The AAA guide says Jesse and Frank James
jumped Devil's Gulch on horseback to outrun
the Northfield posse. A must see locale.

Though that story has largely been debunked,
Splitrock done built an small tourist industry
around the myth.

Gordy sits all summer long in a cabin
with no A/C, black flies on the screens
like dog hair on a furnace filter.

Gordy sits all summer long in a cabin
with a couple Coleman coolers filled
with all the best brands of soda,

Hawkin' the t-shirts and postcards
he didn't sell last year or the year before,
but that's ole' fly-swattin' Gordy.

He keeps a list of the origins of tourists,
that's all his talk down at the Sports Cabin,
where he sits all winter long.

Between sips and drips of foam above his lip,
he'll say "Norway, Pennsylvania, Mississippi,
Japan, Iceland, Kansas..."

He might ask you if you're gonna eat that.
The pizza got cold anyway - so why not.
Plus he knows what Gloria did yesterday.

He gave a '57 Chrysler to his 10 year old granddaughter,
but she lost it after the divorce.
Her dad signed the title and left the state.

I guess that's about the state of things around here,
disappointed tourists, skunked out beer,
cold pizza, the little girl who lost her
dad and her car on the very same day.

The heat of August does not rise; it sinks
Space-planting on the earth like hopes collapsed
Guarding the air against all happiness
With damp and rust and rot and air-thick sighs

The heat of August does not heal; it stinks
Of everything gone wrong at once, of either
Stepping outside to a witch-slap of pain
Or lurking inside with headaches and ennui

The heat of August is an emptied man
On a Sunday afternoon when love has died

Driving to the lone tree,
the one that marks the right left turn,
the tree full and round,
uncluttered by the muttering
tangling limbs of crowd oak
jostling pine and mobbing
silver maple that snap the wind
into fingers and clenched fists
of hale big as jawbreakers.

That's where the twist lives,
just past the stump yard
trying to petrify, turning
wood to stone,
before the rot hits home,
before nobody knows
where to turn no more.

We found our way
once the willow went down
but it took some time
took some time til
we saw that the redtail
always dives into the same deep
culvert where asparagus
is marked with upturned
boots that never fit anyway

We all find our own way home
the blind Rand McNally instinct
of Get 'n Go coffee stained maps
splitting at the folds.

It takes some time
but we always find a sign
a whitetail spine
or a naked brown christmas tree
or a sag bottom Bud box
thrown, that leads us through the
nameless roads home.

The demonstration of love don't need no permit
ain't gonna be no counter-demonstration
no cops no barricades no rubber bullets twitching
in the chamber for that one yahoo that sets the whole
**** thing alight. Love in the streets is a whispering
riot with small hand-written signs in a style of smiles
and gestures not to provoke but to invoke a species
of politic bent on the destruction of judgement
stopping traffic with small recognitions that the other
is none other than oneself in a similar skin.
The demonstration of love don't need no big flags
honking horns or locking horns or riot gear
to wade baton-wielding dispersions cuz
it already spread down the side roads
and the thin avenues are thick with it.

The day you called me ****** lover
was the afternoon of my dissent
from the back alley boys club
and rolled dungaree territories
marked off down where the long
lines of chain link bend right
where the churchyard intervenes
between us and the snowball stand.

You might think you whipped me tight
but my decision to include a new friend
that dipped jars in the crick for tadpoles
behind the brick young family roads
was mine to make and that black eye
and ****** nose to this very day
this very night remains.

