It's when birds gain currency--

advancing as something pale

or other.

The thin chasm of beaks hurt

to hear, their sounds

aren't as early as spring.

They're not there.

An hour or so after a witch

undressed in front of a mirror,

piled on the floor.

Bottom lip quivering with

unwholeness.

That I elbow standing for the

toilet & face front, totally

deaf to the story arc.

For bed to remake sheet-angels,

that will never get me.

On a trail long led away from what

it leads to.

Large wet leaves bent down to those

led.

On the back end of a rain, that already

considered itself over.

Left behind the basic goodness of a

cool breeze, effortlessly lifting the

forest.

As if edification let out levels of vibrancy.

Those led to observe peak vibrancy.

There again, large wet leaves realized

they were in place to greet--expended all

greeting.

No more abrasive than a pulse, that

gave you some much space you wanted

to give some back.

That's when large green leaves

became so responsive, that their

expressions made you see as what

moved you.

On with them--humor them, round them.

That night should recognize the tribe

of them.

The Watschandies of Australia, chancing

ceremony--as not to be spit out by spring.

To be there is to proclaim belonging,

where earth chooses a spot to open

herself.

As she digs out their gleaming eyes,

before they dig into her.

A ditch surrounded by bushes, symbolic

of female genitalia--absenting

themselves to chant: womb.

From there a fire, a round, a ditch's dark

unto darkness.

Spears in their hands,  phalluses pulling

them along what bushes seize upon--

into the night.

Only when magic outdances the dance,

& a chant's circle heaves--spears are

raised.

Return throws into a ditch--as fertility

throws her head back.

I exist in that I

do not--

I'm always

away from me.

Now.

As always,

an infinite

being.

Whose every

moment is deja vu.

So far beyond

noticing every

detail.

As if nonexistence

blinking into

being.

Teeny tiny hands let it be--

between

the furniture & music of a piano,

It

developes the taste for a certain

texture.

How relatable.

As frequencies turn my beard into

dancing flies.

It comes into focus...

another absentminded midwife

wearing a cupid arrow headband,

loses balance.

As a body of water sweeps away

broken glass.

The way things point out that there's

nothing there--there's really nothing

there.

While the depth & duration of that

nothing is saved, when we come back

from It.

Midwifed by the nearest thing you

could poke.

As if patiently positioned for a

photograph at every stage of life.

Right now.

The promise of stillness.

Directly facing the greatest

composure.

Indeed.

Today I was poured upon while

speaking to someone in the same

burrough--that said it wasn't raining.

There was so much rain in their voice,

that I didn't feel the rain.

I walked with a purpose that came from

the ground offering itself twice,

never one to rush initiation.

Having heard the official stories of where

people are in their lives, I did what a

main character does when he covers the

distance narrated to the present.

I walked home.

A transplanted room, an impressionistic

mockup of one's most stayed dwellings.

The one slept in during dreamless states.

Sighs, dragged chairs--the floors eyes

pooled on.

Light's weather, now light only--dark's

weather--now dark only.

Moved by a solitary motion, unable to

curry favor with *******.

This is rest above ground.

Swept center of center, that

contemplation saw spread still.

Passed cobwebs that rave about walls--

per pearly-faced spiders,

reflecting the silk of absolved breath.

Where music bundles up to play

higher rises--lower falls.

Evolving still lifes of vases cut off by

water, won't speak flowers aloud--

holding tight to their dried reach.

A masoleum's window is a depressed

medium, that clings to rain & snow as

a window to another.

Here bones are harder on coffins,

magnetizing their display to cautionary

tales without endings.

No--a masoleum's light comes after, right

before you.

Its way of Showing you out, if you

shouldn't be.

Struck by a moment, without

etiquette or unit--a man bears

his own resemblance.

His forehead spots him.

To keep in touch.

This wasn't always the case.

Light can do without features.

This is becoming abundantly

clear.

Despite the man, even if

given to it.

Call it a great shift.

The kitchen faucet ran its length

in three parts.

A glistening silver speckled white,

followed by water--then its

detached sound.

It somehow rocked me with how

the world as we know it behaves

in eternal accordance.

Shaking it off shortly after.

