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 Oct 2012 Tayler Mac
Koty Peter
And through the message relayed,
I see the you killed a man.
And you weren't proud of what you'd done,
But you could really use a hand.
An accessory.
I needed someone to lean on.
So we both grabbed a leg,
And drug him to the deep end.
As we dropped him in,
Three more bodies rose.
God ****** girl,
What have you done?
She said "****** boy,
You just don't understand.
There's no God here,
So turn to the ocean."

So now I stand opposed,
And there you sit in shock.
As we're both disposed,
And you exhaust the clock.
You'll try you're best,
To rebuild the bridge,
But theres no point.
I already burned it.

To drop a gaurd?
To find some strength?
Or to continue to leave you at,
An arms length?
You're messages get so ******* mixed.
It's like you **** with my head every chance you get.

She chaufered me,
To the tip of her pistol.
I found a repeat crime,
I found another question.
I found my way,
to the ocean floor,
and when you turned your back,
I swam for the shore.
I rose from the water,
Just my wound in hand.
If one bullet wasn't enough,
You prayed the drowning had been.
You said it yourself,
So now I'll say it back.
There's no God here,
**So count your blessings,
465

I heard a Fly buzz—when I died—
The Stillness in the Room
Was like the Stillness in the Air—
Between the Heaves of Storm—

The Eyes around—had wrung them dry—
And Breaths were gathering firm
For that last Onset—when the King
Be witnessed—in the Room—

I willed my Keepsakes—Signed away
What portion of me be
Assignable—and then it was
There interposed a Fly—

With Blue—uncertain stumbling Buzz—
Between the light—and me—
And then the Windows failed—and then
I could not see to see—
the joyful dancer of my youth
prances about my room, whispering
truths to my all but deafened ears.

'go away,' i respond.  'you belong to a time
i am no longer a part of.'


she takes my hand, but the skeleton of
my existence pulls away from her.

'did you think it would be so easy to get
me out to the dance floor again?'


i am a stubborn woman,
lost to the steps of dancing ways.

no, i choose now to sit here and watch.
the tango of life dances, her fluid body
pouring itself across the floor.

i am a poet, you see, and i set myself
here on these sidelines because observation
and reflection are the only things that keep my
heart beating.

participation?  she speaks a language too foreign
to my ears for comprehension.
http://www.youtube.com/watch?v=a8aPyBr-_S0&feature;=BFa
 Mar 2012 Tayler Mac
Pablo Neruda
Don't go far off, not even for a day
Don't go far off, not even for a day,
Because I don't know how to say it - a day is long
And I will be waiting for you, as in
An empty station when the trains are
Parked off somewhere else, asleep.

Don't leave me, even for an hour, because then
The little drops of anguish will all run together,
The smoke that roams looking for a home will drift
Into me, choking my lost heart.

Oh, may your silhouette never dissolve
On the beach, may your eyelids never flutter
Into the empty distance. Don't LEAVE me for
A second, my dearest, because in that moment you'll
Have gone so far I'll wander mazily
Over all the earth, asking, will you
Come back? Will you leave me here, dying?
54

If I should die,
And you should live—
And time should gurgle on—
And morn should beam—
And noon should burn—
As it has usual done—
If Birds should build as early
And Bees as bustling go—
One might depart at option
From enterprise below!
’Tis sweet to know that stocks will stand
When we with Daisies lie—
That Commerce will continue—
And Trades as briskly fly—
It makes the parting tranquil
And keeps the soul serene—
That gentlemen so sprightly
Conduct the pleasing scene!
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pur whiskey on him and inhale
cigarette smoke
and the ****** and the bartenders
and the grocery clerks
never know that
he's
in there.

there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to ***** up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?
It's never quite right, he said, the way people look,
the way the music sounds, the way the words are
written.
It's never quite right, he said, all the things we are
taught, all the loves we chase, all the deaths we
die, all the lives we live,
they are never quite right,
they are hardly close to right,
these lives we live
one after the other,
piled there as history,
the waste of the species,
the crushing of the light and the way,
it's not quite right,
it's hardly right at all
he said.

don't I know it? I
answered.

I walked away from the mirror.
it was morning, it was afternoon, it was
night

nothing changed
it was locked in place.
something flashed, something broke, something
remained.

I walked down the stairway and
into it.
 Mar 2012 Tayler Mac
Pablo Neruda
Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made of flowers,
Feasted, we guide it - our fingers
Like tallows adorned with yellow metal -
Over the sky's hot rim,
The day's last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles,
And lay like fish
Under the net of our kisses.
 Mar 2012 Tayler Mac
emily webb
There was nothing plastic
About the way your smile showed
Or about the way your arms felt
But a voice in the back of my head told me so
And last weekend
I melted a carpet I thought was wool
You could have fooled me
Except now there is a hard, shiny, iron-shaped mark
Plastered into the carpet's soft mat
To be honest, I was a little disgusted
When I pulled the iron away and found
Strings of green and red clinging to it like bubblegum
And to be honest, I felt a little disgusted with myself
Not to mention you
When I left a handprint in your soft back
And strings of skin still sticking to my palm
Prove you, my little plastic boy, are just a doll
By all the tests that matter
A human illusion too easily destroyed
By an excess of warmth
Call a                          doctor/ plumber/ priest
My heart is               broken/ leaking/ deceased

My life is                   worthless/ so much better/ over
I'm going to              **** myself/ tell your wife/ Dover

How could you         leave me/ not know/ lie?
I hope you                return my stuff/ come back/ die

I'll never                   forget you/ forgive you/ go away
I need                        closure/ a DNA test/ to tell you I'm gay

Your                           face/ crotch/ top of your back
Is                                so beautiful/ lumpy/ unusually slack

Your                           ex/ mother/ best friend from school
Always made me      great coffee/ feel inadequate/ drool

I will                           miss you/ **** you/ stalk you forever
That way we can      be friends/ get away with it/ be together

I'm sorry                   you did this/ I did this /we failed
I promise to               pay you/ dye it back/ get you bailed
Please don't               leave me/ show the Polaroids/ write or call


(*delete as appropriate, just delete it all.....)

— The End —