Don't be knocking on techno's door
for a shot of stale whiskey and fond golden
shots of what we were when we weren't
and will never be. Yea, you posted
that pic of the back alley boys
shirtless, hairless, rolled dungarees
all smiling like jack rabbits on the run,

But it was Michael, Michael that showed
me how a tadpole becomes a frog.
It was Michael that rode the Comet
at Hershey with me, alone, because
we couldn't or wouldn't run
with the back alley boys who still
don't know what they've done.

you read faulkner and it turns my stomach.

but i like when i find you devouring my books--

i liked the time i found you curled up with my copy of the poisonwood bible
and you stuttered apologies for the marked and highlighted pages,
for the notes in the margins,
as you explained you had become engrossed in the story
and forgot it wasn’t your own copy after all.

i like when you talk about barthes and foucault
and try on literary theory like glasses:
horn-rimmed new criticism,
nice round reader-response theory.

i like when you touch me
as if i were the delicate curve of sylvia plath’s bell jar,
as if you know that i am at once suffocating under pressure and
suffocating myself,
as if you know that all i need sometimes
is the singing of your fingers on the glass
to give me harmony
and air.

i like when you pick up the poetry collection i bought at the bookstore down the street
and translate marina tsvetaeva's verse back to its original tongue.

and you never say it in english, but я люблю тебя
has crossed your lips, dangerously,
before you started teaching me russian,
before you found out I knew enough of the language
to translate
that.

Longer rivers run to the sound
where the commerce plays out
its jangling game.

When once we were mountains,
no more than bare bluffs now,
each jutting a finger of mudflats
untrod and untouching for the tide
has turned once more, lifting the drift
and carrying our past verdant
intrepid days into the sea,
upon the waves, to be spat
onto another shore strange
with blunt shell, burnt pebbles,
and the neverminds of the locals.

But perhaps it is in our nature to weather,
to erode, to spill our alluvial fans
to any passing angler who'll listen,
perhaps the boulders we tumbled
to our own demise are no more,
no more than jagged or smooth grains,
packed, pounded, arranged
for the foot of a marveling toddler
on her first time at the shore.

I could live forever and still
never forget your face, unlike
the other girls who I knew
I was too old and ugly for
but there you were, dressed fit
to **** in your black beret, short
shorts the color of a forest, a Che
T-shirt cut above your navel, a
ragged copy of the Manifesto
in your back pocket, like a bandanna
to cough in, playing the cello
so well in all the cafes around town
a mournful sound like the wind makes
at night when I go to visit your grave.

“The Test of a Man...”

                              -Ecclesiasticus 27:5-8

Friends are the chief ornaments of a man’s life
Through fishing trips and schoolyard baseball games
The brotherhood of barracks and camp and field
And ideas served and volleyed in courtesy

Among those men who have seen something more
Of the world than movie screens and gossip ‘zines
Men as familiar with rifle and rosary
As with a crescent wrench and single-malt

Men who can work both plow and metered line
Then lift a glass in thanks when the first stars shine

Nothing more than wiper slap -
smear light on a ***** windshield,
starbusting streetlamps through
pitted glass sliding
greasy on the bridge:

Every billboard passed,
every sign every whine,
every slumped leaning
off ramp neighborhood,
a blurred jagged vision
of what it is, what it was,
what it might be,
gone.

Though some hazy refracted,
gray on gray beam,
from out there, back there,
through the pupil to the retina,
focused occipital,
turned again into a shape
that wasn't hers to begin with.

But there she is,
behind a salt-crust window,
half-eaten by the blinding slats,
a perfect, distorted slouch
in a booth of vinyl bygones
off exit eighty nine,
with a bucket of fries
on her hands,
while I spit by
on a wet highway
to who the hell knows where.

Some days smell like years
like the dinge of sprung sheetrock
when the rain came in
the cricket loose against the chimney
and the attic floorboards
expand with the frosts
of every winter spent in this house
insulated with cardboard and crates
ransacked from the floorplan
and catalogued renderings

And some days smell like years
like the blistex on your lips
when the rain came in
and we kissed this tired old place ours
and the attic floorboards
velvet pine underfoot
whispered tall rooms in this house
and the stuccoed walls spoke
of a lost craft revived
in your freshly washed hair

I can smell in your eyes
the brine of a ceiling
when once we dreamed
beyond the rafters
and collar ties
beyond the shingles
and the familiar maintenance
of our lives