I'm a waiting line--a repetitive grand

scheme.

Idle thoughts light each other's candles--

Buddhas line my intestines.

My sight offends karma, even the

darkness behind eyelids creates

pandemonium.

Holiness cuts in front & sometimes lets

me ahead.

Perspectival sin allowed to ooze from the

dots of die I suppose.

As a blind test reveals that only by

going mad, can one gain on the mind.

All I ask is that there's some semblance

of sleep when we fly from bed.

A ghost obsessively launders a sheet--

to be mindful of form, before donning it.

A timeless washing cycle.

As if a solutionless problem lie between.

It narrows down its enormity to a sheet,

because it notices without being noticed.

Despite another form contracting with

fear upon noticing it.

It knows it exists, but one-sidedness

doesn't suffice--it's more a matter of

one-sidedness than loneliness.

Its power of seeing is not met with the

power of being seen.

Disequilibrium haunts the ghost.

Though it's noticed just as much as the

sheet--if not more.

Whereas the sheetless ghost of it--is a

sheet in a more refined realm.

I milk a stewarded greenery's enriched

concentration--then lick a sybil's face.

To tease the topographical

inaccuracies the spirit drafts, ones that

give it character.

Watch an eagle recommence Seeing by

dipping a wing in blood--to mark the

other half of circular flight.

All while ******* a button I didn't

know was missing--as its charming little

void grows reactively.

The ground runs sideways,

like the legwork of a tide carried

away by flowers.

Peopled stems that say it's all a

blur--gain ten pounds of

moonlight when they clarify.

Wearing the look of a spoiled

surprise party.

Planes of adjusting light stack thin--

too slow not to meet crookedly.

A broken window on an apple's cheek,

in line with a branch.

Not a sky in the sky--not even a

shadow's deflated ego, but a far

greater eater.

There's a world left out for just that--

which one exactly?

Would you know a horror movie from

the flashes on a vacant seat?

It's like death taking a pass.

Where letting go, goes.

In a substantially backed corner,

stranger than the safety of deep

thought--a spider throws off a dot.

In a house in part, sunlight lets on

in the same way.

As the sound of temperate beams

throw off a house.

The complete history of violence, down

to a body--exhaustive & neatly shrouded.

That eerie Jew beat like a girl & made to

embrace Rome on high.

A Roman-made example, in a tomb like

a political safe.

Chesty guards outside, pre-fall pawns

dreaming of: food, ******* & drink.

There he was, darkened by every sickly

white stitch.

Told--head to toe.

Our stiff moment subject to memory.

More of desperate search standing in

for belief again.

Light that knew not, now knows

salvation is what it lights.

The truth & the way & the life.

He had to go through everyone, the

culmination of our works.

Then walked his body through stone.

Squinting into all we'll ever be.

If we wore: swords, guns, guillotines or

nooses--they wouldn't stick like a

crucifiX.

Your Father picked it out, knew it'd suit

you.

Sort of like a gift you always wanted, that

you almost gifted to Gethsemane.

Recognizable even if never seen before.

The most loaded & alighted symbol, that

could show silence how to rest.

Make a place of no place anywhere.

When you were nailed to all those

places--the track you heard in your head

ran the length of The Holy Spirit.

Your Father closes all the lights & listens

to it now.

'It feels like today Son...'

It Is.

Night is a spacemonger, more about what

can't be conceived than what can't be

seen.

Not only on some level, it's what gets into

stars when they counterpoint.

Starting from a brilliantly aborted

distance, whose distance never gets

beyond what Is.

Which covers the same distance as what

Is Not, that's how far.

They are to be named in the way that one

forgets a name--but knows it.

The stars, that Is.

Similar to the things he's doing tonight

that have nothing to do with his name.

As there are ways that it unhappens--

there's more distance in the thought of

what he's doing, than what he's doing.

As some New York Jazz plays.

The sax's notes are even cooler about the

whole thing.

They saw to it no one asked where

They were.

Their absence may as well been a

handheld camera to the sky, shaking the

focus to indicate They were still there.

Tidily odd as peace's indifference, a

season ago.

They've made of it, does it show?

Now animals simplify spring fashion--

the smell of heat taken from its source.

