to glorious time,
Smolder and ride on golden chariots of fire,
Run with burgeoning seas, of child and wine,
Have your fill of flesh, plays among the stars.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

If I said I want you,
Would you run and tell the stars
To close their eyes and ring dry
The clouds of tears?

If I said let me hold you,
Would the earth crack open,
To shudder the rolling lands,
Not cradle the hatching seeds?

If I said I am yours,
Would your name soon dissolve
And be lost in the revolving
Night that candles you in light?

If I heard your voice,
In twining dream and woke
Beside you talking in your sleep
What would your question be?

If I called your name,
Before the first sunning year
And heard you, Echo in the wind,
Would time guide us to the door?

IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”

Winged caterpillar
That frees my soul,
Sets my mind to dreaming,
How the hand of man
Out plays the God,
Makes love
To its master.
With fondled fingers, you paint
A dumb firmament, the way
Light dazzles as it breaks
Or how the itching rain
Taps a teasing melody as it falls
To the lover ground.

Beloved of Orpheus
Whose wove you coiled in-
Vents a garment of bird song loom,
Content my breath
The way that water wells
And lolls into puddles
Nesting not before the hot,
Harpy steam.

O melodious pool,
Undulating lake, frame
To emotive vapours, without
Ship you ply in wakes.
The oarsman plucks the main,
Your body is the sail,
Drunkard winds and warblers,
Blow hard, but fail my ears,
Atone as well, the wretched sounds of day
For they are sour spells, and but a fools
Trash canned movements, in a state
So needy of weeding,
Mere sound is soiled
The way you rake.

Evolution spreads,
As stones do,
When moves the river bed,
Grace, in violence,
Sparkles as it blooms,
Like an ears creation—
Rose on the tomb.

Grizzled-brown sound of tuba walking,
            In the way of circles you wobble step, inverse,
                        As does a broken waltz, bearly graceful.

You sniff your way a crush alpine meadows
            And making sense for you are lowly berries,
                        Rude as any intruder might be in the foothills

Of the Gods.  'More wine for the great Polyphemus,'
            Say the drunk brambles, brighty doomed sailors
                        All a wash by behemothing jaws which hang

Them over.  Yet Ursa, if in minor you must play
            By the cosmos' stilted view, great major, it is they
                        Who glare more distant, as if you really cared.