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 Oct 2013 Alia Sinha
Tyler Kelley
Rumors are swirling
about what that little shepherd boy
is doing with those sheep
on the other side of the hill.

He has been watching that flock
for far too long
and no one has seen Old Jed
for quite some time.

He said he would come back
for his sheep,
but I have a sneaking suspicion
Old Jed is dead

and that little ******* shepherd
keeps all the wool
for himself.
The cheese-mites asked how the cheese got there,
And warmly debated the matter;
The Orthodox said that it came from the air,
And the Heretics said from the platter.
They argued it long and they argued it strong,
And I hear they are arguing now;
But of all the choice spirits who lived in the cheese,
Not one of them thought of a cow.
 Oct 2013 Alia Sinha
Maya Angelou
Her arms semaphore fat triangles,
Pudgy HANDS bunched on layered hips
Where bones idle under years of fatback
And lima beans.

Her jowls shiver in accusation
Of crimes cliched by Repetition.
Her children, strangers
To childhood's TOYS, play
Best the games of darkened doorways,
Rooftop tag, and know the slick feel of
Other people's property.

Too fat to *****,
Too mad to work,
Searches her dreams for the
Lucky sign and walks bare-handed
Into a den of bereaucrats for her portion.

'They don't give me welfare.
I take it.'
You brothers, who are mine,
Poor people, near and far,
Longing for every star,
Dream of relief from pain,
You, stumbling dumb
At night, as pale stars break,
Lift your thin hands for some
Hope, and suffer, and wake,
Poor muddling commonplace,
You sailors who must live
Unstarred by hopelessness,
We share a single face.
Give me my welcome back.
Six
Turn the kitchen sink on. Wait 36 seconds. Turn the sink off. Count the sides of the kitchen doorway. One, two, three. Put socks on, walk to the bathroom. Take socks off. Turn the bathroom sink on. Wait 36 seconds. Turn the sink off. Count the sides of the bathroom doorway. One, two, three. Put socks on. The whole procedure had been finely polished into a smooth six minutes. Exactly. Justin’s day can now begin. He finishes his normal routine and leaves the house. He checks the gutter. He’s not checking for anything specific, but it’s sixth in his morning ritual and must be done.

Today he found something. There’s a girl, passed out. She is wearing an excessively short turquoise sequined dress, with matching stilettos. Justin was at a loss. The gutter was not empty. Should he call the police? He took her shoe. He ran. Six blocks later, he stopped. He was In front of his favourite coffee shop. It was an intimidating place, with a tattoo and piercing service offered, while you wait for your coffee. He liked it because the address was 666. He was worried the police he hadn't phoned would be searching for the stiletto he had stolen. Who would have known he would turn to a life of crime? Just earlier, while the bathroom sink was on, he had been thinking of complementing the local parking officer (the one with the limp) on his ability to write tickets. Now here he was, holding the glittering fruit of his crime. Maybe he could return it to the young lady. She seemed nice enough, from what little he knew of her. But what if she questioned him? Best have an excuse prepared. He could say he saw a spider climbing into it. His chivalry had saved her from a nasty bug bite. No, he couldn't pull that off. He would pretend to be a poet, that’s what he’d do. Poets are known for being strange. So he set about writing her a poem.

Turquoise like the rain,
off you go, down the drain.

With a dress, short like our fleeting existence,
that could really do with some more distance.

I took your heel to 666,
left you a poem in the mix.


Justin was in fact quite proud of his apparent literary side. He rejected -yet again- a discount on tattoos, and left the coffee shop. He walked back to his gutter, Finding once again the girl, passed out. Slipping the stiletto back into place on her foot, he looked around guiltily, double checking the police hadn't followed him. He went inside. He went to bed. The next morning, he forgot to turn the kitchen sink on. He didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the kitchen doorway. One, two, three. Didn’t put socks on. Didn’t walk to the bathroom. Didn’t take socks off. Didn’t turn the bathroom sink on. Didn’t wait 36 seconds. Didn’t turn the sink off. Didn’t count the sides of the bathroom doorway. One, two, three. Didn’t put socks on.
 Aug 2013 Alia Sinha
echo
Thoughts
 Aug 2013 Alia Sinha
echo
thoughts flow out
from my fingers...

they must still hold
my dreams

from when

I slept

with
my head
on my hands*
~
 Apr 2013 Alia Sinha
W. H. Auden
Give me a doctor partridge-plump,
Short in the leg and broad in the ****,
An endomorph with gentle hands
Who'll never make absurd demands
That I abandon all my vices
Nor pull a long face in a crisis,
But with a twinkle in his eye
Will tell me that I have to die.
Today I stared at The Scream
And am proud to say,
I understand what it means.
Seconds,
Days,
Minutes,
Nights.
The Scream represents
Immortal life.

And who really wants to live
To be one hundred years old?
To see the world they know,
slowly go?

I've seen Death,
on multiple occasions...
He tells me it's okay
To feel this sort of pain.
Deep down it burns,
but it cools my skin.
Your words...
Unable to keep me in.

And who really wants to live
To be one hundred years old?
When there's nothing to do,
but grow cold?

Gently pour your tears on my eyes.
The feeling is great.
It reminds me of the sky,
Like your hair reminded me
of being naive.
These feelings are mine,
As you stab me in my side.

And who really wants to live
To be one hundred years old?
Memories still in mind;
What torment for every burning soul.
Indelicate is he who loathes
The aspect of his fleshy clothes, --
The flying fabric stitched on bone,
The vesture of the skeleton,
The garment neither fur nor hair,
The cloak of evil and despair,
The veil long violated by
Caresses of the hand and eye.
Yet such is my unseemliness:
I hate my epidermal dress,
The savage blood's obscenity,
The rags of my anatomy,
And willingly would I dispense
With false accouterments of sense,
To sleep immodestly, a most
Incarnadine and carnal ghost.
 Feb 2013 Alia Sinha
Pablo Neruda
My dog has died.
I buried him in the garden
next to a rusted old machine.

Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.

Ai, I'll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with ***.

No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he'd keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.

Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea's movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean's spray.

Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.

There are no good-byes for my dog who has died,
and we don't now and never did lie to each other.

So now he's gone and I buried him,
and that's all there is to it.
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