The wild commands: DRIVE!

Come out--COME!

While reflections are saught as often as

unobserved appearances, like self-image

in coitus.

A skewed trance.

A halo falls thru its circle,

has no memory of its

circle.

Hovers over the top of

a head.

The stagnant expanse

of an abyss--pure enough

to be of.

Until a wanderer lets

wandering go ahead.

Capped poles blown

open.

The finesse of grace

makes a candle flame

seem like a heavy

breather.

As if many wholes

hence--something's

different.

Over a hell-shack of trees,

that seclude an April

winter.

A tickle of dogwood like

a dry Japanese cough--

leaves the dimensionalized

hanging.

Bardo Re Mi Fa So La Ti Do.

The seating of cafe patrons saw minds

measuring space.

More exact with the inexact, as to

encompass something of mind.

A fine drizzle g spotted greenery

outside, as beaping horns coincided with

the draggy swash of an espresso

machine.

Producing the skidding sound of

tractionless tires, which momentarily

made one scan the street for a collision.

The circular logic of round tables were

inescapably bright.

Cropping up in the middle of

conversations after closing time.

Thus completing the orbits of business

hours, with missed crumbs more

profound than takeaways.

The spectra of superimposed motions

continue to creepeth forth.

Think the beaded string of a raindrop,

strung over since the first rain.

Similar to the cut of silver chords--

sounding the arpeggios of a rainbow.

Beside the birds of A Feather.

As Maat weighs in--Once & For All.

Warmth ran off a blue blade,

exposed from a suncoat.

Out for choiclesss tenderness.

As it broke to define a piece of itself,

to drop by degrees--to become cold

again.

A touch of rain for another reason.

Simply grey, with no in between--

withdrawn again.

Sudden as blooms--there again,

keeping their half of the blade.

Untraceable.

I photoed a clod of earth shaped like

the sole of a sneaker, on macadam

asphalt.

An artifact made palpable by the

swarmy crush of gravel.

Left to harden, as its sneaker went

off to something far more particular

by design.

How reality comes across.

I'm convinced

the day that doesn't

live me, will be my last--

like: 'We just met & I feel

as if I've known you my

whole life.'

I'm not much of a talker

anyway.

Skulls were honey dippers--that

dripped & drizzled down to

dribbled filaments.

A long line of suns rode a ray, as

a hand went up & a figure

approached.

A bouquet of balloons dragged its

comedown on the side of a road.

Gumballs spiked green space, as

it took on amphibious richness--

while an unsaid curfew lifted from

the ground.

January made any movement feel extraneous, as if something nudged to
haunting irresponse.
Sing Sing Prison was beyond all that, but
never more there--yet not even its
manifestation would have it.
The Mahicannituk (Hudson River)
followed the land two ways--to conceive
more than water.
Ruth Snyder saw that as Sing Sing walled
alive--smothered her prefume, crouched
over lights & coughed out iron.
Queens was a place, this was not--food ate her, water drank her.
A place to make out surroundings that
don't want to be seen, that are put forth
just for deprivation.
"Ruthless Ruth" appealed to her thin frame, dropped it like a hankerchief on
the cold floor.
Almost convincing herself that one's true
nature is unpunishable--as she stood up
again.
"Old Sparky" (name for the electric chair) was seated across from an indefinite coming--its unapproachable presence growing into its features.
Ruth was roaring with the twenties as her lover tried to go thru her--while her
husband wagged his tail somewhere.
So Ruth enlightened his sexless naivety,
with a couple of cold puddles outside of a
long lay.
Her lover (Judd Gray) smacking back his suspenders in answer to a Who Done It.
Their body-exploring-finallys & whispering hot sophications--saw a door
kick open to the rest of the world.
A lot came on in, Ruth needed luxuriating, to writhe on high-end furniture.
See again: "Old Sparky", now it's all about
"Old Sparky"--it was never not about
"Old Sparky".
Led by the hand to a modern-day witch burning, of course there was an audience--they arrived in cathartically shaped veils.
A latched heap, held by safety--holding their peace.
Figuring into the law, & willing to watch
a subcutaneous thunderstorm.
Especially Tom Howard of the New York Daily News, who had a camera strapped to his ankle--expressly told it was for:
Private Eyes Only.
His Life's Work was strapped to his ankle--as The Mahicannituk's current flowed.
He lifted up his trouser cuff & squeezed
the shutter buld, then ungripped it.
The room met the designated height of the switch as it was flipped, its current
flowed.
Ruth conceived something more than electricity, as she made hairpin turns--
blowing toward unsuccessful ejection.
She cocked her head calmly as she watched herself beat leathered husks,
her scalp smoking like twigs.
The witch they came for surged upward, & was restrained as if she were reacting to Latin commands.
If she had the **** for a last meal, a menu put to taste congealed & what thirst there was ran dry.
Tom got his picture, & Ruth was blurrily
venting mid-fry on the front page of The Daily News.
Which read: "DEAD!", the first public picture of its kind.

