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It was the time of summer where every kid had silently realized that it was ending,
No longer halfway through, no longer half full
Leaking and spilling out,
like the gas in my twenty two year old car
We couldn’t stop it,
And the moments of high school summertime
The moments that supposedly turn into stories we tell forever
Hadn’t seemed to have happened.

Both of us on the swing lazily swung
Dizzily from side to side.
Climbing forward, falling in reverse
Our combined bodyweight shifting back and forth
Tanned legs kicking up in an attempt at unison on every backwards glide.
Gravity hung us there,
Pulling the swing toward the ground no matter the rotation.

I sat on top.
I wore bleached shorts and bleached hair.
I worried that gravity or more so my value to it
would crush him.


At the same time, I felt unbelievably small.


The air pressed in on me from all angles,
it touched my bare legs
it easily waffled my shirt.

“Mel, if you were squishing me, I would let you know”,
he assured with a cocky tone of his very own that somehow made me feel special.
I couldn’t help but think he was only trying to be tough
Attempting to let sheer willpower overweigh my well earned quads,
My six foot frame.
The awkward body I never quite grew into
Never knew how to masterfully control
Never knew how to fill.
Though I secretly (wanted to) truly believe him

On this humid night I felt like the ball was in my court,
Like I could do anything and everything.
That nothing could go wrong
That the boy that I was sitting on was genuine
And that I could simply drive off to wherever.

(I had a full tank of gas and enough money to get me to Alabama).

I felt small in this,
in this infinity of possibility all around me.
Like a weight was pushing into me
Putting on pressure that couldn’t be ignored
That shrunk me just enough.
I felt powerless to fate
Powerless to this planet
To this grand, glorified hunk of earth which was so much greater than me
(and surely my insignificant weight anxieties).

I felt like the gas was leaking out faster than I could use it.
I felt like my infinity was disappearing as I swung within it.


Just like that, I let the ball drop and the gas leak out.
We just kept swinging.
Laughing,
Wasting,
Talking,

Dying.
They say you hurt
The ones you love
The most.
I wonder how true
That must be.

I can't even bear to think
Of hurting you.
Yet you give out hurt
Like its a hobby.

With all the pain
You've put me through
You must love me
More than I could ever
Love you.
 Mar 2013 Alexis Jas
Kristo Frost
how could You know
as You are walking down the sidewalk
           around a corner       wherever You want
that the world is not assembling itself
atom by sticky atom
from the blueprints
piled in piles (like so many piles of newspaper)
in (the rooms in) the back rooms of Your mind
particles rushing and streaming, fluttering
together with the ebb of Your consciousness?
-
the World blurs fuzzily into shape
before snapping
(snappily)
into focus

