Submit your work, meet writers and drop the ads. Become a member
There's a keen and grim old huntsman
On a horse as white as snow;
Sometimes he is very swift
And sometimes he is slow.
But he never is at fault,
For he always hunts at view
And he rides without a halt
After you.

The huntsman's name is Death,
His horse's name is Time;
He is coming, he is coming
As I sit and write this rhyme;
He is coming, he is coming,
As you read the rhyme I write;
You can hear the hoof's low drumming
Day and night.

You can hear the distant drumming
As the clock goes tick-a-tack,
And the chiming of the hours
Is the music of his pack.
You may hardly note their growling
Underneath the noonday sun,
But at night you hear them howling
As they run.

And they never check or falter
For they never miss their ****;
Seasons change and systems alter,
But the hunt is running still.
Hark! the evening chime is playing,
O'er the long grey town it peals;
Don't you hear the death-hound baying
At your heels?

Where is there an earth or burrow?
Where a cover left for you?
A year, a week, perhaps to-morrow
Brings the Huntsman's death halloo!
Day by day he gains upon us,
And the most that we can claim
Is that when the hounds are on us
We die game.

And somewhere dwells the Master,
By whom it was decreed;
He sent the savage huntsman,
He bred the snow-white steed.
These hounds which run for ever,
He set them on your track;
He hears you scream, but never
Calls them back.

He does not heed our suing,
We never see his face;
He hunts to our undoing,
We thank him for the chase.
We thank him and we flatter,
We hope -- because we must --
But have we cause? No matter!
Let us trust!
 Oct 2010
JMG
Eyes glowing in the dark.
Not just two, but six glowing eyes.
There movements are identical,
Each to the other.
For those were not the eyes of three beasts,
But one beast with three heads.
For your sake and that of others,
I suggest that you avoid this three headed beast.

You might never cross his path.
But understand that if you do,
You will no longer be in control.
You will succumb to the powers of this beast.

Devour not one, but three intertwined souls,
And capture a magic that few may possess.
This three headed beast makes soldier's into lunch.
They're no match for him.

Beware,
He will forever lurk in the shadows.
Pray that you never become Prey.
JG, 2010
 Oct 2010
iris gurganus
the darkness is a friend
the darkness is a foe
it protect me from the light and keeps me whole
as the darkness grows t feel more alone
yet part of me is drawn to the light
the light stings my eyes and burns my flesh
i return to the darkness and this is where  i will remain till im ready for the light
 Oct 2010
Louisa May Alcott
Oft, in the silence of the night,
When the lonely moon rides high,
When wintry winds are whistling,
And we hear the owl's shrill cry,
In the quiet, dusky chamber,
By the flickering firelight,
Rising up between two sleepers,
Comes a spirit all in white.

A winsome little ghost it is,
Rosy-cheeked, and bright of eye;
With yellow curls all breaking loose
From the small cap pushed awry.
Up it climbs among the pillows,
For the 'big dark' brings no dread,
And a baby's boundless fancy
Makes a kingdom of a bed.

A fearless little ghost it is;
Safe the night seems as the day;
The moon is but a gentle face,
And the sighing winds are gay.
The solitude is full of friends,
And the hour brings no regrets;
For, in this happy little soul,
Shines a sun that never sets.

A merry little ghost it is,
Dancing gayly by itself,
On the flowery counterpane,
Like a tricksy household elf;
Nodding to the fitful shadows,
As they flicker on the wall;
Talking to familiar pictures,
Mimicking the owl's shrill call.

A thoughtful little ghost if is;
And, when lonely gambols tire,
With chubby hands on chubby knees,
It sits winking at the fire.
Fancies innocent and lovely
Shine before those baby-eyes, -
Endless fields of dandelions,
Brooks, and birds, and butterflies.

A loving little ghost it is:
When crept into its nest,
Its hand on father's shoulder laid,
Its head on mother's breast,
It watches each familiar face,
With a tranquil, trusting eye;
And, like a sleepy little bird,
Sings its own soft lullaby.