They're blue in the face, vitally

impeded by the implications of a

a misstep.

Requesting cleanup in aisle two.

Gladden them with it, draw it out--

torture the itch good.

Give it to them, release them from

wicked thrall, crowd a crowd to

distribute feelies.

Remind them how good otherness

looks at its worst.

Your public needs you to come apart

like there's nothing to see.

It'll prove useful someday.

Park Avenue's rubber flood, its mastered
whoredom.
Hermes' passage, whose sonorous cleft
is repeated after--until its vehicular
usurpation is complete.
As if an anciently overdubbed rite.
On Oct. 4, 1986, Dan Rather was making
his way home.
His kindly signed-off face was fully
dimmed, as the American public filled in
the blanks of a broadcast.
Able to speak when spoken to.
Did he scrub off Live Makeup, or leave it
on?
Early autumn air was warmth's incorrect
remainder, intimating a tailorship that
cooly spun off Mr. Rather.
As his profile heightened, so did his
senses--beelines like rulers.
Eighties NYC was characterizing its deity, horns running up facades--Yeeping.
Dan's gentlemanly earnestness, hueing
his lips with delivery--while being stalked.
Nick-of-the-eye holograms of cityscape
intensity--a closed plan of attack that
already conquered variables.
Karma's streetless address of supposed
firsts.
Of foes, feet & frequency--homing in on
Dan, three dots about to connect.
Not that it couldn't be, but that it could &
would be--Dan was about to sweat-up his
suit.
His large eyes maintained innocence as they tried his skull like a fish on deck:
"Kenneth, what's the frequency?"
a voice asked.
Repeatedly this question was posed,
as feet & fists reached out from each word.
Mr. Rather clocked in the jaw & kicked, saught refuge in a building lobby--
"Kenneth, what's the frequency?!"
Two of Manhattan's Men in Black took turns tweaking a radio dial.
The staticky melee blipped, booped &
zipped straight out of an unfeeling
extraction of alien information.
There was CBS' voice of reason,
rained down upon by a white beam logic.
Mr. Rather's signal eventually came in
clear, as he was helped up, asking: 'Who
on earth is this Kenneth fellow, what of the frequency?'

Solidities love to give their spiel on

distance, as anthill multitudes are

dispersed by feet.

To the tune of whole houses jostling

around unissued shadows, armed with

soundless chimes.

Worked up to spit's private tiffs pelting

pavement, tracked onto the vacuum

tracks of living room carpets.

While a little boy getting called inside,

holds up a glass jar to a star.

Sighing hand-swipes of evening reads

drifting off into the context & tone of

certain conversations (the day's).

Space airing out its fringless purity,

clanks with clanking plates--runs with

running water.

Suddenly there's a judicious ring that

dissolves just as it's accepted.

Windows rise to scatter dead skin--

an electric cool removes layers of

mustiness.

Pitting rooms against themselves,

held accountable for their confines.

As inner eye contact is maintained,

the respect winter taught--so far

afield that flowers happen.

Almost like Mary showing--hands on

her back.

Just as a sparrow lie leaf-like between

two pages of air, illustrating itself in

someone's gut.

Where silence loses its sound to

light--light is never unseen.

Nothing is unseen.

Ever have the feeling you can't

get naked enough?

Even though you've never been

naked.

Even glory bears degrees of welcome--

not every wake is left indefinitely.

