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 Feb 2014 Dazzlebeam
Helen
Body Talk
 Feb 2014 Dazzlebeam
Helen
My mind stopped talking to me
about 6 weeks ago
So out of sheer loneliness
(and a little curiosity)
I started talking to my big toe

“Hey me old mate, how ya been?”

“Don’t old mate me
I haven’t seen you since
I don’t know when.
Oh, that’s right!
it was about the time
your big fat gut moved in!”


“Sorry I haven’t been around…”

“You’ve been ‘round alright
it’s actually a shape you wear well
but what do I know?
I’m kept in the dark most of the time
by the way, your shoes really smell!”


“But…”

“Oh No you didn’t
just bring **** into it
I know for a fact
they are just as mad at you,
and feeling the rejection
So is calf and knee and
elbow and poor little Pinkie toe too!
You no longer bother to have me rubbed
The only attention I get
is when you have me stubbed”


That was about when I stopped
talking to my big toe
It when on and on and on
Whinge, *****, whine!
Now I’m just lonely again
sigh
I really miss my mind
 Feb 2014 Dazzlebeam
Little Bird
Your childish lies have nothing of a true meaning
because you never saw what truly went on inside my mind.
The cogs were turning, but the wheels got stuck in the muck
that you had left behind when you decided that it was time to bid me adieu.
That child inside me broke
Like the Bay Lake dam that came crashing and tumbling down,
the waters swirling into the ever after.
Leaving me behind, alone, with the lonely company of the silt and the sand.
And then, I wept.
I WOULD that we were, my beloved, white birds on the
foam of the sea!
We tire of the flame of the meteor, before it can fade
and flee;
And the flame of the blue star of twilight, hung low
on the rim of the sky,
Has awaked in our hearts, my beloved, a sadness that
may not die.
A weariness comes from those dreamers, dew-dabbled,
the lily and rose;
Ah, dream not of them, my beloved, the flame of the
meteor that goes,
Or the flame of the blue star that lingers hung low in
the fall of the dew:
For I would we were changed to white birds on the
wandering foam:  I and you!
I am haunted by numberless islands, and many a
Danaan shore,
Where Time would surely forget us, and Sorrow come
near us no more;
Soon far from the rose and the lily and fret of the
flames would we be,
Were we only white birds, my beloved, buoyed out on
the foam of the sea!
SHE lived in storm and strife,
Her soul had such desire
For what proud death may bring
That it could not endure
The common good of life,
But lived as 'twere a king
That packed his marriage day
With banneret and pennon,
Trumpet and kettledrum,
And the outrageous cannon,
To bundle time away
That the night come.
I DREAMED that one had died in a strange place
Near no accustomed hand,
And they had nailed the boards above her face,
The peasants of that land,
Wondering to lay her in that solitude,
And raised above her mound
A cross they had made out of two bits of wood,
And planted cypress round;
And left her to the indifferent stars above
Until I carved these words:
She was more beautiful than thy first love,
But now lies under boards.
"What kind of a person are you," I heard them say to me.
I'm a person with a complex plumbing of the soul,
Sophisticated instruments of feeling and a system
Of controlled memory at the end of the twentieth century,
But with an old body from ancient times
And with a God even older than my body.
I'm a person for the surface of the earth.
Low places, caves and wells
Frighten me. Mountain peaks
And tall buildings scare me.
I'm not like an inserted fork,
Not a cutting knife, not a stuck spoon.

I'm not flat and sly
Like a spatula creeping up from below.
At most I am a heavy and clumsy pestle
Mashing good and bad together
For a little taste
And a little fragrance.

Arrows do not direct me. I conduct
My business carefully and quietly
Like a long will that began to be written
The moment I was born.

s Now I stand at the side of the street
Weary, leaning on a parking meter.
I can stand here for nothing, free.

I'm not a car, I'm a person,
A man-god, a god-man
Whose days are numbered. Hallelujah.
Forgetting someone is like forgetting to turn off the light
     in the backyard so it stays lit all the next day

But then it is the light that makes you remember.
 Feb 2014 Dazzlebeam
Nat Lipstadt
read a thousand love stories,
pause, rest awhile,
read ten thousand more,
and then deny equality.

