I walk old and gaunt
Floating ghostlike down old haunts
Martinelli
And Washington
And East Lake
I return
Far flung from a prodigal son.

Empty streets reflected in empty eyes
Power lines buzz in futile rebellion
To the silent black night.
I pull my jacket tight.

Stop at the Villager
In search of an old friend.
Security shakes me down
“Do you have a pocketknife?”
I laugh.
Look in at the eager faces.
They hail the old demon
I ran down in futile chases.
See Charlie and Sarge.
They’ve forgotten who I am
And shouldn’t remember
Anyway.

Turn back to the dark,
To the dim streetlights
Glowing exhausted and pale
Like me.
Light up,
And fill my lungs
With deathly relief.
Traffic lights mist
In cold colors
Where shadowed roads meet.

Something here died.
Something close,
Something warm.
I walk on,
Old and gaunt,
Floating ghostlike down old haunts.

My shadow is long.
It is measured by years
And drunk on my fears.

I raise trembling my hand
Watching my shadow stand
Stretching longer and longer,
Than my body.
(My shadow is stronger)
Than my body.

It severs from me
And gnashes its teeth.

My shadow's smile,
Stretches the mile,
On and on

Cause my shadow is long.

A day to remember. I saw you in so many lights,
So many ways.
You found me, in the dark, deep place;
now made brighter.
I love you, I love you,
a shore right beside her.
Again we begin,
as a safe place, a warm rain,
a tender blow, caught up in The Rapture.

With each passing day we grow.
In the garden my fingers graze the blades of grass
then down your face; stopping to tease a dimple.
You are fastidious as I, in turn, am a static stone.
Yet we hold each other in place,
like an anchor that has found it's way.
Even in the garden we cannot stop the clock.
And isn't that every one's wish?
To remain in time immemorial?
When He arrives time quickens
and we wish even greater to slow it's pace,
but for other reasons, better reasons.
The tyranny of time, how it's never in our favor;
or quite the contrary.
And in the garden we watch Him grow with the grass;
for we are no longer up in arms with time.

Some people feel like places. And these people are vacations. These places are people. Freckled wall paper. Foyer tunes whispered. They are supermarket candles. Wavering flames by way of unsealed windows. They are blinds, these places. And you see through. And you hope through, these people. Pulling back curtains of brunette hair, applause deserved. Delicate, delicate. The slightest noise could alarm clock and send you back to work. Silent, silent. It's rest. Try hard to relax. She's a mole between *******. She's scar tissue on an ankle. And this place, this place smells of honey; tastes like almond milk. "In a perfect world what would you do tonight?" Sleep in this place. Wake inside this person. Simple. Clean. In a perfect world, morning sewed with lavender clouds, tall grass, and a watercolor sun unseen before. And this place likes eggs over easy. And this person warmly invites like white lenin.

we're on a break,
meaning we catharsis ****,
often in public places,
often with an edge of violence,
much like the session in the
family restroom, here at
Big Daddy's Bar-B-Que (travesty, travesty).

still waiting for Em to to finish "tidying up."
and the brisket is salty.
or it's the leftovers from her forehead.
she should have cut her fingernails.
thinking of a way to hide the blood trails
running wild on the back of my t-shirt.
catharsis, she says. it's healthy, she says.
Elvis croons over the arcane stereo system
and a white-haired woman with gelatinous
arms taps her fingers on the tabletop along
to "Teddy Bear."
the waitress keeps a hawk's eye on my
half-empty/half-full glass of water.
and I'm afraid to take a drink.

here comes Em. she's an athlete. and we're on a break,
meaning we don't see each other's parents.
don't nod and listen.
and don't say things like, "oh yeah, your sister Sarah. how's she?"
hallelujah, hallelujah. Em played point guard in high school.
her last official sporting endeavor. but twenty minutes ago
she told me to look up a complicated position
via iKamastutra on my phone
because she's an athlete, and I'd be "amazed at what
this
machine [her body]
can do."

but I hate when she says **** like that.
catering to an I'm-almost-certain-peg
of my fantasy. harder, harder
and before I finish, she insists on
swallowing
and
it makes me uncomfortable
but
we're on break, and to argue
would be a crucifixion to this "vacation."

I think about Elvis.
and wonder if any
woman is still alive that
swallowed his ***.
and when it's down
to just one, does that mean
anything?

"well that was fun," Em says.
her mascara wasted.
the brisket is salty.
I take a generous drink of water.
I hear the sound of breaking glass.
the waitress has busted
a bottle of ketchup in her
rush to refill my 2/3rds empty cup.

"mazel tov," I say.

Manhattan by line,
by subway track purr,
by foot in a midwinter
fresh, gale force air.

The dying battery in
Times Square's wristwatch,
halts hands in mid air,
each hailing the second taxi
that comes to them
every next minute;
definitely in the next ten.

Buried benches in thigh high
snow look lost, with
only their branching tops
on display for the tourist's show,
tramping through
this January snow.

Double-back, back
past the Chipotle store,
where diners stand and eat,
stand and greet,
stand with napkins to appear neat,
stand near the radiator to warm their feet,
stand-in-the-corner-and-text-your-wife-saying-you'll-be-hom­e-late-because-this-meaty-wrap-is-pleasurable-to-eat.

He was with another woman, kissing her cheek.

Manhattan is a horizon of horizontal lines,
drawn by pencil lead, led up a page
to create this fascinating portrait
that a point-and-click-camera
cannot comprehend,
let alone negotiate.

We can go unnoticed there, like
most others in this gale force air,
but billboard boys-
the ones that braid ****** building hair,
window panes
and balcony balustrade-
are the famous ones
of Broadway, with nothing more
than their commercial stare.