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CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
CK Baker Apr 2017
to exonerate the clippings
they took the back road to oswega
the tudor house rabbits
had long lost their heads
(presumably to the *****)
and what remained
of the landscape
was dead
and dry
and orange

that happy home
on the brink
of cattle loop
was now gull grey
the needles
and stragglers
from shady bay
remained (in growing numbers)
on the outskirts
of the driven back park

the once fabled town
of horse drawn tours
and dignitaries
was stone washed ~
on the back of it's
government docks
sat decrepit toppers
set against the high tide
beside the lighthouse
and its measured song

flutes and fiddlers
and acoustic sitars
ride the accompaniment
nose rings
and signage
in the hands of
staged protesters
the sickly spit strewn
with tidal run
and ocean bags

hedgerows trimmed
along the sea side
rolling hills fade
adjacent the chuck
mint juleps
and flop hats
peak on the parade
clydesdales
and royals
blinded in the back
A simpler life
No more anger and strife

In the yard, in the sun
Spinning in gardening fun

A big floppy hat
Sunglasses acrobat

Crisp, refreshing mint juleps
When I finish planting these tulips

Owning a house is dream
A capitalist scheme

Millennial bravado
When you choose avocado
My soon to be husband and I are looking into buying a cheep house in Utah. Wish us luck. There have been and continues to be many hoops to jump through. He mentions how it feels like an out, if we some how manage to become home owners. "Rent" will become cut in half and spread a little further. F*ck Capitalism! It keeps the poor-poor and the rich even richer.
1628

A Drunkard cannot meet a Cork
Without a Revery—
And so encountering a Fly
This January Day
Jamaicas of Remembrance stir
That send me reeling in—
The moderate drinker of Delight
Does not deserve the spring—
Of juleps, part are the Jug
And more are in the joy—
Your connoisseur in Liquours
Consults the Bumble Bee—
Tim Emminger May 2014
Come on down to Louisville, Kentucky
For the Fastest Two Minutes In Sports
The first Saturday in May is Kentucky Derby time
It's the end of a two week celebration; the best of times

The runners race that takes a lap around the track
Thunder over Louisville has fireworks and planes fly past
There is a balloon glow and steamboat race
Where else can you go for a time so great

Now it is race day; an all day party
The insane gather in the infield and they can get naughty
You have celebrities, mint juleps and crazy hats
The Kentucky Derby is where it's at

The beautiful horses parade around
The bugles sounds and  My Old Kentucky Home plays
The excitement peaks; it's time for the race
Dreams of the Triple Crown; the Kentucky Derby is the first leg
The Run For The Roses; someone's dream starts today
Nat Lipstadt Jun 2013
Time to Get Serious: In the Poet's Nook

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the calmest waters,
your ancestors eyes ere forebear.

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, odes to Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen more in the Inner Temple, in the nook.

In the nook, the poems float by,
you need only extend arm and
grab them whole,
ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
this wind mocks this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow
when walking upon the Water,
when nobody knows, nobody sees


You scarce provided the deep reveal
that is our woeful provenance,
So, having returned, unleash or leave,  
expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now,
yet unfastened, un-cast,
the forge lit and fired,

Are you ready, self-appointed, poetry smithy, wright-man?%


On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged,
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!


Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?


Do they comprehend that black is the only color permitted
and the sunshine coverlet is meant to keep
the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors


Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed
Onto paper
And by human, realized.


Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.



