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All those songs about waking up in a lover's arms--
I don't know what they're talking about.

Oh, I've known the happy wedding night mattress on the floor
amid the stacks of packing boxes
and the delicious view when the world narrows
to a single cherished face.

The bee, though, doesn't live inside the bloom,
and goes still inside a jar.
Touched on every side by an adoring indigo night,
there is still just one Moon.

Allow me morning alone in my garden
with just my mug and dog.
It doesn't mean I never loved you, or loved you less.
There is only one dawn--this one
and it only waits so long.
2021
While I stared at the moon
summer slept with death's black rooster,
her garland tethered to his three toes
with their talons sharp as testament.

While I stared at the moon
frost made love to my bones,
each on its proper shelf like dishes
in a house with snakes for silver.

While I stared at the moon
half-dead men danced with half-mad women
though neither was excited, and neither calm.
Roses twined and cut them both with promises.

While I stared at the moon
my fetch sat down on a river stone,
grinning with the morning in its pocket.
I wept and the night ate my heart like a truffle.
2025
In my room, a cricket sings his heavy heart.
Outside, his million brothers, star-drunk beneath a lemon tree.
Why these walls? Why his song? Why my clocks, taken apart?
In my room, a cricket sings his heavy heart.
Why alleys? Why walkways? Why my brushes sick from art?
Why my open window and the summer drowsing carelessly?
In my room, a cricket sings his heavy heart.
Outside, his million brothers, star-drunk beneath a lemon tree.
2018
When I was younger, one of my co-workers
was an older lady, or so she seemed to me.
She was just always there,
a woman who ate at her desk from a clear plastic container--
some sort of salad.
She was just an ample,
stationary emplacement
as permanent as the pyramids.

I thought of her then as something akin
to those funky American clunker cars from the fifties
still rumbling around Havana,
something you'd smile at
but not feel had anything to do with you.
She wore a cross that rested on her *****,
like the ones that dangle from the mirrors of Cuban taxis.

She stopped coming to work, though, and someone said she was ill.
"Pancreatic cancer" they told me, sotto voce.
I knew, as a northerner, that weather can change in an instant.
What I hadn't known is that I am made of weather
blood and bone and breath
breezing through me every second of every day.

I went to see her with some other women from work.
There, in the hospice, she wasn't ample anymore,
just a paper doll watching episodes on tv through a narcotic blizzard.
British adventurers were removing treasures from the tombs
in grainy archive footage
as the knot inside her belly grew and her hand grabbed at nothing.
"Morphine hallucinations," someone whispered.

After she died I took one of her cats, a calico I had for several years.
I still think of that day at the hospice, though
and how the clown-devil can sit silently at one's side any time,
like a taxi at the curb, bags already arranged in the trunk.

He will watch whatever you want to watch,
at that wind-down hour.
He never complains, talks over the narrator, or changes the channel,
but though we protest that we were only in the middle,
we want to see how it ends
he will click it to black, pull into traffic, and say,
"Nada es para siempre, ni siquiera sufrimiento."
2023

the last line says, "Nothing is forever, not even suffering."
Asylum



In the madhouse
on beds of daggers
we slept like crickets
chirping to ourselves
while they tried their best
to make us cannibals.

The nuns were worse than
lawyers, praying like accordions,
tracking their sins into our soft
wax skulls, wheezing like roosters
when one of us cried, laying the greasy ribs
of Jesus on our plates.

They kept you behind
door number six. I'd go to you
with a stolen key, when the noon
smelled bright as carnations,
when the nights were
more purple than the jacarandas.

You spoke of your father
dead of snakebite,
a clockwork marvel with
his million-dollar suit of skin,
of your mother
with the viper between her lips.

I remember your kiss
astringent with reason
as bitter lemons, and the way
your hair blew back from
your dog-brown eyes like poisonous
smoke from the oleanders.

I thought these things
as beautiful as angels
whispering in the dahlias
when I was lost in the asylum,
when the doctors did all they could
to see that we ate each other
down to the bone.


April 2022
Inspired by the words of Federico Garcia Lorca, and a dream
A man wearing only a sodden overcoat and one dress shoe
led a seasick stallion by a rope along the beach
slowly, so slowly
like their ship that descended the ghostly green.

He said to me, "No kiss of yours can replace deck and cabin,
keel and hold. No woman is as precious as the next breath."
Sadly, so sadly
he wandered away, wearing only one earring and a felt hat.

I was, then, a Multilingual Sister of the Silent Bell
and led the abandoned animal through our courtyard
carefully, so carefully
so as not to disturb the stillness with the thunder of his heart.

Wearing only a sundress and carrying one rope sandal,
I know now that summer pavers are warmer than a drowning man.
Slowly, sadly, carefully,
I flowed that day like water from the stone of Samarkand.
2022
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