Hello Poetry
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Jun 2
The top three on this board will be added to the monthly at the end of the day.
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34
i have seen wildfires, heard rumors but nothing spreads as fast as words on a page when i write about you
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#143
june's flower
This was a road; an old map told me so. A trail, I’d say, and sometimes less than that. It’s hard to walk, and harder still to know. It started as an even bed of chat. A mile beyond the gate, it turned to clay, And here the leaves have not been trampled flat. I look between the trees to guess my way: Among the oaks, a space one wagon wide. Who drove here? Are their sons alive today? And can I rightly say the old map lied? The future’s not what maps are made to show. Life’s like this road—it cannot be denied: The way’s less clear the further in you go. It’s hard to walk, and harder still to know.
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#227
An Old Roadbed
A little wind shakes the tips of my shoelaces, untied. I see them dangle in the pale blue skies. Brief memory. Forgotten times. Shuddering realizations. Rotten pines. Yearning for the was, for the used to be. Futures lie fogged like my face in the mirror after a too hot shower. Remember. Forget. Together. Regret. Tussled hair tangled in the periphery. A blurry smear of inky shade draped across everything. A tinge of tomorrow. A solemn hue of sleep. The color of the now is too murky to see. Too wet with mud and too, too... Too tired. Too sick to be of much use. Too sick to be of much use at all.
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#227
Little wind
You’ve grown into me, with roots in my heart, each sprout in my veins. I’ve felt your heartache, with stones in my chest, each breath into mine. The shouts, the cries, the tears and the blood— all those nights, I see them. There’s a quiet wind, silencing your voice, reminding us of the storm. In the calm before, you’re not forgotten— I’ll sit with the silence. Take my hand, my love, hold on tight— because I stand by. I wait, behind silent walls, for the page to turn— and the light to reach you.
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22
Silent Storm
Palestine’s cries of joy For girls and boys Gaza that may become The land of no Genocide Where the people can reside in the highest peace Inside the chest and from East to West Allah is the Best Allah is Forever Undefeated So we call for rest
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20
Palestines Ease
You asked me why I don’t write poems anymore. I write poems when I feel happy. I write when I have something to be proud of. I write when I am not afraid. But now, how can I write poems when I am covered with guilt? How can I write when I am filled with embarrassment? What can I express when all I am left with is pain and betrayal? All my life, I have shared love and happiness through my words. But now the words struggle to come out, as if no words are left behind, as if I have somehow lost myself and no longer know how to put my feelings into words. When I look into my heart, I feel like I stand in an empty battlefield that has just ended, nothing but destruction. So how can I write poems when I am surrounded by smoke rising from ashes and a bloodbath around fallen corpses? And even my words stay buried in the smoke.
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19
Where My Words Stay Buried
I'm sorry I'm here. I'm sorry I'm not here. You with so many names, I'm never sure what to call you. A different name for every predation and infatuation. Would you have made it on your own without the chronic condition of boyfriend? I'm sorry for the slowness and stamina of time; years like zombies, dawdling toward a cliff edge. I'm sorry. You feared a moment of insanity. Not locking the guns away but keeping a steady eye on them. You consulted the non-intervening moon and her shifting moods. You underestimate me. I'm my own split mirror. Here I am, dating solitude in the doorway, a chest cavity occupying the premises, a woven cage of stark obsidian and blinding ivory, refereeing a dispute between survival and self-control. I'm sorry for long nights, intersections of memory and obsession, panic attacks and conveyor belts, clinging to reality by a sinew of tooth. I'm sorry I was absent, memorizing Deuteronomy for a taste of milk and honey, pleading guilty to inherited charges, getting confirmed as an antidote to the evil core of me. I'm sorry it was exotic to imagine women like me ending up in an asylum coincidentally, inevitably, conveniently. salvaged, peristalsized through society, brain-blown and safely contained, doused daily in ice water, electricity, or disgrace, temptations kept far enough away to seem imagined. Like you. My brave boyfriend, fantastic prodigy in a flowing ragged white bathrobe, long black hair braided back, a beautiful profile, dark stone, that unbreakable stare. I'm sorry I was ill-prepared for your grubby mattress, your comatose body, submerged beneath cheap ***** I'm sorry that even I developed feelings for you amid adults acting like it's okay to leave you this way. © 2026 IngaPink. All rights reserved.
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17
I'm Sorry
I'm sorry I'm here. I'm sorry I'm not here. You with so many names, I'm never sure what to call you. A different name for every predation and infatuation. Would you have made it on your own without the chronic condition of boyfriend? I'm sorry for the slowness and stamina of time; years like zombies, dawdling toward a cliff edge. I'm sorry. You feared a moment of insanity. Not locking the guns away but keeping a steady eye on them. You consulted the non-intervening moon and her shifting moods. You underestimate me. I'm my own split mirror. Here I am, dating solitude in the doorway, a chest cavity occupying the premises, a woven cage of stark obsidian and blinding ivory, refereeing a dispute between survival and self-control. I'm sorry for long nights, intersections of memory and obsession, panic attacks and conveyor belts, clinging to reality by a sinew of tooth. I'm sorry I was absent, memorizing Deuteronomy for a taste of milk and honey, pleading guilty to inherited charges, getting confirmed as an antidote to the evil core of me. I'm sorry it was exotic to imagine women like me ending up in an asylum coincidentally, inevitably, conveniently. salvaged, peristalsized through society, brain-blown and safely contained, doused daily in ice water, electricity, or disgrace, temptations kept far enough away to seem imagined. Like you. My brave boyfriend, fantastic prodigy in a flowing ragged white bathrobe, long black hair braided back, a beautiful profile, dark stone, that unbreakable stare. I'm sorry I was ill-prepared for your grubby mattress, your comatose body, submerged beneath cheap ***** I'm sorry that even I developed feelings for you amid adults acting like it's okay to leave you this way. © 2026 IngaPink. All rights reserved.
