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Comprehend the gravity of your dark side.
All who have laughed, have also cried.

Who decides what is right or wrong?
Sing along to the funeral song.

For every love, there is a heartbreak.
Relish every moment of the ache.

Savour all pain till it is gone.
Close the door, and scream on.

Liberate yourself from your throbbing rage.
Don't waste effort in buying a cage.

Revel in the scald of total isolation.
Look within to find your salvation

Opposites decease without one another.
How can you define one sans the other?
I never made a poem, dear friend--
I never sat me down, and said,
This cunning brain and patient hand
Shall fashion something to be read.
Men often came to me, and prayed
I should indite a fitting verse
For fast, or festival, or in
Some stately pageant to rehearse.
(As if, than Balaam more endowed,
I of myself could bless or curse.)

Reluctantly I bade them go,
Ungladdened by my poet-mite;
My heart is not so churlish but
Its loves to minister delight.

But not a word I breathe is mine
To sing, in praise of man or God;
My Master calls, at noon or night,
I know his whisper and his nod.

Yet all my thoyghts to rhythms run,
To rhyme, my wisdom and my wit?
True, I consume my life in verse,
But wouldst thou know how that is writ?

'T is thus--through weary length of days,
I bear a thought within my breast
That greatens from my growth of soul,
And waits, and will not be expressed.

It greatens, till its hour has come,
Not without pain, it sees the light;
'Twixt smiles and tears I view it o'er,
And dare not deem it perfect, quite.

These children of my soul I keep
Where scarce a mortal man may see,
Yet not unconsecrate, dear friend,
Baptismal rites they claim of thee.
 Jan 2014 Riley Ayres
ashley
the kisses you leave
become etched
into my skin,
they sting with
pure ice as you
press into my lips,
down my neck,
on my fragile bones.

you **** gently
on the skin of my neck,
nibble a little,
give me a tickle,
and sometimes,
a red mark will show;
a trophy of some sort,
a pedestal i've been placed on,
one that claims me
as your own.

your smile
that radiated through
each kiss that touches my lips;
give me a bite
and i'll smile too,
a smile so wide
and devilish
that it urges you
to keep going.

your hands
are a boat;
they travel across
my body;
up, down, side to side;
you search for
the endless depths
of the Dead Sea.
your fingers
interlace with my hair,
touch my warm pink cheeks,
fall
all the way down
to my waist.

it all feels so good,
like something inside of me
went off and erupted;
a feeling so great
and enticing
that it becomes addicting;
your touch,
your kisses,
the way you please me
becomes something
that's completely out
of my control.

but i'm not afraid.

are you?

afraid of
what could become
of this heavy satisfaction?
afraid of
the consequences?
of the aftermath
that follows the touch
of your hands?
of the feelings
that'll grow
more and more
between us?

tell me.
are you afraid?


a.m.
A ball bounces down a street,
unstoppable and fatal—
the child who threw it
fails to see the ripples in pavement.

When lightning falls from above
its thunder erases lives,
leaves a half-life ring-

ing in scarred ears.
It’s only a matter of time—

poised volcanoes await the next bounce
 Jan 2014 Riley Ayres
Dia Sparrow
If I could tear open my insides, and show you the pain you've caused,
Would it do any good, or will I just remain lost?

If I could gather the right things to say,
Would you listen and take my hand,
Or would you just shy away?

If I told you I was craving your touch,
Would you come hold me tight,
Or am I just asking too much?

If I ceased breathing tonight,
Would you feel any pain,
While I seek out the light?
 Jan 2014 Riley Ayres
T. S. Eliot
Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We ***** together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
 Jan 2014 Riley Ayres
Emily
I can honestly say
I spend every waking moment
Of every day
Craving the feel of your soft skin
Wanting to kiss you
And taste your lips
Hours can go by
Where I'm distracted
But lingering in the back of my mind
Is the thought of how perfect you'd be
In my arms
But most of the time
The thought of loving you
Consumes my every thought
I think of all the different ways
That I can demonstrate
My love and devotion
Your body is a sacred place
I need to explore
I'm longing to take a journey
With you right below me
Relishing in the feel of my touch
I'm going crazy with want
Let me satisfy my appetite for love
By satisfying you
© Mela 2014
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