Try as it may, the ocean cannot

disinherit waves that fail to further

its glory.

Ones own face is too many lives in,

not to appear guilt-ridden.

Mistaken identity is a guarantee--

historicity recycles attributes.

On the otherside of things, one has

enough personal relations to populate

the globe.

Which's why roosters can't unhear

dawns like rehashed blood in tepid

water.

The fog was a cheek to cheek slow dance--

in step with the promise that no one

knows anyone.

It derived intimacy through lifting from

what it was never in place to reveal--

but like plight.

Having been as close as it'll ever be, there

is nothing that doesn't hold back as it

strives for the opposite.

Who's lingering on what it drew in?

So close that it's gone.

Summon-mad incense goes out searching

for a transcendent nervous system,

taking on different qualities.

A serpent lies coiled under a Golden

Helmet, that's made of depthless return.

Sleep is different, it is no longer where

waking comes from.

Waking is different, it is no longer where

sleep comes from.

Light lays down rising.

Sometimes eyes open up there, & a

depthless return shows one the figure

of its speech.

It is not the body.

Post meridem traffic, tightened

congestion--breaks whined like

dogs sounding high pitch

frequencies.

A screen protector discarded on

tousled grass--unevaporated dew

droplets set as Wallpaper.

A fitting tension, sort of like

car pooling.

Sunsets are eminently confronting,

they're second to last page epics that ask:

'Were you a part of what went down?'

As entropic & inertial forces hash out the

unlived, concurrent with an insatiability

that pleads passion.

Trusting that your passion's retreating

with those pastels--that you could &

would die, but not just yet.

It's like the psychiatric intake of a patient

that's kept from creating, their ******

need the same as sunset's cry wolf

apocalypse.

It's like fighting to stay awake for

something indispensable to your being,

that whatever's underneath sunset must

match up.

Otherwise it'll feel like glimpsing

sleep-prompts while wearing synthetic

skin.

It is only surface succor--one should spit

out the passifier & eat grass!

A ravenet nods & bristles ebon--negative

two thousand & twenty-five years thru

its scryed vision.

Gone before: 'Be gone!', therewith a

daemon at the ready.

Wraps roots around treetops, as a Garden

burries its Sky.

Flower wind spinners act as galactic

corkscrews, hypnotic wind of

clockwise-counterclockwise rotation.

Dialing in to a split, that the daemon

unhypnotizes, which turns into a green

jello synthesis.

Its genius of holism added unto.

The charming prosody of atmosphere, is

metered by the daemon.

As plastic table cloths flap & paper plates

flip--the ravenet clacks its beak.

A soothing habit it visits when

atmospheres & Ages commingle.

An oval daguerreotype window scene,

bordered by frost on a blistering day.

A white horse juts its jaw, as it receives

freedom's lash.

Whose distance is already satisfied.

G-force grins bear its large teeth at the

diplomacy of elements.

Below the frigid shade of bridges built

over deserts, eight kicks pace to the

torsoed toss of sand.

No more than a whole in want, spooked

by unbroken thunder shaplier than its

pounding hooves.

Its stomach distends with a flood of gas,

glugging to combustibility.

As it catches fire's metaphor, igniting

catch-me-if-you-can fingers all over it.

While night repudiates night, to where

passage is way behind, or way ahead  of

brilliances inconsistently ticking above.

In sound there is time, in time there is

distance--here there is no telling.

Just a white horse eating a purple carrot

out of a poet's hand.

Pan's pipes lift, as Syrinx passes off

a river.

When the wild is put out again, canting

a vaporous red--a metallic hitch thrusts

wet wood.

Rupturing stones & married dust shun

shoots, taken in by a full revolution.

Their beat back glow mimes blooms,

a faint vision for a clear one--Pan's

hoary notes.

It's well to lie down in the dimly

remembered--to sign out its cross.

There without moving, coming back--

as from passed what one can see to.

Spread out & up against, there where

the hallowed becomes.

Marked by fire's burnished throne,

not to be succeeded.

The fruit of rot is without kind--it needs

to be stomached.

It needs to be bore thru, kept way down--

till it smells like a baby's head.

