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Ayesha Jul 2022
1.
12:36 am

Lord, this night does keep its quiet
not of our silver gyre does it tire

a thousand times I watch it rise
a thousand slips of its drips

up-down-up-down-up-down town
I watch its crowds black and brown

I watch the trees, the silver bees
Lord, this night is not night quite
I know that ‘quiet’ does not rhyme with ‘night’ but… bear with me here

or I'd name it 'Silver'

04/07/2022
Ayesha Jun 2022
Bed
bed:
blood
in us
of mud

shed
the rust
muscle
of dust

red:
tongue
wrung
strung

said:
run
the run
begun
(we did)

-

head
of toil
of ours
in soil

bread
of skin
soiled
in sin

led:
we went
say, patent
we went

wed?
ha, sweet
pleased
bland wheat

bed:
pillow
above us
below

bed:
black hand
fragile
and
"Loose the flood–– you shall find it patent-–
Gush after gush, reserved for you-–"
-Emily D.

13/06/2022
Ayesha Jun 2022
you write like a sea
I see

gyring and free
stubbornly

flapping only
to be

easy
to see

your profanity
holy

in its naivety,
wholly

scanty,
heavy

with plenty,
empty

like sea,
pretty

for me
for me partially

for you only
hesitantly

for world boldly
bare to see

you write like a sea
lady

toiling sweetly
to monotony

and plea
howling all free

free
ah, lovely

like the slavery
of a sea
09/06/2022
Ayesha Jun 2022
this earthly gaze
still so stirs
even now the face
something kills

mountain eyes
still do peep
upon all that dies
and then do leap

on our frail fortress
in the green
you do not rest
your golden keen

say some fable
invite
if we then are able
do bite

unclothe sheep
unearth meat
your secret keep
we will in sweet

bliss of moonlit bit
turn then all away
and lure with just the wit
of a silver bay

laugh faceless
sound of sea
on grey impress
the sound of sea

sight of shadow
gallows' scarf
in gusts then flow
call on the calf

row a waving
seeing and still
move the boat-wing
down the hill

down down
we do come
smile now the ivory crown
do we you become?
02/06/2022
  May 2022 Ayesha
Charles Bukowski
I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!"
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.
I open a beer, sit down at the
machine and nothing
happens.
like now.
from the 1997 Black Sparrow New Year's greeting, "A New War"
Ayesha Apr 2022
this bitter green dawn
does not move the city

that in crisp antiquity
spreads her thighs, her palms

her fingertips licked
with drought and the soft sweet

stink of the night
rubbery skin

flavourless as a leaf;
her armpits and knees

gape with rasping mouths
and the basins of the neck

rugged stretch
striped and on

up the sloping stumbling face
gaunt as concrete

where carts and rickshaws
startle and snort

succulent bulbs part
mechanical and jagged and

through the gutter
sallow eyes watch

cement tunnels
tumble and twist

the taste of thick leather
mossy on their walls

there are feet too
thousand toes

with chipped windows,
stooping they swell, and

there are dry highways
of the calves

where nothing lingers.
it is morn now

the birds gargle
and a thin yellow kite

shivers like a hanged thing
on the spidery scaffold

of an electric tower.
her salty streetlights

stare like iron
in the urinary winds that shoo

crusty litter
in between *******, and crevices

of eyes, sills of the hips
the cracks of the elbows

butter sun scatters
and coats the houses viscid

flies come
torment the quiet awake

her men barge out
hasty and mad

and vehicles shake
a thousand breaths

exit: their CNG sweetness
caking in the nails

and jamming the doors;
pungent liquids churn

and ignite in taut-limbed engines;
now gears tick and click

sweating rancid
and thick

leaking on roads
and roiling canals

gruff huffs and coughs
now the sky is grey

and cool
a cadaver

now loud ears unfurl
bare as banners

and shrill winds
pound hot-metal on skin



the bark-wood body
turns

and reveals the moors
of a stoney back

where steel rods
bend

at silly angles
and where they protrude

their same old tang of DC
and the same old

tingling of it
now a sigh escapes

the latex lips
and shutters shudder

over spiced eyes
now all is red

like hot tea on tongue
and the tongue tinkles

with the sounds of the heart
that ripe an onion

pleads to be pulled
out out out

and peeled
layer by layer

until it is none
and now, the familiar viscosity

soothes it again
and it swoons limp

a fat still-born
in the womb
23/04/2022
Ayesha Apr 2022
this precious rickshaw
hiccups

it jolts at slightest expressions
of the roads' flat faces
hick!
and my stomach wobbles up
like an astronaut made of jelly
bounces against the diaphragm
disturbing the cuddly lungs and
the lattice pancreas wince
hick!
the sour liver curses and
noodle intestines startle and then
grumble
and the swish slosh slosh
of my kerosine blood
is light and jumpy
in the ancient pipelines of flesh

my hands unlearn
unlearn
they are chubby preteens
then hesitating littles
now my handwriting
is an infant walking
hick!
crawling
hick!
this wash-machine ride
with an inferno of April breaths
hick –– hick –– hick!
my little dog-heart
shakes
its fur all ruffled and spiky
23/04/2022
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