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 Sep 2013
Seán Mac Falls
The hills beneath him stretched out like the curves of women.  Bent
to the clouds he fell from the earth which geared him prickly as would
a range of *******, then soaring higher, he dived, topping valleys
reshaped downy now into ridges slowly writhed before catching
under toe his own dazzled stare on a water loch of milk and coal-
haired body strewn out to her lily'd bones and still falling, he dropped
to the break of morn dribbling wet sand from his eyes and woke
in the sparring light of his least favourite day.
        In a grainish and utter room, where hanged more than two
pictures of two people, he sank down to Sunday diminished in sighs
from the four tilting walls and blew dead inward unfolding a book.
As he reached for some volume, a baby finger nicked the hair string
of his guitar and for a moment was reminded of her voice in the bedded
vibrations.  Looking on her curves she felt the soft nape of her neck
with his eyes, then those same eyes unhanded her and she, his
dejected guitar, faced him unsung in the cornered glare of his boxed
in room.  He felt frost in throes all that morning and sideways out
of doors— the sun looked back on him even colder.  It would be hours
now until the end of days, so after lunch he went for a walk and a bird
sang nearly the whole way.

  .  .  .  .  .  .  .

It was much warmer than he had fared it to be outside and having wrestled
with this idea, that the day was somehow harder than his soft, flat room,
the mere remembering was rote by him to his pangs.  He turned, thinking
toward other things, like the void of driven streets or the mimicking cruelty
of shadows, until he saw a sullen field and left the road to dust.  He knew
that if lost, walking through the lofted hills, he would end up in the ocean
so he headed higher to the crest and over then saw a stand of trees.
        And facing the water that rilled on its way, in the tall grasses he saw
patches of red, flying with the black birds and his heart, in a boat of swells,
traveled like the red patches those birds carried.  Snowed on alder trees
brushed by him, but the wind was blowing in from the west and there
were beautiful things to behold.  A red-tailed hawk striped the ceiling
of his day by the sea and built an island to his eye and then his head sank
droning into a syndrome of birds as he joined in silence with them all
singing;
        'ta— hee— tae.'      
        Showers of poppies spilled to his heel and the keel-brew of rushes and rain
tasted purple on its way perning to the sky.  At one stop in the middle of his
path, he came upon a purfled coil, a briar snake, its body shaped in question,
unmoved and long.  The dark Orphic frieze, branding his way, it would not
listen, as if she had always been there, deaf to his song.  He felt the loss
of love by echoes from his room in the out of doors.  The drumming trunks,
the stringing leaves harping and the water that gurgled by stones into poems.
A Northerly blew begrudging the trunks, the leaves and the stones and by
the woods sinking taller he felt rushes of time running as breath through
gusty trees and felt chimes of things flying buttery like feathers to a bell.

  .  .  .  .  .  .  .
 Sep 2013
Seán Mac Falls
Lovers entered a forbidden forest bower,
And as they stalked that range, with eyes glazed,
She offered up her hind. Now, with doe eyes,
Deep as his, deep in arousal's sleep, heels fell,
As he knocked and pulled her dark honey hair
And whispered, surrender, into wanting ears,
Softly he drove his hunting command, homing
To his huntress.

Her body braced, yet bade, with heat and vibrance.
Ruthlessly, he ****** his arrow deeper and then
Once more and then again.  She bucked fiercely
And defiant, goading his prodding lance ever more
Ever longer, and parting the pink lines of her white
Rose, he was, and once again, Prince to the dark
Dominion of her quarters.

In the middle of this carnal match they paused.
And looking into the forest beyond they saw
A yearling fawn, a feral Goddess, grazing still,
Bathing in a vale, virginal, wholly unmoved
By their act of venery, lustfully playing, in the innocent
Leaves.  It was as if they were among her kin, a gentle
Doe and a noble stag. From that moment on
The human hunters did not speak.

Falling, again, rolling eyes were deep in arousal's sleep.
Her back was a crescent moon pocked and wet with dew.
He could feel her heart beating in time with his piercing
Prong, her arching back glistened in the suns spittle
As it broke through the dark and vernal ceiling wood.