Then those who feigned to sleep before,
Lest baby play till dawn,
Wake and watch their folded flower -
Little rose without a thorn.
And, in the silence of the night,
The hearts that love it most
Pray tenderly above its sleep,
'God bless our little ghost!'
PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort
Darkness had fallen over as the minutes crawled
Far down the road to belief
Standing on a small covered porch I saw
His painful lines of strain
Turn into relief

A handful might have suspected, turned on all the lights
Seen the streak of dirt on his forehead
How his eyes happened to seek out the night
Real fear shot through my breast
Then quickly spread

I knew if I tried to stop him, said a single word at all
No one else could see his fraying edge
They turned away from the vision, but I can recall
Something hauntingly familiar
Crying from a ledge

Air burned into my lungs as I gasped for breath
A silent scream struggled within
Darkness had fallen over spilling into death
The road to belief was drawn closer
As I remembered then

His eyes, happened to seek me out the night
He pushed me over the ledge
Now he has returned to turn off all my lights
And no one suspects
His fraying edge

*Happy Halloween
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
 Oct 2010
Louis Brown
When hills are on my mind
I think Mt. Everest
Where snow caps brush the sky
Up past the eagles nest

Some feel desire to go
To climb the Matterhorn
Some love the history
Of the seven hills of Rome

But there's a hill much better known
It's not beautiful or high
Not famous for its ruins..
But one condemned to die

They say God's Son was there
And that lonesome road was hard
But He gave His all for man
And He made us sons of God
Copyright Louis Brown
 Oct 2010
D Conors
Dark:
http://beautyineverything.com/5059332377

Dark, her name is
Dark.
She
is bourne of the
pitch-black darkness,
the darkest parts
of the shadows,
the starkest parts of the heart,
is Dark.

She is here now, is Dark,
and now the horror will start.
d.
10 oct. 10
 Oct 2010
Methy Architabel
2010-Contest: HORROR & FANTASY FICTION
Creeping down the decrepit stairwell,
Dust rising under my bare feet.
Fearing I will become a victim clutched by the night.

Slowly dragging my tortured, mangled leg,
I journey quietly, holding back tears,
Pausing by doorways, to deep darkened rooms.

Listening intently to every sound,
Sure it will be the last I ever hear.
Before I'm dragged to the deepest corners
Of my fertile mind, working in overdrive,
Conjuring images, I'm too frightened to admit are my own.

Having taken part in terrors of my past,
My mind rushes from one to the next as I progress
Finding my way through this deep maze,
Like the sweat of fear trickling down my back.
Bringing shivers in this hot, humid hell.

Making my way through doors,
Wooden floors creaking under foot.
Senses heightened by sheer terror,
Webs, brushing my cheek, creating panic in my mind,
Small hairs standing on end, hair that at any other time
I would be totally unaware of.

Rasping voices whispering,
In every deep, dank recess.
Telling me to run, begone,
Stop disturbing this expectant silence,
Inviting fear, agony, and hopelessness.

And there, before me, the essence of this dreaded night,
Waiting patiently for me to approach as it knew I would.
Every instinct I have telling me to flee,
But the inevitability of this final meeting prevents me.

Looking upon me as though an irritating diversion from its languid stupor.
A shell of my former self turned wretched by the agonies of life's misfortune.

This reflection, does it, does it.........lie?
How can that be me?  This soulless, evil thing.
Vile hideousness, even a mother would destroy,
Borne of a past, littered with the remains of victims and perpetrators,
Refuse scattered along the highway of an unsavory life.

And yet, tis truth I see, wavering before me in this warped looking glass,
Wretched self loathing pounds at the shreds of my being,
As I recognize myself for what I have become.

Grotesque in form and feature, soulless, pitiless,
possessed of a demented mind, in which others
appear deranged, not quite human, unrecognizable.
Inciting fear and outrage in my tortured, senseless brain.

Refuge from this madness is all I seek
Relief from the visage of myself unveiled.
At last, with a final stroke, the voices silenced
Solace for a mind now gone.
Frightful night
Eerie wind
No man on sight
Life no hint
The lone walker
On country side
The cemetery near
From wall behind
Heard words clear:

‘One for you
One for me!’
‘One for you
One for me!’
Rugged an’ rough
In tone repeat

Startled he stopped
Looked around
No one is seen
Moon missing
Awe; serene;
Stars hiding
Silence reigned!

