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 Oct 2013 Bibhu
Nat Lipstadt
I don't show her all the poems
I write,
Because if I did,
I would be picking up
***** crying tissues
From every room.

I don't show her all the poems
I write,
Because if I did,
My neck would be sore,
My back twisted,
My arms black n blue
Where she alternatively
Hugged me too hard or punched me harder,
For making her sadmadhappy,
Or just one of
all of the above.

I don't show her all the poems
I write,
Because some are meant for her to read,
Après les deluge,
After I'm gone,
Safely but sadly,
Out of her reach,
And the man who always carries
Tissues for her,
Has finally
Run out of stock.
 Oct 2013 Bibhu
Russell D
With my thimble full of pride
A stone as my heart
I'm afraid the time has come
That we must now part

A thimble the only measure
Of the pride I have left
As for the stone that's my heart
It was put there with heft

Each unkind word a pebble
Now all stacked and compressed
Transformed into the stone
I now carry in my chest

But I will bear you no grudge
Nor hold you in account
For karma takes care of those
Who pull others down
 Oct 2013 Bibhu
Sally A Bayan
you are the great, gray sky above me...

between us,

           the deadly smoke rising...

soon,

     your gray clouds
            
         would be too heavy...

          you drop your black rain...

       ~~~~~i, am the sea~~~~~
        ~~~~~~~~~~~~~~~~~~~~~~~~~~
            ~~~~~~~~~­~~~~~~~~~~~~~~~~~~~~~~

       S a l l y

         Copyright 2013
            Rosalia Rosario A. Bayan
...written some weeks ago for one of Juliane Sharir's photographs.......
 Oct 2013 Bibhu
Nat Lipstadt
Created June 1st, 2011

I am not gay.
I am not straight.
I am not curved,
or warped or woofed
I am bent, cylindrical,
a burnt human.

but not weak, nah!

tempered stronger than
furnaced scarred,
hard-stained steel,
a fire shaped child of El.

The sum of,
the product of,
the multiple divisions of:

my hard-on
experiential, existential
hand to hand
combat learning,
life's red copper burnishing,
and my very own
genetic, tantric
commanded tablets,
my natural earnings,

and I guess I am just like
{you, man}


obedient factotum to the
twists and turns of the
curve ***** and spitters
life pitches at my head,
that end up as
body blows.

multiple contusions outside
worn with pride inside,
I award myself a
medal of honor,
and elect myself,
Most Valuable Person,
an All Star of David,
for having survived
one more battle scarred
game day,

and I guess I am just like
{you, man}


when I awake,
in the raceway courses
of my veins,
the speedways to my
heart and brain,
runs the bitter herbs taste
of fear of how
I shall yet again,
earn this day,
my body's keep and shelter,
earn some table scraps of
peace of mind,
that I may lay
myself down to sleep
if ever so briefly,

and I guess I am just like
{you, man}


When I prowl the mid of night,
the fever of combat fear,
my skin sears,
and there is no narcotic
that anesthetizes
even surficial  
the anxiety,
the ailment of
melancholia
that hallmarks my soul,
the overflow of which
spills over the ****
of my vocabulary

So every new day
is a new year,
and I start the diet
of my soul
yet again

and I guess I am just like
{you, man}


Once I was a soldier
who wore the
black and white stripes
of the uniform that stretches
to the four corners
of the world.

I used to sway to the R&B;
of someone else's tunes,
prostrate fell to my knees
speaking someone
else's words,
touched my forehead
to the ground.

but the melancholia that
sterling hallmarks my soul
never disappeared and
renewal was a gift
denied and refuted,
by the lack of clarity
to which I was not
part and parcel

and l guess I am just like
{you, man}


Took a new oath,
swore allegiance
to the alliance of
I don't give a ****
and acceptance of
the infection of
flawed humanity
inside of me
lies buried in the
permafrost of my mind,

So every new day
is a new year,
and I start the diet
of my soul,
yet again

The first new words
daily uttered,
chanted with vehemence
of an out loud prayer
to no one but we two,
me and you, man,
unashamedly clear and enunciated
not mumbled,
not muttered,
seven parts blessing,
three parts curse,
are these words.

l guess,
I am just like
{you, man}


Found and founded a brotherhood of me and
{you, man},
one mantra,
you and I are just alike,
now we have a new
holy romantic empire,
we are human
{you, man}
slaves to
nothing,
no one
but each other.
How I used to write...when I was....
 Oct 2013 Bibhu
Nat Lipstadt
The High Line (Pearls Before Swine)

is located on Manhattan's West Side. It was an elevated train track, that runs from Gansevoort Street in the Meatpacking District (wholesale butchers) to West 34th Street, between 10th & 11th Avenues, near the Hudson River, running parallel to the river.  

The High Line was originally constructed in the 1930's, to lift dangerous freight trains off Manhattan's streets. The High Line, nowadays, is open as a public park, owned by the City of New York. The District is now a night life hot spot of elegant shops and restaurants, among the few remaining meat packing firms, a "scene." If not in a hurry, and unfamiliar with the High Line, look it up (see notes), to get a visual of image. Or not. I can't remember who I promised I would dig out my High Line poem, but a promise kept.
_________________

Walk­ed the High Line after work,
early summer afternoon,
a pubescent evening-tide,
the teenage colors
of the setting ball,
seize your breath,
your eyes, enthrall.

On Little West 12th Street,
climbed up to
breathe the green,
thriving railroad earth-beds
tucked so cute,
tween the rusted ties of
intrepid railroad tracks.
still working in
service to humanity;
nature supporters now,
a new kind
of freight carried.

