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bleh Feb 2016
there are yellow spots in my vision
i should porbably lie down
^probably
“porbably”
hee hee
then do
:P
fine, i shall
hmph >:




where were you yesterday anyway?
you’re back?
yeah
but, anyway,
??
oh you know, out and
stuff
stuff?
yeah
what stuff?
just

?
revisiting that place
by the park
where those trees overhang the river
that we used to climb as kids
oh.
when our mums met to chat after work
yeah.
i’m not sure why
it felt like we were venturing towards something
we won if we ever got to the top
i know.
i was there.
sorry
and then that day..
my brother won.
yeah.
and the branch..
yeah.
….
can we talk about something else?
yeah, sorry
it’s just…
i’ve been feeling that way a lot lately
what?
that i’ve been striving towards something,
but that in spite the yearning,
all it leads too is
snap, crack, gone?
yeah
...you’re really comparing your ennui to the death of my sibling?
you ******* degenerate.
stop ******* complaining
get a ******* job.
sorry, sorry

i didn’t mean-
no, it’s fine.
i know the feeling tbh
but i still resent the comparison
yeah no,
yeah,
fair.
why were you there anyway?
i mean, it’s a nice park
they put a plaque under the tree, you know
yeah, i know
it’s what happens when your mum knows the councilman
what did it say again?
that’s the thing
i mean, there Used to be words there
Used to be?
did it fade?
no,
i mean, there’s still symbols
bound into rows
and such
and such?
but
they became unglued
unglued?
the thing that makes symbols words,
ran out
ran out?
yeah,
t͚̺͗̿̽̀̀͢h̨̖͇̫̳̹̿̏̄̂̄ḗ̜̜͈͇͕̘̓͒ ̴͕̂̆͒̓̀͘ŗ̳͔̩̭̈ͭ̾͝ẻ̛̌ͨ̽ͫ҉̳̞͓̪̕f̼̹̞̠̟̫̉̆̋̆̋ẹ̸͇̬̩̗̻̆̔͝r̺͖̿ͣ̒͊̅ͤȩ̷̲̣̝­ͨņ̗̼̞̰̥̿̓͆ͥͫ͟c̨̛̪͇̗͇͚̤͑͒̑̃ͥͮ̃̀̀ë́̍͑̈͗҉͓͖̰̖̯̗͉͔̭͝,͔̬ͦ̊͊̾͘ ̵̸͙̼̣̮̩ͨͫͧ̀ͥ͋c̦͓̯ͤͩ̀̓o̵͚̫̠ͥ̍͐̾͂͘͡r̡̮̱̠̟̼̖̗ͤ͑̓̎ͯ̽̎ͮͦ͠r̷͖̰̞̭̰̩̩͖̯͗͒­̊͜ẹ̺͒͐ͯ̈̇͂͗̇͘ș̸̼̹͔ͫ̇ͦͩ̾̎͝p̴͉̰͈ͣ̓̂͂ͭͪ̏ơ̶̭̝͔͚̭̻̟͕̼̅ͪͭͥ͛͋ͪͦ͗n̰̘̲̯̠̺̜­͐̇́͜d̝̼̋͒ͨě̯̅͟͠n̢͙͗ͯ̊͋̾̊ͯͬ̐c͊̽̇ͅe̪̜̫̎̃ͤͨ͘͢,̶͉̼̹̥̙͎̻̜̈́̐̄͒ͮ̓̇͂̽
̡̗­͔͎̟̦̝͖̝̲̍ͣ͗ͤ ̡̬̯̰̦̘̈ͯ̉͗ ̴͎̠̈́̋ͭ ̛͚͚͖͓̿ͤ͞ ̦̺̜̻̖ͪͭͣ͆ͧ͊̄̓ ̼͍͇͔̺̟̓ͯͯ̃ͅ ͎̘̟͚̮̗̙̌ͩ̂͛͋̀̚͢ͅ ̾͑ͩ́̚͏̳̹̼̩̱̳dͦ̎̈̃̑͠͏͍͎̻̳̩͕ͅi̛͈͔̲̥̝̮̼̳ͤ̒͌ͥ̆f͌̄̆ͩ͗ͣ҉͚̹̟̫̬̗f̧̻̞̠͔͔̘̻­̳̂̍̓̓͐͘é̹͖̃̿̆ͭ̐̀r̴̦̳̳̪͐͋͘͟ȩ̈̉ͪ̕҉̳͕̩n͕̤̳͔̖͉͎̣̯ͣͥ̓̅̔͗ͦ̈́̚c̷̭͔͓̮̖̯̒̽­͊e̗̟̞̟̼̓̋̋ͬ́̚͠,͕̙̰̐̈́́ ̯̣̖̗̠͓̼ͮ̆̅͜ ̈̾̍͏͉ā̿̾̑̍͐ͣ̿̓͏̶̥̰͖̤̟͘l̢̥͔̦̜͕̄ͣ̃ͯl̟̩̤̤̺ͧ̐̽̈́̑ͤ͟ ͉̦̮̟͕̯̦͌͗͛̀ṭ̵͈͕͍̙̲̅̓ͮ̃ͮ̃ḣ̴̺̹̙̌̕ͅa͐ͬ̄ͦ̈͌̀ͤ͏҉̣̱̳t̴͉̠̐̾̎͛͜ ̨̫̳͈͔̯̩͖̺ͩ̇̆̍́̃̕͜

