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An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
I am a poetic bad boy
I am a poetic good boy
I'm a Poetic gutter snipe

Some words are good and cool
some crap and makes me fool
I'm a poetic guttersnipe

Read me if you want to
I don't give a f**k if you don't
for I am a poetic guttersnipe


By Christos Andreas Kourtis aka NeonSolaris
murari sinha Oct 2010
on the other-side of a grave wall
there may rightly be a water-vessel
that is chicken-hearted by birth  

there may not be around her
a stretching of water-body

do remember
when we all went that day to catch the train
the room of the rail-station was totally vanished

after enquiry it was revealed that
it had gone to observe holidays with its family
in the yolk of the eggs of the snipe

before opening the no-door to take a leap i also knew
that the top-branch of a green and large grasshopper
was mainly made up of white-stones

i did not also have
any mystic words  
given by the moon
to recite silently

so without caring for the water
i made a all-complete ocean
with sands and cement

throughout the  year  
solvency gets down
from the body of the traffic signal

even-then
the monsoon this year
has been under the poverty-line  

and the ray of hope is that  
it is this circuitous route
leading to the top of the himalaya

that would one day
play the tune of differential calculus
on her guitar
GOOD Father John O'Hart
In penal days rode out
To a Shoneen who had free lands
And his own snipe and trout.
In trust took he John's lands;
Sleiveens were all his race;
And he gave them as dowers to his daughters.
And they married beyond their place.
But Father John went up,
And Father John went down;
And he wore small holes in his Shoes,
And he wore large holes in his gown.
All loved him, only the shoneen,
Whom the devils have by the hair,
From the wives, and the cats, and the children,
To the birds in the white of the air.
The birds, for he opened their cages
As he went up and down;
And he said with a smile, "Have peace now';
And he went his way with a frown.
But if when anyone died
Came keeners hoarser than rooks,
He bade them give over their keening;
For he was a man of books.
And these were the works of John,
When, weeping score by score,
People came into Colooney;
For he'd died at ninety-four.
There was no human keening;
The birds from Knocknarea
And the world round Knocknashee
Came keening in that day.
The young birds and old birds
Came flying, heavy and sad;
Keening in from Tiraragh,
Keening from Ballinafad;
Keening from Inishmurray.
Nor stayed for bite or sup;
This way were all reproved
Who dig old customs up.
Jerry Oct 2012
No second chances!
No do-overs!
That is one of the regreatable rules of time.

No more pigtails & pretty dresses,
No more Horsey-back & Piggy-back rides,
No more Tee-ball & Soccer,
No more Marry Poppens & Wizard of OZ,
No more Popcorn & Video games,
No more homework & bed time stories,
No more marshmellow roasts & snipe hunts,
No more sand castles & sand dollars,
No more Sparklers & Pinwheels.

No time to pause & reflect!
It can only cause regret!
Enjoy it along the way while you can.
Everything is temporary.
It needs to ryme better! But my regreat is clear.
SE Reimer  Feb 2018
for the birds
SE Reimer Feb 2018
~

fowl flock to a gathering,
exactly why? no one knows.
an unkindness of ravens,
a ****** of crows;
a siege of blue heron,
gather geese in a horde;
seem to come in their sadness,
but stay for the show.
see swan sail in wedges,
jay scoff in their scold;
assembly, their strength,
nom de plume from of old.

ask me why do they gather?
could it be they’re unhappy?
might we also feel slighted,
a disservice agreed;
if our strength were declared
our insufficiency?
why do finches and
hummingbirds meet in a charm?
penguins, get to huddle,
and in happiness, those larks?

the cranes come in dances,
in company those parrots;
to parliaments owls,
in wisdom who-hoo-ing;
flamingoes to stand,
for an eagle’s convocation?
no, a nye’s not unpleasant,
for a pheasant you see;
and benign is a bevy,
quail flush neath a tree.