Appetite's opposite has clothed the

pickiest animal in edibility.

Entertained by how it is left out, &

itself spoils--uneaten.

Five out of five unlit stars.

More decadent than tons of unharvested

food.

This body wills itself to the feeding of

lions.

There was a bunch of folks typecast for

a forthcoming wave of salvation.

Off a main road, crawling on their hands

& knees at the outskirts of a forest.

Spangled like descaled fish in snapping

shrubbery on an ungiven Sunday.

Relatable as asking for directions to

somewhere you have no intention of

going.

An excuse for interaction, to ascertain if

there was a need for it.

If the almighty will convince you to go

there through them, a testament to need.

An errant flock did, they all converged at

the outskirts of the forest--sanctimonious

horns honking on high.

As they stumbled to stumble upon one

another, weeding out the Ides of March--

handfuls!

One hundred of them, fled from their

subordinance to a Centurion, free as

toddlers on fire.

An unstoppable meta-whoosy forage.

When the NYPD availed themselves, a

higher up saith: 'What's this, the freakin'

catch & release program--let's go people!'

Suddenly there's the desire to feel

everything I was about to say--but didn't.

All the unnoticed word-inhales, to the

waved off no-nothings.

Not given vent, just reexperiencing

all that courseless inexpression.

What was discernment's wisdom

guarding against to build toward?

One's confronted with heavy empirical

alterations--had the needle met fabric.

What sensation would that unvoiced

crest produce?

Precarious as sharks pacing storm bands

over warm waters--the unsaid developes.

With that, I direct it back to thirty years

ago today--what would that interaction

feel like?

Based on the assumption that nothing

cataclysmic occurred thirty years ago

today--though certainly not in relativistic

terms on both days.

It's astonishing how pertinent

information can omit dates while

pointing at them.

Even if I were to ditto the date with

different years, their currency may as

well be in The Ferryman's pocket.

He's not even laconic on such musings,

though he does take a shine to them.

I should like to **** AI to such musings.

So a lifetime of stifled articulation would

burden the climate of this day thirty

years ago--now.

Would I be alive, live where I live, call

who I call--write what I write?

Say...no say?

I didn't.

Over eight billion doings factor into this

doing, Disconnection Awareness Month's

moment.

I am saint: Roughly.

A non-excercise, like following your

pointer finger to the tip of your nose--

cross-eyed by its invasive warmth.

My ruling planet Venus supervenes, I

suggest she find a ruling planet.

Right now I **** an angel with kindness,

as she flashes her radiant ***--we both

see an opening.

Who brought what out in whom?

At any point I am fixed, at no point is she

fixed--yet.

She comes by proxy to intercept me.

Her symmetry's between worlds, even

though I run my hand between her

*******.

She rides her distance on my closeness,

we end up where we end up.

When water nicks its flow, I untie a

storm & head into town.

A historical overview of aimlessness

grinds against me, as two gaurd dogs

makeout.

Good on the gleam that fact-checks

feet, never saw a pair of shoes that

didn't want off.

Or a tacky perfume that smells of

wrinkly freckles, hard-to-come-by-air

unable to figure out how to insert its

chagrin.

Sometimes it helps to read aloud what

the body writes, disjointed humming

works too (a runover accordian).

A fast-approaching mass whose

disintegrative reentries start to float

peaceably.

Trying to guess the shoe size of space,

gets harder between the legs.

A market pitch of spring with no target

audience, I suppose.

A fontanelle, a division bracket connected

to other division brackets--castle

battlements.

A stimulating doodle that fills a Mead

Marble Notebook, whose cover keeps the

signal lost.

A banana in a trumpet, lensless

sunglasses in a darkroom.

Dot lightness, dot being--behind the ears.

Lo & lo beheld heads in the way of a

movie now playing in theaters

everywhere.

Where the irksomely awkward exit from

theaters, is witness to an audience's

who's who believing they're characters

from the movie.

Everyone avoiding eye contact, like some

postcoital comedown--secreting greater

star quality.

Imagine if they entered the theater that

way--our comings & goings have such

pole reversals, role reversals.

Hitchcock's bellybutton has a staring

problem, the guardian of this gate doesn't

approve of such rumination.