huh?
sorry,
it’s just harder to find these days
find what?
the glue.
glue again?
yeah,
that’s the term she used, anyway.
she?
someone else fell from there
that tree?
yeah.
just last year
what happened?
she was concussed, hospitalised, but lived
that’s nice, i guess.
anyway, she claimed she could read it
the plaque?
yeah.
and other things.
other things?
walls
power poles
the ruptures in the pavement,
the gaps between houses
the lost words of derelict places.
what did they say?
she said she couldn’t say
the meanings don’t translate?
something like that,
but also,
      kinda,
it’s words weren’t words per say
  but the murmurs of the glue itself

hmm.
what poppycock.
i mean, pretty much.
but,
you don’t remember, do you?
what your mother had had inscribed that day?
ah..
  no.
sorry.
you couldn’t ask,
   could you?
...
sorry, i don’t mean to pressure
its just been bugging me.

sorry.
i’d rather not.
i’m not..
not really sure how to broach the subject.
fair enough
it’s fine, i’m in two minds really.
oh?
yeah.
i mean, i want to reach an understanding,
but i feel if i do, it’d be
snap, crack?
yeah.
..yeah no, sorry.
mum, and, i…
i dunno.
dfsjgksdfgjldfkjgdfls
do you sometimes feel you can’t get through to others,
or rather, that there’s no way to say what you feel you need to say?
don’t worry, i reckon the feeling's universal
thats not actually that reassuring.
ha, sorry.
but at the least
i suspect it gets easier,
as it becomes less immediate
and more over and done with
...yeah.
i guess
i wrote this a while back. not exactly sure what it was meant to be about anymore
but that's fine too, right?
yeah
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
bleh Dec 2015
it's an old tale around town
that if you pierce the ground
with a needle just right
all the spirits will escape

no one really believes it
but the lore's dramatic flare gives a sense of community


at the bus stop  stand
twelve children with clay faces
day and night they stare straight ahead
and mumble the same word
over and over


Time passes by,
back bent and wretched
the dead grace of fallen kings

and eventually

the clay breaks,
the heads roll


a visiting CEO
stands to make a speech
but finds an emptiness
clawing at her throat

the clay breaks,

the silent tears
of the heart of a brooding teen
end their tenancy
and return to the ocean

a nightshift manager
swipes their card, closes the barbed gates,
fumbles rolling a cigarette
and draws in a sigh,
but the breath refuses to escape

the clay breaks,

a bluebird sings
but cannot recall the melody
petals clog the gutter
but the branches have long withered

people meet up and gather
to try to quell the empty pressure
they stand to chant the childrens' lost word
but everyone remembers it differently


time passes
routine remains
but there are waves in the waterways
and sometimes people on the surface streets
find themselves lost in the tide


time passes,

the dirt city convulses
under its silent weight

we gather a needle
and pierce the ground,


but nothing happens
...
bleh Aug 2015
"I am matter trapped in reason"
           -scrawl on a restroom stall wall


1am


A couple blocks from the centre of town. The haze of rumbling sub-bass, the buzz of a hundred voices, the multifaceted shapes of flesh in heels and black dresses and puffer-jackets congregating outside nightclubs. Converging on the heart of the city, each voice becomes distinct, discernible from the background noise, a palpable aspect midst the otherwise nebulous air;

'We could just commit? I'd be so down for a chicken scorcher..'
'Ah man it's Gary! Gaary bro! bro! Gary!'
'I-it's okay, do you have your I.D on you? no, aah, no don't lean on the bank doors when vomiting, you might set off an alarm. h-hey, yeah you, sorry, do you have any water she could borrow?'
'Well you know, even though maccas is out of the way...'
'Aww mate gary! GARY! Aww yeah! Show us your ******! Gary!'