June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

My Night with Paul Simon
~~~~~~~~~~~~~~~~~~~~
This poem is part 1; part 2 is "In the Poet's Nook: Perhaps I should write less"
Tim Emminger May 2016
The sun rises up over the Kentucky hills
The horses in the pasture are slowly strolling around
But today is different
Today is the Kentucky Derby

The quietness of the morning will soon turn to excitement
The pageantry will unfold; the hats, the costumes
The mint juleps and the red roses
The sounding of the trumpets
And the singing of My Old Kentucky Home

Many know nothing about horse racing
The Kentucky Derby horses; they can maybe name a few
We’re proud people in Kentucky; the Kentucky Derby is ours
Come on down to Louisville it’s the Run for the Roses
With open arms we will welcome you
Nat Lipstadt May 2014
Time to Get Serious: In the Poet's Nook
Originally posted here on
June 9th 2013

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the water

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen in the Inner Temple, in the nook.

In the nook, the poems float by, you need only extend arm and
grab them whole, ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
they mock this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow when walking upon the
Water when nobody knows, nobody sees

You scarce provided the deep reveal that is our woeful provenance,
So, having returned, unleash or leave,  expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now, yet unfastened, un-cast,
the forge lit and fired,
Are you ready, self-appointed, poetry smithy, wright-man?%

On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!

Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?

Do they comprehend that black is the only color permitted and the
sunshine coverlet is meant to keep the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors

Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed onto paper
And realized.

Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.


June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse
Stu Harley Feb 2013
mint juleps in the sweet air
catfish are jumping
everywhere and
The Mississippi River
keeps flowing
deep south somewhere
Fireflies serenading
in the sweet moonlight
oh Lord i do declare
Jim Davis May 2017
resting upon porch
swallows sipping pond's still glass
She brings mint juleps
Cotton obsessed, ***** oppressed,
Southern charm and whipping the help
mint juleps in the oak tree's shade as
Delta planters tamed this flooded jungle
with a thousand slaves bought in chains
filled with a savage anger of lost homes
from lands beyond reach of our caring.
A noble savage we tried to free in Civil War.
Free to live in squalor with **** schools and
**** jobs and **** projects to call home.
Don't fear these truths. Don't stare blind.
Carry this prayer to your altars and pulpits
and shout from pews demanding justice.
Sing of misfortune and tomorrow's hope.
THE WIND WALKS AMONGST THE CHANDELIER

a chandelier
hung from a tree
the sunlight in love with it

"No room for it
in my little house
I thought I'd give it to the tree!"

"Well, have you ever
seen a chandelier hung from a tree?
No, well...there ya go!"

the tree looked happy
wearing its chandelier
as if it had grown it itself

a bird alights
on the tree's chandelier
a sunset caught up in it

*

It was strictly for the birds and the bees( and the tree)who seemed to love it...it was only a broken plastic thingy but the idea of hanging it on the tree was what made it work...it was very surreal like coming across a Dali painting but after a while you just accepted that...well...there it was...the wind liked playing with it too. All it takes is one man with one novel idea and there...ya go!

A friend has sent me a picture of a chandelier in a tree! Ha ha I thought this only existed in my memory of Ted in Cornwall! I hadn't a camera then and didn't write poetry so it just sort of languished there in my mind until it got jogged into recollection! We used to drink Mint Juleps under it and talk into the sunset. He used to have bottle trees as well so I thought the chandelier tree was just an extension of this. At night he would run an extension to it and it would just exist in the sky like a rather large firefly. I liked its daylight incarnation best as then it was strictly the tree's. Once electricity was added it became more ours...albeit a rather strange "ours' but still ours to drink mint juleps under until dawn lit a fire under it and it was time to go to bed.
Cotton obsessed, ***** oppressed,
    Southern charm and whipping the help
    mint juleps in the oak tree's shade as
    Delta planters tamed this flooded jungle
    with a thousand slaves bought in kennels
    filled with a savage fear of lost orphans
    from lands beyond reach of our dreams.

    A noble savage we tried to free in Civil War.
    Free to live in squalor with **** schools and
    **** jobs and **** projects to call home.
    Don't fear these truths. Don't stare blind.
    Carry this prayer to your altars and pulpits
    and shout from pews demanding justice.
    Sing of misfortune and tomorrow's hope.
Death is everywhere
Shells scatter soldier
bodies in puzzle parts
never fit together again
pray on dead's graves

We drink mint juleps
We flirt in old oaks' shade
We kiss make promises
forever and many kids
dance on dead's graves
sandra wyllie Apr 2019
It would not be fair to you to say
that you are as bright as the brightest star,
because as you are you could be the whole
planetary systems, moons and suns abound,

the milky way. Every star that made
its way into the onyx landscape of a historical
night would be a blight next to you. How do I compare
you to the you of ancient history? It would not seem
feasible to make the contrast of one so young

like the spring when juleps rain and pansies
pounce, and daffodils wave their tails in
fluffy yellow, swirling flounce. Today you are
all four seasons. I can not give a reason as

to why. And this might seem strange
to you, because I’m so prolific with
words. But none can do the job of this. How does
one explain pure bliss?
Death is everywhere
bodies puzzle pieces
never together again
pray on dead graves.

We drink mint juleps
flirt in old oaks' shade
We kiss make promises
dance upon dead graves.
Cotton obsessed, ***** oppressed,
    Southern charm and whipping the help
    mint juleps in the oak tree's shade as
    Delta planters tamed this flooded jungle
    with a thousand slaves bought in kennels
    filled with a savage fear of lost orphans
    from lands beyond reach of our dreams.

    A noble savage we tried to free in Civil War.
    Free to live in squalor with **** schools and
    **** jobs and **** projects to call home.
    Don't fear these truths. Don't stare blind.
    Carry this prayer to your altars and pulpits
    and shout from pews demanding justice.
    Sing of misfortune and tomorrow's hope.
Free the slaves, just not into my neighborhood.
Anvillan Apr 2020
I’m drawn from the forge
of truth, red hot and anvil ready.
I’ve chased my heart to the
depths of the oceans
and heard the songs of the denizens.
Distant stars will fade before
my well of feeling
will run dry. Chains on my
hands, blindness in my eyes
yet I write and see all.
I soar across the heavens
though tethered to the earth.
I walk on hot coals while
singing sweetly. I talk to
the moon and the man talks back.
I sip mint juleps while basking on
the sun. I’ve done all this
and none of this. The poet is
free, a universe of the unknown awaits.
Vastness of inspiration

— The End —