just as You enter the room
blending pixilated reality smoothly
into an orchestrated Existence
-
the next time You      reach
for the doorknob on
the door to
the waiting room
-
give
pause
listen            
carefully
-
can’t You hear the anxious atoms
           scraping
sliding
           shoving past each other?
-
they                jockey
       jumping into
the eye of
       the image of
the woman on
       the screen of
the television in
       the corner of
the ceiling where
       it hangs
-
she wants to know
why we divide
Them              from Us
-
so clearly
so readily
-
she wants to know
why our countries
are bordered
-
by an indifference to equality
by a contempt for disillusionment
-
A dispute broke out between two
atoms on the table this morning;
a tiny china teapot was broken.
-
how would You know?
people are no more
then elaborate pieces of Your own mind
now once You hang up the phone
e v a p o r a t e d  
                        into no more than
                                           an afterthought
                                                    ­     of empty space
                                                           ­         -
                                             the smell of burnt matches
                             -                                      -
                You think that
everything You imagine is beautiful
                    even death
                             -
               but in an ugly way
-                            -
the man on the
                                edge
of the third chair
from the door
has no face
(none of Them do)
all of Them don’t
(have faces)
-
until They speak or You look Them in the eye
-
until They do something       Wrong
which is why They look                  down
when They walk down the sidewalk
-
They are afraid
-
to live
  as a tree
    in the park
-
where a pillar of
angry
           energy
                       falling
failing
           the
                       pessimistic
sky
might strike
Them
(older than You
yet born
just this moment)
making the ground
around
Them steam
with the sweat
of a silent room
waiting
for the
            door to
                        swing open
                                      and tell
                                                   him
                             -               -
                she’s going to be all right
              it was close there for a while
                        but she’s strong
                      she pulled through
                                      -
                              in the end
-                                     -
the pressure
of the years
of the rings
(which promise to
grow tighter
as time leaves us)
is heated
squeezed
left sitting in
flesh
turned to char
ash and smoke gently
cradling a tiny newborn
diamond
-
perfect           (silence)
-
broken
down the middle-
                      aged
                             flawed
-                                -
You should be perfect by now
You should have a face by now
-
speak           look Yourself in the eye
-
see Your own          Face
stop looking                down
when You walk down the sidewalk
-
don’t be afraid
-
to live
  as a tree
    in the park
-          -
They say don’t talk             to strangers
and You’re a strange one            indeed
how can You see the glamour
where Others            cannot
see that laughing quietly to themselves
can (You) set the expressions on their faces
to joy
     to pain
           to fear
                to apathy
                     to peace?
                              -
              yeah, she likes him
                and she likes him
                        to know
               that she likes him
                              -
                      in the end
-                             -
she wants to know
why our countries
are bordered
-
to keep Them      out
and Us       in
-                                   -
           this is Mine                  and that is Yours
-                                   -
You see
what You want to see (without)
-
(knowing what You want)
the sticker
       on the bumper
              of the car
                     rolling past reads:
                           “jesus is coming,
                                  hide the ****”
-                                          -
in its green lettering
and its largely silent voice
-
if You listen             carefully
You can almost hear Them
-                  -
              giggling
                ­   -                       -
              please do not think about green elephants
-                                          -
(a student just snuck in
and sat down as
the professor was writing
on the board)
-                                       -
             please do not feed the green elephants
-                                       -
I
Myself
have a strong suspicion
that Your mind is
as You read this
(hidden in a carefully cupped notebook)
spilling
black ink particles into
existence
on the very next          page
-                              -
             ­       You write that
You imagine everything is beautiful
                    except for death
                                 -
                   it is an ugly thing
                                    -
               yet still the chisel gouges
                  -               -
  “i whistle a catcall
at my blushing bride”
      llac ot eltsihw i”
  “edis ym ot god ym
                  -        -
        through the crumbling protests
         of the reluctant stone
                               -    -
                     ­               each new line
                                    tampers with space
                                    holds suspect time
                                    postpones the end
                                    and evades death
-                                  -
You breathe
               You write
You sing
                You live
                       -
You casually craft causality
         -             -
         yet craft on
         surely You are not yet done
         You may never be
         at this rate but
         but
         STOP
-        -
the World reblurs then blows away
listen closely here I say
all things must come to end one day
-                                       -
You
Yourself

have tasted the                     hunger
                        of Greed
seen the                                 wealth
                       of Hatred
heard the                               stories
          ­             of Genocide
felt the                                    loss
                     ­  of War
and smelled the                    decay
                       of Truth
-                      -
                      this        ­     is Mine
                                 what’s Mine, is Yours...
This poem was originally inspired by the Russell's Teapot analogy.
 Mar 2013 Alexis Jas
Megan Grace
I tried to
write
a poem about you
but instead
I scribbled a
big, orange-ink blob
and I figured
that made
just as much sense.
 Mar 2013 Alexis Jas
Wildflower
to look at the moon
on full-moon nights
to feel the dark
on no-moon ones
remember?
we used to go to a place


in the shade of pines


remember
do you?


