Is all concrete below ephemeral skies,
To think what is now as already made,
Riding lone, the plateaus of a minds eye,
Or is whole of nature purest esplanade?

Sun slowly sinking above the river rushing,
Lime white lilies trumpet to the moon aloof,
Fatted fowl wading, an end to days hushed,
Lo, mercurial otter slips downstream— ****!

Who said cemeteries are for the dead?
For those who celebrate such silence
A commotion’s something too.
Crow about the stones, smeared by sun  
All gawking formal and sharply dressed, rung  
A black congregation that drilled and sermoned  
My ears down to coffin nails beneath  
My feet, a voice that hung the wanting
Waves.  

And over head I saw the braised yearling  
Eagle bobbing past the undivided sun,  
Who tottled about the sky in circles out  
Of center, a wearing down of gear
Churning with the grave
Bruising birds, that spoke  
And wheeled over dusty  
Stones.  

Sea spray, leaning trees, slant  
Of cloud, spilt green grass of one  
Sided mosses all pointing which was to be —
The way,  

And leaving there, I saw the sign and it read:  
    ‘Ocean View Cemetery,’
Opens at sunrise —
Closes at sunset.

IN THE POOL OF THE LOST MAIDEN SONG

                1

Down in the shrouded wood a wanderer walks
And dreams the dreamers story he has lived.
Sidled by the stream that sheds blue waters
By the beds, trailing the rail of loves unknown
Kiss and a voice that conjures truest bliss,
Down in the drink where sweet Ophelia sleeps;
In the pool of the lost maiden song.

And the dreamer, he is dreaming . . .
Hair, that ropes the stoic man upon his mount.
Hair, making souls’ lost ending breath a shout,
And hair that weighs the wind, teaches it to sing;
Hair, wending whirlpools waving fools to dive in.


                2

Lost at land’s end the sea lions, washed-up, wail
And buzzards coast where eagles flail, rip tides
Assail and chop the collected bones they drop;
It is a chalky bone-yard break, golden escarpments
Wake and a ******’s salty sermons shake;
Where gathering ghosts glom and chide steeping,
In the pool of the lost maiden song.

And the seeker, he is seeking . . .
Eyes that turn the sands and are mirrors,
Eyes that taught the books of Alexandria,
Eyes that shook the flesh and are seers,
Eyes that lit the pyres, burned true believers.


                3

Deep in the dark wood the waters rush, hush,
Cramp, crew and creep, melodiously tread,
Trammel, and burn as furies in keeping true
The melting moon, the onerous owl, fluttering
Things, muttering wings, cones in darkness
Flings and filmy time flicks by the wayside;
In the pool of the lost maiden song.

And the lover, he is longing . . .
Love, lithe and lyric, he sees your sweeping shapes.
Peace, parsed and pained he hears the voicing gape.
Blind, bliss’d and shamed he wears the votive drapes.
Hungered, thirsted and gone; seeks your pearly gate.


                4

Out in the forest maze the jarring sun seeps
And swirls, only to roust the traveler onward
Where soon he must meet the faces in the grotto
Down in destroyed lands by the seas’ unreasoning
Chime, deep in the dark whine of the shining mermaids,
Where the doomed cry, round the navel of the world,
In the pool of the lost maiden song.

And the doomed, they are crying . . .
“****** beauty bade us, in a star crossed chrysalis,
Made us, choose a desert’s winter of loneliness.
Heed our fate and leave this valley torn of bliss;
The many millions of locust fall in ripest fields.”

Winged caterpillar
That frees my soul,
Sets my mind to dreaming,
How the hand of man
Out plays the God,
Makes love
To its master.
With fondled fingers, you paint
A dumb firmament, the way
Light dazzles as it breaks
Or how the itching rain
Taps a teasing melody as it falls
To the lover ground.

Beloved of Orpheus
Whose wove you coiled in-
Vents a garment of bird song loom,
Content my breath
The way that water wells
And lolls into puddles
Nesting not before the hot,
Harpy steam.

O melodious pool,
Undulating lake, frame
To emotive vapours, without
Ship you ply in wakes.
The oarsman plucks the main,
Your body is the sail,
Drunkard winds and warblers,
Blow hard, but fail my ears,
Atone as well, the wretched sounds of day
For they are sour spells, and but a fools
Trash canned movements, in a state
So needy of weeding,
Mere sound is soiled
The way you rake.

Evolution spreads,
As stones do,
When moves the river bed,
Grace, in violence,
Sparkles as it blooms,
Like an ears creation—
Rose on the tomb.

