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Ryan P Kinney Dec 2015
by J.M. Romig, Ryan P. Kinney, Morgann Blackwood, and Aaron Kasunic

Here’s to vices and virtues
To living without apologies or regrets
To breaking in order to heal

This old bird no longer caged
She gets to look on the other side of the bars this time
He gets another stumble in the hallway
A headfirst dive into a bottle of pills

Purple sharks and goats
That glow in the dark
Banana dimpled belugas
Swimming wildly asunder

Then I met God
The most beautiful of all my conquests
I knew no one else would quite match up to her

Her hair in the porch light
Looked like the thunder god had an ******

Her face still cannot be manifest
This woman,
The most beautiful thing I’ve seen
She lingers in my conscious
And has a major role to play in what will be my swan song

If experience has taught me anything (an unlikely assumption)
It is that if a woman ever tells you
-Straight up-
That she is a *****
She is not lying

There are exceptions to that rule
As I myself am quite exceptional
Ryan P Kinney Dec 2015
My Life is a Scratched CD (OR Blue Collar Lament- The Little Napper Remix)
Lines taken from poems by JM Romig (Ursa Somniculosa/CD Skipping Down Route 11) and Ryan Kinney (Blue Collar Lament)

It's long drive on this highway
The window creeks
- its jagged way down
I breathe in the new air for the first time in months
the CD starts skip-skip words
Hopping over - lines
Reminding me
Of finite fuel
repeat-
finite time
With work looming just hours away
repeat-
Death, just decades away

I spend most of my week
in the back of the factory
where I sell my free time
on repeat
in a semi-conscience trance
watching multi-million dollar machines work

repeat

in the back of the factory
where I sell my free time
is a constellation of dirt, chipped paint
and cobwebs
forming the shape
of a bear
lounging in a hammock

skip

They are more alive than I am.
Monday at 3 PM I click off my brain,
switch on automatic,
repeat
automatic
skip
- the countdown:-T-minus 40 hours.
Each minute that ticks by
in the dull monotony slowly steals my sanity,
bit by bit

Each minute closer to Friday
slower and slower,
until on Friday they seem to tick
backwards--

skip

I have coworkers
who insist that it's a monkey,
trapped in a net

Each day blurs into the other
making them indistinguishable.
Repeat-
My finite time
Monday,
the entirety of the previous week
on repeat-
T-minus 40 hours.

skip

they are wrong.
It's clearly a bear

In the back of the factory
where I sell my free time
repeat-
Death - just decades away.
The dictator they put in charge of the asylum
barks out commands on cue,
just to remind everyone that they own you.

skip

The desperation for dollars
are the shackles that keep me here.

I often welcome sleepwalking:
I think of Emerson
On repeat-
Skip-
I think I feel like his transparent eyeball
repeat-
His eyeball-
I begin to understand
I begin to feel like I'm one with everything
skip-
everyone is love
repeat
love
every-Everyone is me
and you
skip-skip
-the impending coma

In the few instances the machines malfunction
I curse being awakened.
At least as a zombie, I don't feel
my mind rotting
repeat

the rotting constellation of dirt,
chipped paint and cobwebs:
Ursa Somniculosa
No matter where I am on the floor,
I can see him hanging there in his hammock

on the weekends I love life.
I shed the identity the uniform has forced upon me
and my true self emerges--
repeat
my finite fuel

In the back of the factory
where I sell my free time
repeat
the desperation for dollars
I truly only live two days a week
repeat
my finite time
I'm dying the other five

skip-skip

I think of Ursa Somniculosa -
In the back of the factory
where I sell my free time
enjoying his perpetual vacation
maybe sipping on a nice tall beer
soaking up the sun -

NOT being a trapped monkey
like all of us down here
on repeat
Poem was assembled by J.M. Romig
Ryan P Kinney Jul 2018
by Ryan P. Kinney
Assembled from works by J.M. Romig and Chuck Joy

I glance out of my driver’s side window
and see a boy
trudging miserably down an expanse of windswept prairie
big sky, maybe one persistent contrail up there
establishing the general era, airplanes fly
People, still, do not

a road crosses this windswept prairie
a dirt path really with twin ruts
a boy came walking up that road many years ago
homesick from summer camp
he couldn’t be without his mother

If time is fluid, like the oceans
then maybe I’m glancing over as a wave breaks
I couldn’t tell you how many times
I made that journey on foot
my heels throbbing, my legs begging to be broken
my hitchhiker’s thumb, had given up all hope at that point

Later a teenager passed in the other direction
his essence radiating awkwardness
this long haired kid,
just turned thirteen
wore hand me down boots that are too big for his feet,
ripped jeans, and a bookbag slung across his shoulder
in the dying days of July
whispering under his breath
maybe reciting poetry
or telling himself a story
running fast, he couldn’t wait for his bright future

I think about giving him a ride
to wherever I may be going
where more drive than ride
some have stopped driving, for various reasons
some lose the ability to drive before they pass

but then I remember all the lessons I’ve learned
from time-travel movies
the one universal rule being not to meddle with the past
something about a butterfly’s wings flapping in Beijing
and a tsunami in New Orleans
so, instead I honk my horn
and the traffic light turns green

I watch the boy,
who might have been in some distant past,
look on with curious anger as the car passes
for a moment
then returns to the story already in progress

not much traffic on this path anymore
but yesterday a guy came by riding a Segway
said he was on the way to visit his mother’s grave
said she died a pioneer to this lonely country

he grows tinier and tinier
in my rear view mirror
no longer even special
here in the middle of nowhere
until he is yesterday again
Ryan P Kinney Feb 2015
Jigsaw
by J.M. Romig, Amanda Whitlock, and Ryan P. Kinney

The first time I watched a man die
It wasn’t a man anymore, they told me
Just like my mother wasn’t my mother anymore

I will never forget the wrong answer
And the empty hours
When the minute       hand was always longer

I often welcome sleepwalking through most of the week
In the few instances the machines malfunction
I curse being awakened

I don’t see how anyone
Can smoke at a time like this
When the air is so heavy
It’s like breathing cement

I’m in stressed and panicked misery
And I’m vomiting
Lots and lots of                              stuff
That stretches vast
And expands to eat up everything

The guilt of my sin
The heft of your innocence
Weighs heavily on my soul
As i drag you down with me

Her lit cigarette burns
So brightly from the porch
Against the darkness
It reminds me of a lighthouse
Or a bug zapper

And what is that moth doing there anyways?
People are trying to sleep
www.youtube.com/watch?v=S2Zvg9-fnw0

This was part of a project called Jigsaw, where several poets deconstructed pieces of their various works and recombined them into another work. Below is the description for the project. If you wish to participate, please message me or leave a comment.