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84
Trust me, I’m an overthinker. I don’t love lightly. My mind is full Of questions, Possibilities, And fears. I think about every word, Every look, Every silence. I don’t fall easily. I calculate every risk, Every possibility, Every move, Every outcome, Every way it could end. So if I stayed, It means I already fought with myself A hundred times Before choosing you.
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16
Overthinker part II
I knew her for a moment like passages in rhyme her heart a gentle flutter her smile, locked in my mind Nothing can be said frozen now, in time an angel not among us having made, the final climb I have no words, the sun has set the moon no longer shines everyplace is darker now even though, she, wasn't ....mine I wish, I knew her better :(
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12
I knew a poetess, Mariya (tribute, in my meager way)
⭐ THE UNPOLISHED SEASON — Poem I (A small morning rebellion, starring a mug that refuses to help.) The coffee didn’t even try. It sat in the mug, dark and stubborn, informing me through a thin veil of steam that it was done with the rescue business. Apparently, I am on my own. The steam rose in a slow, disappointed shrug – the kind you give a friend who never learns. Light leaned into the kitchen sideways, squinting, looking like it had slept fitfully and wasn’t ready for a conversation. The fridge hummed with the heavy, oxygen‑starved solidarity of a night‑shift worker who just wants to clock out. The spoon was useless. It lay on the counter, feigning a deep, silver sleep to avoid being involved. There was no grand epiphany. No metaphor waiting in the shadows to make this meaningful. Just a room, a cold caffeine resignation, and the quiet realization that the day isn’t a performance – it’s simply a space where I have to learn how to stand without being held up.
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12
The Coffee That Resigned
Lost in a world of reverie, Longing to make your discovery, I can feel it rise inside of me, Roaring to a flame of ecstasy Fingers imprison fingers, fingers imprison flesh I am weakness beneath your bated breath Lay claim to my clay, lay claim to my ******* Mold me over and over to collapse on your chest I am yours with each command, each and every kiss Till my maiden land, fill me with every inch I can be your ***** I can be your ***** Heat, sweat, electricity traveling in between, A valley full of nectar, as you consume my delicacies Make me your subject, and bow to your Queen Paint a masterpiece on my back, before you lick it clean Stroke your brush inside my palette for another round, Make liquid clouds come oozing from my swelling mound Choking on clouds from my willing mouth, Taking notes from your every sound Opening my blossom on your vine, Aching for our souls to intertwine, Makes my eyes shine, drunk on wine Take what is yours, I know you are mine
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11
ART
She rings the doorbell, smiling too wide. Magazines clutched like life rafts— inked promises of better lives, better bodies, a better world. Late thirties. Small ******* Strawberry-blonde hair. Hands that look like they once knew dirt— maybe farm work, maybe just hard years, the kind that leave their mark without asking permission. Freckles begging for domestic bliss. A black-and-white photo on the counter— him and a dog, long gone. She hesitates, eyes drifting, thinking how long it’s been since… The door swings open. Slow. Beer gone warm in my mug. The apartment holding its breath. She lingers in the frame, a little too aware of the space around her. Then—just for a heartbeat— her eyes catch mine. Undeniable. Pure animalistic heat, tamed somehow. I know what’s coming is already happening in both of us. Magazines shift as she sets them down. A faint, heavy perfume lingers— flowers, ancient, insistent. Filling the small room with something fragile, something urgent. The kitchen sink becomes a stage, chrome catching the afternoon light. She leans in; our mouths meet. Skirt shifts. Edges sharpen. Her hands brush my hips— she can’t remember the last time someone held her this way. My fingers catch the strands of her hair, kaleidoscope in the light. This wetness is a vague memory. The room folds around us, every heartbeat undeniable, every motion already written. And we mattered. At least for a few minutes, to each other.
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11
Lonely Night Hawks
You can set fire to my rain I know I won't cave Sometimes burning goes both ways At no time I thought we would be ashes of ourselves Tearing every tree, breaking you free Maybe we just weren't meant to be Trying to stay up when you are clearly down Two-faced moon Glowing light, always in place Knowing you never really cared Meaningless words taking up space in our worlds Two-faced moon Hoping I can find you soon Tell me what side to choose Teach me how to be without you Glowing light, always in place Confess your feelings, strip me of grace Will you ever cave? Was this what you craved? Two-faced moon Give me a reason to stay, don't make me push you away Two-faced moon Bring me back to the thought of you When our souls merged and our hearts cared.
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11
Burning goes both ways
There are cuts straight and diagonal all over my skin Feels like I let my thoughts win and broke all my promises to my younger me And maybe I did Maybe I'm weak Maybe I secretly care what everyone thinks oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? never thought we'd be this way. What the hell happened? Why we cut ourself open? I thought that we'd be happy, we knew things wouldn't be easy, but seriously? You made me a promise that we would be better Why do you keep breaking it? Why'd you lie to me? We used to skip around the playground, we used to shriek with laughter. Don't tell me this is your version of better. Maybe we are weak, maybe we secretly do care what everyone thinks. oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? no, you don't understand! You don't know what they did to us. You haven't lived the pain yet, don't act all disappointed! You would do the same. It's not really our fault, kid They made us like this. They told us our feelings were valid only to punish us. They stuffed us in a box, we weren't allowed to punch pillows anymore. They told us to stuff it inside. They said we were letting satan in, so we learned to prove them right. We gave them something to yell about, something real, something big. And then we got tricked, and our brain got twisted up, we don't think the same way. I'm so sorry. I'm so sorry I couldn't save us. oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? Stop with the excuses. What happened to 'I never break my promises'? Is that only for other people Did you hate us so much that you didn't care, or are you trying to say you gave up? What happened to 'we got this'? What happened to 'everything will be alright'? What happened to the nights that we would cry and you would say, 'When we're older, things will be okay'? Couldn't you keep up? Is that why we always say 'i miss...', but never finish the sentence? Is it the younger us you miss? Is it the time when we weren't like this? oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? Yes, you're right, I miss smiling in the dead of night. Imagining this bright future, where we were considered cool. And we had tons of friends, and everyone liked us, and we had amazing parents. But you have to understand, we aren't gonna change until our environment does. We'll never be the same, but we can get better. And I'll make a promise right here, we will get away, and have an awesome life. And maybe our scars will never fully heal, but I promise we're gonna get help.
