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I had told you about Hengloo
I was fond of feeding him
he was fond of me.

I had told you too
Come Saturdays
returns the pain
of not seeing those waiting eyes.

Now you ask me
why I write these all over again?

For at the grocer's
came a brown cow
his dangling head
his storm-cloud eyes
signing to me
feed me
I too am hungry.

So this Wednesday evening
with my socks still worn
a love is born.

I hear a voice say
Here I send a new friend
find me in him.

My socks still worn
I dip my hand
deep into
to find more friends...

Saturday is just three days away.
 Mar 2014 Clem C
Nat Lipstadt
hearing Shakespeare,
my-own-voice
crack'd, stilted,
stuttered-shut by the
mocking silence of still
waters on the brain

poverty exposed,
raggedy verbiage for a
raggedy man's
frayed fringed garments

ashamed of
every word I ever wrote,
not even ten survivors,
not enough to pray collectively
for muse~forgivement

****,
hush me not,
no chairs turned,
the public has not texted,
new tattoo:
write on for audience of one

a necessity, a life sentence

a single topic, a subject,
a life, mine,
still unmastered,
decades of trying

poverty exposed, unmasked
for what it is worth,
or what it is not
 Mar 2014 Clem C
Nat Lipstadt
Watt's Woolgatherings



woolgathering ~indulgence in idle fancies and in daydreaming; absentmindedness


Watt? Watt you say?

these words of yours,
they are mine own,
but in uterine conceived by you,
yet, birthed canal'd in my mouth,
when spoken aloud

call them the shared
jubilatio of the alleluia,
drink them as gospel bittersweet,
cups of AM coffee,
after midnight dregs

you know that coffee, where

love lies quiet
within the mute caresses
of skin to skin embrace.
the smile of a satisfied lover
and the smell of coffee brewing

for me.


so many of us birth poems in their java,
but only you taste

hints at the totality,
experiencing, rarified, extracted,
dramatic, lofty, brief insights

of being born every morning

with first day's breath,
by dawn's first light hints are provided,
thereafter, homebound, o yeah, mine now,
anew, renewed, kept reheated inside me

Watt? Watt you say?

beware those
the warts, bruises,
pus filled excretions,

(the chamber music accompaniments)
of a complete life?

always the spoilt milk,
reminders of the condition human,
have you not me charged
be thy union
am I not good enough to be
at least this,
at least a confederate,
guardian of your magnificent solitude?

but you are not always alone,
sleep with Jesus, kick him out of bed,
early coffee for him,
he needs to be alert,
finding the next day's
Mary Magdelene...

There are times when you jump a gust flings you into weightlessness and you float in the moment, forgetting about the fall. We all live for those moments; yearn for weightlessness when our souls don’t feel the captured form of our brief, earthbound existence.

Everyone bounces, right?

I chose to jump.
Again.


Watt, please take my small hand,
I want to jump,
fall and rise up,
be resurrected by the holiness of your words,
that you cannot see, self-blinded,
only the-needy-for-saving can

Like children
every poem is unique
I don't choose favorites.


but I am a sinner,
another amputated elephant
forced to choose,
I choose my poets carefully,
particularly the visionaries
in sidewalk cafés, notebook scribblers

Why Watt, Watt you remind me why

I will never be as goodly a poet as you,
but I will try, my birth's condition,
a man needing your permission to be
Resurrected, reimagined, because,

God as ocean deep
takes all, gives all,
caresses the fevered forehead
of brand new earth.

God as dark distance between
holds the lamp in the doorway
providing hope of a return home

God as the fragrant fecund flower
waits in innocent attraction
giving pollen to all who would receive.

God as woman born
took care to adorn the alter in pleasing raiment
exposed enough of the hidden treats
Enticements for the restless wanderer
to stay awhile and tend the hearth
raising a blazing fire.

God as woman born
endured the fear, the pain, the eternal longing helpless wait
mercifully forgotten at the first suckling sound.

God as woman born
slew Cain not
nor the others ever after.

God as woman born
removed the fruit from the soil with a tenderness
that wrung a universal sob
from the heart of creation.