2am


A small gathering convenes on the lawn of a nondescript flat. the building next door is covered in scaffolding, a mess of pale grey illuminated orange parallel geometries hanging, droplets of mist swirling in light breeze.  indistinct chatter. Shuffling figures standing around packing herbs into a small metal cartridge. A flickering light. Coughing. Repeat.

On the other side, over a small fence and through a window, a figure stands in his kitchen naked, looking out, watching. An indeterminate expression.  

A voice of the circle calls out.

'Hey! Hey ****! what the ******* looking at?!'

the figure turns away.
'Ha, oh man, I bet he's gonna go get a shotgun. I beat he's gonna ******* **** us!'
(
'oh man this ****'s naasty')
'**** son, ******* look at him go, I think you're ******* right.'*
('dude, we should ******* maccas, are you keen? I'm keen.')
'Oh man! oh man, I'm so pumped. are you pumped? I'm so pumped. Aah, we're gonna die, I so ******* hope he does.'


3am


The streetlights have gone out a couple blocks down. Rather than the usual orange haze, the dumped cars and pavement are illuminated by the traffic lights alone, a universal filter flickering between crimson and lime.

A man approaches from across the street. Moment of apprehension. Mid twenties. Staggering. Broken nose, blood down front. Flash of switchblade in hand. Increasing apprehension.

'Oi, were you at that party? You with that ****** that ******* punched me?'
'N-nah, sorry, I wasn't there..'
'How do you know if you weren’t there?'
'Well.. which party? not that one over there?'
'No no, the one down that way'
'Where?'
'The one on high street.'
'High street? isn't that like.. somewhere in Mornington?'
'No, it’s.. the one we’re currently on.'
'...wait, really?'
'..yeah? I.. i think so?'
Both start looking around uncertainly, the man looses balance and tumbles rather dramatically into a fern.
'Um. Are you alright...?'
'Haha, yeah, just, rather drunk. and maybe concussed?'
..."/Cough/ ..Anyway, you seem all good ****, don't worry about it, sorry to have bothered you."
/awkwardly puts knife in pocket to shake hands/


4 am


Return to town. Humanities dilution and waning departure. Droves of seagulls dive in, assuming command of the area and the plastic bags. Only a couple handful of figures remain. Police cars and taxis patrol, dance in concentric circles. the last drunken remnants of raving students lie down in the street, clap their heels together

'Tell George to hurry the **** up or he’ll be left behind!'
'What?'
'I said hurry up! We're going for a Maccas mish!'
‘Who?’
'I said we’re going for a Maccas mish!'
‘Aww mate! I’m keen! Hold up.'

Swirling isolated points of light escape from street lamps caught in rows of trees, and a confetti of shadows swim along the sidewalk in motion with the gentle breeze. A twenty something in a hoody cargo shorts and sandals explains to a policeman in breaking drunken fevered tongues how,

     love, love, love, is the godhead and the godhead is love;
       within us reaching out, but also on the outside reaching in,
          it makes you whole by ripping you apart.

while vomiting on the officers car


5am


  A blanketing dampness sets in. not quite rain, but an omnipresent mist. A gentle fog slowly folds out, wavering among pale streetlights. While substanceless, it still holds form as an ambient covering poultice; drawing in the illumination surrounding into opaque convalescence, but then
     dispersing too,
                                    in turn.
-


                   (I am matter,
                                                              trapped in reason)
bleh May 2015
Every fire hazard sign points the arrow at 'extreme'.

                      The drought has lasted several months now, clouds form and the world is left encased in midday shadow, but they just watch, never speaking up, never expelling.

                                   Industrial sprinklers produce short burst waves in spinning circles, the grass a crop circle of pale embryonic green within it's radius; brittle fragments of bleached hay and dry dirt outside.

/
          The fly the waiter gases lands on a half deflated bag causing it to buzz incredibly loudly as it chokes, making everyone uncomfortable
         /

---------------------------------------------------------------­--

        #@000000000000091   The town is French themed, a pastiche for the tourists. it's imprinted on the crockery, see. The restaurants are all le Chinese takeaways selling Classic London Style Fish and Chips. Which i mean there's nothing wrong with i guess but it's just kinda funny in the loosely jarring kinda sense, the we-are-all-thrown-into-history,-into-ablative-cultural-efficacy-b­ut-it's-never-quite-something-graspable-or-fixed;-never-quite-s­omething-that-orientates-itself sense,  is all i'm saying.   i
                 mean it's a port town it makes sense they sell fish, but as all the tourists pass by and the Harbour mouth surrounding the 12 million year old magma plug breaths out the ocean ebbs up onto the rugby parks into the downtown area and breaths through all the cobblestone shop windows, It inhales, and the cars slowly waltz away from their anchorage and into the middle of the lake, which is fine because all the pedestrians have floated into the sky, hardly noticing with the sombre and tired paper-deep excitement that the tourist and holiday workers mirror at each other.