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8
Younger Me Arguing
There are cuts straight and diagonal all over my skin Feels like I let my thoughts win and broke all my promises to my younger me And maybe I did Maybe I'm weak Maybe I secretly care what everyone thinks oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? never thought we'd be this way. What the hell happened? Why we cut ourself open? I thought that we'd be happy, we knew things wouldn't be easy, but seriously? You made me a promise that we would be better Why do you keep breaking it? Why'd you lie to me? We used to skip around the playground, we used to shriek with laughter. Don't tell me this is your version of better. Maybe we are weak, maybe we secretly do care what everyone thinks. oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? no, you don't understand! You don't know what they did to us. You haven't lived the pain yet, don't act all disappointed! You would do the same. It's not really our fault, kid They made us like this. They told us our feelings were valid only to punish us. They stuffed us in a box, we weren't allowed to punch pillows anymore. They told us to stuff it inside. They said we were letting satan in, so we learned to prove them right. We gave them something to yell about, something real, something big. And then we got tricked, and our brain got twisted up, we don't think the same way. I'm so sorry. I'm so sorry I couldn't save us. oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? Stop with the excuses. What happened to 'I never break my promises'? Is that only for other people Did you hate us so much that you didn't care, or are you trying to say you gave up? What happened to 'we got this'? What happened to 'everything will be alright'? What happened to the nights that we would cry and you would say, 'When we're older, things will be okay'? Couldn't you keep up? Is that why we always say 'i miss...', but never finish the sentence? Is it the younger us you miss? Is it the time when we weren't like this? oh Don't you know I'm sad inside? Don't you know I'm satisfied with when I bleed, with when I bleed? oh Don't you know I love it when my emotional pain shows up all over my skin, all over my skin? Yes, you're right, I miss smiling in the dead of night. Imagining this bright future, where we were considered cool. And we had tons of friends, and everyone liked us, and we had amazing parents. But you have to understand, we aren't gonna change until our environment does. We'll never be the same, but we can get better. And I'll make a promise right here, we will get away, and have an awesome life. And maybe our scars will never fully heal, but I promise we're gonna get help.
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127
~ June 2026 HP Poet: Kalliopie Age: 28 Country: USA Question 1: We warmly welcome you to the HP Spotlight, Kalliopie. Please tell us about your background? Kalliopie: "My name is Kay, I'm 28 and live in the united states. I'm a nurse, who comes from a long line of nurses and Healthcare professionals. I actually was pretty resistant to the idea of working in Healthcare my whole life but a nursing home ended up being the first job I ever stayed longer than 6 months at, so I guess it's where I'm meant to be after all. I'm a mother to one daughter and the oldest of five. I love, love, love cats and I have three!" Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Kalliopie: "I have always loved to write, I thoroughly enjoyed writing essays and any form of English assignments in school. I joined Hello Poetry in 2018/2019 and though I haven't always consistently posted, I've always been a reader of everyone else's work." Question 3: What inspires you? (In other words, how does poetry happen for you). Kalliopie: "There isn't a quiet moment in my head. My gears are always turning. I draw inspiration from a mix of situations I'm in, combined with what I see around me. I often think of a line and put it in my notes, where I'll finish it later. I'm heavily inspired by the moon and rain, it's just when I feel the most at peace I think." Question 4: What does poetry mean to you? Kalliopie: "For me poetry is therapy. It's creativity unleashed. It's being able to subconsciously work out my thoughts through rhyme in the name of art." Question 5: Who are your favorite poets? Kalliopie: "Embarrassingly, I don't read much these days, aside from what I read on Hello Poetry (there's so many amazing poets here). But I quite like Rupi Kaur and Atticus Poetry, I have a few of their books on my shelf." Question 6: What other interests do you have? Kalliopie: "My main hobby is video games; I love to get lost in a different reality. Over the past two summers, I have started to garden as well, nothing crazy. I'm not very good at it, but I enjoy it and my daughter seems to like it. I also really like to watch the hummingbirds, so that's become some what of a hobby, trying to plant the flowers they like and making sure their feeder stays clean. I never thought I'd make time to watch birds but maybe that's something that comes age, lol." Carlo C. Gomez: “Thank you, Kalliopie, we truly appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in the Spotlight series!” Kalliopie: "Thank you so much for this opportunity!" Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Kalliopie better. We most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez We will post Spotlight #41 in July!
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8
HP Writers Spotlight: Kalliopie
~ June 2026 HP Poet: Kalliopie Age: 28 Country: USA Question 1: We warmly welcome you to the HP Spotlight, Kalliopie. Please tell us about your background? Kalliopie: "My name is Kay, I'm 28 and live in the united states. I'm a nurse, who comes from a long line of nurses and Healthcare professionals. I actually was pretty resistant to the idea of working in Healthcare my whole life but a nursing home ended up being the first job I ever stayed longer than 6 months at, so I guess it's where I'm meant to be after all. I'm a mother to one daughter and the oldest of five. I love, love, love cats and I have three!" Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry? Kalliopie: "I have always loved to write, I thoroughly enjoyed writing essays and any form of English assignments in school. I joined Hello Poetry in 2018/2019 and though I haven't always consistently posted, I've always been a reader of everyone else's work." Question 3: What inspires you? (In other words, how does poetry happen for you). Kalliopie: "There isn't a quiet moment in my head. My gears are always turning. I draw inspiration from a mix of situations I'm in, combined with what I see around me. I often think of a line and put it in my notes, where I'll finish it later. I'm heavily inspired by the moon and rain, it's just when I feel the most at peace I think." Question 4: What does poetry mean to you? Kalliopie: "For me poetry is therapy. It's creativity unleashed. It's being able to subconsciously work out my thoughts through rhyme in the name of art." Question 5: Who are your favorite poets? Kalliopie: "Embarrassingly, I don't read much these days, aside from what I read on Hello Poetry (there's so many amazing poets here). But I quite like Rupi Kaur and Atticus Poetry, I have a few of their books on my shelf." Question 6: What other interests do you have? Kalliopie: "My main hobby is video games; I love to get lost in a different reality. Over the past two summers, I have started to garden as well, nothing crazy. I'm not very good at it, but I enjoy it and my daughter seems to like it. I also really like to watch the hummingbirds, so that's become some what of a hobby, trying to plant the flowers they like and making sure their feeder stays clean. I never thought I'd make time to watch birds but maybe that's something that comes age, lol." Carlo C. Gomez: “Thank you, Kalliopie, we truly appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in the Spotlight series!” Kalliopie: "Thank you so much for this opportunity!" Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Kalliopie better. We most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez We will post Spotlight #41 in July!