so if woman must be,
resurrected as son of a woman poet,
let it be so,
beside you, you shear
wooly words,
from and for us,
gathering, gathering

~~~~~~~~~~~

This poem is dedicated to, inspired by the compositions here of Harriet Tecumsah Watt
She is one of the best writer and poets on this site, vastly under-appreciated. I proudly accept the title of her follower.  Read her and be infatuated, angry, enthralled and challenged. The words in italics are excerpts from her poems and messages.
 Feb 2014 Clem C
Chuck
No More!!!
 Feb 2014 Clem C
Chuck
No more excuses
No more self lies
No more sweets
No more large thighs

Cut down on portions
No more dining out
No more cereal killing
That leads to self doubt

Get back on the bike
Get out of the chair
Will get back into shape
Before spring, I swear
Thanks for sharing my therapy. By putting it in writing, I am pledging to get fit for spring. I love to cycle and hike, but lately the cold weather has been my excuse to hibernate and eat. No more!
Starved in daylight,

survive on ready meat of permissive night.
 Jan 2014 Clem C
Nat Lipstadt
Inspiration pretty much finds you
even when you walk outside
to await the newspaper.*
A summer poem for a winter's day.
_


morning slow sleep walking,
reviewing my
evening sleep attire,
am I appropriately dressed,
to publicly receive
the somber weekend
Wall Street Journal?

which is hopefully waiting for
my rational embrace
where
the driveway meets the road.

as I walk,  I note the:

seamed stitching
on my shirt,
a series of
crisscrossed stitches,
pattern of acute angles
stitched in Thailand,
or perhaps Bangladesh,
and when machined,
did the seamstress dream that

with a single blink,
dream metamorphosis
stitches become
crisscrossed out entries
in the diary,
that I don't keep,

the notations naked and rendered,
I don't want you
to know about,
so scratched into oblivion
but in a orderly fashion

before spilling them freely
to any misfortunate innocent Joe,
nice enough to ask me,
how ya doing...

impatiently waiting on a country road
for recycled newsprint
impressed into the service of the
Canadian Pulp Navy

a paper mache arrival overdue
via a technology of delivery
some what quaint, a photo dated

impish young boy
upon bicycle,
with angel wings
who when he passes,
winks at me, seeing my impatience,
(his cheek delighting my cheeks!)
and with robust throw, salutes,
Mission Accomplished.

as I wait
the muses attack,
a formation of
no-see-ums insects bite
ruminations brain-inserted
war correspondents now embedded,
a fifth column
to betray me
and I wonder about:

newspaper printed words
stale seconds before
they are writ,
which makes think
about time,
about making plans,
to do lists,
about how fast my coffee cools,
about how slow my skin colors,

About the first time I put words
about doubt & certainty
on paper
summoning up the courage
to look foolish and
how great it felt,
at the time.

I fresh slap realize
these "poems"
are my diary,


so for the record,
let it be duly recorded,
the paperboy delivers to me
the New York Times,
in error,
a cosmic sign
that this is where this
deuce minute walk
into the mind of a gnat,
should randomly end,
and be
crisscrossed into
oblivion.

summer 2012
A stupid question
With the answers

Luminous

It’s that long
What it takes
To unearth
All the love
Begot on earth
For you

It’s that long
What it takes
To travel the way
To know
You got more joy in giving
Than receiving

It’s that long
What it takes
To close your mouth
And wait in patience
To listen what’s uttered
In the silence

It’s that long
What it takes
To reach the point
Where you feel fulfilled
Without a visible gain
In your coffer

It’s only not that long
That you live

*In years
 Jan 2014 Clem C
Nat Lipstadt
and anyone who finds solace in the company of poets


Adorn us
with you writing,
run from the smug,
the pretentious non-believers
into the arms of poets
who awaiting
your new words
with the hard panting hunger
of true lovers

this is my simplest invitation,
Grace us with you grace,
with subtle signs kiss our heart places,
for poetry,
good and bad
has never turned anyone away

and never will**

accept this write
with permanence of ink on paper,
cannot be erased or taken back
mine, yours, ours,
ink invulnerable to
delete

here here, are the preeminent
awaiting all your attentions,
feed us, you poets,
rivers, railway stations, unfamiliar gods,
Missouri to Malaysia,
the images
we neglected,
too far away for our limited vision,
but that you saved,
as gifts of touching lips,
miners in the crevices of the soul

I thank god for the company of poets and the kindness daily,
they bring to hearts,
all I ask is,
more...
* Inspired by http://hellopoetry.com/poem/poetry-is-pretentious/
just a girl from Misdouri
 Jan 2014 Clem C
Nat Lipstadt
My Curator

I can't remember,
what I can't remember

new items arrive daily.
name of the restaurant,
where I ate dinner
last night

the name of the movie show
I saw last week,
the last place my glasses
went looking for me,
lucky me, only one key,
hanging around my neck,
easy peasy,
just trying to find which apartment
it's for

I can't remember,
what I can't remember

the first poem ever wrote,
the first poem ever loved,
written conceived while I ever wept,
cause
found some old ones and thought
hey, that kid is pretty good

I can't remember,
what I can't remember
when and how I knew,
what now you know
as well

what matters this, little

quote the kids,
last week is well,
so last week
or even better,
whatever...

yesterday, last week, last year
have all merged,
old men drivers, riding in the slow lane,
where the speed limit signs are reminders
go faster, keep up

the memory surplus, surfeit,
now purged, forfeit,
fear of droning,
my inspirations
grown decrepit,
forces desperate,
less than adequate creativity,  
trying to pour poems Beaujolais,
before they can age,
decant, evaporate,
poisoned by oxygenation
sour turning, stupid smiling,
cause I know you from someplace,
are you a clear and present danger?

I remember plenty
of glimpses and snatchery.,
but the incoming data flow
has strained my 50's circuitry.
these memories, onboarded
now a single product
of a mass hatchery,
all eggs are indistinguishable,
therefore they exist,
therefore I was once

electronic calendar
keeps my schedule,
thus my native personality
type A,
kept in line,
the pills work,
from time to time

so I am
where I was supposed to be,
a necessary
but insufficient conditionality,
pour justifier mon existence

the mission critical stuff,
the weave, the sensibility,
the collections of sensations
of another's hand
on my back as I write,
declining, felt their dying,
having arrived at the
skinny part of the tail
of the normal curve
of natural ability

alas,  alack,
too many poems dying stillborn

I have newly employed
a curator

sadly he (she?) will not
cure me,
nor save my soul,
tho he wears
a collar of white
around his neck,
and a stethoscope
over one wing,
a recorder on the other

his wage dear,
sold him my best jewels

Paying costly
for my Ponzi scheme
of reusing
words previously employed,
deeded ownership of the accidental newbies,
the old ones in the sewing box,
both now his property,
but at least, saved.

I cannot write
the name of what stands between  
you and I,
tween tip of tongue
and visions of past,
but future visions, pace taken,
they will survive
should they arrive again

you reader, you are
a familiar face

are you not my
savior,

My Curator?

10:45 AM
Sept. 3rd, 2012
Labor  Day
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