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Tom Salter Oct 2020
How do I play with this
Devil-dealt hand. When
Each card ignites at the touch,
My hands have become callous
And rough
But still they are clean, indeed
They are clean. I do not care
To mend them but I admit
I worry who shall
Comfort them, if they shall
Receive comfort at all.

How then, do I proceed
Through hell, through
This brittle landscape
Forged from badluck
And prescribed
Mistakes.

Perhaps, I shall
Laugh as Dante did
When he painted
That world.
Tom Salter Oct 2020
When did the music
Become so bleak and dreary,
I do not recall letting chaos
Play the night’s chords,
And I do not think
My ears have grown weary, so
Why then
Has the music taken
The form of tired melody, why
Then has it terraformed
Into a tilted maze
Where notes carry
Shame
And it all beckons the
Same, can it no longer
Cure me ? Can
It no longer translate
My murky puddle of
Thoughts ? Oh, whatever
Happened to the music
That Dante sought, did
It forget what
Brought joy
And what bred love ? I
Now only hear struggle
In the siren’s voice, did
It lose sight of the coast -
Is it left, now, with
Nowhere pleasant to go ? Or
Perhaps it is me
That struggles to see
The genius. Alas, I
Do not hear the Sun in
This song of yours,
And I confess I am
Afraid of the sound
That shares my bed,
I do not think I shall
Sleep tonight, I do
Not think I shall
Sleep at all.
Tom Salter Oct 2020
Tomorrow I shall go to the beach
And begin to throw each stone,
Pebble and rock back
Into the sea,

But I shall deprive the lonely conch
And the bundles of seaweed,
They shall stay on this
Stoneless coast,

And I shall sweep the snow
Back into the clouds and
Cut the mountains
Down into the ground,

I shall unsow the forests and
Consume the leftover seeds
And perhaps if you let me, I
Will persuade the bees
To disperse,

I shall do all this,
All this ******, out
Of fear
Of the universe.

Am I heard ?
Am I heard ?
Tom Salter Oct 2020
The end of the street seemed so far away,
Perhaps it was the faulty light, flickering
And highlighting the absence of tourists,
No one walked this way, not since the baker
Moved two streets over, but the smell-
The smell of bagels drowning in honey,
The smell of butter
Cuddling up to warm bread,
These smells had not yet
Escaped the concrete slabs
And brick walls,
And maybe that was enough
To still linger,
A faint whiff of pleasantry
To persuade the day to go on
Ever quicker.
Tom Salter Oct 2020
On Cabbage Mound the birds tweet gold,
So says the porridge eating man,
The spontaneous trek up that grassy reserve
(To see the flocks and frolics of finches conversing)
It’s a matter of season he said,
In joyous spring they produce song of glitter, but
Catch them under the wave of a solemn winter
And you shall only hear a dull twitter.

Often he leaves bowls of porridge upon that place,
Abandoned to absorb the view,
Wilting amoungst the bush and flora,
Like a planted trap for the lurking fauna,
Their ceramic bodies sit unnoticed and unaware,
Soaking in the sunrises and
Mourning the day’s ending
When the sun crawls under the horizon.

Early dawn conversations leak
From the finches’ rookeries,
Where they dwell cooped up
Amoungst feather and trinket,
Their endless nattering awakens the sun,
Coercing it to rise, and
Bleaching the ground in tints of orange.

A breakfast awaits them
Outside their homes
Of woven branches and loose fur;
Berries and scattered delicacies
(From the Sunday morning ramblers),
And perhaps a touch of porridge too.
They bury their beaks into the thick pools
Of weathered oatmeal,
And perpetually pick at plastic wrappings
Until their brandished beaks begin to go blunt and sore,
A monotonous task even for an eager flock,
But they never end their labour without reward.

After breakfast,
The porridge eating man
(With porridge in hand) arrives,
He approaches with a staggered limp,
Perhaps a scar from some late night disagreement,
He approaches holding his lower left limb,
The finches have come to learn his routine.

First he stops (whether to take in the view
Or to rest from the trudge up Cabbage Mound,
The birds have not yet asked),
Second he takes out a package
From his right pocket,
He undresses the wrapping
And produces a small pad of paper,
A pen follows, signifying
The start of settled concentration:
Strings of ink,
Intertwining lines and shapes,
Letters touching letters,
Forming meaning and breeding words,
A sharp coo startles the man,
Breaking his focus, and anchoring
Him back to sobriety,
Finally he disembarks from Cabbage Mound,
Turning his back to feathered insight
And slowly sinking behind the hill,
A bowl of porridge takes his place,
And so, it shall stay
Until the finches start to natter
And their hunger begins to ache.
Tom Salter Sep 2020
I have chosen where I shall lay,
By the edge of the stage
Just before the actors and
The ropes that draw the curtains,
I shall sit here
Watching audiences
And making tallies
At the pass of each scene
And at the moments
Where I see
Through the performance
But I shall not applaud
And I do not hope to be seen,

On occasion I may smirk
Or cringe
At the nanny and the kids
Who line the front row, like
A single hair upon a chin
But nonetheless they sit
Strapped in
Eager to watch, but  
I fear they focus on the rot
That lays hunched
And gaunt, like a plague,
Oh, whatever happened
To the man
At the edge of the stage ?
Tom Salter Sep 2020
(And they will say,
You are a stalk without a flower)

A Spring without Easter,
Where eggs are never cracked
And the rabbits stay buried
In overgrown mounds, perhaps
The green grass forgot to wake up?

(And they will say,
You are a candle without a wick)

A crowded room unlit,
Where mirth is spread
But smiles can’t be seen,
Where joy is masked
And yet, is it not bliss?

(And they will say,
You are a river without a mouth)

Dry words converge only in lies,
Stories are poured
And ears **** in the vapour
That fills the damp world,
But do I not see tears?
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