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V L Bennett  Aug 2018
Stabile
V L Bennett Aug 2018
In the air, floating just next to the window
solidly constructed
as sure as the golden highway
stretching from Frisco across the Bay
looking square
as the acres of boxcars
north on the interstate
on the south side of Chicago,
it's all atoms...

This morning my son postulated to me a so-far unrealized condition
relating to matter transmitters and, probably, hyperspace. "What
would happen, " he asked, "if some guy transported himself inside a big rock?"
Indeed.
Putting on my ears, I considered the situation.  Would the hypothetical solid mass of rock give way, shudder just enough to allow the insertion of a soft, squishy human being?  Or would the spaces in their respective atoms--rock's and human's--intermesh neatly with each other?  Molecular integration?  But such a challenge to the atomic bonds holding the things together might result in a nasty atomic accident. Would that leave a human-shaped void inside the solid rock, a mold exact down to the finest details of skin texture and even eyelashes? Imagine the crystal-filled waters seeping down to find such a hole--Behold!! Geode Man.

Holding my silver pen extended
like a rapier before me,
I dissect the wispy chunks
of smoke. The balance of air
that gave them form
is destroyed.  They are
no more.
Tra-la-la-la-la-la-laire—nil nisi divinum stabile
   est; caetera fumus—the gondola stopped, the old
   palace was there, how charming its grey and pink—
   goats and monkeys, with such hair too!—so the
   countess passed on until she came through the
   little park, where Niobe presented her with a
   cabinet, and so departed.


Burbank crossed a little bridge
  Descending at a small hotel;
Princess Volupine arrived,
  They were together, and he fell.

Defunctive music under sea
  Passed seaward with the passing bell
Slowly: the God Hercules
  Had left him, that had loved him well.

The horses, under the axletree
  Beat up the dawn from Istria
With even feet. Her shuttered barge
  Burned on the water all the day.

But this or such was Bleistein’s way:
  A saggy bending of the knees
And elbows, with the palms turned out,
  Chicago Semite Viennese.

A lustreless protrusive eye
  Stares from the protozoic slime
At a perspective of Canaletto.
  The smoky candle end of time

Declines. On the Rialto once.
  The rats are underneath the piles.
The jew is underneath the lot.
  Money in furs. The boatman smiles,

Princess Volupine extends
  A meagre, blue-nailed, phthisic hand
To climb the waterstair. Lights, lights,
  She entertains Sir Ferdinand

Klein. Who clipped the lion’s wings
  And flea’d his **** and pared his claws?
Thought Burbank, meditating on
  Time’s ruins, and the seven laws.
Donall Dempsey Apr 2016
THE CALDER TREE
( for Connie )

The tree stands
naked

against a sunset
leafless.

She cries for the tree's
lost leaves.

I tuck her into bed
promise to make her

a tree
a la Calder.

Dawn sees the tree
adorned

in mobiles...wind chimes
where leaves should be.

The tree sings
the morning.

Mobiles sings the day
that is

to be.

The Calder tree
orchestrates this Thursday.

Birds are
our choir.

She stands under
understands

the moment
as it

sings.  

She the one "stabile"
beneath the cascade

of wind chimes & mobiles
that the morning plays.

The tree
forever planted

in her mind
now

all of her
outstretched

as she listens to
Time singing.


"Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting "moment" but a physical bond between the varying event in life."

Alexander "Sandy" Calder, Comment réaliser l'art?", Abstraction-Création, Art-non Figuratif. 1932.

She nicknamed the tree "Sandy" and was her wont treating it as a living being. "I must go out and talk to Sandy!" she would say and leave us humans for conversation with a tree. I thought it was a good idea to introduce her to Art naturally and throw in mother nature herself for good measure.
Jet Dec 2020
and in the 12th my teacher grade tenderly grabbed my wrist
and said
what is this
and
I said
me
But
that was the wrong answer
he wanted me to say
my —-wrist
he wanted me to say my
MINE

He wanted me to take ownership
of my body
he wanted to acknowledge
Or
He wanted me to acknowledge
that I was
An inside
of a body
And
Not a body
He wanted
Me to think what I just
“mistakenly”
called “me” was just a vessel
To hold “me”
That is it was lent to me and would return
from whence it came
that I was barely or merely or some other kind of “erely” visiting
and
that me and mine were different when it came to body

Such a kindness and autono-motive restoration to remind a person that they are
More
That they are not their looks
or their actions
Or even potential ambulation
I know what he offered me was a kindness

I declined
I said no in my own way
If you’re wondering
What I said was “you are what you eat”