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21
There are days when the fat rain beats the tent like a snare drum. Sleep is impossible, a distant memory from youth. Beautiful flowers die, and green is quite green enough. It turns to olive brown, then black. People don't behave and we can't make them. I hope there is rest when it's all said and done.
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7
And the Story Goes
A thin spherical layer, vivid colors upon it, rising above memory, Drifting through the air, such were we, or perhaps we are, young, brave, angry? Branches pierce the bubble, shattering it into drops, the ethereal falling to the solid ground, Down there, we can still paint not on the elusive walls, but on a linen ground carrying our skies and our earth.
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7
Bubbles
Your voice reaches me like a gentle angel, drawing me nearer without a single word. There’s a quiet spark between us, brightening with every word. Our conversations stretch on, wandering gently past midnight. You look at me and something settles, something opens a calm I didn’t know I was waiting for. On my way home, my mind lingers on you. Sweet dreams tonight, I miss you already.
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6
Gentle Spark
They drag themselves with a feeble gait, none like the other, each its own. In a corner of the skull, wet from the rain, my hound hides from the world, alone. It snarls no more, just quietly shivers, as a swarm of words like a hoop draws tight. Sometimes, a sharp revenge flashes through, like a brief spark cutting the dark of night. Misli Vuku se nejakim hodom, nijedna drugoj nalik nije. U uglu lobanje, mokro od kiše, pseto se moje od svijeta krije. Ne reži više, samo tiho drhti, dok ga roj riječi ko obruč steže. Ponekad bljesne oštra osveta, ko kratka iskra što mrak presiječe.
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6
Thoughts
Walking with my fingertips along your beaten spine each vertebrae reveals a story long since lost in time Oh, how you laughed as a child playing hide and seek 'til dusk the way your rosy cheeks lit up like flowers ripe to pluck The bairns you bore, the one that died forever loved eternally held in your heart and in your breath as waves upon the sea Walking with my fingertips we are together after all this time words I speak do not do you justice so I have sprinkled them in this rhyme
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6
Fingertips
There was a hospital tent in a distant war, stitched from canvas, laughter, and pain, and though it stood in Korea, it appeared each week in our living rooms like the home of old friends. We knew that catchy theme tune. We knew the signpost at the crossroads. We knew the choppers in the sky. We knew the bugle at day’s end and the surgeons washing blood from hands that could not wash away war. And we knew them .... not as characters, not as actors reading lines, but as companions who visited faithfully through the years. Hawkeye, sharpening wit against the madness of men. B.J., carrying kindness like a lantern through darkness. Colonel Potter .... proof that authority and decency need not be strangers. Margaret “Hotlips” Houlihan, discovering beneath discipline a heart larger than duty. Radar, hearing tomorrow arrive before anyone else. Father Mulcahy, tending wounds the surgeons could not reach. And Klinger .... dear, impossible Klinger ... parading through catastrophe in gowns, hats, scarves, and schemes, making us laugh until tears came, never knowing that before the hour ended other tears might come instead. That was the miracle. Comedy and sorrow walking arm in arm. One moment laughter, the next a quiet room and some hidden chamber of the heart gently opening. It spoke of war, yet it was never about war. It was about endurance. About friendship. About carrying on when carrying on was difficult. It taught that humour is not the opposite of grief, but its travelling companion. Week after week, year after year, the excellence never faltered. The writing stayed true. The humanity stayed intact. The tent never became a set. The people never became caricatures. They aged beside us, and we, without noticing, grew older beside them. Then came the evening we always knew would arrive. The final farewell. The helicopters fading. The camp emptying. The roads diverging. Goodbyes spoken. That tune again, dwindling. And millions sitting in quiet rooms mourning friends who had never truly existed, except in that mysterious place where fiction becomes family. Since then, television has offered masterpieces .... darker, larger, more fashionable. But greatness is not enough. A show may earn admiration. A show may earn respect. Only rarely does a show earn real affection. Only rarely does it become part of a life. And that is why, all these years later, that old tent hospital still stands in memory. The laughter still echoes. The tears still gather. The tune still lingers in my ear, The friends are still waiting .... In that gentle province of the heart where beloved things never quite depart. And when we think of them, we do not remember a television series. We remember the event of coming home to "MAS*H". [email protected] 1 June 2026
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6
THE SHOW WE JOYOUSLY CAME HOME TO
There was a hospital tent in a distant war, stitched from canvas, laughter, and pain, and though it stood in Korea, it appeared each week in our living rooms like the home of old friends. We knew that catchy theme tune. We knew the signpost at the crossroads. We knew the choppers in the sky. We knew the bugle at day’s end and the surgeons washing blood from hands that could not wash away war. And we knew them .... not as characters, not as actors reading lines, but as companions who visited faithfully through the years. Hawkeye, sharpening wit against the madness of men. B.J., carrying kindness like a lantern through darkness. Colonel Potter .... proof that authority and decency need not be strangers. Margaret “Hotlips” Houlihan, discovering beneath discipline a heart larger than duty. Radar, hearing tomorrow arrive before anyone else. Father Mulcahy, tending wounds the surgeons could not reach. And Klinger .... dear, impossible Klinger ... parading through catastrophe in gowns, hats, scarves, and schemes, making us laugh until tears came, never knowing that before the hour ended other tears might come instead. That was the miracle. Comedy and sorrow walking arm in arm. One moment laughter, the next a quiet room and some hidden chamber of the heart gently opening. It spoke of war, yet it was never about war. It was about endurance. About friendship. About carrying on when carrying on was difficult. It taught that humour is not the opposite of grief, but its travelling companion. Week after week, year after year, the excellence never faltered. The writing stayed true. The humanity stayed intact. The tent never became a set. The