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CH Gorrie Aug 2014
1.
Before I knew he had.
His flight trailed off into a Utah
Sunrise. He left behind a little strand
Of thought, and, in a cramped, amber room that saw
Long talks of topics that soon thinned grey,
A set of dog-eared books has been put down.
Books that brought nearer to my thought his own,
While Interstate-5 grated the ground.

2.
He must have, as the plane touched the runway,
Felt the dawn’s shudder fracture his young bones,
His thoughts turning to those dog-eared days;
The seemingly endless months full of groans,
As they should have been, being spent alone;
And that set of books, at least it would seem,
Ignited the wick on which our passions gleam.

3.
These six years past since they took him away
Held minutes like a needle in plied dust.
There’s something in the spring that brings decay:
The outward beauty of the world just
Clouds the mind’s loss within the spinning gust
That all the blooming flowers usher in.
Then the rain comes...

4.
As the 5’s scratch cracks up the drying earth,
I recall Nietzsche, Guevara, Burgess:
Men who’d not anticipated births
Inside my brother and I like cypress
Trees, evergreen and coniferous, we
Drop seeds year-round. The setting Utah sun,
Barely audible, gasps in the copse.
He’s with me now. What’s done is done.
CH Gorrie Jul 2014
1.
Late-spring's dilemma
Is unabridged and sweet;
Beardtongues and fuchsias peer through grass blades:
Blotches on the bristly canvas.

Camellias? Still in April.

2.
Slices of rye shift on my plate;
Miramar’s war machines whip overhead;
My mouth opens into the Gulf of Kuwait;

The toast becomes
Moldering lips of Pendleton.

3.
There’s a single-story house on a hill
That to helicopters
Looks like an easel.

Great canyons open
To the south and west; the street clings to time—

A pianist’s metronome
Waltzes crosswise on an eardrum.

4.
The eucalyptus bends the deafening breeze.

Are you still dredging Coronado's cradle?
(The tide
Disintegrates the illimitable skyline.)

5.
An unlit Anza-Borrego beats about my ears,
Stars piggybacking the horizon.

The cacti shrivel:
Glitter in a hurricane.

6.
End-of-spring guesses
Prey upon a betrayer’s conscience.
Stilted, they flash ephemerally.
CH Gorrie Jul 2014
All of us, when young, gaze onto this field
Anxiously. At twenty-four-years old
We stand here feeling unbearably cold,
Unsure of everything, not quite steeled.
No man knows whence this vision descends;
Still, it shepherds us mysteriously
Toward glum perplexion. Now the one tree
That's always here presumably bends;

And with that, it's gone. Then begins our work:
Featherbrained nonsense we wish to shirk;
Then our duties: obligatory crap
Surveilling like a wiretap.
Then it's back, and it's sharp— almost a knife!— 
And it's familiar...it's...it's life.
CH Gorrie Jul 2014
Those fish that lie gasping on the strand,
Beyond nets and lost lust for waters far from land,
Are neither Shakespearean nor Romantic, but bland.
"Three Movements" by W.B. Yeats

  Shakespearean fish swam the sea, far away from land;
  Romantic fish swam in nets coming to the hand;
  What are all those fish that lie gasping on the strand?
CH Gorrie Jul 2014
Say there’s a boy who has two dreams,
One concerns business, one fishing in streams;
But which is the more real my friend?

A wolf licked an Eskimo’s blood-covered knife,
Licked it till it cut-up and bled out its life;
But are wolves’ impulses wrong my friend?

I saw a terrible play with a terrible end
And horrid lines no writer could mend;
But do you think I missed the point my friend?

Someone opened a door and let a dog in,
Unaware of where most strays have been;
But what is real kindness my friend?

One hundred slaves wept at their fortune,
United, killed the tyrant—ultimately won ;
But don’t they still work for their livings my friend?

I found a pocket watch in a patch of tall grass,
Hoped selfishly, watched centuries pass;
But weren't we told time heals wounds my friend?
This poem was inspired by W.H. Auden's "Refugee Blues":

Say this city has ten million souls,
Some are living in mansions, some are living in holes:
Yet there's no place for us, my dear, yet there's no place for us.

Once we had a country and we thought it fair,
Look in the atlas and you'll find it there:
We cannot go there now, my dear, we cannot go there now.