In the final shot her quivering buck lowered and broke
And a sound not heard, made a scene, a sweet murmuring
Shuddered and sank onto the floor of the forest leaves
With her tale, taken and told, her breathless breath,
Her nostrils cold and her heated and lanced openings
Dripping, draining; here was a New World’s beginning.

Sated, solemn and softly quaking, his woman sweetly laid,
And now, doomed with her doe eyes, two lovers, fated, made;
She glowed, divine, like the rolling brook that mellowed
Slow, in the vine-dark and golden forest stable,
In Artemis’s wood.
 Sep 2013
Seán Mac Falls
Water nymph, you are the gentle wind
Bursting the daisy, your eyes, are bells
Of blue echinacea spiriting the light—
Echoing sound which water makes, ring
The laureled forest leaves in cathedrals
Newly sprung of pews, meadows, spark,
The dance of bees, who trace your honey
Scent in combs of ambrosia and sunshine.
The miraculous waters are floored under
Your white, lily petals of feet, your nests
Of hair are embracing tendrils of the wild
Grape, wine and sweet, long forgetfulness.
Maid of the wood, daughter to the moon;
Are you of Elysium or temptress of doom?
 Sep 2013
Seán Mac Falls
Following his nose—
Fox slinks in humble repose,
  .  .  .  Wild goose is cooked.
 Sep 2013
Seán Mac Falls
Weighty lightness, solid levity,
Primordial soup,
Some ancient rite, draws me
To the foam.
Its celestial colour,
Its effervescent overflowing,
How it teases my buds,

Not like water,
Like honey
As an insect encased
In amber
I am within,
The tears of sunshine
And Olympian folly.

On dry days
I seek the incendiary agent,
Brooding bout,
Pint-sized, el niño
And his brews
Come soaring
After the downpour,
As high-tiding winds,
That **** contented days
And spin spirals round
Cups of complacent
Hours, the whine
Eternal,

Only seems
Like spilling
Blood.
Draw me, the dram.
The dram of what?
Ale's the thing!

Falling,
Overboard,
No drowning man was so ever
Esteemed,
Ever so buoyant.

How the vessel becomes
His captain.
 Sep 2013
Seán Mac Falls
I did not look back following the light.  
As copper chimed in the rooting cellar
Of the morn, my heart muffled in delight,
Still in shroud, my father farmed the water.
Set his son to love and the kindred waters,
That man of fire swelled, plumbed with pride,
Made of self, stride and hollow pipes to solder  
His starry hands and elbows panicle the sky,  
But I, being water sign, a young Orpheus
Born in the underworld, found music and words
And maidens of air and earth and wanderlust
To the sun I ran, my fathers call not heard.
I did not look back following the light
Until my love called delivering the night.
 Sep 2013
Seán Mac Falls
Third had grace, loveliest, angels face,
Second had music and long, lithest form,
The first was a lark, one amorous affair,
All three are now but phantasm, dream,
The forests dark, memory— lost to me.
 Sep 2013
Seán Mac Falls
Garden speaks to me,
Simple tale— all in one day,
Flowers follow sun.
 Sep 2013
Seán Mac Falls
In the house of the unsaid
Tears are glass beads that drop
The ***** on the bone china

Blood spittles the lips, hair
Raises the dead the cut
Rosary roils and dents

Harmony’s rumour spouts
In the sink. The clock’s twitching
Strikes a mongoosed hour.

And the scattered stations run
The rude wood splinters
As the unsaying are floored

Clouded eyes pain the glass
Outside the house, bare
Trees are leaved with ravens.
 Sep 2013
Seán Mac Falls
The sea gulls— who fly in wanton
To the horizon, are a spirits
calling, are sea songs falling
To my mind they falter— as I
Have known such cozen to the sun
That falls each day nor do I see
It rising.  My world is weighted,
Under, pass the lining of the quick,
By the mounted cloud which hangs silver
Over the plated night. The owl,
Whose eyes of Janus tails, when wanes
The lids, tied to crescent holey
Whelm of malevolent moon,

Praise over me, with wooly wings,
Is silent as shadow.  I may strut or run
But they do come as the shadows will
With cahooting sun, and the blotting
Bald faced moon, chiaroscuro—
The days feign and heaven pales under
The wake of the luna sea.