people never became caricatures. They aged beside us, and we, without noticing, grew older beside them. Then came the evening we always knew would arrive. The final farewell. The helicopters fading. The camp emptying. The roads diverging. Goodbyes spoken. That tune again, dwindling. And millions sitting in quiet rooms mourning friends who had never truly existed, except in that mysterious place where fiction becomes family. Since then, television has offered masterpieces .... darker, larger, more fashionable. But greatness is not enough. A show may earn admiration. A show may earn respect. Only rarely does a show earn real affection. Only rarely does it become part of a life. And that is why, all these years later, that old tent hospital still stands in memory. The laughter still echoes. The tears still gather. The tune still lingers in my ear, The friends are still waiting .... In that gentle province of the heart where beloved things never quite depart. And when we think of them, we do not remember a television series. We remember the event of coming home to "MAS*H". [email protected] 1 June 2026
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101
The very second we wake from them, they can be so very, very far away; the harder we try to hold, the cruelly quicker seems their escape... The gulf left, so unbridgeable, so enormous, so peculiar, when only so brief a moment ago it was so close, so familiar, so a part of us. Can a man truly love a woman and a place exactly as much at just the very same time? Trying to find an answer to that question is like trying to remember a dream upon waking... Though I've discovered there is just enough room in this one man's chest for at least eight broken hearts. *
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5
Dreams
The older we grow the faster life goes, priorities change quality of living and loving takes precedent, over self-indulgence and material things. Nothing as important as family and friends. It is racing now, these fleeting days and years, reflected most in my grandsons growing too soon from children to young men. For them, along with Steller parents our little farm provides a learning ground for teaching life lessons that inspire character and self-discipline, with Cows and pigs to show at fairs, pride earned with accomplishments and Blue Ribbons to share. So lucky am I having a ringside seat, watching yet another family generation ascend and grow, Football and basketball games to attend, Christmas morns of excited children clamoring down the stairs, many birthday celebrations with ever more candles aglow. Memories all, retained and shared. Perhaps the best part is, these grandsons of mine, still are up for hugs and good night kisses, genuine affection received and given. Families are a true blessing and a privilege, the only real reason we are here. All these things, remain the sweet frosting on my aging Grandfather's cake of life. I sometimes wonder where I would be without all these, my reasons for being?
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4
Reason For Being
I walk the decaying alleys in the park when the morning is still a promise to catch the wild leap of the sun the hopping fervour of the light on water the ho'oponopono of the photons escaped from a crushing core when it’s cloudy I just imagine it there a light looking for its unbound play we don’t truly know what the water is doing with the light we only know the quiet beauty of their meeting to look closely is to realise how little we actually see and how much more is gathered here waiting both below the surface of our lives and far above the reach of our names we are naming the skin of things there is more than the surface the ripple the sheen - a vast breathing passing unseen
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shining
Before Ogun wore iron, he wore music— the same hands that forged the cutlass tuned the strings of things unseen, the same fire that tempered metal learned first to temper feeling. So when you came, King, Sunny as the harmattan sun that burns without apology, warm as the compound fire that feeds the whole household we knew whose cognomen you carried, whose footprints you filled without diminishing. I met you first not in a concert hall, not in the amplified cathedral of the wealthy and the ticketed, but on the streets of Ibadan, where the sun baked the laterite into something almost sacred, where my feet, bare and dusty, carried the weight of a childhood still learning what it was. Your music leaked through the louvres of strangers' windows, spilled from the record players of those who could afford what I could only receive, and I received it the way the beggar receives the wind: fully, without owing anyone, without the debt of purchase diminishing the gift. It was mine the way Ogun's road is everyone's, the path belongs to those who walk it, not to those who built it. Your guitar, not merely instrument but griot's tongue, oriki in six strings, each note a proverb the elders hid in plain hearing, each strum a parable the patient ear unpacks, each lyric a lantern at the labyrinth's entrance the kind that does not say follow me but says instead; here is what the darkness is actually made of, here is how to walk through it without losing your name. You were not merely musician. You were blacksmith of sound— Ogun's other trade, the forge applied to feeling, hammering raw experience into the shaped beauty of what can be carried, what can be remembered, what can be sung when the original wound has become something the throat can hold without bleeding. Your voice river of dark honey, slow as a blessing, deep as a wound rose like incense from the shrines of Ife to the aerials of Lagos, carrying the theatrics of the divine into the ordinary afternoon of a people who needed to be reminded that their ordinary afternoon was itself a kind of divine. You left scars of beauty on the soul the specific wound that only great art inflicts: the mark that does not hurt but illuminates, that does not diminish but defines, that does not close but becomes the place through which the most light enters. From Syncro System to Syncro Feelings, you refused the comfort of the already-known, the warm repetition of your own proven sound. You reinvented the way Ọṣun reinvents, not abandonment of source but deepening of it, the river finding new channels without forgetting the spring it came from. Her sweetness does not thin with distance; nor did your sound lose salt by changing shape. No predecessor sat where you sit. No successor will sit there either; the throne shaped itself around you the way the iroko's roots shape the earth they have inhabited for a century: the absence, when it arrives, will be its own monument. King Sunny Ade today, as you turn seventy-eight, the bata speaks your names in rhythms older than your birth, the talking drum remembers what history forgets, the Ifa of your art stands open at the verse that says: a man who gave the people back their own voice dressed in beauty they did not know they possessed, this man has fulfilled the griot's highest covenant. The skies require no cannon to honor such a life. The music itself is the salute, still sounding, still finding the cracked louvres of the houses of the poor, still spilling into streets where barefoot children are learning for the first time what they are. Salute, King. Your strings still remember what your fingers taught them. Your voice still carries what your chest first learned to hold. And somewhere in Ibadan on a street the sun still bakes to something sacred another child receives your music through a stranger's window, not knowing it was ever only yours to give, learning only that the wind belongs to everyone, that beauty is not the property of those who can afford it, that Ogun's road is long and older than the feet now walking it and that the music, though it began before them, begins again in them. © Lanre Adebayo