Close he moved
Near shadow trees;
Wall inside
He now peeped
Darkness pierced
Breath dared!
What be there?
Two shadows weird!
Two Satan’s aids
Sharing souls?
Just released?

Repeating words
Suddenly stopped
Jackals howled
Far echoed!
Something heard
A thudding sound?

A voice now harsh
Came out rash:
‘The one there at
The entrance gate
I take; you wait
For the next in sight’!

Overheard he
Ran for life
No time to waste
Till another dies!

Few moments late
Two shadows moved;
Out of the gate
Two rag-men they
Came to sight
Picked up one
An apple there!
And walked straight…
Be one young or old, death casts its own spell on all...its charm frightening and awe-inspiring...
 Oct 2010
D Conors
(O Fortuna! had re-gained popular attention when it was chosen as the theme song for the film, The Omen, the story of a child who was the Anti-Christ.
The entire performance of Orff's Carmina Burana is gripping and spine-chilling. I had the pleasure of watching it from a box seat the the Broward Centre for the Performing Arts back in 1999, played by the Florida Philharmonic (defunct) led by maestro James Judd--it terrified me so much I couldn't sleep for days!-D)

1. O Fortuna (Chorus) (O Fortune)

O Fortuna O Fortune,
velut luna like the moon
statu variabilis, you are changeable,
semper crescis ever waxing
aut decrescis; and waning;
vita detestabilis hateful life
nunc obdurat first oppresses
et tunc curat and then soothes
ludo mentis aciem, as fancy takes it;
egestatem, poverty
potestatem and power
dissolvit ut glaciem. it melts them like ice.
Sors immanis Fate - monstrous
et inanis, and empty,
rota tu volubilis, you whirling wheel,
status malus, you are malevolent,
vana salus well-being is vain
semper dissolubilis, and always fades to nothing,
obumbrata shadowed
et velata and veiled
michi quoque niteris; you plague me too;
nunc per ludum now through the game
dorsum nudum I bring my bare back
fero tui sceleris. to your villainy.
Sors salutis Fate is against me
et virtutis in health
michi nunc contraria, and virtue,
est affectus driven on
et defectus and weighted down,
semper in angaria. always enslaved.
Hac in hora So at this hour
sine mora without delay
corde pulsum tangite; pluck the vibrating strings;
quod per sortem since Fate
sternit fortem, strikes down the strong man,
mecum omnes plangite! everyone weep with me!
____

About:
"Carmina Burana is a scenic cantata composed by Carl Orff in 1935 and 1936. It is based on 24 of the poems found in the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis"

"Orff first encountered the text in John Addington Symonds's 1884 publication Wine, Women and Song, which included English translations of 46 poems from the collection. Michel Hofmann, a young law student and Latin and Greek enthusiast, assisted Orff in the selection and organization of 24 of these poems into a libretto, mostly in Latin verse, with a small amount of Middle High German and Old Provençal. The selection covers a wide range of topics, as familiar in the 13th century as they are in the 21st century: the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust."
http://en.wikipedia.org/wiki/Carmina
Burana_
by Carl Orff
(July 10, 1895(1895-07-10) – March 29, 1982)
 Oct 2010
D Conors
Dinner with Dr. Lecter,
has always been a treat,
we usually start at the head,
then work our way down to the feet.

With every serving yummy,
he cooks with perfect ease,
whether it be brains sauteed in parsley,
or fresh liver and fava beans.

The Doctor's quite a master,
at innovative culinary feats,
and nothing beats a side of ****,
served up with home-grown beets!

____

Fava beans and a nice Chianti, anyone?
http://www.youtube.com/watch?v=iVlkZVAw8Gc
D. Conors
06 October 2010
 Oct 2010
D Conors
(Warning this poem contains visual content
which may be considered too morbid or shocking
for those of refined and gentle tastes.)

Rock a-bye-bye, Bethy,
from the wood-beam rafter stock,
when the neck-noose tightens,
Bethy's body will twitch, sway and will rock,
the chair she kicked out shall tumble and fall,
and rock a-bye-bye Bethy, will be dead and that's all.
_____
Disturbing photographic image:
http://beautyineverything.com/2375915615
D. Conors
05 October 2010
Next page