You've asked me how can I see a future when love, in all
Its numinous beauty, is waning?
I reply, the immortal stars still shine above the veil of clouds.
You say, why are the salmon swimming to their pools of origin
Only to die as they spawn?  Only to die?
I tell you their love is unconditional, like mine.
You ask me did the giant sequoia know it was shelter for the burning grasses
When they walked from the seas?  I reply yes they knew.
You question me about the lofty snow cranes that fly over the Himalayas
And I reply by describing
How the priestly flocks, chanting on their mission, honk—
Announcing the mantle steps to the heavens.
You inquire about the elephantine manatees gracing the shallow banks
And wonder if the sea mermaids remember their lives beyond the latitudes
Of capricorn and cancer?
Or you’ve discovered in the wind a new reasoning as to why
The talons of the paired eagles lock in midair as they court?
You want to understand the nimbus garden, ocean slate, of lake Titicaca
Where resides the Andean sea horse gliding above the clouds?
The whales that circle dance in unison collecting krill?
The noetic display of the birds of paradise, the songs of nameless creatures
Playing in the wilderness like a forgotten melody only lovers lips remember?

I want to tell you that true love knows this, that life in its
Prismatic shimmer is all the myriad colours of infinite existence wrapped
In time to the sublime structure of white and bones.  I must tell you
That the flower is mighty in its opening, the humming bird is a sorcerer
Who needles ambrosia with vortex wings weaving his way to the Gods.

But I am nothing beside your disbelief which has arrived, before
I can even imagine the sweet awakening, like doom, my shell is the iridescent
Hollow of the one eyed Abalone, discarded in the deep fathoms
Of the ocean pressures.

I swim the tides as you do, investigating
The endless tendril seas,
And in my chest, during the night, I woke up empty,
The only thing treasured, a golden face
Trapped inside my dreams.

                                                                  
                                                             ­­                       — after Neruda

Tabby cat in yard—
Petals and thorns, creeping rose,
  .  .  .  Tiger in the grass.

I came to the pavilion of the big cats
And in the center was a palace ruin,
The walls were stone and feeble mortar,
The great, golden monarch was the lion.

With wisdom eyes, he gazed upon me,
I lowered my head as was my station,
He did not move, nor deign to care,
In His royal chamber I was under thrown.

I thought, you are caught my over lord,
But his stance said, these bars are scepter
And I heard him say with a long lost roar,
'Hear my horn, I am he, the storm of Jericho.'

In the palace of the mighty, indifferent, king
His thundering voice crackled the lambing
Stables and even heaven closed under ceiling
Dome and I was caged when the walls fell away
And the whole, blown world, remade, a zoo.

You were my gift,
Soft, sweetness, little one,
Eyes of moon and ocean
Hills of creation, of shadow
And bread.  In your nakedness
I fled the earth and bathed
In starlight and dust at the end
Of the forever of the sky.  
In that silence,
Of exploding cosmos and vapour,
I fell, feeling in your smiles the suns
Decay, I felt light beyond
Its barrier, and was decimated
In the gravity of the neutron
Blue of floating eyes in separation.
Your faraway orbs were lost
To me in the frozen dark energy
Of shunted light and the cold
Vacuum of space.
It was my birthday
And you were set on leaving.
It was my birthday
When I nearly died.

My love is the seventh sense;
Before which there is no meaning.
My love is birth and death at once;
Would not die after dreaming.

My love is the light that dances on waves;
That spins the oceans, and foams its enclaves.
My love is the rushing of flocks on wing;
The voice in the heart of the forest that sings.

My love is the seventh sense;
Before which there is no meaning.
My love is the sky and whine of ocean;
She will not die after dreaming.

My love is the silence of a windless day;
Spring snows on top of the bare mountain.
She is the babble from the brooks;
And the air that steeps in secret fountains.

Following his nose—
Fox slinks in humble repose,
  .  .  .  Wild goose is cooked.

Weighty lightness, solid levity,
Primordial soup,
Some ancient rite, draws me
To the foam.
Its celestial colour,
Its effervescent overflowing,
How it teases my buds,

Not like water,
Like honey
As an insect encased
In amber
I am within,
The tears of sunshine
And Olympian folly.

On dry days
I seek the incendiary agent,
Brooding bout,
Pint-sized, el niño
And his brews
Come soaring
After the downpour,
As high-tiding winds,
That **** contented days
And spin spirals round
Cups of complacent
Hours, the whine
Eternal,

Only seems
Like spilling
Blood.
Draw me, the dram.
The dram of what?
Ale's the thing!

Falling,
Overboard,
No drowning man was so ever
Esteemed,
Ever so buoyant.

How the vessel becomes
His captain.

My ruby looks on stones to see the light.
While amber stars are flashing in her mien,
She forges facets with her eyes and mines
A rocky grave.  To bear as such, the sun
Un-sung, she could caul parhelion to dust
And still doom to shadow those fireworks
She alone ignites.  Here then lies a truth;
My ruby looks on stones to see the light.