but, ’tis a bit scary,
lurking turkey in gangs,
hawk’s shadowy cast;
and warblers in confusion,
with buzzards in wake;
a wisp full of snipe,
whisp’ring, “good night”;
yet glorious are pelicans,
a squadron in flight;

and nothing so stirring, as
a starling’s constellation,
while an asylum’s
assembly for loons,
and a quarrel of sparrows,
are entirely drowned out,
by a drumming of peckers,
the wood kind, that is!

while sticks and stones,
may break all one’s bones;
those labels and words, do
leave a sting and a hurt;
all human, one race,
can unkindness defer,
diffusing by choosing,
our union assert!
but slinging maligning,
and kicking of dirt,
by abusers and losers,
let's leave for the birds!

~

*post script.

numerous fellow poets far more skilled than i, have posted a variety of well-written pieces using fowl flocking terminology. this is intended to be an assembly of the sometimes-silly, often-absurd and mostly-always-humorous assignments of those flocking terms, used in an imagined treatise about the hurtful labels we humans use to judge one another; labels that vilify, rather than unify.  for would not a battle that hasn’t any "winner" be far better fought hand-in-hand, than hand-to-hand?

terms for flocking fowl in order of use
(a few fowl have two flocking terms, and some flocking terms are claimed by two fowls)

an unkindness (ravens)
a ****** (crows)
a siege (herons)
a horde (geese)
a wedge (swans)
a scold (jays)
a charm (hummingbird, finches)
a huddle (penguins)
a happiness (larks)
a dance (cranes)
a company (parrots)
a parliament (owls)
a stand (flamingos)
a convocation (eagles)
a nye (pheasants)
a bevy (quail)
a flush (also quail)
a cast (hawks)
a gang (turkeys)
a wisp (snipes)
a squadron (pelicans)
a confusion (warblers)
a wake (buzzards)
an asylum (loons)
a constellation (starlings)
a quarrel (sparrows)
a drumming (woodpeckers)

oh yes, there are many more.  i'd love to see your favorite(s) left in the comments.
Steve (:
ER Oct 2015
If I Could Write Anger into Poetry

If I could write anger into poetry I'd write about how five months with someone has led me to almost 6 months of insanity

If I could write anger into poetry I would write about how he said he was depressed his sophomore year but I knew "was" wasn't the right tense of the word and I didn't say anything more

If I could write anger into poetry I would write about how ******* him didn't change the way he treated me (not that I ever imagined we'd be here)

If I could write anger into poetry I would write about all the times he swore he wasn't talking to her

If I could write anger into poetry I would write about how I begged him to stay

If I would write anger into poetry I would write about my headache from screaming so loud the night I found out he was talking to her

If I could write anger into poetry I would write about the time they walked by me in the hallway and all of a sudden it all became too real; I was nothing.

If I could write anger into poetry I would write about the pit in my stomach and the tears in my eyes as I watched them wear matching colors at prom

If I could write anger into poetry I would write about watching the girl who called me " the ****** ex" take a snipe of me and send it to him as if I am blind to other teenage girls

If I could write anger into poetry I would write about how I swear I can still smell his cologne in the passenger seat of my car

If I could write anger into poetry I would write about how he broke up with me when all I wanted was him and he didn't break up with her when she cheated on him and how that makes me feel like every atom of my being is nothing

If I could write anger into poetry I would write about how I dreamt of literally trying to strangle an apology out of him and he kept saying "no, no, no"
If I could write anger into poetry I would write about how that doesn't compare to the dreams where he kisses my neck and tells me he still loves me

If I could write anger into poetry I would write about suddenly waking up at 5:00 am because my blood is boiling about the time almost a year ago we were waiting in line for popcorn and he said that his parents wouldn't care if he died and I didn't say anything more

If I could write anger into poetry I would write about how I watched him laugh with his friends in school about how he ripped me apart vein by vein and months later he tries to tell me he is sorry

If I could write anger into poetry I would write about how socially embarrassing it is to confide in the one person who betrayed you

If I could write anger into poetry I would write about how he's gotten worse and there's nothing I can say, nothing I can do. I am meaningless now.

