He stands on the stage with muscles tensed and mind relaxed.  His ability to perceive anything at once is employed.  And there are twins in the hall, a frog in the toilet, and nowhere (out of sight) is the aphrodisiac named Lenny.  A common misconception is the conception of any order at all, and everything you want to exist now, or ever existed, a priori: this is the meat-muscle, the excreting weener, of Cain.
"Nowhere, man," states the deaf mute with essence, "must have a musk, a muse."  An Algonquin replied, "Stay away from that horrifying ontology."
The man on the stage is at the same time becoming less inquisitive, more unconcerned and fallow, and now he watches their amusement from off-stage!
Now, those poor, poor people on the balcony--watching him, recording every minute--they do not cow him, for he watches them as an aside only, for the figure on the stage rises, mimicking an immense marble statue.  His spine stretches, as the calls of his own voice call out, in his own voice emit, for the figure on the stage, especially when he calls, little or no recognition.  The only voice, obviously, is this unrecognizable, willful voice that once belonged to him.  Although it cannot be, it can.  Although it is not possible (that it is not), it is.  His personal translation beckons concern.
With all his initial reactions lost, no longer won, no longer controlled, he is, by those very two filters, totally unmediated.  But steadfast guile and limitless misery become his (one-two) weapons.  The elations, employed at last year's performance, are absent.  Crying, he becomes, just as defeated as a whim.  But his legs move around, and he jives and jives and jives, like a crazy set of legs, as if almost no technique is being spared.  Tonight.  Tonight he is earning his pay.  Pray.  Prey.  Tonight!  But only a willful moneymaker, a master of his control, in this reality, earns him his pay.
"Sing!  Sing!  Sing!  Sing!  For I'm praying you!" screams an old man in the orchestra pit, "For I'm paying you with my best!  Tonight!  In all ways, I am yours!"
The dancing marble man looks up.  He looks at the world.  And from the smoke, a seed believes its lofty purpose lost, in a mournful message, in a reluctant admission to that unforeseen realm, of communiqué.

This is the story of a young man who found his feet....
Turning around twisted corners among ancient street of cobblestones,
he felt his numb senses come alive
much like the way young girls come alive
in the aura of a subtle yet extravagant fragrance.

The call of the city was too wild to ignore
and the dastardly cries from empty streets gave strength
to his otherwise weary feet.
The tales of the midnight furies wandering skyline saturated
with giant pods and artificial gadgets
was as powerful as any other rumor of a technology
so wonderful that it will call for another great revolution.
The mall was rife with footfalls and giant screens
with amazing propositions
each promising an experience like never  before.

He is then saturated with experiences that a caveman
would have dreamed of only in his version of "heaven".
"Eternity in a grain of sand" is what the Poet said
in great eloquence but too many "eternal moments"
made him question the existence of an "afterlife".
He pondered "Maybe death makes sense now more than anything..
the dead do not need experience,
they are weary of that burden ****** upon the living."
He turned to visit the grave
but he remembered the words of the wise Philosopher
"Visit the dead in the morning
when the first rays of the Sun kiss the Earth
after she wakes up from her slumber."
He imagined the Night as the time where the Earth slumbered
and dreamt up solid vagaries.
The Night is always "Queer"
but then the Sun arrives with so much clarity
that but then the Neon lights are an intrusion
to this order trying to bring balance to man
caught up in an exchange too lofty for him to understand.

He looked into the night sky
and saw the great manmade light shining into the darkness psychoanalyzing the night and shaming her narrative.
The Neon light stands between light and darkness,
it is dark because plants do not respond
to it the way it does to the sun
but it definitely gives a clarity and a perspective
the Sun can never understand.

What does it mean to walk this city?
The gods hid among nature first,
in forests, rivers, mountains and the clouds
but we bumped into them everyday because of Prometheus's error !!
He suffers eternally with a grin
because he was the only Titan who destroyed the gods from within.

Then the gods hid in cities, farms,
vineyards, temples and the graves of the dead
but we sought them out through Monotheistic rites.
Then they said to themselves
"We are running out of spaces,
perhaps the time is now rife
when we take shelter in human language,
we can deceive mortal men that they have power over their language
but take shelter precisely where they boast complete dominance."

Then they lived among us hidden,
we tried to seek them but could never find them
till one day we found traces of their likeness
in the words we speak and now History is a war!
A war to take language from the gods and take control of History. Deconstruction gave us tactical advantage
and mathematics struck the final blow
and now the gods have run out of spaces
and they inhabit garbage mounds.

They know that that "wastelands" exist in human minds
and we now seek to saturate ourselves with experiences
that we have finally become weary
of this futile war till our machines took over.

They exist only to rid hunt down the gods
at all costs and render the Earth as she is.
We will no longer see traces of the gods
when we look upon the Night sky
but only unmediated objective truth!
Then shall the poets lament,
the kings of the Earth lose their ground,
the archer will shoot with no purpose,
the seducer will lose his cunning
and the skeptic will fall silent.
We try to invent new rituals
but we know that our only purpose here was to defeat the gods.
Nietzsche said that man is a bridge
between the ape and the ubermensch
but little did he know
that the ubermensch was the bridge between him and the Machine!
Here is the story of a young man
who found his feet and matter
was as dense as adamantium and as light as cotton candy....

sunday drives
and write two poems
somewhere cold
spark a cigarette
on the rock by the river
thrown horizon gazes
and unmediated shivers;
call the old friend
and say goodbye too soon
as if these colors are real
as if these colors bend over
time somewhere far off –
spark another cigarette
watching the smoke dwindles
tangle with clouds of breath
kicking lost stones with
curved ridges as if their old
stories could be understood
in ripples pulled downstream;
ice river
swept fractals and
white reflections alone
affront crumbling mirrors
and fragile glass
I’ll take an ice cube over
this diamond any **** time
and live a king in some frozen land
smoking cigarettes watching
colors blend across night sky
between specks and galaxies
and distant life –
some man kicking stones
alone by a flowing mirror
cursing dull embers and
wet feet

poems can no longer help. i am sad, i am sad. on and on. it is as sure as day light. as sure as the noon’s missile, which will detonate at max velocity upon night’s pavement. as the local 6 will make him late for work. as the rats will scavenge new york city for chocolate and unsalted tuna. as the lucky ones will remain lucky and the rest will retreat into dismal peril. as the girl alone at the bar will never find the one. i am destined not for greatness, but for emptiness. for warm rooms without windows. for congested cabs without drivers. for unmediated divorces. nameless run over animals on 5th avenue. nothing more than a shell submerged in murky estuaries. contoured as broken shins passed through glass upon fatal impact.

ill foot the bill tonight. it’s been awhile since i’ve amounted to anything.