Jigsaw involves taking pieces of several writer's poems and arranging and working them into a new piece. Patchwork is a similar concept where each writer in a group come up with one stanza (of varying themes) and the whole group works the piece together. Jigsaw is pre-existing content recreated into a new piece and Patchwork is original content. Both projects involve a whole group of writers working a new piece together.
Ryan P Kinney Jan 2020
The first Holy Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Lennart Lundh, Barbara Marie Minney, and Gabriella Ercolani

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“This is the original Church of the world's scraps.
The body of the body of the body.
Burning in the sun.
‘Me and my son were born in the sun,’ They say.
He is willing to do it.”
The Man says, in a soothing voice.

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

Background chatter already fills the room with low whispers before the performance-service,
“I am happy to hear that you are safe”.
“I am not sure that you are”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Mama Evil steps forward to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, disputed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason.’”
“As the recovering Catholic Kevin Smith wrote, ‘It’s not important which faith you are, just that you have faith.’”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”
“Do you see the animal’s asking questions? Wondering who they are. They simply know that they are.
There are no fish in Purgatory. Only us.
The Garden of Eden is colonized by serpents
There was no place for the demons to go, but further in.”

A Hindu Yoga instructor rights himself from walking on his hands and decides to take the first initiative, “Puff the Magic Dragon says, ‘Jesus loves me, but I need to talk to a human.’”
A furry cosplayer responds, "I need to talk to a human."

A Wiccan Princess retorts, "Nature is not as inventive as she thinks she is; Neither is God"

The Man answers,
“We are a beautiful blasphemy to God’s word (because we question).”

“Heavy is the crown that wears the head,” says the child prince.

The Drag King quotes, “Psalms (chap.):13
You will tread on the lion and the cobra.
You will trample on the great lion and the serpent.”

"...And God teaches the cricket how to play his music," says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.

A gym rat, wearing a holey muscle shirt, extends arm to point as he says,
“Humans begin as *******.”

“Humans are also stardust.
Which means we are golden,” replies the scientist

“I will show you fear in a handful of dust,” says the derelict businessman hobo hero,
“God made mud in his own image and we are the leftover **** that rose out of it.
And if all life is really God’s sacred mud, then every **** storm is God’s Wrath.”

The Man quotes T.S. Eliot,
“What are the roots that clutch. What branches grow out of this stony *******. Son of man, you cannot say or guess, for you know only a heap of broken images.”

"The grapes of wrath transmuted into the harvest of imagination,” illustrates the painter

The automaton states, “**** the earth, to make a certain sense of it all.”

The Man attempts to regain control,
“Some future digger after truth,
alien or human, kneeling with
trowel and brush at this grave,
will note in clear, careful script
the wonder that a people would
be so deliberate with the smallest
of their gods' creatures,
and so careless of themselves.”

A soccer Mom asks,
“They say I shouldn’t be so tired.
They say I should get a job.
They say I should get off this couch.
They say I shouldn’t be a blob.”

“It takes but one step to enter the grave,” says The Man.
“So much can be lost in crossing that threshold. How did your grandparents, born in separate countries, meet? Did your mother kiss your father first, or vice versa? These are questions we don't think to pose, but without the asking or other evidence, Death will redact the list of begettings. Are you prepared for that void in memory? Or have you made notes for your children to leave theirs?”

"My Dad keeps their honeymoon receipts in the family Bible,” says the Unknown.
“After Mom moved on, he would take the Bible off the shelf every evening after supper.  He would first stare at it for what seemed forever while pouring himself a huge tumbler of bourbon and lighting a huge cigar that smelled like month old underwear.  Eventually, he would open the gold clasp and raise the deeply cracked leather cover of the Bible and first look at the family history written inside the front cover in the delicate and intricate handwriting of Mom, before pulling out the well worn honeymoon receipts, which he would shuffle through like a deck of cards before spreading them out on the worn and scratched kitchen table like a kind of dead man’s hand.  Sometimes, he would weep quietly.  Other times, he would pound his fists violently on the table shaking the cans of beans and potatoes on the shelves above.  That is when I knew it was time to make myself scarce.  He never ever opened the Bible any further than the front cover, which made me wonder about the nature of the book itself.  I always pondered the same questions over and over.”  
“Is Bible a filthy word? Is it the animal? The Man, The Woman? Should we burn the book?”
“Is the Word filthy?”, asks The Man, “What are the filthy words? What are the power of Words mired in ****? Who do these words define? Who are you?”

Mama Evil commands a presence,
“****? ****? ****? *****? Broad? *****? Are these the words you use to define me? When that which defines me is the holy chalice, life's catalyst, mia figa, my ****: stand us all on our heads and we all look the same. Regardless of our skin color, or the shape of the bones in our face or the skin around our eyes or the texture of our hair, those folds of flesh, that tunnel to the precipice of the universe, that little happy happy joy joy button, these are what we all have in common and what the whole world simultaneously wants and reviles. It has that much power. A lexical reclamation is taking place. One that will lift up the collective feminine spirit instead of dragging it down to the depths of all pejoratives. ****! The taking back of all pejoratives is an essential part of the reclamation of the collective self-esteem of woman kind! She is a Hindu Goddess! She is the Roman Goddess who is the protector or newborn infants. She is cunctipotent. She is all powerful and creates and destroys the world with her blood sugar **** magic. She is the princess and savior of the Mahabharata, renowned for her hospitality, who willingly receives any traveler who requests food and lodging. She is that benevolent. Durvasas bestows upon her a powerful mantra as payment for that hospitality and with it, Princess Kunti has the power to call on any God in heaven to lie with her and she will bear a son then by the next day. When her husband is rendered sterile as punishment for shooting the Stag King as he mated with his queen, Princess Kunti bears three heirs for the kingdom. She saves the kingdom. She saves the day. She is **** magic at its finest hour and she dwells in all of us who have ever been slandered. So go on, you ignorant *******. Call me a ****. Only you in your infinite small stupidity are skint the knowledge that you have just called me a princess and a savior.”

A comic nerd asks, “What of Power? What is power?”

Mama Evil holds up a single flame, spewing from a cheap blue lighter in her hand. She asks, “What is the power of The Word.” Is it in the book? Or in the air.”

She answers, “The power to choose. Do I set the world on fire, or put out
the flames?”