I still don’t know what I meant
If I meant

and I’ll ozymandius myself
If I claim to be more than this

I am crumbling, but I will stand tall on these broken feet

As soon as I can fix my posture
Originally performed at iFell Gallery on November 30, 2019
Johanne Borup  Jan 2015
hjerne
Johanne Borup Jan 2015
jeg synes, jeg er den mest inspirerende person i verden. jeg kan alt muligt. jeg  kan tegne, jeg  kan  skrive, jeg  kan læse  mine  egne  tanker, ikke  altid fejlfrit, men  mine  følelser  får  jeg  i  hvert  fald  nogenlunde  forstå­et,  og jeg ved, hvem jeg kan lide og hvad jeg kan lide og hvem jeg var. jeg synes, mine  følelser  for  hende  der  jeg på  en  måde elsker  (det  er  i hvert  fald det, jeg har læst mig frem til) er  mere  interessante end  hende,  det  synes alle andre også, det  ved  jeg,  det synes jeg er fornuftigt at synes, og jeg er fornuftigere  end dem. jeg har  god musiksmag  og god  tøjstil, og de fleste er  dummere  end  jeg.  nogle  gange  ønsker  jeg, at  de  ikke  ville være så dumme  og  uforstående  og stabile, og nogle  gange har  jeg ondt af  dem, fordi de  ikke inspirerer mig, med  mindre jeg tænker noget  om dem. men så skifter  jeg mening igen, jeg skifter mening, fordi jeg er glad for at jeg er sindsforstyrret og kan læse tanker og se mig ud af alting og rive mit ansigt fra       hinanden      og     skabe      kunst     af       de      hjerneceller,       der
ryger                                                  med      ­                                                 ud.
Jet Dec 2020
Mobile/Stabile - I don’t speak French

Main two types of mainly 3D artist
Alexander “sandy” Calder

Mobile - is a French pun meaning both "motion" and "motive"

If you had one of these above your crib to muse over as you drifted to dreamland, you have Sandy to thank.

Stabile-  following the style of the name mobile, is a sculpture that is unmovable

Both are French words I have trouble saying


I am becoming or was becoming paralyzed from my feet up
(they still haven’t decided which,
feel free to laugh at that)

Feel free to laugh at all of it, I do

I have complications from unbeknownst year long scarlet fever that turned into rheumatic fever that turned into julian Barre to thank for that.

There is no cure, so I’m using condescension.
I call it Julian Barre because “Gee YAWN BERET” is just so **** hard to eek out.
And
It requires more pomp than it deserves

Okay it’s part condescension and part more French words I can’t quite say.

It’s sort of like the opposite of when I try to say  “petit” pwessON” to be cute, I mean to say Little Fish to address my partner:

But instead say “petit pwazOne” which means
little Poison
Originally performed at iFell Gallery on November 30, 2019
Sander S Vatn Oct 2017
The elements
All encompassing
Soul of the world
Humanity's way


Air
Taking flight through the skies
The wings of freedom
Roaring and howling
Leading us forth

Earth
Safe and stabile
Humble and strong
Unyielding and unending
Our home on this world

Fire
Burning and fierce
Destructive and renewing
Passionate and uncontrollable
Civilisation and family's hearth

Water
Mysterious and cold
Untamed and dark
Life giver and life taker
The explorers and the scholars way
Just praising the elements
Donall Dempsey Apr 2019
THE CALDER TREE
( for Connie )

The tree stands
naked

against a sunset
leafless.

She cries for the tree's
lost leaves.

I tuck her into bed
promise to make her

a tree
a la Calder.

Dawn sees the tree
adorned

in mobiles...wind chimes
where leaves should be.

The tree sings
the morning.

Mobiles sings the day
that is

to be.

The Calder tree
orchestrates this Thursday.

Birds are
our choir.

She stands under
understands

the moment
as it

sings.  

She the one "stabile"
beneath the cascade

of wind chimes & mobiles
that the morning plays.

The tree
forever planted

in her mind
now

all of her
outstretched

as she listens to
Time singing.
***

"Each element able to move, to stir, to oscillate, to come and go in its relationships with the other elements in its universe. It must not be just a fleeting "moment" but a physical bond between the varying event in life."

Alexander "Sandy" Calder, Comment réaliser l'art?", Abstraction-Création, Art-non Figuratif. 1932.

She nicknamed the tree "Sandy" and was her wont treating it as a living being. "I must go out and talk to Sandy!" she would say and leave us humans for conversation with a tree. I thought it was a good idea to introduce her to Art naturally and throw in mother nature herself for good measure.
mariana  Sep 2020
...
mariana Sep 2020
...
un giorno raggiungerò la luna
non oggi
ma un giorno
forse non nei prossimi anni
ma un giorno
per ora aspetterò
aspetterò e aspetterò
pazientemente
con il cuore pesante
con un'anima ostinata
con una mente stabile
con amici e famiglia che vanno e vengono
un giorno raggiungerò la luna
se c'è una volontà ci sarà un modo
number 10

— The End —