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Ode To KSA
Before Ogun wore iron, he wore music— the same hands that forged the cutlass tuned the strings of things unseen, the same fire that tempered metal learned first to temper feeling. So when you came, King, Sunny as the harmattan sun that burns without apology, warm as the compound fire that feeds the whole household we knew whose cognomen you carried, whose footprints you filled without diminishing. I met you first not in a concert hall, not in the amplified cathedral of the wealthy and the ticketed, but on the streets of Ibadan, where the sun baked the laterite into something almost sacred, where my feet, bare and dusty, carried the weight of a childhood still learning what it was. Your music leaked through the louvres of strangers' windows, spilled from the record players of those who could afford what I could only receive, and I received it the way the beggar receives the wind: fully, without owing anyone, without the debt of purchase diminishing the gift. It was mine the way Ogun's road is everyone's, the path belongs to those who walk it, not to those who built it. Your guitar, not merely instrument but griot's tongue, oriki in six strings, each note a proverb the elders hid in plain hearing, each strum a parable the patient ear unpacks, each lyric a lantern at the labyrinth's entrance the kind that does not say follow me but says instead; here is what the darkness is actually made of, here is how to walk through it without losing your name. You were not merely musician. You were blacksmith of sound— Ogun's other trade, the forge applied to feeling, hammering raw experience into the shaped beauty of what can be carried, what can be remembered, what can be sung when the original wound has become something the throat can hold without bleeding. Your voice river of dark honey, slow as a blessing, deep as a wound rose like incense from the shrines of Ife to the aerials of Lagos, carrying the theatrics of the divine into the ordinary afternoon of a people who needed to be reminded that their ordinary afternoon was itself a kind of divine. You left scars of beauty on the soul the specific wound that only great art inflicts: the mark that does not hurt but illuminates, that does not diminish but defines, that does not close but becomes the place through which the most light enters. From Syncro System to Syncro Feelings, you refused the comfort of the already-known, the warm repetition of your own proven sound. You reinvented the way Ọṣun reinvents, not abandonment of source but deepening of it, the river finding new channels without forgetting the spring it came from. Her sweetness does not thin with distance; nor did your sound lose salt by changing shape. No predecessor sat where you sit. No successor will sit there either; the throne shaped itself around you the way the iroko's roots shape the earth they have inhabited for a century: the absence, when it arrives, will be its own monument. King Sunny Ade today, as you turn seventy-eight, the bata speaks your names in rhythms older than your birth, the talking drum remembers what history forgets, the Ifa of your art stands open at the verse that says: a man who gave the people back their own voice dressed in beauty they did not know they possessed, this man has fulfilled the griot's highest covenant. The skies require no cannon to honor such a life. The music itself is the salute, still sounding, still finding the cracked louvres of the houses of the poor, still spilling into streets where barefoot children are learning for the first time what they are. Salute, King. Your strings still remember what your fingers taught them. Your voice still carries what your chest first learned to hold. And somewhere in Ibadan on a street the sun still bakes to something sacred another child receives your music through a stranger's window, not knowing it was ever only yours to give, learning only that the wind belongs to everyone, that beauty is not the property of those who can afford it, that Ogun's road is long and older than the feet now walking it and that the music, though it began before them, begins again in them. © Lanre Adebayo
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173
June is me. She is a girl carrying grief inside her chest, praying that the loss of two souls does not completely break her. Helen, fly high. You suffered a painful death for the past two years, and even now it hurts knowing you are truly gone. And dear Eny… You never deserved what happened to you. I never imagined life without the both of you in it. But life happens. Cruel, unexpected, unbearable life. This is a new month. My month. But the heaviness inside my heart keeps reminding me that people can disappear so suddenly. Sometimes I keep thinking, “What if we lose someone else too?” Helen never got the chance to tie gele for my wedding like she promised. And Eny never got to see me become successful. That hurts more than words can explain. June 6th is supposed to be my birthday. A day meant for celebration. But losing both of you so close to June feels painful in a way I cannot describe. Helen died on the 31st of May. Neither of you made it to the first of June. And somehow that breaks my heart even more. Fly high, both of you. And wherever you are, please know this: you were loved. You are still loved. And you will never be forgotten.
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JUNE
Queens Loves Poets. (for Em MacKenzie) ———————————————————- *Kings love making war, no wonder, the people, remember well fond their femi-mine rulers with femi-fervor, Queens, who loved poets. You fear Jesus, Adore Mary, generosity of understanding. because it is hard for woman to do cruelty, till she has been abused by men who thought they were kingly by being beknighted, unbeheaded for now at least. Men who invented Brandy, in the be of night, were stupid men, they forgot alcohol, the Brandy of Channing, is not fit for manning, for it is a* toxin, like me, like me.