The room goes dark as she abruptly steals The Man’s usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Dec 2015
Somebody Take Me
by Ryan P. Kinney and J.M. Romig

You shook me up
And poured out my mind
Cooked me ‘til I crystallized
Crushed me up and smoked me

You got high on my experiences
Took my stories into your body
You loved it

Then the bad trip came crashing in
The heartbreaks, the beatings,
The suicidal thoughts
I made you paranoid, cynical, and distrusting
Every loss peppered with a smile
Each warm, glowing moment
Tainted with the debauchery of the act

You’ll pay for all this in rehab
Blood and tears diluted with stale coffee and ****** cigarettes
(They all taste the same)

Go ahead, Detoxify.
Spit me out
No matter how you try to purge
You’ll never be rid of this poison
hellopoetry.com/jm-romig-1/
Ryan P Kinney Dec 2015
by Ryan P. Kinney and J.M. Romig

I am shards and reflections
Machinations and reactions
I am translucent pieces and parts
Assembled and disheveled

Spitting.
Clicking
Fingertips stumbling ever so awkwardly
Across the keyboard
Slightly stale leftover love
Making memories
Drift in...

My conscious lacks a separation between the human and the inert
Most sociopaths have a certain charm
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Dr. Benjamin Anthony, and Ayla Atash

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“Come in and be amongst our broken people (pieces).
Mingle with our shards.
See which cut is the deepest”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You are a good worker.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The woman swarm, Mama Evil, pushes her way to the front to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”
The Man explains,
“We are a beautiful blasphemy to God’s word because we question.”

Let me start with a parable,
“Once upon a time…
There lived a shy little boy and a chatty little girl. Though the two lived really close they never knew each other. That was until one day, the girl entered high school. They met for the first time on the school bus. The boy eavesdropped on her and for the first time spoke to her. Although she was especially irritated, the boy responded. It was with those words that a lifelong love blossomed…
‘You love me, you just don’t know it yet.’

Through the many trials and errors of high school life they grew together. And so, They lived happily ever after.”
“…Except, she didn’t. In this reality, she ran off with a rich older man while taking care of his dying wife, 5 years after those high school sweethearts were married.”
Years later, he would lament,
“It started with a broken heart. Through the crack seeped liquid fire. It engulfed me, burning away all that I was. The flames shall purify me. Boil me down to my base components, and then rebuild me. From the ashes will rise a new entity.
Who am I?”

“What can we learn from this,” asks the Man.

The first interrupter states matter-of-factly, “You are fire. You are love.”
A tie-dyed burnout rants, “Love is fire, Man. It burns. But it also warms and protects… Praise Allah.”
“Amen.”
“Bless you my son.”
“Hail Satan.”

“The last time I hear my heart…” says the bookish-looking woman sitting in the corner, trailing off as she adjusts her literal Coke bottle frames.
Now with ignition to her words, she quotes, “The last time I hear my heart was like a galactic ******. The ****** that made you and touches everything you made. Faith is attempting to live as though we are loved.”

A Drag King high fives her and says, “I liked the galactic ******.”

A torn up, steel-studded, leather clad punk continues, “Promise me you will live…
For nothing…
But the next moment.
No forgiveness, no damnation, only the match I strike on the heel of my boot.”

And then the automaton asks, “What of the devil: the original corruptor, the source of all evil?”

A gym rat, wearing a holey muscle shirt, extends an arm to point as he half sings, “The devil is a wicked man and wears a suit and tie. The devil checked in at noon and asked us, ‘What is the sleep of reason?’ You woke the devil I thought you left behind.”

“The Devil is due; the Devils do,” coos his boyfriend, the semanticist-*******.

The Man answers, “Is not the source of evil the same as the source of creation. Is it not evil to be so selfish as to create, with no concern for how creation will change everything.”

The Wiccan Princess retorts,
“Creation can be bought and sold.
Motherhood is a commodity.
Venus is for sale.
The nativity is shrouded in black.

We've streamlined your desire.
She was only offering an apple anyways.
And filled in that hole in her heart.

Here, we give her to you totally domesticated.
This one is costly, but so worth it.

You never will be worth it.
Earn enough
Be enough

Taste the salt of her tears on your tongue;
the salt of the earth.
She refuses to wear this crown of thorns.

In the eyes of your maker.
You should be ashamed.
To look your Maker in the eyes.”

Mama Evil attempts to chill her blaze, “Dear, the Anger is caged. It is the custom to call children who go to war, men…children of war die like men.”

Their daughter, the littlest girl in the world, coughed. A runny nose explained it, she had the sniffles. Nothing to worry about normally, but here, now? Right now the end of the world was in front of her. Flying saucers were floating down to slaughter the entire world with burning laser jelly. She coughed and picked up a remote with a wheel shaped dial.
“i drank too much pop and i gotta ***.” She said to no one in particular.
She turned the wheel shaped dial and a chorus of voices sounded. The chorus formed itself into an immense wall of sound made of bureaucrats, lawyers and politicians from another dimension. The littlest girl in the world kept turning the dial and saw the bureaucrats wash over the saucers, sending them back into space. The earth was safe, the littlest girl in the world smiled in relief.
And coughed.  

“It seems where demons fail and monsters falter, angels may prevail,” her mothers laughed.

Still incinerated, a goddess queen shouts, “We are the granddaughters of the witches you failed to burn.”

The crowd jostles and pulses like a living being. They are moved by the words they have heard. A chatter rises from them, much like the midnight sounds of the forest. "Who does she think she is?" "She said it. She sure said it." "I'm going to tell Moira all about it." An old woman near the back takes a swig from a bottle of wine she carries under her coat before passing it to a young woman in front of her.
"From fire, new life is born, too," she smiles, a crooked twist of the lips.

Rendered speechless and impotent, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Jan 2016
by Ryan P. Kinney

Assembled from works by J.M. Romig and Ryan P. Kinney

Once you log into The Network, you can't log off.
Once you're plugged in, you can't opt out.
That's the way things are.
Your life becomes your Channel.
Your world becomes your Show.
Have you seen the latest episode of Walking Dead or Breaking Bad?
Have you looked in the mirror?
Reality shows?
Who’s reality?

We live in the information age
Full disclosure is no longer optional
We are sharing information.
We are contributing to the death of the self.
Or are we finally mastering intelligence?
We know how to play the system
how to get followers,
when to drop a hashtag,
when to upsell a sponsor,
We are social creatures
And social control is how you keep the pigs in their pen
Until it’s time to offer us up as sacrifice at the altar of decadence
The Rich are locked up
in their floating wi-fi enabled panic rooms,
High above all of the pollution.
Living vicariously through the shows
broadcast by The Network.
Sell me another artificially derived addiction
Masquerading as sustenance
Tell me how much I need it
Need you
Preach it with the fear of the unorthodox on Fox News

Meanwhile on the ground,
people are caricatures of themselves -
the byproduct of generations
of narcissism as survival mechanism.
Nostalgia, and criticism
as a means to pay the bills.
Unless you choose to never log in.
Choose to ignore the cameras
following everyone everywhere
You can always get a real job -
If you can find one.
Most people don't.
It's the new economy.
In exchange for our data, and privacy,
we get ad-revenue and a chance at stardom.
We willingly give them our intelligence
Our spirit
For another video game
Another TV show
That promises a better reality
See it all in HD
While we dubstep to our doom
Up Jacob’s Ladder
Built out of the 15 minute prophets

We’ve traded a heartbeat for an electronic pulse.
Blips and bleeps in an imagined humanity.
Forgetting that living means leaving the house.
When the feed is quiet -
we take the occasional moment
to breathe – cough -
and look up to where all the stars used to be.

Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Jan 2016
by Dawn Richardson and Tiffany Ann Boyd

Assembled from works by J.M. Romig, Sheena Zilla, and Ryan P. Kinney

My first memory is of dying.
I felt like I’d lived a full life
And now I was gladly fading away.
My first last words were
“Tell Elizabeth I love her”
I don’t remember knowing Elizabeth.
I love her though, or at least I did in that moment.

“These aren’t sad tears I’m crying, I’m just cutting onions my dear.”
It makes me want to rip off my flesh and run down the street as bare muscle and bone screaming ****** ******.
It will get better once I leave this purgatory waiting room of stress and self-loathing, but until then my outlook is a bit glum.

I am terrified
Before me is a discolored, screaming, clawing, misshapen alien creature
My son takes his first breathes of real air
We are all exhausted
His mother looks at me with a look that practically screams,
“We did it.”
I plead, “But we’re not done doing it yet…
Are we?”
His gurgles turn into cries
And I know…

For some reason, couldn’t tell you why, I thought about Frankenstein’s Monster.

Some parts are really fuzzy,
I hold it close to me- the fuzzy parts against my skin.
It’s a quilt blanket, stitched together of pieces and parts of found cloth.
My father made it for me.
My very last birthday gift.
I cocoon myself in it like a womb.

I hated him for what he’d done, but I hated myself more for missing him.
I have to fight everyday to be a better person in spite of what I was exposed to.

Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Jan 2016
by Ryan P. Kinney and Dawn Richardson

Created from prompts by J.M. Romig, Dawn Richardson, and Ryan P. Kinney

She loves him like a fire,
Enveloping, holding, and caressing the wood,
While slowly consuming every part of him

Shaking off clothes like the leaves in autumn
Their bodies exposed,
Changing from a wan pallor
To a flushed crimson hue

Their bodies burn,
Breathe drifts like smoke into the skyline
The mountains **** their horizons

The dragon flies and dragonflies in the dusking night
The snow blanketed world deadens the sound of his beating heart
Her tide slowly recedes into him
The delicate wax of his heart melts under her fury
She swallows his cries

Babies sleep soundly


Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Dec 2015
Patchwork Dreams
by Aaron Kasunic, Amanda Whitlock, Morgann Blackwood, J.M. Romig, Ryan P. Kinney, and Valentine Berlin

The block is killing me
A million thoughts stopped by a lacking syllable
The start
Could it be? Should it be?
I’ll fill the silence with doubt
Waiting for the right sound
While the deadline looms...

These dreamers in my mind have stopped dancing,
Tired of waiting for the music:

Paint splashes grayscale
Patches together in swatches
Blending to erase the boundaries
I never follow anyway
It’s been years since
My guidelines were straight
Enough to stay inside
Yet it’s where
I prefer to be

I’ve been poor, so poor
That harvesting cigarette butts to squeeze the tobacco out
Was the only way to smoke
So poor that i had to carve a pipe out of a carrot
To smoke that tobacco
Yes, I’ve been poor
Poverty is a misery, but I’m crafty
So-so living, those problems
Making do is how I survive
Yes, I’ve been poor
And I carry the scars to prove it

Loop. Swoop. Pull.
Nope.
Loop. Swoop. Pull
Still no.
Mom’s getting fed up
I’m sorry.
I just can’t do it.

I race through the shop door
The natural light stings my wet eyes
And the chill stops me for an instant
My mother screams behind me,
“Get the **** out of here.”
I am sobbing, finding it difficult to breathe
As I choke down mucus and blood
My lip is already starting to swell
Tomorrow, she will try to bribe my forgiveness with some useless object
Another ******* worthless sentiment
From a parent who never stopped being a child

So soggy... everything...
The grass, the hay, the sky
And my crotch- presently soaked in blood.
Two periods in one month!!
YAY for me.
Soggy... everything.

Jesus died
Because I am a sinner
I’m on my knees
For the fifth time this week
Trying to find my salvation
On this bathroom floor
Penetrated by the needle
Full of bubbling holy light

I’m drunk and so ****** out right now
There is no God
If there was
He would have saved me
Or atleast given me a bigger ****

Before the arthritis set in,
I could grab a ****,
They called them “handys” back then,
And I was very accomplished.
My grip was magical
And Old Faithful would quietly make a show.

I’m as dead as America in the Fall
The dead-eyed liberal zombies are coming
To knock down the walls of my panic room
Picketing my rights
If they had half a brain
They’d put down those signs
And pick up a gun

It’s already past 11.
The kids are long since asleep
I quietly stick the key in the lock
And try to open the door without the usual creak
I drop my briefcase in the hall
As though the full weight of 70 hour work weeks were stored within
I loosen my tie and walk to the fireplace
There I spot the kids, dead to the world on the couch
“Waiting for Santa”
He’s finally here!
As I bend to slide another present under the tree

Memory corrupted
Trying to recover
Installing... Installing
Installing the good data. Recover the bright.
Installing... Installing
Deleting viruses. Replace corrupted data.
Installing... Installing
Waiting for completion
In-
Stalling...
Ready to carry on
In
Stalling....
www.youtube.com/watch?v=v0y5nAQA83Q
Ryan P Kinney Jan 2016
By Brittainy Kasunic
Assembled from works by Sheena Zilla and J.M. Romig

I left you
scrambled on the wall
naked for all to see

Even in this rare moment of content
He feels a wave of manic energy
On the horizon
Rushing toward him like a bullet train
And his muscles tense
In anticipation

“Good girl”
Shadow dropped the bone at my feet.
I picked it up and tossed it back into the endless grass
As it spun like boomerang in the air –

These relics, tokens of breath taken,
Remind me to keep in mind the person I will become.


Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Dec 2015
by Aaron Kasunic, Ryan P. Kinney, and J.M. Romig

How can I explain the error you make?
When you stand so vigilantly waiting to lunge into the abyss?
This pit full of fire and blood, it calls to you
Doesn’t it?