If I could write anger into poetry, I would.
When awful darkness and silence reign
Over the great Gromboolian plain,
  Through the long, long wintry nights;--
When the angry breakers roar
As they beat on the rocky shore;--
  When Storm-clouds brood on the towering heights
Of the Hills of the Chankly Bore:--

Then, through the vast and gloomy dark,
There moves what seems a fiery spark,
  A lonely spark with silvery rays
  Piercing the coal-black night,--
  A Meteor strange and bright:--
Hither and thither the vision strays,
  A single lurid light.

Slowly it wanders,--pauses,--creeeps,--
Anon it sparkles,--flashes and leaps;
And ever as onward it gleaming goes
A light on the ****-tree stems it throws.
And those who watch at that midnight hour
From Hall or Terrace, or lofty Tower,
Cry, as the wild light passes along,--
  'The ****!--the ****!
  'The wandering **** through the forest goes!
  'The ****! the ****!
  'The **** with a luminous Nose!'

  Long years ago
  The **** was happy and gay,
Till he fell in love with a Jumbly Girl
  Who came to those shores one day,
For the Jumblies came in a sieve, they did,--
Landing at eve near the Zemmery Fidd
  Where the Oblong Oysters grow,
  And the rocks are smooth and gray.
And all the woods and the valleys rang
With the Chorus they daily and nightly sang,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

Happily, happily passed those days!
  While the cheerful Jumblies staid;
  They danced in circlets all night long,
  To the plaintive pipe of the lively ****,
  In moonlight, shine, or shade.
For day and night he was always there
By the side of the Jumbly Girl so fair,
With her sky-blue hands, and her sea-green hair.
Till the morning came of that hateful day
When the Jumblies sailed in their sieve away,
And the **** was left on the cruel shore
Gazing--gazing for evermore,--
Ever keeping his weary eyes on
That pea-green sail on the far horizon,--
Singing the Jumbly Chorus still
As he sate all day on the grassy hill,--
    'Far and few, far and few,
    Are the lands where the Jumblies live;
    Their heads are green, and their hands are blue
    And they went to sea in a sieve.'

But when the sun was low in the West,
  The **** arose and said;--
--'What little sense I once possessed
  'Has quite gone out of my head!'--
And since that day he wanders still
By lake or forest, marsh and hill,
Singing--'O somewhere, in valley or plain
'Might I find my Jumbly Girl again!
'For ever I'll seek by lake and shore
'Till I find my Jumbly Girl once more!'

  Playing a pipe with silvery squeaks,
  Since then his Jumbly Girl he seeks,
  And because by night he could not see,
  He gathered the bark of the Twangum Tree
    On the flowery plain that grows.
    And he wove him a wondrous Nose,--
  A Nose as strange as a Nose could be!
Of vast proportions and painted red,
And tied with cords to the back of his head.
  --In a hollow rounded space it ended
  With a luminous Lamp within suspended,
    All fenced about
    With a bandage stout
    To prevent the wind from blowing it out;--
  And with holes all round to send the light,
  In gleaming rays on the dismal night.

And now each night, and all night long,
Over those plains still roams the ****;
And above the wall of the Chimp and Snipe
You may hear the sqeak of his plaintive pipe
While ever he seeks, but seeks in vain
To meet with his Jumbly Girl again;
Lonely and wild--all night he goes,--
The **** with a luminous Nose!
And all who watch at the midnight hour,
From Hall or Terrace, or lofty Tower,
Cry, as they trace the Meteor bright,
Moving along through the dreary night,--
  'This is the hour when forth he goes,
  'The **** with a luminous Nose!
  'Yonder--over the plain he goes,
    'He goes!
    'He goes;
  'The **** with a luminous Nose!'

— The End —