If you ask for no more than you can give,
you ask for not enough

love is imbalance not an equation,
with a single solution

love has both constants and variable factors

so you write of tribulations and tributes
so you write of lamentations and liftings

you think you are on the same page
perhaps
but do we not all read at different paces?

one of you is solid, one is dotted and dashed
one of you is straight, one is bent, forever curving

when you think you are
in balance
in the same place
in syncopation

perhaps you are for a moment
a calculus of one point on a trajectory

and you say I can only ask for what I give
and am given
and no more,
you have miscalculated

this flux
flummoxed
when the old terrain is flayed flat
but thru the windshield you see the
plateau ends, the geography unknown,

when you see unknown
when you seek the unknown
when you give from places you did not know
you had to give from
when you kiss a hand
for  twenty minutes more than than the one minute you intended
when you give more than is asked
when you ask for more than you can you think you can give
the imbalance is the only concert
the imbalance is the the only constant

how do I know this?
what are my credentials?
you are not a teenage girl,
what matters of what you know of this matters?

I am who I am
a diversity of man and manner
I am past prime and in decline
but this I know
for having failed ten thousand poem times
you must ask for more than one can give

but that's not fair!

silly one, still wretched confused,
even after one hundred
thousand poem times

you must ask of
yourself
more than you can give
and ask no less
demand no less

a body in emotion is not a body in rest
when the imbalance is too great or insufficient
then you write a poem
look in the mirror that cannot lie
and move
on
or
move
off

and begin to ask
yourself
to whom may I give myself
more than is asked
then you have finally asked
the correct solution to the
unsolvable equation
tired of love poems, especially my own.  Saying I love you is like reading a newspaper.... A constant of new stories....that are discarded for constant recycling ~ you better be writing a new story constantly or whatever.. But the audience of love druggies is huge so the ****** keeps on coming and I wonder what the fk do they know

Parts of, maybe all, of this poem inspired by this graphic which says what I tried to write...


(¯`v´¯)
`·.¸.·´
¸.·´¸.·¨) ¸.·¨)
(¸.·´ (¸.·´ (¸.·¨¯`♥

Sometimes you may notice that your heart has unexpectedly started to race or pound, or feels like it has skipped a beat. These sensations are called palpitations. For most people, palpitations are a once-in-a-blue-moon occurrence. Others have dozens a day, some so strong that they feel like a heart attack.

Most palpitations are caused by a harmless hiccup in the heart’s rhythm. A few reflect a problem in the heart or elsewhere in the body. Doctors can be quick to attribute them to anxiety, depression, or some other emotional or psychological problem. Although sometimes that’s exactly right, it’s important to first rule out harmful heart rhythms and other physical causes.

A palpitation primer

Palpitations are extremely common. Different people experience palpitations in different ways. You might feel as though your heart is fluttering, throbbing, flip-flopping, or pounding, or that it has skipped a beat. Some people feel palpitations as a pounding in the neck; others as a general sense of unease.

Some palpitations appear out of the blue and disappear just as suddenly. Others are linked with certain activities, events, or feelings. Exercise and physical activity can generate palpitations, as can anxiety or stress. Some people notice palpitations when they are drifting off to sleep; others, when they stand up after bending over.
I used to zip, round
Little School corner.
Metal sparking from the road.
Throttle wound back
For a swift attack:
Excitement on overload.
The brave foolishness of youth,
Slickly defying, gravity’s truth.

I used to roar, round
Young-man’s corner.
Tyres squealing in the night.
She’d buck an’ slide,
Giving a rough ride:
My experience holding her tight.
Pulling through, going on our way,
Looking forward, to yet another day.

I used to charge, round
Middle-age corner.
Knee scraping along the ground.
Holding my breath
Kissing, cold, death:
My fear becoming unwound.
Somehow, I gathered her sweetly up,
And continued drinking, from life’s cup.

Nowadays, I never know,
What’s around the corner.
My biking days are long gone.
I don’t get my thrills
From near-miss spills,
And the years roll on, and on.
We travel a straight highway, so it seems,
But me! I’m still cornering, in my dreams.

© Paul Chafer 2014
Written for BBC Radio Sheffield and broadcast on the Rony Robinson show.
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