I have pointed the finger
Only to turn it on myself
I have held grudges and forgiven
I have trusted and misguided
I have been Judas and Jesus

I was immortal once
Believe me, you,
I was invincible

If this horrifies you,
Then you are right
It horrifies me too

We walk on moon rocks
In the weightless ways of childhood
Straining our legs and lungs
Suppressing the rebirth of the sun

We will be naked and bare
Ugly and beautiful
Out of control
And into the light
Ryan P Kinney Oct 2019
Lords Temple Basement Men
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, John A. Kinney Jr., and Psalms (chap.):13
Added original content by Ryan P. Kinney, Eli Williams, and Kadie Good

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

"God not only loves a sinner, he prefers them.”
“Come to my parish. Sinners only”
“The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken.”
“The Covenant of the Sacred Heart.”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. Some newbie looks nervously into the stairwell.
From the rear, a maternal voice coos,
“You will be used to the treatments.
Don't worry about it.”
They come to a dingy dirt gravel floor and spread out; filling the space like gas expanding into a cylinder.

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

The maternal voice steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The Word is critiqued, modified, discussed, and changes between its members at each meeting. At any time for no reason, people can interrupt The Man to deny, confirm, suggest, or challenge his statements. The group then decides on the next bit of gospel to be made up on the spot or if what has already been said is still the current phase of perspective. There is no central thought or plan, just a plan for thoughts. We, people, call this Faith. Our membership makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. Dual Spirituality is a possibility. In fact, it is encouraged. Multiple realities are possible. Poly-spirituality is acceptable. The only interconnecting philosophy among us is, ‘Anything is possible at any time for any reason’.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

The Man explains,
“The whole point of The Word is to make up new ones. To defy God’s Word by creating ourselves.”

The first interrupter asks, “How do you say No to God.”

The Man answers,
“You don’t like The Question. You are The Question.
We are relearning how to get lost, hoping to return to the birth of The Word.
Worship yourself and serve only humanity.
No one made you.
You created yourself.
It’s all the same story. The Story of I.”

“We are a beautiful blasphemy to God’s word (because we question).”

“How do you say No?
You don’t.
By understanding there is no such thing as,
No, I can’t. Only I won’t.
It was.
It is.”

A torn up, steel-studded, leather clad punk responds,
“we see others as they are
we see ourselves at every age
and all at once”

And the Man once again responds,
“All that we can think. All that we can imagine. All that we can write, paint, create, feel. All of this is real; somewhere. Depends on which universal perspective you are tuned to. Don’t like the current program playing. Change the channel.”

The professor sitting on the floor, shoeless, begins to riff,
“Yes, this is like that piece about imagination being the genesis of other worlds. About how imagination, all thought, is really tapping multiple frequencies from other universes. Our imaginative creations spawn, tap into, and play back all alternate universes in a non-linear time sense. Cause and effect are not in sequence. All that we think, all that we can come up with creates new worlds, but also accesses those already in effect and plays them. We create worlds that already existed by the time we come up with them in our imagination. They were already there and human minds are organic quantum analog receiving-broadcasting devices. We randomly switch channels with nonlinear frequency, simultaneously, and with varying signal strengths of each universe. We receive, but also feedback into a greater signal. So, we unknowingly create these universes, while also being fed from our own creations. Never, in order. We are the Father and the Son. Our own creators and creations. Our words are the genesis of all the other worlds, but also speak the gospel of the programs already in progress. All that we can imagine is as real as we can conjure.”

A black goddess queen asks, “Then, what do you call God?”

The Man retorts,
“You don't need his name, because you remember the man.
The idea of a memory of a man.
Perhaps the idea is better, stronger, more important than the man.
The idea of a man.
Sometimes, people are the absence of themselves.
And the absence of man is God.”

The semanticist-******* unzips its mask and chimes in, “When you name something you separate it and take ownership of it. We never name ourselves. So I ask you, what is your name? What do you own?”

A tie-dyed burnout rallies a battle cry protest chant,
“Who's the Boss?”
“You.”
“Who's God?”
“You.”
“Who are you?”
“I am (me).”

Another voice screams from the crowd, "I'm a monster, I admit it."

Like a rolling wave, the chatter once soft, “I’m a monster” becomes a chant. Faster and faster the adrenaline rises up, the voices rise up, thunderous shouting fills the room, threatening to burst through the walls and escape into the sky. No longer fearing what others might think they raise their fists and beat their chests, unleashing the monster they tried so hard to hide. Shrieks and guttural instinctual roars, animalistic crawling and seething anger, move through the crowd like a pack of wolves ripping apart a coyote.
The screaming voices spill out,
“God has left long ago and has taken no pity on the lonely wanderer.”
“We are not Abraham or Jesus. We are forgotten.”
“We are the forgotten demons pushed out of Heaven.”
“Or maybe we never belonged there in the first place.”

The maternal voice returns, feeling the scorch of the unrequited emotion, seeks to soothe, “Thus mollified she goes, harsh words forgiven, down highways in the dark by demons driven.”

The Man, the original instigator, adds more fuel to the fire,
“And what drive does she possess that we do not?  To seek out, to be blind to the trapping of the darkness within this corridor? We must look and see how we too can move past the shame and blame of others.  To move past the trappings of our own guilt.  To take within ourselves, our demons, true, but take and guide and build the new.  A new life that we can’t ignore, and when we fall, we feel the scorn.  We feel the bad faith and lies that keep us entangled in the want-to-be-with, the fear to be-without. But we also have a fear to be, to exist in the place of a true “self” and live out our dreams. Though time keeps happening, we remain stagnant, we remain in the place of an inauthentic being, a being-for, not a being-with.  We must seek to be-with.  To be-with our demons, our past, and our temptations toward the dark, toward the place in which the I becomes.  To be. To exist. In this.  That is the place where the divine can breathe.  Though we must remember to always embrace change, for everything is temporary, including our own pain.”

Having spent all his feeling and words carelessly and frivolously, The Man abruptly closes this meeting with the usual send off,
“The Word has evolved, my friends.”
Ryan P Kinney Dec 2015
by Aaron Kasunic, Ryan P. Kinney, and J.M. Romig

How can I explain the error you make?
When you stand so vigilantly waiting to lunge into the abyss?
This pit full of fire and blood, it calls to you
Doesn’t it?

I have pointed the finger
Only to turn it on myself
I have held grudges and forgiven
I have trusted and misguided
I have been Judas and Jesus

I was immortal once
Believe me, you,
I was invincible

If this horrifies you,
Then you are right
It horrifies me too

We walk on moon rocks
In the weightless ways of childhood
Straining our legs and lungs
Suppressing the rebirth of the sun

We will be naked and bare
Ugly and beautiful
Out of control
And into the light
Ryan P Kinney Dec 2015
by Aaron Kasunic, Ryan P. Kinney, and J.M. Romig

How can I explain the error you make?
When you stand so vigilantly waiting to lunge into the abyss?
This pit full of fire and blood, it calls to you
Doesn’t it?

