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I will patch up the cracks within.
I'll hold you close.
I won't let your warmth slip through my fingers.
Trust me!
I'm not one to talk.
We've both made mistakes but I've learned.
I've learned not to take you for granted.
I'm never going to let you go.
Can't you see that I need you?
Love me.
Love me again.
Give me another chance.
I was once a fool,
not anymore.
Please.
*please
Wrote this about a story I read.
My wife, a psychiatrist, sleeps
through my reading and writing in bed,
the half-whispered lines,
manuscripts piled between us,

but in the deep part of night
when her beeper sounds
she bolts awake to return the page
of a patient afraid he'll **** himself.

She sits in her robe in the kitchen,
listening to the anguished voice
on the phone. She becomes
the vessel that contains his fear,

someone he can trust to tell
things I would tell to a poem.
It is
Whatever you want it to be.
How you perceive is your perception,
Your perspective is not deception
-But why are we so reluctant to make use of affection?
The detection of attraction exhibits bits of satisfaction
That neither of us can speak of.
If push comes to shove,
Don't make me make you fall in love.
If I can't have your body
I don't want no body.
Celibacy.
It will be a delicacy to insituate the thoughts that insituate your time
I'll obituate your loss
And re-birth worth in your mind-
The situation
Is a mind **** manipulation.
I will eliminate the
No
And inseminate the
Yes
Undressed across your expression
The progression
Of *******
The contents of your mind until you bare a confessional corruption
For when mutuality is in play;
Manipulation is just seduction.
Your voice on my hair
Your breath on my skin.
The arch of your spine.
The void in your mouth.
The flood on your tongue.

They say it's beautiful,
but it's not.
have a God,
be a deist instead
then marry me,
the mediocre Catholic.

let's have children,
let's not have children
because "Parents, they ******* up."
but you'd make a great dad
I think
yes? no?
maybe?
and I'd make a great mom...
...sort of.

We'd love them (the children or child..whichever)
and we'd be weird
so they'd (or he or she..again, whichever) be weird
and their friends would say,
"Who the **** are The Beatles?"

Eh...let's not get married
yet.
let's hold hands first
or be together a year
or get through one meal without having to giggle and look away
because I caught you staring at me
or was it me who was...never mind.

Now I'm studying my hands,
the ones you have not held,
the ones with the ugly, fat, stubby, unlady-like fingers
the same fingers you said you loved.

you're such an idiot sometimes.

Remember that time you said I was beautiful?
which time?
oh right, you've said it more than once;

you idiot.

Do you notice how when you're not looking at me
I stare at your face?
your eyes?
your lips?
your perfect lashes?
No?

good.

I should stop now.
see you soon,
you

idiot.
spur of the moment thing. will polish later.
It's late at night when you realize she's not the one you loved,
or anyone for that matter.
It's late at night when your mind,
a towering serpent of indecision and malnourishment,
a rushing stream of water from the broken end of a fire hydrant,
tearing through steel and ice cubes that litter a middle age class of numeral reunion,
discover the over-keyed lock where metal bends and screams.

Covered in flies and rice,
it retains its bondages, exchanging freedom for self-loathing,
*****-dying in single file,
a honey-gilded tune not thrice too soon.

I seek the corridor where my true love will wait for me,
breathing me in, yet the cane of a blindman.
A clopping corridor, sleek and cobblestone,
artificial and vast, astral.
My true embrace will be that cold one of death, knocking at my door,
pleading my friendship,
sapping from me ***** and calloused hands.

A wet kiss on the nose, a reddened tongue.

I don't know the latitude of my existence.
I can't feel the reality of my throat,
of the gushing and the breathing of winds,
blocking the eternal stream of air.
The currents broke, and from within blew a heavenly melody,
that pierced cold ears boundlessly.

Again, that same street.
Lit faintly from above and from the participants in its ritual.
They burn the wax together.
And they sink,
O paradox!
Together, with their victories of mental triumph,
they recede further into torment and inefficiency,
quantified and numerical,
arrange themselves by merit and consequence.

Again, they sink and plummet and fall,
deeper into wonder and beauty.
Until it abandons them and spills over the edges,
splattering the circumscription,
dabbing alligator skin and sunglasses.

Inspecting the damage done,
he lifts from within its belly a tattered and worn skull,
that of a Man, no less.
Rusting in the desert, alone and among his gods,
bone-dry plains and dunes of dust,
rumbling agelessly the shaken scared earth.
 Mar 2013 Alexis Bullock
Tomh
I used to live in the real world.
I used to live in a happy place, a place where things were easy.
People mistake that for childhood,
I recognize it as simplicity.
I remember a name barely being spoken.
Hardly croaked. Callus.
The sound of a wretch who maybe had too much to drink the night before.
Or maybe she'd just been crying all day.
She told me that my house was broken.
I remember the wretched look,
The tears being held,
A face pale as the walls I grew up with.
They now would never stand again.
I remember the words,
"How are you taking this so well?"
I didn't have an answer. I didn't even have a reaction.
Always them, always slaved.
Never fear, never broken, never even stand.
Maybe I grew up too fast.
Maybe I didn't grow up at all.
But now I'm here.
Wherever this is.
I don't like it but I call it home.
I'm weak, dearest.
I wish I could tell you otherwise.
I'm not broken, I'm fragile.
I'm not crystal, but I'm clear.
I'm not dead but everyone is dying,
And all I can say is that these floorboards don't creak.
Needs some work, but here's a draft of "These Floorboards Don't Creak."

I remember from my house when I was a kid that the floorboards in my room never made a sound when you walked on them. The floorboards and the pale walls are both part of the house, which got torn down not long after I moved out.
eyes so brown
she came to me
and the wind howled.

it chilled my bones,
tickled the marrow,
and salted my eyes.

i could understand her,
i did,
with her eyes so brown,
so pleading, so full
and round.

a syllable did not
slip through her lips,
though she spoke
through weak and wavering hips.

frantic, distraught,
and my heart pleaded,
though she knew naught.

i'm sorry,
i told her,
she hung her head low,
turned her back to me,
gave to the ground.

i'm sorry.
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