Mario hits it with the sounds
of bodies hitting plexiglass.

My horses hit it without a sound. They want to escape it.
And I am trying to drive this dune buggy
off this cliff, but the clipping is strong here.

In Pac-Man, the tunnels were circular. I don’t know
if people realized that they were trapped in a sphere.

In Asteroids when you get to the edge of the universe,
you begin again.

And that Snake. His body could stretch all over his world
looping, but he could never eat his tail.


If all your electrons were in the right place, and all the wall’s
electrons were in the right place. You could feasibly walk through
the wall.

What would you do while in the wall? Think. Fear.
The superposition could rip your body into ragdoll parts.


When I turned clipping off, I expected the freedom to walk through
the wall and suddenly the floor
fell out from under me.

Every time I respawn I feel like my inventory is heavier,
and my flamethrower burns colder.

I thought about leaving you today
while spackling a bathtub.
Melissa’s patches were smooth and shined
in the husky light of rotting bathroom windows,
mine were rough, and sagged like a skin
on face in months before death.
My favorite part of that job was cleaning up afterward,
putting everything back in its place,
sweeping up the dust and closing the door behind you.
Your favorite part was tearing down the old,
digging your chisel into the wall,
and watching the pieces rain down on the painter’s paper.
They would fall with thwacks
thwack           thwack              like rain on umbrellas
heard through a second story window.

Rather the clouds were a motorcycle,
Jesus rides up, lowers his sunglasses.
You ride off with him into the sun
not setting, but crashing violently
into the ocean. Rather, you receive

an inconspicuous e-mail, that you write
off as spam. “Save Your Soul Pls Read”
in the subject header was easy to ignore,
easy to delete. Jesus on the other end
of the illuminated screen was trying to reach
you. Even now his hand comes out of the
screen like a cartoon odor, beckoning.

Rather, you hear three thuds on your door
and Jesus bursts through, shattering
the components of your door-****. He is dressed
in fine clothing, soft, his *** looks great.
“Come on. We are getting you the **** out
of here.” He still has his sunglasses on.

Rather, a firefighter runs down the stairs, turns
the iron on, starts the dryers, and hits the circuit
breaker with his axe. You are on your belly, gripping
smoke in between knuckles, fingers. Emerging
into daylight, Jesus rides your pet Rottweiler,
like a horse, out your front door.

Rather, a 1995 Honda Civic sputters
towards you. A boy in plaid stumbles
out with a briefcase that stumbles
open. Cassette tapes stumble
out. “Would you want to go
for a ride?” There is a moment
where the road disappears over an arc.
You two are falling together.

Rather, it is  raining walls of white
foam. Jesus is in a bright yellow poncho
laughing heartily. He throws your body into salt
waves. At first, the shock of cold muted
the harpoon in your gut. Jesus is dragging you
as you spin the harpoon inside you
                                                            f­irst horizontal then vertical.

If a flower
appears
in the first act. The rule is
someone must use it
before
the whorls curtain off.

In the second act,
Lady Calyx
holds the flower
toward you
“Don’t come
any closer.”
Before looking
into the stamen,

bang.

The flower goes off.

socks, shoes, morning,
                                                “I’m sorry, we don’t believe in ghosts”
work, briefcase, pens, documents,
“I’m sorry, we don’t believe in ghosts”
bus, “I’m sorry,
driver, briefcase, we don’t believe in ghosts.”
taps, brakes, stop, “I’m
                                                stop, stop, sorry,
security guard, elevator, we don’t
floor fifteen, office, believe
briefcase, clasps, in ghosts.”
lunch, small-talk, briefcase, “I’m
                                                gun, registered, sorry, we don’t believe
fifteen floor, in ghosts.”
water-cooler, pulses, torrents, “I’m sorry,
we don’t believe in ghosts” “I’m sorry,
                                                water-cool­er, breathes, trickles, we don’t
fourteenth floor, ceiling, believe in ghosts”
“I’m sorry, we don’t

Today it was putting
the shaving cream in my left hand
that reminded me of the time
in my basement bedroom,
prompted by Mighty Ducks
or some episode of Salute Your Shorts,
we filled Eric’s hand with shaving cream
and brushed his nose with some equivalent
to a feather. There was no way he slept
through it. Rather, he played his part,
conscious
                       that this was the way he saw to fit
in. That moment, we didn’t know how shaving
cream felt on your face, or looked on a woman’s
legs in the shower. We weren’t aware yet
of the hair that would crawl out from us, the scariest
places
           armpits and ***, frightening
our sense of normal. Or your friend
telling you the embarrassment of her boyfriend’s
mother walking in on him shaving,
you didn’t know that men shaved any embarrassing place,
but she tells you right then (not knowing you loved her)
that it is better when his ****’s in her mouth.
                                                          ­      
                                                                ­        The women drag razors

over their legs every morning for a sense of clean
and then the people who dig the razors
into their arms, legs. We weren’t ready. Hearing
about the couple whose marriage counselor advised
them to have the husband shave the woman’s genitals,
her cuts, her sense of emptiness, his wild-eyes. Who do you love
now?
                                               The woman in the peace-corps with legs-
unshaven 16 months.
                                               The shaved teen naked on your computer monitor
or the woman shaving
                                               in the shower next to you, legs, then armpits
apologizing, blushing.

The world was never going to end
in fire.
It was never thought to.
Now. Thunder comes on.
The raincoat boleros around the street.
   Momentous,
One two slow slow one two. Earth splits
/  an avocado, molten core discarded.

In the southern hemisphere they are waving flags.
Complimentary colors crawl up the sky tiding in.
They are dancing.
     Ba-cha
       -ta,
Me-ren-gue.
     Their hemisphere Charybidises,
trees genuflected.

Quiet. The puddles are sleeping.

In the north. The hemisphere has run aground.
It capsizes. All the bands are going
down playing.

Rain panics off the timpani
prisming.
The brass cherubs in the clouds.
The strings red shift.

At the equator,
an umbrella floats:
1 bird inside it.

She prays in single syllables. Help.
Please.
Quack!