I have pointed the finger
Only to turn it on myself
I have held grudges and forgiven
I have trusted and misguided
I have been Judas and Jesus

I was immortal once
Believe me, you,
I was invincible

If this horrifies you,
Then you are right
It horrifies me too

We walk on moon rocks
In the weightless ways of childhood
Straining our legs and lungs
Suppressing the rebirth of the sun

We will be naked and bare
Ugly and beautiful
Out of control
And into the light
Ryan P Kinney Jan 2016
by Ryan P. Kinney and J.M. Romig

The coy house thinks, “Should I let this man enter me?”
Although she pretends to resist at first
She soon relents,
The pressure giving way and her door granting passage

He pledges to give her hardwood floors
To put a swingset in her backyard
The finest dressings on her windows
Painting her face,
Decking her out
To show the world how much he loves her
Softly wooing, he promises her a family

She hopes this one will make good
As he begins his work,
She watches the swell in his young wife’s womb
And for a while, believes in life again

For the first time in years,
She breathes fresh air as they move in their boxes
The melding of their past and her future
An image so bright,
That she is almost blinded by the light
When one night,
The soon-to-be mother misses her first step

At the bottom of the stairs,
He finds his world in pieces
As the paramedics pack the body and cart it away
The door closes behind them
And the air grows stagnant

The only boxes he ever unpacks,
Contain spirits
To numb him from the haunting emptiness inside
The past becomes nothing, but a foot stool
Slowly crushed and deformed under his weight
Her rooms,
Built to house new memories, home cooked meals, and laughter
Now nothing, but
Stale beer, chips, and wasted life


Created from prompts at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney Jan 2020
The first Book of The Word
In Nonsense we Trust

Assembled from pre-existing works by John Burroughs, Ryan P. Kinney, Jack McGuane, Cee Williams, Don Lee, Susan Grimm, Joe Roarty, Russ Vidrick, Dianne Boresnik, Mitch James, Tanya Pilumeli, Julie Ursem Marchand, Vicki Acquah, Terry Provost, Adam Brodsky, Lennart Lundh, Raymond McNiece, Hannah Williams, MaxWell Shell, Tim Richards, Ayla Atash, RC (Bob Wilson), Chuck Joy, Katie Daley, Solomon Dixon, Mary Weems, Cat Russell, and Gordon Downie
Mostly taken as quotes during live poetry readings. Some stolen from other sources.
Additional content from predictive text by JM Romig, Linkin Park “Powerless,” “Saga of the Swamp Thing” vol. 1, T.S. Eliot, Amalgam Mythos, Kurt Vonnegut, Kevin Smith, and Psalms (chap.):13
Added original content by Ryan P. Kinney, Mitch James, Ellie St. Cyr, and Evan Spooner

“Lords Temple Basement Men,” it says on the door in a badly photocopied sign, replaced freshly each week. The original was built from torn up pieces of bootleg band vinyl stickers left plastered all over the windows of some teenager, surely passed into decaying adulthood long ago.

They gather in the bottom of an abandoned house in the heart of mostly warehouses. Something, someone long ago forgot to bull doze in the wake of morbid industrialization and the zeal to just get more men more jobs while giving them no life, no place to live. They built in their own obsolescence.

A Man stands outside; half catcalling, half showman barker; daring, tempting, bribing people to worship with him. In paint stained torn jeans, long shaggy hair with the bald spot landing pad directly in the center of his head, and shoes barely hanging together on his feet, he bellows out The Word. Somewhere between slam poetry performance and theology lesson, he entices and seduces people to enter. Here, they do not call him Father, or Brother, just person:  Man.  “Hey, Man,” is how they great him.

“But when your empty heart is weighed”
"What are you really worth?
These people call this Faith,
bring them to my table
the next bit of gospel
I wrote on a napkin”

People enter a crooked doorway. The Man pulls the peeling door behind them, scrapping the ground as he does so, and leads his flock down the concrete stairs to the basement. They come to a dingy dirt gravel floor and spread out.
The people in the room greet one another, then swarm around one woman,
“You will be used to the treatments.”
“I am not sure that you are.”
“You will be missed.”

The Man steps upon his usual milk crate to open the service. He intones the Capitalist Mantra,
“God Save the Queen
Long live the King
Hail to the Chief
The Lord of all Lies”

And the people chant, “I will not kiss you. I will not bow. I will not bow. I will not be moved.
I love the idea of what I have to be”

Princess Mommy steps up to explain their purpose here,
“This is a strange, mad religious service. Everything is out of place, nothing and no one seems to fit together. We all gather here, but no one seems to-gether. This is less a sermon and more a discussion where the gospel is debated. The (holy) Word is debated, discussed, dissected, compromised, altered, changed, shredded, reused, updated, recreated. It is burnt to cinders, then rises as a phoenix, built out of the broken pieces of all that was said before; what used to be true, but is now casually agreed to be fallacy. This Faith makes up a multitude. There are Baptists, Catholics, Jews, Muslims, Agnostics, Atheists, Satanists, Buddhists, Capitalists, hippies, goth kids, Starbuck’s sipping bloggers, just plain weird kids in the back working on their latest D&D campaign. We are just people. And he, is just a Man.”
“As the recovering Catholic Kevin Smith wrote, It’s not important which faith you are, just that you have faith.”

The People are ready to receive The Holy Spirit and his unique brand of performance poetry,

“In the beginning, there was only The Word, a word. And then more. Which were collected into a story; The Story. And from The Story came creation.
And then came the questions. And The Question was man. Who are we? What are we? Why? Who am I?”

“I am the mask wearing the man of eternity. In me, you see the face of history. A history we make up as we go.
The God of fallen leaves, leaves us... waiting for eternity to begin.
The Prophet Vonnegut says, ‘The question echoes back through time and disappears.
History. Read it and weep.
Tonight is a verb.”

From the crowd come the First voice, reading from his screenplay, "I was the table of contents, a footnote... running away from the beginning of the book. Perhaps no one knew we were living happily ever after until the book was over."

The Mallrat replies,
“Of all the words of Mice and Men the saddest words are ‘It Might’ve been.’
No need to despair
It was
It has
Somewhere else
Your soul is saved
All that Might’ve has already happened. ‘

“We are charming little liars,” retorts The Man, “We are a beautiful blasphemy to God’s word.”

The comic nerd slowly whispers, “All is truth, but every man is a liar. Sell me another artificially-derived slow suicide.”

A scientist cleans his glasses as he recites, “A world full of smoke and mirror nonsense -
It’s a religion of smoke and mirror nonsense
Only The Word is true and we make it up as we go.
In Nonsense is strength”

“So it is spoken, so it is true,” The Man energetically agrees.