birds flew past
they recognized us
the air had unknown smells


under the stars
we used to sit
and tease and talk
kiss


remember
do you?


now they're craning that earth out
and making a building there
in our place
where we'll never be
ever again


those smells
are now lost love,
lost love
there isn't dark
no pines
the moon's gone too


and so are we


that place has forgotten us
just like
you've forgotten me
darlin darlin


everything's over
over
now it's no more us
just me
only me
until i can't
hold my breath
sans you


everyday
i see that building come up
i try to ****** this belief into me
that you're no more
but can't


and
no verse
can even begin to convey,
to say
how much
i miss you
and want you


so much so
that i would rush back in time
to then
and
just hold on to you
darlin darlin


..
http://wildflower-wilflower.blogspot.com/2010/11/baby-steps-to-insanity.html
 Mar 2013 Alexis Jas
robin
just addicted to lovelessness,
i guess,
addicted to the feeling of something that could be
a distant cousin of loss,
but can’t be loss when it wasn’t there to begin with.
a cousin of loss and brother of bereavement,
a lexiconical gap
in the english maw,
a space where the definition slipped out
but the word never grew in.
a gap where a word should be,
a word meaning missing something you never had,
losing something that was never yours,
grieving for something that never looked your way
or graced you with its pain.

insomnia of the soul,
unable or unwilling to droop into the catatonic stupor
of love,
until my eyes ache with open,
and my heart aches with empty
and just beautiful aches and pains,
like stiff joints filled with sterling silver
or arthritic necklace clasps.
my tongue is tin because the argentine
is in my hands,
silver in the space between the carpals,
oozing precious metals
onto the page.
writing in second-best so that it’ll stay.
writing second-rate love letters
and pretending they’re real,
like the words i moan mean something other than
hello
i’m lonely
who are you?

like i’m not the girl who cried love
because the village had already learned
that wolves are lies,
and vice versa.
because faking it has always been my favorite pastime.
i’ll write love poems forever,
keep feeding my addiction for as long as it stays,
let my loveless track marks bloom cantankerous sores
on my ribs.
while i’m young
i’ll write poems of arthritis and weakness
and death,
because oh now i am immortal
invulnerable and omnipotent,
but when my bones are brittle and my flesh is loose
and my spine makes me bow to the earth,
my poems will be of life and strength
and god
because darkness is only beautiful when it isn’t
an imminent looming
future.
when i know i may die tomorrow,
i will write of bluejays
and of a love that never found me,
though it knocked on all the doors and called all the numbers,
waited on my porch while i hid in the closet,
nursing my ache
trying to fill a lexiconical gap
with bukowski
and insomnia.
supersaturated with emptiness
because all the words in the dictionary
can’t make up for the one that’s missing.
it changed the locks when it came,
shutting me out of my skull,
taking residence in my chest
and growing larger with each slow breath.
every huff of oxygen fed my
resident,
every injection of
late nights spent just writing,
every pill popped -
the lies that went down better
if i said them with a gulp of gin.
so my lovelessness cracked my ribs as it grew,
replaced my marrow with sterling silver
and i watched it happen like
a glacier devouring a desert
because i knew i would never survive loving something.
deserts were never made to run bounteous
with water.
just addicted to lovelessness,
i guess.
addicted to silver joints
and words that don’t exist.
She lives a quiet life,
she tiptoes around,
she whispers when she speaks,
she hardly ever makes a sound.

Although her words are quiet,
her mind is very loud.
She has so much to say,
but no one listens for soft sounds.

She's an invisible girl,
who doesn't want to stand out,
she just wants to be heard,
without having to shout.

Sometimes the loudest people,
aren't saying much at all.
Empty words and promises,
just leave their mouths and fall.

But whispered words fly high,
and catch peoples attention,
they're intriguing, so amazing,
but only when they listen.

So look outside the spotlight,
because often the real star,
isn't anyone on stage,
but the mind behind it all.
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