the ground palms darknesses & pours

it over my head--it shouldn't be so

easy to forget a name.

it's how one sticks out to another

world--with monolithic displacement,

undeniably there.

always prepared to say a few words

about the body's warmth.

he knows it as something emotions

are herded into--like savage first contact.

that blurs to protect identity, blocky

skintones discombobulating

motion-features.

highjacked without being plastered.

or the naked motions that play catch-up

behind glass shower doors.

not necessarily protecting identity--but

what comes after it.

that which can not be processed.

much like initial snow that stalls right

above the ground--for an entire winter.

to be walked through with the fragile

care of floating styrofoam.

so gravity can anticipate itself & maybe

understand.

all beholders see beauty now--

in an eyeball.

the gods were entertaining, there it was

like a mint after an imperial feast.

with more presence than a whole body.

it can blink once for yes, & twice for no--

if only to break up omniscience.

it is swaddled in mulbery silk, that

creases complexity smoothened to

simplicity & back again, as in a wakeful

sleep.

a gift placed in a self-luminous white box,

more benevolently pensive than milk.

whose fourfold hatch will unbox, to see

what was seen in it.

could you love an eyeball?

the fog tweaked its percentage of

visibility--as if to pull London across the

pond.

on my left periphery, headlights turned

black rails into a sudden downpour of

spaced glints.

elegance without inclemency.

further down, the upper floors of a lofty

apartment building wore the unreadable

glow of a mothership.

its discursive headway of private agendas

contra-fog.

then fog contra-smokescreen, carpe

noctem coordinates of drones following

suit.

as if high strangeness stooping to our

level--the field's too unfied for that.

nonentity's curvature won't

return from its hermetic seal.

moved to envelopement.

as someone turning a corner,

that you'll never see again.

its depth & volume wound all the

way (an unknown).

despite this side of its curvature

making it so (a known).

something among billions of six

senses coincide to keep it both

sealed & unsealed.

curvature canceled out--shelved.

I eat for three, I must be showing--they take care to plump me up with elite takes on food-a.
*******, dust, ****, *****, glass, staples, *****--you know.
a pizzazz that heaps years on to their vidas,
finally cutting the key to the teeth of their monsters.
I see those glued to the veil, struggle like flies to avoid what I singlehandedly spawned.
A hatred that runs so deep it almost comes out as love, the potentency of its vacuum is unmatched.
I know how many thorns are on the crown, fashionably so--like any good dramatis personae, I try it on.
the wrists & feet are a bother of fixity, I'm still spreading my gospel--no Paul, just three of a kind.
I have been dutifully informed that I am a danger to myself & others, that I will most likely spend the rest of my natural life in confinement...
"for the criminally insane" is too long-winded, I prefer: behind bars.
I may be a danger to myself in here, I've endangered many out there, & there are some for whom danger is over.
These are but minor logistics, I offer them such a prismatic sacrifice, a darling rarity to be carried out like a festive procession.
I Am: The Who's Who, whose seasons will never be canceled--I Air.
I Am a slow cult suicide--I run the risk of rays, I encircle before they encircle.
I will  encircle them once more, as all good things come in threes my friends.
You must know that I've abstracted them in blackout blood all over these padded walls, like Francis Bacon's studio.
his murderers' kit of paintbrushes clotted & snapped, forgotten in turpentine.
I would rather they do it to themselves, think of one buying rope for the purpose of straightening up a tree--only to **** up its posture with their weight.
hanging there with burdensome repetition, ******* by proxy.
they've all gone limp with oppression, they know not what they do.
I must whittle down three possible outcomes: Nicholson's Joker says: the head, head-shrinker will commit professional suicide by sampling the flesh of his underlings like hors d' ouevres.
Ledger's Joker says: the head, head-shrinker will separate a blade from its handle, into Three of a Kind--
will commit ******.
Phoenix' Joker says: the head, head-shrinker will commit suicide.
well...from Gotham to urban areas all over the world, iconography of: "Three of a Kind" is handed out & sold.

I can't hear the voice in my head, because I affected changes in the way I spoke since I was able to manipulate its medium.
I never thought about it--another incarnation just toyed with my vocal chords.
as if my foundation knew it would tilt what sat on it.
I was compelled to make sure that I would never know myself, its origin hissed like pissy holy water.
all the rest that crank out humanity would revise their approach to fiction because of me.
it was never enough for me to know that I too am God, I could never share my image, yes--my image!
of jellybeans & colored time capsules,  let me dissolve in this sugar cube!
I'm astonished that I was unhanded by so many once touched, they will thus feel the chills of my mania without the ability to shiver.
this will dull them with empty-handed inspiration, they won't be able to walk through deep-freezes of cloud to ground lightning.
how the psychologists circle-**** to me,
I really want to symptomatically convince them out of their misery.
I lower my gotcha-green head like a worry sick Madonna for them, all this superfluousness authenticates my unknowable selves.
now to my voices, how do they sound in my head you might ask--well who's asking?
I talk to & at my selves, so the voice is most certainly vexed--but in a whiney & nasally way.
it's an exorcise/exercise in futility to describe, nonetheless...I always sound like what I'm looking at, I can sound like a chair.
It's all the voices inside that do this--they don't like company so they become it, anything external basically.
it's reflexive & creatively fruitful, you should hear the voices in my head during vows of silence--they both regurgitate & originate.
I'll gift that can of worms to the head, head-shrinker...picture channeling a phone book into the ear of a whitehole.
I can speak in an assertively calculated voice on a slippery *****, that gains the footing of trust, I favor that one.
I also do famous serial killers when I'm most peaceful, it helps to fertilize the soil.
I need to cultivate one for the books, premiere it right here--the egregore of this
eyeless capstone.
I gouged it out in plain sight--I have a voice for that too.