An alien voice asks choppily, “Touch me
if you want to
believe in me
and the nothing I know”

“Sing the praises of the Holy Unknowing,” croons The Man, “We know nothing, therefore, we know all.”

And then, he drops into a haiku,


A bi-gender beauty asks no one (for permission), “Let me sling a little freestyle verse,

I'm steeple chased because some animal church wants to make me foxtrot in tempo with the braying boy
Pinnochio wants to make me hog its slops like Pigpen McSomething grateful and dead.
A fountain of youthful talent chemically imbalanced.
...with a grey skull full of He-man."

"Look at him!" they say.
"Give him a gun!" says another.
"A bomb!" a third spurts.
"Shows us your trigger finger!" they yell.

"My little boy," Princess Mommy whispers below the rush of gruff voices, her words staccato.

They answer her, "So I CAN taste the infernal darkness,” as the crowd falls silent

Princess Mommy chides them, “We know there is a sweetness in that which we cannot see. We know there is danger in that which we cannot hear.
Our bodies shake, our minds quake in anticipation of his words. It is almost time.”

The Man speaks again.
"Surely it is known, my brethren, that we are the Third Coming, the Breaking of the Seventh Seal that will signal the end of our oppressors. When we emerge victorious from the fires of battle, there will be no value left in the binary. No twos, only two or more. The Old Ways shall perish. We will shake off the chains, pull out the nails from our hands and feet, and the world which rejected us will rise anew under our leadership. Surely, it is known. Surely, it has been spoken. Jesus themself is at our back, and therefore we shall not fail."

“What a wealthy country, but no one’s coming to pay my bail,” sings the rainbow man, “They’re bragging they own my soul.”

"I don't want to bother anyone with my prayers,” prays the bi-gender person, secretly proud of leading the riot.

Sensing it is time to take to the streets, The Man closes the meeting with the same send off,
“The Word has evolved, my friends.”
Ryan P Kinney Jan 2016
By Aaron Kasunic

Assembled from works by Ryan P. Kinney, J.M. Romig, and Sheena Zilla

I am in her arms
Having been told, “No”
And resigned to rejection so many times
So many times I told myself that this would never happen
As my lips touch hers
I laugh inside my head
“Is this really happening?”
This is really happening.

I called you art,
poetry,
even…honesty.

I hold my breathe
I can see him through the window
As I have seen him through the electronic window of my TV for years
As I get closer this feel less and less real
This is my hero
My God

She broke my heart.
I was a business tycoon,
A man of great wealth
I could have anyone I wanted,
but not her.
She didn’t know what she wanted. She needed guidance.
So I found her, and we both got what we really wanted.
I always get what I want…
…I don’t like this memory.

I won’t say the word regret,
because I don’t
I won’t say the word sorry
because I’m not.

I will say that with age comes perspective
and with perspective
comes introspection and –

The well of my youth is no longer a place I can drink from.

The destruction of the self is intolerable,
Everyone tells me
To destroy myself is acceptable,
Little round pills


Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney May 2019
Dancing Without Invitation
Assembled by Rick O’Donnell, Eli Williams, Josh Romig, Danielle Romig, Kevin F. Smith, Casey Kizior
From works by Lennart Lundh, Gabriella Ercolani, Mark Fleming, Ryan P. Kinney

It’s lurking, not surprisingly, out of sight,
and even a quick turn of the head won’t suffice
to bring it from the darkness into focus

This is how we lived:
Dancing without invitation
at a local food store grand opening.
It’s what we felt like.

I woke in the shower singing morning
You were disarrayed Again
from our evening love making
when I went to join you

Grant in me the chance
to brighten an otherwise monochromatic galaxy
by recreating your beauty in another

I write to the woman
whose curiosity is
a blooming flower
sugar
magnolia wrapped in
Ivory ribs,
that dances sporadic
with her splendid panting laughter

-------------------------------------------------------­---------
I think,
There I am Ryan.
I am better than anyone I have ever known.
As the clouds begin to part in my mighty presence,
I can see the only one I have ever truly known
Is myself…

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
Assembled by Danielle Romig
From works by Vicki Acquah, Mark Antony Rossi, Ryan P. Kinney, Dr. Benjamin D. Anthony, Gabriella Ercolani, Sheena Zilla, JM Romig

Splash, Splash I was taking a bath during global warming;
How many times has rain ruined my day
There enough pain to make the whole world shed tears.
I’m still plodding on
One foot in front of the other
Cracks are wide open; slipping through them is easy
Hear the sound of fighting to the south and the west
We all stuck here waiting to be casualties

As you wipe the days work from your forehead.
In the empty spaces
everything fades to black.
If time is fluid, like the oceans
Then maybe I’m glancing over as a wave breaks
I know that you may not see it now, but time really will heal these wounds.

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
by Kevin F. Smith, Casey Kizior, JM Romig, Danielle Romig, Rick O’Donnell

How did we let this happen?
A new era begins
For the worse
I will not be silent

We thought for sure the end was near-
I held you close, our hearts racing in sync
the alarms screamed in our ears
that we were on extinction’s brink
and then our phones all bleeped and screeched

All of a sudden, the ground is on fire
It started so harmless, so small, so contained
Now flames eat everything, from the center out
The fire crumples leaves into smoke, cracks twigs, dissolves whole trees into ash
Spreading, expanding, destroying
When will it stop?
When it is all consumed.
Is this a dream?
Please let it be a dream.

The deck falls out from under my feet at an angle of 15 degrees by the bow
My shipmate asleep in berthing remain undisturbed
The light from the stairway casts my shadow
My stomach knows the hydraulics to the planes of the submarine have failed.
The planesman has 3 seconds to switch to manual
Before the sub will slip to the bottom
My heart counts the second for me
The deck rises to a zero bubble
An even plane
I climb the stairs
It’s my watch to drive the boat

False Alarm- we unclench our teeth
And took a breath – and weep
For we knew not what else to do

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney Jul 2018
Assembled and Edited by Ryan P. Kinney
From works by JM Romig and Lennart Lundh

The photographs
They lie
in a folder in a drawer
in a second-hand store.
They are a collage of poorly taken polaroids
All assembled before the Manor Woods formal,
Disheveled,
but for her hand on his arm
and her sister's slight separation
from man and wife.

She is the stranger in the waiting room
with fingers knotted in prayer
or tedium -
held together by masking tape and pushpins
on a well-loved corkboard

The husband
He is a fragile scarecrow
filled with crumpled up first drafts
of love notes
kicked through cobwebs that linger
in the long forgotten corners
of old classrooms.

He abuses his wife in the marriage bed,
her willing sister in the woods,
needing one for the power she gives,
wanting the other for what he takes,
longing to be set on fire.