Climbed up on the backs
of a jumbled combo of
dressed beef carcasses
and yuppie carc-*****,
both obedient to the
Law of Consumption:
Consume or be consumed.  

Looked down on them,
grazing,
gazed upon them
pseudo social-dancing,
they are all prowling,
cat burglars,
searching for felines, roosters,
to tango/tangle with till
the shameful dawn walk,
a final tally of who,
was consumed,
and who,
got consumed.

Watch with bemused fascination
at the children,
swilling and chilling,
some liquor, some swill.
nonetheless  admiring each other;
their Lauren cut and Hilfiger heft
the finest of fat veined lines,
decorating their svelte,
but very attractive,
full figured appearances.

USDA Grade A,
a genuine meat market,
humans and
animals guts,
intertwined.

The Highline,
an architect's composition
of summer grasses,
planted in nooks and crannies
of man's discarded invention.

Summer grasses in unison,
stadium waving to
the music of summer breezes,
Manhattan sounds,
clinking glasses,
goods and services exchanged.    

The view admires you -
Oh baby you look so fine,
Your hair, like the
Hudson River's aquas
is a shining, streaked,
by High Line highlighted
late afternoon,  
sun-setting golden sparklers.

Your gold chains entwining,
fire crackers on top of a
the blue ribboned river,
exploding, dazzling,
your obedient admirers.  

They complement your skin,
aglow, one of nature's works,
soon to be painted on a canvas,
across a horizon of a
pinkish-tinged lavender sky -    
a gift of the oh-so-refined
refineries of South Jersey.  

Cool summer afternoon in
the Meatpacking District,
traffic, human, automotive,
clogs the Gansevoort piazza,
a NYsee zone pietonne,
a Manhattan cocktail of
young strivers and Eurotrash,
where you check me out,
and I return the favor,
using a pre-certified checklist.

Are you young?
Are you hip?
Are you beautiful?
Do you possess
what it takes
to undress me?
Reservations and a limousine!

Everyone who's there,
by definition, is in,
otherwise where else
would they be!

Pearls of perfect people,
perfect lives,
in, around and
before, swine.  

Am I the only one
who gets the joke,
or is the joke, me,
because I just don't got it
in order to get "it"?

Am I the only one
who sees the dead,
ancient and newly arrived,
human and other kind,
the living,
sharing the animal spirits
of the Meatpacking district:
some animated,
some haunted,
some summer tanned
some blood drained,
ghostly white veined?    

In this city,
my sweet city,
city where I bore
my first breath,
city where I'll be laid down to
my permarest,
the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray and
dried blood,
interspersed with the
speckled glitter of the
potpourri of human creation.

The Highline, an architect's
composition of summer grasses,
planted in nooks and crannies
waving to the jazzed music
of Manhattan lives,
its history, summer breezes,
emblem of the city's only coda:

Transform, rebirth -
survive and prosper,  
or else,
be slaughtered and die.

Summer 2010
http://en.wikipedia.org/wiki/High_Line_(New_York_City)

Written years ago when long poems were the norm, and inspiration was in the odor of the air I breathed.
 Oct 2013 Bibhu
Sally A Bayan
inevitable, i know...
unintentional most times, when
night time comes during broad daylight...
what i choose to forget
could not be kept at bay.
once in a while, comes visiting,
keeps popping up other times...
traces, droplets, sometimes snatches,
worse times, buckets-full......
bad, sad moments, hover, linger.

every former connection,
i want them ALL SEVERED from me...
distanced from my remaining years...
no more stabbing ache on my chest,
no more pin-pricking pain for me...
no more disturbing thoughts....

........at times such as this........
i struggle to be there,
where i'd rather be,
i need to be there....
for peace is all i ask for,
nothing more......
and peace is what would shower me,
there, where i always long to be...
...seated, contentedly...
with eyes half-closed, half-opened,
as  i take in a view of cool serenity
.........................always.......................
~­~~~~from my refuge by the sea~~~~~
...where i would be totally out of reach...
.......there, where my phantom fears......
....................d i s a p p e a r......................


              ~~~~~        

   (...a gloomy day, a gloomy write...)
              
Sally

     Copyright 2013
        Rosalia Rosario A. Bayan
 Oct 2013 Bibhu
Nat Lipstadt
Phantom Fierce Pierce

For Sally

Do have the courage of fear?
What!
You heard me.
Admit that we are all inhabited,
Admit that we are all inhibited.

Fear, the eleventh plague visited upon the Egyptians,
Nothing more paralyzingly complete.
Walking down an average day, an average street,
A median day, a medium day that a
Black disease from whence unknown,
And you are a froze shadowed chalk figure
Drawn upon the concrete, unable to move.

What would you pay, anything,
What would you give, everything,
Cleanse it all
Cut out the incisions
That with precision
Haunt your every
Waking and sleeping moment.
The deeds that did not get done,
The deeds that cannot get undone,
Both your undoing.

A plague on both, a plague on me,
My plague, unique to me,
Free me from this whatever the cost.

But it can't be arranged.
No devil to sell back the things
Of which you are ashamed,
No stain stick extant to guarantee success.

When the hollow is so great
You feel non-existent.

But you do not see what I see...
Courage, raw and plain, admits
These phantoms are not phantoms at all.

Those figures try to break you.
There is a beach, a path, where you know,
Safety.

Not easy to get there. The bus schedule unpublished.
But the bus line exists.
And you have the courage to wait, patiently
Until it arrives.

There is value here, if you read between the dashes
And the dots.

I see you for who you are.
You are the phantom fiercer piercer.

Shown us the way.
Please read Phantom Fears by Sally A Bayan.
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