In the village churchyard there grows an old yew,
Every spring it blossoms anew;
Old passports can't do that, my dear, old passports can't do that.

The consul banged the table and said:
'If you've got no passport, you're officially dead';
But we are still alive, my dear, but we are still alive.

Went to a committee; they offered me a chair;
Asked me politely to return next year:
But where shall we go today, my dear, but where shall we go today?

Came to a public meeting; the speaker got up and said:
'If we let them in, they will steal our daily bread';
He was talking of you and me, my dear, he was talking of you and me.

Thought I heard the thunder rumbling in the sky;
It was ****** over Europe, saying: 'They must die';
We were in his mind, my dear, we were in his mind.

Saw a poodle in a jacket fastened with a pin,
Saw a door opened and a cat let in:
But they weren't German Jews, my dear, but they weren't German Jews.

Went down the harbour and stood upon the quay,
Saw the fish swimming as if they were free:
Only ten feet away, my dear, only ten feet away.

Walked through a wood, saw the birds in the trees;
They had no politicians and sang at their ease:
They weren't the human race, my dear, they weren't the human race.

Dreamed I saw a building with a thousand floors,
A thousand windows and a thousand doors;
Not one of them was ours, my dear, not one of them was ours.

Stood on a great plain in the falling snow;
Ten thousand soldiers marched to and fro:
Looking for you and me, my dear, looking for you and me.
CH Gorrie Jul 2014
Was an aperitif to an aphorism,
An architect of aphrodisia,
An apiary of my ever-buzzing thought.

She slipped into me streamline: Maraschinos
Into a Manhattan. Oh strike of sugar,
Stain the bitterest days a red no chemical dispels.

She was a cryptic gallipot
Shelved in an apothecary
At the Caelian's base.

Her shape was incense wisps, her touch
A song sung in 1940s noir, her locking gaze
Eros himself.

Alliteration ran thick through the blood.
The paintings? Like Debussy composed.
Nothing in the universe could’ve imposed

Anything on her!— Quit it, you idiot...
The admiration, the visions that adorn her:
Subjectively supernatural—

Maybe she’s just a girl, the way that you're a boy
No air of denigration.
She was intricate, but altogether simple.

I encountered her in stifled confessions.

It was not the beauty of her face, the body
That held her mind and laughter, not the dazed sting
In my hand as it cupped in hers—

It was her autotelism and her hope.

And now her imaginings hang,
Framed in my house; little landscapes of the heart she left;
Retreats that prove I’ve loved and been loved.
CH Gorrie Jun 2014
for Malani*

1.
The blinds drawn, she vacated her life.
Through grieving lips she survives our futures,
Being kept half-alive in an unconscious tongue

That allows a paragon of hope to thrive:
She was whole.
No—

Blotched out and blurred,
She became a lacuna,
A Platonic anamnesis.

"She is now in the company of angels":
The faithful mourners' conviction
And her integrity's fragmentation.

2.
Haunt of our occasions—
My musings' apparition!—
Brown eyes never shone so bright.
This poem follows up another poem I wrote titled "The Memory of Malani Sathyadev, Preserved on an Answering Machine."

She vanished in the shadows
of a mid-March Sunday’s moon.
When I first heard the news
an orange leapt from its bough.
There were bees in the flowerbed.
Grass shattered under my feet;
the smell of soot and ash
clung lightly to the breeze;
her smile fell
from a Hong Kong orchid
off Market Street.

The news first came
dead-ended and one-way.
Eight years’ reflection on that day
have hoped it was a turn in life:
the harrowing left onto Texas
from Mulberry Drive –
the high-branch’s snap
in the old, ragged pine –
when I was lost
in an Irish poet’s mind.

Hearing her voice, years since passed,
among this phone’s old messages,
I hear myself the day I heard the news –
Christianity’s eternity
became eternally confused.

Her long, black-curtain-hair,
the books piled at her feet,
the way philosophy
rolled off of her physique…

All I hear now when I think of that day
is the frail rattle of

a noose’s sway: pebbles beneath the midnight train.

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*Anamnesis* In philosophy, anamnesis is a concept in Plato's epistemological and psychological theory that he develops in his dialogues Meno and Phaedo, and alludes to in his Phaedrus.

It is the idea that humans possess knowledge from past incarnations and that learning consists of rediscovering that knowledge within us.
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