                                   -----------------------------------------------------------------­-


-   //
 #AAC00000121.  A local restaurant and hotel owner laments to the newspaper that it's been a slow valentine day season   "it's like   people have forgotten what this is supposed to mean to them."
//   -

....

a faint line remains marking where the magma reached up the cliff faces each time it drowned everything every few thousand millennia, everyone murmurs that it's jolly interesting, but
    make indignant mewling sounds as the bubbling lava dissolves their bones.



                                  |||   |||
                              /  ///

.
  .
     . . . . .


[...ANywqay, yeah sorry. so what i was getting at was this. yeah yeah no i was! a punchline and everything! yeah! yep, ]
                   so
there's this one art museum a few blocks down from the main street,
  that focuses on cups and mugs; beautiful antique drinking vessels uniting every place and class and history.
         they change the theme occasionally, but really most of the itinerary remains the same so there's only so much they can do. currently it's

            "the sublime
                            as manifest
                                               in the functional and inconsequential"

these simple, life supporting tools, at once represent mans departure from nature, whilst functionally reaffirming our dependence on simple essentials. The drive to turn even these basic utensils into a reflective aesthetic process, showcases -even in primitive societies,- this emergent human drive for the sublime. This gallery hosts in equal regard the exquisite geometry of the gemmed goblets of patron kings, alongside the hand-wrought asymmetric terracotta mugs of artisan peasants. In each is the baseness of re-hydration, in each, the transcendental act of creation.



the coffee at the gift shop cafe was served in bleached polyethylene
bleh May 2015
mama warned me
about becoming attached to ghosts,
about chasing the lights that flicker behind closed eyelids,
   trailing their
     ruminant symbiology
      down labyrinthine tunnels
till you're left, stranded
   in a nowhere from where you started
and they fade
away
to nothing.

...

I keep loosing sight  in the lag
    that hesitant flickering pivoting between footsteps,
those   pauses  of breath  between paragraphs
of the mold in the ceilings dictated speeches,
the decade old dust encrusted spider-webs on the coffers abandoned superstructures, intricate semantic patterns, still present, present, but encapsulating nothing.

                                     (Educations warped my mind
                                       into prescriptive paradigms
                                      drugged up on science fiction
                                      alternate attritions of future presents)


–//

One day,
      the ocean promised to swallow the world,
but failed to set a date; just a vague sense of inevitability.
and everyone gets uncomfortable about the liminality,
and there's
                     a moment of rupturing
                      unveiling the blanketing
in the process of our mass comatose suicide,
                            That    no     ones sure what to do with.
And we collapse into the indecision
of what to make of this wavering present
  loosing sight
between barricades of candy bars and cheeseburger pies
while the radio static sighs
'boys only want love if it's torture'

                                                  (i find it a bit optimistic)

//–


I keep becoming waylaid in the lag
   the hesitant faltering between long warn down footprints
   travelling down some path set out by the last
   in no way definitive; but, at least, defined
   by the haphazard indentations left behind
  while sometimes there’s treasure in the depths that we climb
   it's never the kind
                                 that explains itself.

            (But still time turns and churns and burns
                while we frantically mine all the scattered urns.)


   –\

            The philosophers and neuroscientists keep working to find the foundations underlying why
               we think what we think, why we feel what we feel,
     they peel up the carpet and peer into what's beneath, but
                                     they just keep finding

                                         ripped up carpet  and musk.

                 \–


I keep searching for home in the lag,
    the tumbling bind of footfalls enshrined.
      but even if there's no way out of here,
      there's occasionally a whisper of camaraderie in the air


       (you never escape,
              no no,
            but sometimes
                the enclosure unfolds )

...

mama warned me
about becoming attached to ghosts,
about chasing the lights that flicker behind closed eyelids.
    but here in the dark,
  i'm not sure what else to follow.
bleh May 2015
paint the walls
  with mouthfuls of dirt
picnic blanket over
old wounds
 tired and frail
calloused and hardened

one, two,
spill the guts and chew the fat
expand out
drip down
  an infinity edges empty boundary
  horizontal tears
  fracture and falter

fill the walls
with embroided words,
   (the hail still stings
    against severed limbs)

expand out
 graft over holes,
 tear harrowed folds

one, two,
weightless
a canvas of flesh
  lighter
      fluid and ash

expand out
   float down to the rivers end
     go with the flow
         loose yourself
         among empty surfaces;
                                                           eventually
all the leaves in the gutter
coagulate
 and homogenise
to mulch
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