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By morning we've got cold amphibious tongues
coated in blubs
waiting bubble eyed.
Still slimy throats
up-gurgle newts and muck.
Moss sprouts from our mouths
and brown coated gums.
Flies quivering between teeth.
Lips dry as salted meat.
If I had a peso for every time I was asked for one
I’d be a rich man.
If I had a peso for every pleading face I’ve seen
I’d have a generous hand.
I’d put a peso in every can or pan
or outstretched hand
or cup or bowl or hat of wool.
I’d give one to the boy with the accordion player
and to the girl selling butterflies on a stick.
I’d give one to the woman squatting on the sidewalk
and to the youth with his baton-twirling trick.
I’d give one to the doll maker and to the basket weaver
and to the blind singer and to the fire-breather.
I’d give one to the old man drumming out non-rhythms
and to his equal, fiddling non-melodies.
I’d give one to the flautist/drummer combo
and to the Pavarotti wannabes.
I’d give one to the woman with few teeth
and to the man with one shoe
To the families sleeping in doorways
I’d give to all those who can’t do.
To every last one and all, big and small
I’d give a peso, or more
Hell, why keep score?
Yes, if I had a peso for every time I was asked for one
I’d give it up,
not because I should,
but because I could.
Well, ha!, at least, I’d like to think I would.
This poem was written after a few months of observing the lives and livelihoods of the Mexican people. Mexico has few, if any, "safety nets" (social security, unemployment, etc.) to help the poor. On the one hand, this results in a vibrant street life, with entertainers on seemingly every corner. On the other hand, it reveals a deep poverty and uneasiness among its people. This was written in April, 2005.
Young girl
You get your fix
From every other boy that you pick
Standards once high, now sink low

The attention you crave
Does not go unnoticed
You are digging a callow grave

Once you have realized what you have done
All that seemed fun
Is now tossed in your face
Slow your pace

Reaching the high school low is common
For the promiscuous freshman
Blame the "pressure" for your weekend discretions

Adolescent life reflects poker
Come monday, you will realize
High school is one huge masquerade
Young girl, here come the jokers.
Raspberry melody;
strikes rock and air
What I would do for mermaid hair
Saucy sweet
You must breathe gold
as you speak in crimson tones
And we’re all a little insecure,
but you’re eclectic mixed with willow,
in all I’ve seen from over there.
 Jan 2013 Alice Butler
Tom Orr
It’s been three years since I took my last photograph. Photography had lost its appeal and there were no longer moments I wanted to capture, to freeze in time. I only wanted to move on, just to walk... Besides, my camera’s broken and I can’t for the life of me be bothered to get a new one. I’d rather spend the money on a trip to Brussels, that’s next on the list.

I suppose I’d say I have one true fear in the world and that’s staying still. My mother used to say “Oh Alfie, you’re like one of them AHDD children” and after I correcting her, I’d usually just shrug as if to say “Well, what do you expect me to do about it?” It could be said that my mother was one of those people who just had no time for the world, society was not her priority. One time a member of a local charity knocked on our door asking for a donation. My mother stood there, cemented like a gargoyle and poured out a flurry of very high decibel palaver about how her husband was in the marines and how she owed the world nothing because of it. I have to admit, it was a pseudo-logic that I’ve, to this day, not quite decoded.

My father made the decision to enter the Royal Marines at the age of 19 and my mother hasn’t forgiven him for it since. Perhaps that’s why she’s so sensitive about the whole “I owe society nothing” thing. I used to argue with her about it, about how it seemed right that he made his own decision to fight on behalf of his countrymen, but part of me has always despised his decision. I’ve gradually developed a cliché, but not inaccurate, view that soldiers are merely puppets for rich men’s wars and that glorifying the armed forces is just a sickening way to try and justify ******. Of course, I never shared this view with my father, even if I had, he’d have long forgotten. Whenever he comes back from service, I’m usually in some other part of the world, sitting in an outdoor café, preferring my life. It’s thoughts like this make me feel that I'm more like my mother than I primarily thought. I suppose some may call it selfish, but I merely believe it to be good observation, and therefore an intelligent alternative to what society wants me to believe. We’ll stick with arrogant.