The wife
She needs her husband to feed
the sense of self he's changed in her.
Ignorant, she wants her sister
for comfort when crying's done,

She is an island of kindling -
bits and pieces
of broken bottles, crumpled-up newspaper
and other things tossed out
into the ocean
forced to swim, wet
and freezing, forever gathering,
to form a huddled mass of leftovers

The sister
She is a tightly sealed mason jar
full of captive fireflies,
pillbugs, caterpillars and moss
and not enough air holes in the lid.

Without, she thinks, need,
she only wants her lover
and sister to be gone,
the family, hers alone.

The questions

I fear these things will die inside of me

and the child,
too, is a mason jar
Full of brightly colored
off-brand jellybeans
with a thick black question mark
painted on its face.

When all are found objects
to be used for reasons we hold alone,
what are the forms of ******,
and who is killing whom?
Ryan P Kinney Oct 2019
I used to play hide and seek
with the truth
Seven knocks up front
The hidden man from the back.
now I’m just waiting to die
like everyone else
I hear the bad voice
My nerves take another hit
she moved my waters
and I took her virginity.
Ours was a love of necessity.
So please plug my ears
I didn’t live like she wants
Here’s to vices and virtues,
To living without apologies or regrets,
I can’t say goodbye
But his knife beckons me to
And somewhere in Arizona
in a box she never opened
is the rest of him.



Original content by Mar Del Sol
eggmanequine@gmail.com
Additional content assembled from works by J.M. Romig
Ryan P Kinney May 2019
Assembled by Ryan P. Kinney
From quotes taken from works at poetry readings by Bronte Billings, Josh Romig, Micheal Billings, Jack McGuane, Elise Panehal, Rosemarie Iwasa, Adam Brodsky
Additional original content by Ryan P. Kinney

Being broken makes the girl do something good
She loves the challenge of impossible tasks
Detachment comes easier to a drunk
The lostness of the found, the blindness of the seeing, the spirituality of the atheist, the silence of the spoken
She doesn't matter
Nothing she creates matters
Nothing matters
The nothing is electric…
You are caterpillar now
One day you will be a beautiful butterfly
Her stark lines are completely naked now
Humans are also stardust
Which means we are golden
Ryan P Kinney May 2019
by Dawn Richardson and Tiffany Ann Boyd

Assembled from works by J.M. Romig, Sheena Zilla, and Ryan P. Kinney

My first memory is of dying.
I felt like I’d lived a full life
And now I was gladly fading away.
My first last words were
“Tell Elizabeth I love her”
I don’t remember knowing Elizabeth.
I love her though, or at least I did in that moment.

“These aren’t sad tears I’m crying, I’m just cutting onions my dear.”
It makes me want to rip off my flesh and run down the street as bare muscle and bone screaming ****** ******.
It will get better once I leave this purgatory waiting room of stress and self-loathing, but until then my outlook is a bit glum.

I am terrified
Before me is a discolored, screaming, clawing, misshapen alien creature
My son takes his first breathes of real air
We are all exhausted
His mother looks at me with a look that practically screams,
“We did it.”
I plead, “But we’re not done doing it yet…
Are we?”
His gurgles turn into cries
And I know…

For some reason, couldn’t tell you why, I thought about Frankenstein’s Monster.

Some parts are really fuzzy,
I hold it close to me- the fuzzy parts against my skin.
It’s a quilt blanket, stitched together of pieces and parts of found cloth.
My father made it for me.
My very last birthday gift.
I cocoon myself in it like a womb.

I hated him for what he’d done, but I hated myself more for missing him.
I have to fight everyday to be a better person in spite of what I was exposed to.

Created at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney May 2019
by Ryan P. Kinney and J.M. Romig

The coy house thinks, “Should I let this man enter me?”
Although she pretends to resist at first
She soon relents,
The pressure giving way and her door granting passage

He pledges to give her hardwood floors
To put a swingset in her backyard
The finest dressings on her windows
Painting her face,
Decking her out
To show the world how much he loves her
Softly wooing, he promises her a family

She hopes this one will make good
As he begins his work,
She watches the swell in his young wife’s womb
And for a while, believes in life again

For the first time in years,
She breathes fresh air as they move in their boxes
The melding of their past and her future
An image so bright,
That she is almost blinded by the light
When one night,
The soon-to-be mother misses her first step

At the bottom of the stairs,
He finds his world in pieces
As the paramedics pack the body and cart it away
The door closes behind them
And the air grows stagnant

The only boxes he ever unpacks,
Contain spirits
To numb him from the haunting emptiness inside
The past becomes nothing, but a foot stool
Slowly crushed and deformed under his weight
Her rooms,
Built to house new memories, home cooked meals, and laughter
Now nothing, but
Stale beer, chips, and wasted life


Created from prompts at the Winter Writing Workshop (Dec. 27, 2015),
HEYMAN! Productions
Ryan P Kinney May 2019
Assembled by JM Romig
From works by unknown, Ryan P. Kinney, Vicki Acquah

transparent creatures
“God ******* ******.”
I need to know
I want to read your soul
in and out

your forgotten memories
sun-warmed nostalgia
Wasteland and doomsday

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
Assembled by JM Romig
From works by Lennart Lundh, Ryan P. Kinney, unknown

This poem is about what happened down the river
The poison danced
and cascaded into the water
the waves washed over us
The zen broken radio squeals
Sonic pleasure in the dark


Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019
Ryan P Kinney May 2019
IDK
Assembled by Eli Williams
From works by Eli Williams, Josh Romig, Lennart Lundh
Additional content from “There is a Light That Never Goes Out” by The Smiths

Want to see life
Take me out tonight
For a moment
Take me anywhere, I don’t care
I can’t seem to make
My heartbeat slow down
If time is liquid, like the oceans
Take me out tonight
Not much traffic on this path anymore
In my rearview mirror
And in the darkened underpass
I watch the boy
No longer even special
If I could go where they’re going
Where there’s music and there’s people
I don’t care, I don’t care
Take me out tonight
Take me anywhere, I don’t care
Ryan P Kinney May 2019
Assembled by Eli Williams
From works by Ryan P. Kinney, JM Romig

I am getting over you
I can feel bitterness and anger coming
The opposite of love is not hate

As I say this,
Feel this,
I destroy,
I create
I am an artist

There was nothing
you could do
There was no way you could
stop it

In my head, I wander back
through years of dusty memories
I’m supposed to go about my day.

But, I’m still beating my feet
Against the concrete floor

I’m still plodding on
One foot in front of the other
One step at a time
Each moment takes an eternity to feel

*SMASH
Body cold.
What am I always so ******* cold

Created at the Jigsaw Workshop at Cleveland Concoction 3/2/2019

— The End —