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 Nov 2013 Bilal Kaci
-
coke, cigarettes
and salad
that is all
in my diet

the pressure
on myself
to be thin
is high
above
the radar

ain't got platinum hair
or stilettos up to here
all I have is an average body
I am no skinny mini

I feel the pressure of
our society
it wants us
to be perfect
and stick thin
but I am none
of those things

glamour seems to be
self destruction
and eating disorders
manic depression
and starvation
none of those
are healthy
but our society
they glamorize
our deadly
addictions
and our
unhappy
decisions

I miss the days
when Marilyn Monroe
was seen as a *** symbol
not for a thin appearance
but for her beauty
and captivating curves

your body shape
is something
you shouldn't be ashamed of
you are beautiful
no matter what
it's our society
which really *****
© Natali Veronica 2013.

if you're insecure, you'll understand this poem.
this poem is about how society tells us what to look like,
or what you should be, how you should be etc.
 Nov 2013 Bilal Kaci
st64
my piece of blue sky
and I'm so thankful for your kindness
to include me
at all


there's nobody I'd rather see on this globe
than the presence of you
and boy, do I sense you!


my beautiful piece of blue sky
tucked inside somewhere
only the still cirrus-call
can feel



S T - 13 novs 13
oh boy, wot-a-day!
fine and finer are thus.. nearly newborn :)



sub-entry: surprises

though hardly a fan of it
I daresay
the world sure has a way
of sliding
sweet-surprises!
 Nov 2013 Bilal Kaci
Tom McCone
open ended, carved under the sky,
before night arrests our bated breathing,
a long line pulls taut.
a single glimmer, thirty
seven degrees to the horizon,
devolves in absence; here,
a heaviness.
you tore the center of a
dripping plum clean to
ripples over fading plains,
corners of streets where
i stand, on one foot,
against this architect's second-best:
perfect still, bearings, city centre.
lost.

a kite string north, slight east,
the rotation of points demarcating
this pasture, a
long line becoming cycles,
tying tree-trunks like
your handwriting in switchblade font;
static inanimacy, a
song for nothing, a five
minute overhaul, the only
meaningful composition the
world will give up.
years.

taking up a pair of scissors,
you make soft moves;
kiss someone new a little longer
kiss someone new a little
kiss someone new,
smile,
skin as parchment,
fine paintings, forwarding addresses,
symbols glowing through the depths of night;
a candle, alight,
to have read you by.
a short line comes loose,
i fall down.
empty.

you fall asleep,
smile.
He makes his rounds bounding around town between cobblestones
And I am last I never mind but I am always last
And you'd feign quelle surpris at how long I would wait for this uncourtly gentleman
Although that is a reaching description because he totters between gentle and aggressive
Just the way I like
We have nothing but the way we have everything
It's nothing permeably enviable but oh if you knew I swear you'd just seethe
Neither of us belong to the world and the world does not want us
We are far too content in our miseries to fathom fear of change
I have others and he has his but I know his body aches for mine thousands of thoughts away
I don't know all the triggers that makes his mind wander to me just as he will never know that when I smell new rain on old earth it's he who comes first
But I think just knowing that there are things that bring him back to me warms my ever pumping heart until the worlds sees fit to cease it's beat
And with that said I hope he's there to care and I am not last forever
It is easier
To simply remove everything of value
And fill the hollow space
With mental detritus.
There is nothing painful left
in that space.
It's all deliberate,
The dross, the drone, the sleb sludge,
Brain-bilge-water.
When I'm ready, I'll purge,
And make the hollow ready,
For a healthier obsession.
Last night I dreamed of you again.
We were together in a crowd,
And I turned and walked away
into a silent, sunny forest.

Trees knotted into strange shapes,
Like lifesize bonsai.
I struggled over swollen roots
Exuding damp moss,
And slipped down an incline,
Into your arms.

You had followed me there,
Caught me, saved me,
But you dropped my hand as I slipped it into yours
And walked on, talking, expecting me to follow.

I’m done following, though,
And turned immediately,
Struggling on over the resistant landscape,
Over a ridge and across another of those bulging, snakelike trees.
I didn’t think you’d follow,
But again, there you were.

I asked you why you’d dropped my hand.
I know what I want, you replied
But I don't think you do,
And I'm trying to do the right thing.

I find myself wanting to ask, why? Why now?
Why, when I am over the confusion and the pain,
When I am past the most dangerous phase of withdrawal.

But, oh, that’s right – it didn’t really happen.
And I wasn’t really there.
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