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Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
Mateuš Conrad Apr 2016
i'm sitting on the windowsill like a crow
perched on the rooftop,
eating watermelon and downing
a mixer of whiskey and coca cola

while i ponder the *style
sections of
last weekend's style magazine
a magpie in me draws open the curtain
open of the silence, and i make the
neighbour's dog bark with laughter -
the section in question that prompts
me is a piece about silent speed dating
(i only ever did that obscene
event once at university,
we left with L tattoos on our foreheads),
**** just didn't work, too much
systematisation with the cards -
i'd prefer a chess tournament to be honest;
in the speed dating scenario you
get zombies and Oreo biscuits,
cracking fun - mingling fruit with alcohol,
it's really a Saturday night in my head,
picturesque: i.e. picture it - photosensitive
epileptics on the dance floor shaking all
the possible muscle including the buttocks -
times up...
england is really abhorring toward poets,
only Shakespeare made it count -
as a playwright -
or as they say in Yorkshire - Germany
and the 1930 - 40s, not Beethoven prior,
the youth wouldn't read a book,
but would continue to shoot the Nazis in
computer games comfortably into the 21st century -
in england if it's not Shakespeare it's filth,
degenerate art, that's the reasoning -
from the saturday review not, one, review,
of, a, book, of poetry
, not one -
if this is a healthy literate stance then
call me Mona Theresa and put a strap-on
***** on me -
it's easier to find bargains in the Amazon online
store than a good poem - worth of mouth
had an ammonia soaked handkerchief stuffed
in its mouth, and hey presto! cow manure
never met the chance of nostrils engaging...
in england what's prized above
poetry is journalism, hence by respect for
those who disengage from from coupling poetry
to music by making music laughable
with poetry's rhyming -
twang twang - #a, repeat... twang twang a doodle
do f, through to c, or something worth
a silent cipher on the page -
indeed journalism above poetry, ars umbras:
the art of shadows, the art of obscurity,
the perfect stance of diplomacy,
take the bureaucratic route -
'short of an umbrella?!' the cabbie questioned,
'short of ice cubes on ye'r 'ed?!' the innovator retorted?
and with that the audience became bemused
when the magician pulled out a cabbage head
from the top hat rather than a rabbit -
indeed poetry, had i been Voltaire writing
about england has almost disappeared from
english - mind my ignorant pessimism -
but mind that journalism took over,
and instead of poetic musicology what's required
is poetic journalism - i can't have stone age emblems
of care to coerce me into geological rudiments -
if indeed i am but one man
among the collective i am obviously wrong,
but should that matter, i should seize to care
whether i actually read a Stephen King novel,
since i haven't, as they say, appreciated the living art,
and chose instead literary necrophilia,
then i am sourced as a voice in the graveyard -
or as one homeless man said: a gem -
all it took was politeness and a free cigarette -
indeed this literary necrophilia -
it's quite becoming - and to then realise -
well, with each day a new mode of conduct
in the median of populace of the highest average -
harsh to consider in conclusion any if all
pronoun usage to be akin to conjunction and
preposition use as a care for a vain approach
in the use of language and self-buffoonery -
simply how the language works,
with that stated and the phonetic approximations
found on too many occasions to be realised -
e.g. can you please pút pooh bear into
       his enve-low-p', and seal
       it shút with ha-née / ha-knee rather than red wax?
Mateuš Conrad Aug 2016
saying ******* seems so much more
easier when you're petting cats....
they just say it for you...
there he is, Quarus,
the operatic singer nearing sunset,
200 variations of a mulling of meow,
i end up calling him Orbison Rufus,
the ginger Roy of Peckham -
he basically meows lazily like Roy
singing... as said / i.d. (id est): the umbras
or umbrellas - counting the shadows'
version of Apache's yawn: ah-woo ah-woo
ah-woo nagging the reflex...
gave them the yawn and gave them 1950s
America... Billy the Kid talking to the king of
Specs... hank marvin.... cheese grater
with those teeth... dozen cows buckling with
the herding in while the dog carved a feel
for religion in the translation of the Vatican
from coliseum into football requirements...
the movies were great in the 1950s, just after
the technicolour... petting cats was never such a thrill...
the operatic meow, onomatopoeia from echo
in a cave to knock-on-wood...
200 variations of the knock
and 12 whiskey shots downed
while playing poker... 12 cowboys
1 Milwaukee and 30 Turks... classic Tarantino...
i said the Apache yawn... i never said giving
out smoke signals...
Quarus my ginger is demanded as having laughed...
he's Roy Orbison with the meow,
pretty much lazy...
looks like a murmur when he tries singing,
pretty woman, trolling down the street,
Gucci, Chanel, and everything in the scrapheap of lobotomy,
as is Paris necessarily mentioned: chiselled
white collars... Roy knew before Elvis...
the trick came with sunglasses,
and the gluttonous slur of the half-opened mouthing
for subsequent mouthing it off...
no amount of cheese in French could ever
charter the success of the cheeses added to cheeseburgers
with the milkshakes, which were plainly Dutch
laughing cows named Novices....
quick-melts and some said:
dreadlocks of string-yellow Gouda pulled
for a hippies' worth of Chinese chugging down
a pint or two, for worth of gag and the slim mascot;
the Chinese never taught Cannes arithmetic
of the thumb through to pinky...
i don't know how they taught counting
with their complex ideograms, they never taught
arithmetic give their encoding...
they taught pure math.. they never taught the simplest
of assurances... meaning so few of them became bankers.
Marco Raimondi Sep 2017
Pelo alvo deserto vão, me atrevo
Com passos vazios e rigidez emudecida
Caminho à livre esperança aquecida
Sem umbras derradeiras de vil enlevo

Nestas escassas palavras que descrevo
Aflijo, na natureza selvaticamente esvaída,
O brado ofego da moribunda esquecida
Cruzando-me os dentes o férrico sangue e doloroso arquejo

Ante os olhos que se chegam em céu vasto,
O silêncio zune, norteia-me, arrasto
E completo minhas vistas com negrumes vários

Deserto! Deserto! Das sombras, sóis filho nefasto,
Por eternidades, quais d'aurora me afasto
A vós enterneço meu desgarro solitário
Nota ao uso do pronome da segunda pessoa do plural: figura de silepse a fim de conotar "vastidão" ao referir-se ao(s) deserto(s).
Aaron Johnson Oct 2017
Oh Lordy need a forty
Going in the city on this sortie

Making menace  while speaking witty

We're dead inside but make merry corpses dancing in the darkness between streetlights.

The lights flicker fail and we gain new territory.
Wolves in the night we cast long shadows stretching distortions of our inner demons. They claw and scrape over concrete to rake across dismayed  faces.
The sun rises too soon a cleansing fire that burns away the umbras but not our memories. We know the time after dusk and revel in it.
I find myself going on interesting adventures after dark.
Mateuš Conrad Nov 2017
mensa in specul.
horror dignitas.
           fundo
conductus umbras.

— The End —