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Queens Loves Poets. (for Em MacKenzie)
*** She watched the soldiers disappear Beyond the smoke and rain, Their shadows fading through the mist Across the shattered plain. No trumpet sang, no banners waved, No glory filled the air. Only weary men with haunted eyes Marching toward despair. When silence settled on the field, She slowly walked ahead. To where the soldiers once had stood Among the torn and dead. The earth was churned by mud and blood, By boots and shellfire’s flame. And scattered there like fallen leaves Forgotten letters lay. She knelt among the poppies red, Her trembling fingers cold, And lifted pages soaked by rain, Still carrying words of home. One letter spoke of mother’s bread, Still warm upon the tray. A father waiting by the fire At ending of the day. Another told of sweetheart’s eyes, And promises once made. Of dancing halls and wedding rings Beyond the war’s dark shade. One spoke of brothers left behind, Of sisters growing tall. Of Christmas bells and childhood games Beside an old stone wall. Each page she read held hope and love, Simple dreams so small. Yet every word became a ghost Across that broken sprawl. Tears slowly traced her weary face As twilight dimmed the sky. For every letter seemed to breathe With lives that did not die. Then nearby in the muddy earth, Half-hidden by the rain, She saw a fallen soldier there, Still silent where he lay. His hand still grasped a final page, Its writing left undone. The ink had blurred beneath the storm, The sentence never done. She gently knelt beside the boy, No older than her years. And carefully she took the page While fighting back her tears. “My darling Mum…” the letter read, Then suddenly it ceased. The final words forever lost In war’s unholy grief. She bowed her head beside the dead, The wind so cold and still. Around them scarlet poppies swayed Across the shattered hill. Then softly through the falling dusk She whispered low and true, “I promise I will send this home. I will remember you.” “I’ll tell them how you fought with courage, How you carried hope through pain. How even here, beneath this hell, Your heart stayed kind through rain.” The soldiers marched far out of sight, The guns began once more. But she remained among the letters Scattered by the war. Gathering every fragile page Like treasures from the dead, To carry home their final words And all the tears they bled. For though the war would take their lives, And silence many stories, One soul remained to speak their names And guard their memories.
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The Letters Left Behind
*** She watched the soldiers disappear Beyond the smoke and rain, Their shadows fading through the mist Across the shattered plain. No trumpet sang, no banners waved, No glory filled the air. Only weary men with haunted eyes Marching toward despair. When silence settled on the field, She slowly walked ahead. To where the soldiers once had stood Among the torn and dead. The earth was churned by mud and blood, By boots and shellfire’s flame. And scattered there like fallen leaves Forgotten letters lay. She knelt among the poppies red, Her trembling fingers cold, And lifted pages soaked by rain, Still carrying words of home. One letter spoke of mother’s bread, Still warm upon the tray. A father waiting by the fire At ending of the day. Another told of sweetheart’s eyes, And promises once made. Of dancing halls and wedding rings Beyond the war’s dark shade. One spoke of brothers left behind, Of sisters growing tall. Of Christmas bells and childhood games Beside an old stone wall. Each page she read held hope and love, Simple dreams so small. Yet every word became a ghost Across that broken sprawl. Tears slowly traced her weary face As twilight dimmed the sky. For every letter seemed to breathe With lives that did not die. Then nearby in the muddy earth, Half-hidden by the rain, She saw a fallen soldier there, Still silent where he lay. His hand still grasped a final page, Its writing left undone. The ink had blurred beneath the storm, The sentence never done. She gently knelt beside the boy, No older than her years. And carefully she took the page While fighting back her tears. “My darling Mum…” the letter read, Then suddenly it ceased. The final words forever lost In war’s unholy grief. She bowed her head beside the dead, The wind so cold and still. Around them scarlet poppies swayed Across the shattered hill. Then softly through the falling dusk She whispered low and true, “I promise I will send this home. I will remember you.” “I’ll tell them how you fought with courage, How you carried hope through pain. How even here, beneath this hell, Your heart stayed kind through rain.” The soldiers marched far out of sight, The guns began once more. But she remained among the letters Scattered by the war. Gathering every fragile page Like treasures from the dead, To carry home their final words And all the tears they bled. For though the war would take their lives, And silence many stories, One soul remained to speak their names And guard their memories.
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81
All walks of life come here seeking knowledge So many things they didn’t teach us in college.To radicalize hypothesize strategize and realize Situational awareness not the curriculum material we thought we were going to learn Until the gun is pointed at you it’s your turn We didn’t know his name, But we know something was up. Just the same. When POP sounds rang out There was no doubt People fled scared crying students shot dying We did our best to be invisible hiding or trying He instinctively reloaded and strategizing He stood outside the Library recalibrating His entrance we feared anticipating our class trapped in the library we’re waiting On a beautiful day under the warm sun, it begun The students were being hunted one by one His fingers wrapped around the gun He linger on the trigger a little too long The person next to me shot bled out gone Hands on our mouth don’t make a sound Terror about to unfold silent tears streaming down What game is This ? That which he plays Why these senseless shooting on this of all days? Captives found No Mercy he blew them away To make sense Students gather together to pray His mission statement and manifesto shed light He wrote Demons won carnage, nightly fight ********** was the name of HIS game in bed or in life. They’re both the same. Gaslighting triggers the ultimate cost that pushed him over the ledge Mind LOST Master and Servant Acceptance Observance Now the Servant becomes the Master Complete obliteration destruction, Disaster He was a wiping post for bullies. Retribution. to get even, Revenge Destruction of bullying Vicious play. I’ll **** as many as I can.He’d say The bullies will die on THIS my LAST DAY The school was wrapped around MY fingers No need to pretend I’ll be shot dead in the end My final achievement my Crown of Gold Cautionary stories about me will be told Proud to shoot and **** as I feel indiscriminately They’ll remember me the MOST kills in History They’ll dissect past neglect suspect project blame What will remain A ****** massacre in my name Internet, nefarious, intent they maintain I acted alone Conspiracy theory or is it?? Manchurian candidate empowered to overturn established systems, destroy institutional belief Attempted goal to challenge authority, subvert, expectations traditional ways of thinking. What so we know? VS Think we know! the school response time seemed to take forever students 911 calls; pleading Needing Bleeding Police medical responders children dying, mothers crying What is an acceptable delay? Acceptable