       In darkest daylight
I shamble toward the flat horizon
Where the seabirds fly, till their ends,
I take two-faced my faulty comfort
As I see them, falter, falling, yet never
Do they touch the gloaming ground.
 Aug 2013
Seán Mac Falls
In rows like crumpled paper set,
The way one might design a brooch,
There sets a sparkle down so purely
Capital, beyond reproach and sure
She is the blackest flea who sits
Upon an old green dog, now should

You query, her name's a pond.  In Gaelic
It's pronounced: Baile Átha Cliath—
But in Irish she's plain, mightily named,
Dublin.  Where broods the dove, linnet
And swan.  Now take them pi'jons, they got
Dank habits and linnets lament the silent

Stones.  Sure, the goose gave out and took
To the air, but the swans, they've landed,
To roost, enchanted as 'Children of Lir,'
And so becomes a changeling child's
Fair city, for in her anointed proximity,
Gracious white birds do bathe and molt,

Supplied as I can tell, she looks black-
Pooled in clusters, long side her creases.
Stout nectar flows in near every nook
And cranny, but yer man, he's never
Busy, that malty fish, daftly avoids,
Swimming spirals round like buggies

Do on petals, he'd rather grace gardens
By drinking their dew.  O Dublin town,
She wends her ways and rows her houses
Round-a-bout on cobbled shores in tribute
To sprite, deary and fey, Anna Livia—
Who like a stem of blood, stabs right

To the heart of Dublin Bay— and proud
As a crowned thorny, who once had reeked,
She's bloomed large, into one grandeous
Beauty, like a céilí so finely fiddled—
A sandy, spirited, bombastic beach-
Flower, she is, a flag so fitting upon

The doons.  In dream, I flocked to her
Like the wild geese and saw her coy'd
Repose and there I spied, from mackerel
Skies— one monstrous, Irish rose!
Baile Átha Cliath is the Irish Gaelic (gaeilge) for Dublin (the capital city of Ireland). Translated into English it means The Town Of The Hurdled Ford (Baile = Town, Átha = Ford, Cliath = Hurdle).

Anna Livia, Anna Liffey, The Liffey (An Life in Irish) is a river in Ireland, which flows through the centre of Dublin.  The river was previously named An Ruirthech, meaning "fast (or strong) runner".  The word Liphe (or Life) referred originally to the name of the plain through which the river ran, but eventually came to refer to the river itself.  It was also known as the Anna Liffey.

In modern usage, a céilí (pronounced: Kay-lee) or céilidh is a traditional Gaelic social gathering, which usually involves playing Gaelic folk music and dancing. It originated in Ireland and Scotland, but is now common throughout the Irish and Scottish diasporas.
 Aug 2013
Seán Mac Falls
I have come to the temple
Of your body.  I kneel and prey
Like a sinner.  The holy water
Beads low on your forbidden
Tabernacle, sears my touch
In cleansing flame, what I do
And what will be done is all
For unrepentant confessions
And penances.  Let me truly
Learn the sacraments of flesh
Before I bathe in your wicked
Innocence and commit my sin
At being mortal in your nimbus
Chambers, let the mercies rain
After the fall of my fellowing
Creature, for this night is blood
Sabbath, and sacrilege under
A Pagan moon and let the dawn
In the rising sun of mute morning
Be my absolution, our benediction,
Let the moving waters enfold us,
Pure as lambs, as washed babes,
Baptismal.
 Aug 2013
Seán Mac Falls
Caged hands
Fumble,
Eye teeth, nick
*******,
Toes, tumblers,
Unlocking
Combinations of two,
Nose to ear,
Fingers printing
Smear,
Tongues, tasting
Freedom,
Jailed
In clothing's
Night.
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