My excuse is that arrogance was part of my job; I had to be correct, all the time. I was in that awkward career position, where I wasn't quite high up enough to be able to fully express my own views and so I had to stick to the hard-line “everything has to be extremely left-wing” approach. Journalism: the home to those who mould the minds of the world; or the breeding ground of *******, if you will. Personally, I was lucky enough to have no permanent boss; essentially I was my own. I wrote my columns for Liberal newspapers all across Europe and they edited them at their own will. It paid the bills, but like my views on my father’s military situation, I still possessed that distaste for the immorality of it all. I still remember my first article. I was 17 at the time, the writing type, enjoyed all things politics. It was for a moderately popular newspaper/magazine company in Western France, named “La Quotidienne”. I’d written a piece on local traders not receiving fair deals for their produce and as a result, the editor had asked me if I’d like to have my own regular column. The column was named “Teen Activist”, which nowadays I deem to be relatively patronising, but it was rather humbling all the same.    

I probably ought to explain some geography. I was born in Surrey, England in 1981 and lived there until my mother decided to move us to France in 1985. The military weren't too pleased with the move, because of course, this made us spies. The whole ordeal was a bit messy, but not really worth noting. We moved to Rennes, which is where today, I would consider home; although I haven’t actually seen home for a good 5 years. I guess the important thing is where I am and where I've been, but as I said before, I’d rather concentrate now on where I'm going. To Belgium, my suitcase is packed once more and my tired passport taped like an extra vital ***** to my wrist (because despite my relentless travelling, I always manage to leave my passport in some unsuspecting hotel room by accident). Blame the occupied mind of a ceaseless traveller.
This is NOT a poem - please feel free, however, to read and comment - every opinion is valued :)
 Jan 2013 Alice Butler
Ugo
The unorthodox are the true prophets
for their ways are those of the future,
so in the now, most kings get their head cut off.

But as death is the greatest prophet,
for it never fails to come true,
their martyrdom proves their ways truer than the footsteps of their fathers,
so in the face of adversities;
never be afraid to be a lonely Jesus on the Cross.
“Most young kings get their head cut off”—Jean-Michel Basquiat
My words are clumsy
and heavy as rocks thudding
on top of moist earth.
They're disruptive,
uncomfortable.
The noise of my voice like brass
clattering down a flight of stairs,
injured and dented.
Though underground, the sound
is silky and sleek.
My words falling like tiny pearls,
tap dancing daintily,
spilling smooth across marble,
rolling easily,
steady like pattering rain.
 Jan 2013 Alice Butler
Rai
Tracing
 Jan 2013 Alice Butler
Rai
Tracing your outline
With my fingertip
Becomes harder
When memories lapse and
I no longer remember your face
Then it really is goodbye for the last time
The dust that sits upon my finger tip
Knows where Im headed
And why I could no longer suffer
for your peace of mind
i drink whiskey because
after so many
shots
something like a dragon wakes up in my stomach
and crawls out my throat with the exhalation of cigarette smoke
i drink whiskey because the dark brown
mingles with the fire in my veins
and the wild south of my soul is reawakened
a part of my soul that lingers in the bricks of marie laveu's and between alleyways in the french quarter
stirs up like a ghostly collection of downy feathers
and the fear that is carved into my ribcage seeps out
i drink whiskey because the salt of my fingers plays
with the back of my throat
coaxing all this fear out, chased with mason jars of water
i drink whiskey because it makes me feel ugly and fierce
i drink whiskey because it makes it easier for me to burn bridges and sever ties
i drink whiskey because it makes being used by men with pretty faces and holes in their dead chests easier to swallow the next day
i drink whiskey because it makes me rowdy and alive
i drink whiskey because snarling rage needs to be let out sometimes
i drink whiskey because it sobers up my headi drink it because it helps me forget that i didn’t say no
i drink it because it makes me angry about what you did
i drink it because i remember the way your hand pushed mine down and the way your hand curled into a fist in my hair and yanked at the top of my dress
i drink it because i didn’t tell you no
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