loss. Where do we go from here? What’s the next step. What remains of the fragility of humanity? What’s happening to our children is insane Inspired Songs; 1) Wrapped around my finger By Police (its a fitting song and perfect band name ) 2) Starry Night By Don McLean Vincent van Gogh a tortured soul (Suffered for his sanity) Inspired By William A Gibbs, who wrote a poem Titled When I Die (excellent read check it out) His poem is a completely different aspect However after reading his impeccable work This poem came flooding out Post Script FYI When I went to look at this poem on the front board, I had a couple of words that were taken out. I’ve never had that happen before. But when I went to my homepage, the poem was intact. It wasn’t any gratuitous words I guess I’m not PC enough to realize. I bring to light the senseless killings in schools they’re all over the news for a minute and then it’s as if it never happened. I know people want to put the pass behind but the kids will never get over this.Students Teachers Families need a solution More than barricading the children in schools on lockdown.. Dealing with the aftermath This is not the arithmetic children need to learn
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Schools Senseless Shooting
All walks of life come here seeking knowledge So many things they didn’t teach us in college.To radicalize hypothesize strategize and realize Situational awareness not the curriculum material we thought we were going to learn Until the gun is pointed at you it’s your turn We didn’t know his name, But we know something was up. Just the same. When POP sounds rang out There was no doubt People fled scared crying students shot dying We did our best to be invisible hiding or trying He instinctively reloaded and strategizing He stood outside the Library recalibrating His entrance we feared anticipating our class trapped in the library we’re waiting On a beautiful day under the warm sun, it begun The students were being hunted one by one His fingers wrapped around the gun He linger on the trigger a little too long The person next to me shot bled out gone Hands on our mouth don’t make a sound Terror about to unfold silent tears streaming down What game is This ? That which he plays Why these senseless shooting on this of all days? Captives found No Mercy he blew them away To make sense Students gather together to pray His mission statement and manifesto shed light He wrote Demons won carnage, nightly fight ********** was the name of HIS game in bed or in life. They’re both the same. Gaslighting triggers the ultimate cost that pushed him over the ledge Mind LOST Master and Servant Acceptance Observance Now the Servant becomes the Master Complete obliteration destruction, Disaster He was a wiping post for bullies. Retribution. to get even, Revenge Destruction of bullying Vicious play. I’ll **** as many as I can.He’d say The bullies will die on THIS my LAST DAY The school was wrapped around MY fingers No need to pretend I’ll be shot dead in the end My final achievement my Crown of Gold Cautionary stories about me will be told Proud to shoot and **** as I feel indiscriminately They’ll remember me the MOST kills in History They’ll dissect past neglect suspect project blame What will remain A ****** massacre in my name Internet, nefarious, intent they maintain I acted alone Conspiracy theory or is it?? Manchurian candidate empowered to overturn established systems, destroy institutional belief Attempted goal to challenge authority, subvert, expectations traditional ways of thinking. What so we know? VS Think we know! the school response time seemed to take forever students 911 calls; pleading Needing Bleeding Police medical responders children dying, mothers crying What is an acceptable delay? Acceptable loss. Where do we go from here? What’s the next step. What remains of the fragility of humanity? What’s happening to our children is insane Inspired Songs; 1) Wrapped around my finger By Police (its a fitting song and perfect band name ) 2) Starry Night By Don McLean Vincent van Gogh a tortured soul (Suffered for his sanity) Inspired By William A Gibbs, who wrote a poem Titled When I Die (excellent read check it out) His poem is a completely different aspect However after reading his impeccable work This poem came flooding out Post Script FYI When I went to look at this poem on the front board, I had a couple of words that were taken out. I’ve never had that happen before. But when I went to my homepage, the poem was intact. It wasn’t any gratuitous words I guess I’m not PC enough to realize. I bring to light the senseless killings in schools they’re all over the news for a minute and then it’s as if it never happened. I know people want to put the pass behind but the kids will never get over this.Students Teachers Families need a solution More than barricading the children in schools on lockdown.. Dealing with the aftermath This is not the arithmetic children need to learn
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So magical pitter patter, Childhood fell in love with it, where some flaw never mattered. Endless music of dropping pearls, Adult clouds dance, showing off their curls. Love for rain never got better, Like splash of water, love can never be saved for later,forever. Love vapours with time becomes forgotten like broken mist. Childhood collects flaws as a list. Sweet raw scent of early rain Wakes up hidden verses my ink never want to claim. Blue canvas holds pages of our name. We are tired, still scribble something we can never name. White fluffy wings carry the chain, Some lines of poetry we will never explain. Every drop tastes sweet scented, As it is from home, so far away. We spend nights to count, don’t wanna stay. Every breath demands a fee, debts are paid and painted. The joy of meeting you, dear rain, Turns into tears ,how to explain? Now no one wants to be wet. Broken wings never sway, and the sunlight missed the train, so late. Erased by dark cloud of flawless fate. Rain feels hazy, so good. Hope gets lazy when it starts to flood. When rain learns to befriend drops of tears, Soft soul gets drowned by its own rhyme and thoughts, heavy to bear.
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When Rain Learns Tears
Scotland Beneath Endless Skies *** Summer… purple heather blooming, wildflowers dancing across the moors, the scent of pine and sea air drifting through warm Highland glens. Ancient oaks and Scots pine stand tall beneath endless northern skies, their branches rich with life— the mighty Kings of Summer. Summer brings long evenings, golden dreams, and soft light upon the lochs. Red deer wander through the Highlands, seals bask along rocky shores, while swallows sweep across the skies upon warm western winds. Summer is freedom and wonder, bright colours and endless daylight, a countryside alive with beauty. Heather rolls across the hillsides, rivers sparkle beneath stone bridges, and Highland cattle graze peacefully through green and open fields. Puffins nest along sea cliffs, golden eagles soar above Ben Nevis, and dolphins break the waves off Scotland’s rugged coasts. Summer is adventure, fresh memories, new journeys waiting to begin. A celebration of life itself— new laughter, new loves, new moments beneath glowing sunsets. Young robins fly strongly now, their songs carried through warm evenings, while twilight lingers softly over Scotland’s silver lochs. What a season. What a land. This Scotland of ours— her mountains rich with living green, her wild heart alive beneath the sun. Glorious, glorious Summer… A time to truly wander.
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The Summer of Scotland