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Wicked pixie, Lust
Tickles, gobbles, magic dust
Bubbles on his tongue.
Bacchus begone,
I will never taste a wine
As potent or as sweet as those soft, pink, dew-kissed lips.
There is no grape as round or luscious
As her dimpled, yielding globes,
And when she dances, I die
a sweet death, and beg with every breath
To have her in my mouth again,
To sip her honeyed juices,
As she writhes upon my tongue.
An experiment, inspired by the myths of Bacchus/Dionysus and Greco-Roman deities.
 Apr 2014 Colin Anhut
Tom McCone
Upon a web strung across vast fields of
pure and distant velvet nothing,
perfect back-traces of the flickering past
revolve in place, in silence,
signs puddled for an instant from abandoned
corners of clusters. Polaris sieves a movement,
severs Octantis in a slated blink of being as quiet
reaches from further clutches, as a light quivers against
the dark, enshrined in its own solace, drinking from
a garden of heaviness; a sigh slips, echoes and lingers.

A tidy emptiness wavers in the tide of
time-shifting constellations, pulses lost in the single
night that never stems. A fine dust propagates
under the breath-patterns of its own constituency.
No symbol spoken, the still moment reaches and
encompasses all, heaving in glass moments compressing
beneath layers, bathed ablaze and curling through its
own precessing maw. Gathering, spiralling pieces of
uncoalesced millenia hurtle against an again hurtling
arm of a freckle gathered on a point of dust drifting
between caverns diving through the weight of walls holding
all that support their standing. A drop of light quivers
from each mouth, hides in crevices where smaller droplets
stand firmer at each junction, stand shining quietly with
no motive, dials slipping. The dripping lays down sheets,
climbs no corridor, designs a movement of no consequence;
dries out, knowing full well all the while. A ghost remains,
or a breath, both ultimately of finite import:
an exhalation or mote of dust.

Rain won't fall, the creek remains and, in tumult etched of
rigid symmetries, forges splits in azure. A broken fullness,
a glimmering product to permute and dissipate repetitions,
the slow formation of a complete emptiness.
In fine tapestry woven through the murk bellowed, the pattern
twists, coiling fingers through itself, the coalescing rotations
play out silence in no coda. The creek was never there.
Rain makes its way.                                                                  
                                       Capsular soil gives, capitulates petrichor,
defies dust aridity to cling in soft bundles about the child,
clothed in broken wings, tail clambering, all fine splits decided
upon countless repetitions passed. Light hovers and lights stand,
spin, in turn, as intervals chew tails through no static
motif, each gesture a mockery of predecessing broken ground
as fingers sliver ever toward known constancy,
blankets of warmth, an unclosing eyelid. Thus shuffles
awake the clamberer, to stretch and arc against potentials,
to fluoresce and bathe in radiance. A greater scheme
mingles at the tips of outstretched arms carrying wings
to break and flesh to guide a canopied architecture into
clearings laid out below twinkling webs to fold through
and let breath be taken as pawprints slowly form the
fingertips of a new architect. The children of the
child watch silent as motion trickles from centuries'
fortune. An emblem hangs in soft light on a ripple over
all-but-still water, cohort as glittering fragments strewn
beside. A bird's cry is lost in the marsh.                        
                                                      Again,
moments of absolute movement lay out beds of stillness, of reprieve.

At sea level, the curling faultlines feed open plain from
glass tears and monuments fleck the landscape of horizon.
To a pivoting sequence carves tiny bound structures in
self-image, a boiled-down replication to forge immemorial
traverse, a hairline fracture led blind through lakes of ice.
Still, to carry forward in a display of conviction, fine
splitting lineage diverges and cross-pollinates. First a
step, then a meadow, a panorama, three scores of
underbrush, seven mountains cradling a single pass,
two endless expanses of peat, one river for the life
of a child, three nights of no sleep, a resolve,
six iterations, one modification, seventeen snowfalls,
one feat built slow to grandeur, three months at sea,
three years at sea, three thousand years, seven oceans,
four hundred billion innovations, a blink of an eye. From
closed wings rise ordered patterns to clamber, always
asleep, to punctuate that immutable grove of light now
organized in transient gleams of projection and
nomenclative claim. Hollowed bellies of these
unstirring colossi, in turn, self-assemble and
writhe against an upturned gradient: disorder
bares teeth, crafts homogeneity and stumbles
on as Polaris dutifully continues in slow march
and reclaim of a ghost still cycling and hiding.

Finally, the moment takes grasp of all else
and itself, and parts tides of now-distant lights
through the ceiling and collapses where, between
word-laden walls, a tiny and terrified piece of
it attempts to reveal to all else that the moment
is already
gone.
written for a reading; never read anyway.
11-12/03/14
 Apr 2014 Colin Anhut
Tom McCone
wake up on the other
side of noon, bottle of
whiskey within grasp.
start sluggin'. who needs
today. water runs in
slow patterns through
arteries, woodwork,
some stranger's teeth.
rain runs inside of
me, coalescing, cold,
pure. washing away
the troubles of yesterday
in exchange for this
new sky. it still
looks the same. in
exchange for this day's
melancholia: it will
persist and hang,
a fog to stumble on
below. a tired footstep,
to spurn dreams where
there's something else
here. to hide from
the nothingness that
falls in fat drops from
potential.
but i'm not asking anything
 Apr 2014 Colin Anhut
Tom McCone
we wound in stars on old fishing rods;
reeling on promises from days where
the light still brought species, clutter,
schematic belief. you caught three. i
caught nothing, but glimmers of hope.

allusions and reality are often cleft,
though. this truth i'd rather cast,
like myself, over cliff-face. but, i
alone am
mutable in this scheme. you named
yours as blank-faced children, born
to the sea.
predictably, i named mine woe.

fate moves through seasons, sovereign
groups, ways set down to dot. the
object stands;
here lies truth. this is the truth:
pebbles form kiltered circles
under the dock. floating
above the architecture of my
ribs consuming churned
air, i watch me fade. i
discern and too, dilapidate.

you raised yours with colour
in iris. i picked mine up
lovingly-
this woe is
awake and tightly circling.
this isn't even about anyone. i think.
 Apr 2014 Colin Anhut
irinia
look into the future
with a sharp blaze in your eyes
to cut clean the mourn of morning
trees are greying steadily
and our mothers have turned into fossils
but the hours still surrender
to enchantments of our heart
-quite an anesthesia-
the dying light improvises
time is the soundtrack of us
hand in hand
moulding in oblivion
some je ne sais quoi
unforgettable
an excuse of eternity

(yes, blind colts are born and love is a collocation)
 Apr 2014 Colin Anhut
Scott T
Grindin'
With the cogs
In Moloch
When we could be diving for pearls
 Apr 2014 Colin Anhut
Scott T
On monday
I will have to brush shoulders
with artless people
in an artless world
but for now
I have Songs from a Room
and Dave Bixby
and the stumbling hours of a Sunday afternoon
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