They're blue in the face, vitally

impeded by the implications of a

a misstep.

Requesting cleanup in aisle two.

Gladden them with it, draw it out--

torture the itch good.

Give it to them, release them from

wicked thrall, crowd a crowd to

distribute feelies.

Remind them how good otherness

looks at its worst.

Your public needs you to come apart

like there's nothing to see.

It'll prove useful someday.

Park Avenue's rubber flood, its mastered
whoredom.
Hermes' passage, whose sonorous cleft
is repeated after--until its vehicular
usurpation is complete.
As if an anciently overdubbed rite.
On Oct. 4, 1986, Dan Rather was making
his way home.
His kindly signed-off face was fully
dimmed, as the American public filled in
the blanks of a broadcast.
Able to speak when spoken to.
Did he scrub off Live Makeup, or leave it
on?
Early autumn air was warmth's incorrect
remainder, intimating a tailorship that
cooly spun off Mr. Rather.
As his profile heightened, so did his
senses--beelines like rulers.
Eighties NYC was characterizing its deity, horns running up facades--Yeeping.
Dan's gentlemanly earnestness, hueing
his lips with delivery--while being stalked.
Nick-of-the-eye holograms of cityscape
intensity--a closed plan of attack that
already conquered variables.
Karma's streetless address of supposed
firsts.
Of foes, feet & frequency--homing in on
Dan, three dots about to connect.
Not that it couldn't be, but that it could &
would be--Dan was about to sweat-up his
suit.
His large eyes maintained innocence as they tried his skull like a fish on deck:
"Kenneth, what's the frequency?"
a voice asked.
Repeatedly this question was posed,
as feet & fists reached out from each word.
Mr. Rather clocked in the jaw & kicked, saught refuge in a building lobby--
"Kenneth, what's the frequency?!"
Two of Manhattan's Men in Black took turns tweaking a radio dial.
The staticky melee blipped, booped &
zipped straight out of an unfeeling
extraction of alien information.
There was CBS' voice of reason,
rained down upon by a white beam logic.
Mr. Rather's signal eventually came in
clear, as he was helped up, asking: 'Who
on earth is this Kenneth fellow, what of the frequency?'

Solidities love to give their spiel on

distance, as anthill multitudes are

dispersed by feet.

To the tune of whole houses jostling

around unissued shadows, armed with

soundless chimes.

Worked up to spit's private tiffs pelting

pavement, tracked onto the vacuum

tracks of living room carpets.

While a little boy getting called inside,

holds up a glass jar to a star.

Sighing hand-swipes of evening reads

drifting off into the context & tone of

certain conversations (the day's).

Space airing out its fringless purity,

clanks with clanking plates--runs with

running water.

Suddenly there's a judicious ring that

dissolves just as it's accepted.

Windows rise to scatter dead skin--

an electric cool removes layers of

mustiness.

Pitting rooms against themselves,

held accountable for their confines.

As inner eye contact is maintained,

the respect winter taught--so far

afield that flowers happen.

Almost like Mary showing--hands on

her back.

Just as a sparrow lie leaf-like between

two pages of air, illustrating itself in

someone's gut.

Where silence loses its sound to

light--light is never unseen.

Nothing is unseen.

Ever have the feeling you can't

get naked enough?

Even though you've never been

naked.

Even glory bears degrees of welcome--

not every wake is left indefinitely.

Try as it may, the ocean cannot

disinherit waves that fail to further

its glory.

Ones own face is too many lives in,

not to appear guilt-ridden.

Mistaken identity is a guarantee--

historicity recycles attributes.

On the otherside of things, one has

enough personal relations to populate

the globe.

Which's why roosters can't unhear

dawns like rehashed blood in tepid

water.

The fog was a cheek to cheek slow dance--

in step with the promise that no one

knows anyone.

It derived intimacy through lifting from

what it was never in place to reveal--

but like plight.

Having been as close as it'll ever be, there

is nothing that doesn't hold back as it

strives for the opposite.

Who's lingering on what it drew in?

So close that it's gone.