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Ethan Moon Feb 2016
My mind is a totalitarian regime.

I build up walls, paranoia, panopticon. (And to me, Denmark is a prison.)

Keep the voices, the evils of the world out.

An ideology, power, purpose,

Convinces me of the diseases, the deviants,

That risks an illusion to be shattered.

I am my own dictator, hail.

I control words—words are power—

I write my own narratives, make my own excuses,

Create heroines and gods to populate the prison walls. (He was a son of God—a phrase which, if it means anything, means just that—and he must be about his Father’s business, the service of a vast, ******, and meretricious beauty.)

I rewrite constellations, make them smaller,

Build babels, buying more time.  

I tell that amnesiac blackness: that it cannot hurt me; it can’t touch me.

Those labyrinthian libraries of sky charts and lovely flower dictionaries, rooms of polychromatic paintings, which I gathered with gayety as a child—I’m still a child—I haul into the fire,

Ignorant wretch.

We live a part of a global economy, where inclusivity and transparency criticize, perfect.

I can’t stand the critics, I cry, ******!,

Condemn them to death by a thousand cuts,

Slicing and dicing, I can hear their silent pleas,

They speak to me, You are loved, Let your family in, Please stop

Please please please stop please stop stop stop speak to please stop speak to me

Horrible hungry faces, they don’t cry as I peal skin from bone,

With shards I crush those voices, with glass, broken mirrors,

Me to speak stop please to speak stop stop stop please stop please please please  

Break down the walls,

why should you die before your time?
An open market is prone to crisis,

These newcomers, it only takes one to break your heart.

Things with merit are gems; scarcity creates value.

Enjoy the labour of love and life, it is a gift of God,

Dance under pixel skies, they **** pride, ****,

Open the floodgates, the dictatorship crumbles and crumples under the weight of these tired eyes

That see light rushing out from the cell window as visions and vicissitudes

A cry from the streets outside

The end is nigh, Night is coming!

One cannot sleep with starry skies in the eyes.

Stay awake, because the guards are coming,

Remember—you are to be tried for warcrimes, hail.

You and me, we can shuffle off this mortal coil, our self slaughter a mere trifle

In this ocean of failed realties, as man to cosmos.  (All I want is blackness. Blackness and silence.)

Cause this flesh to melt I beg,

Keep cutting, smaller pieces,

No, the sunrises, it’s ****** and orange,

Citrus, it burns in these wounds,

I feel pain, I feel, warm with this ambiance,

A jacket to prevent morning chill, breathing wisps,

I don’t want to leave, I don’t want to die,

I don’t I don’t now don’t don’t don’t no I don’t want to leave no leave me

Wait!—


(Feb 7 2016)
Mateuš Conrad Mar 2017
well... there's pindar...
    a great biographic entry,
when alexander the great sacked
thebes, pindar's was the only
home standing...
          that's great... but where's
the evidence that he, actually wrote
anything?
      that's a bit like stating that
descartes: really wanted to prove
he existed...
              no he didn't...
                  he didn't care to allow
thought to precipitate into being...
he already started working
on it being elevated to a god...
   but come on... running a poetry
website and withholding
   pindar's poems?
               i have a grand "metaphor"
to counter with that...
         it really was a day of constipation,
   i had to drink about half a litre of *****,
and a warm bottle of beer (ugh...
   that's doubly worse than the way
they drink ***** in england... warm... shots...
i find that warm beer is doubly carbonated)
and then finish the day off with some bourbon...
i did say i was constipated, didn't i?
    there are usually three tiers to the affair...
first one, fair enough, it's a whale or a squid
   about to plop into the pipeline...
the third phase is a bit like: not yet! not yet!
    tier two and three are shy *******...
   you have to wriggle a little bit to get them talking...
it almost seems like some army interrogation tactic,
but i'm not dealing with some taliban fighter...
i'm dealing with my own ***...
                      it's only past midnight that i get
the whole bulge out...
        like i'm some baker that a maine **** cat
makes fetish of, joining me in the toilet
and lying on the windowsill...
       cat ****? that's three times as rank,
human **** seems chocolate to animals...
                        but i am trying to take poetry
seriously...
               i just sat through half-an-hour of
grueling efforts to extract that remnant of last night's
egg-fried rice (yes, with scallion)...
                  but as it feels... i could have
just dashed a tablespoon of chilli powder into my ****...
     i'd rather chop a hundred onions and regard that
as tears forced by sitting with a girl watching
a rom-com than feel this dash of chilli powder up
my a-hole; because that's what it exactly feels like...
   it almost feels like the harambe injustice...
   last time i checked gorillas were vegans...
         unless it wasn't going to be a tarzan story...
no? it wasn't? oh well... there goes the dream!
yet they still have pindar listed on the poetryfoundation.org
website... and there are no poems enclosed!
            it could be great to have read
a snippet of his curriculum vitae...
           the curriculum mortis belongs to too many people,
and the essence gets lost in the tornado of history...
               then again... i know the difference between
    a .jpeg        and a .pdf
        but what's the real difference between
                        a .net     a      .org          and a .com?
           tiers? just tiers? like the national agenda of a .pl
and a .co.uk?
                                 well, there is the sunday times
newspaper... 15 year olds on sugar daddy websites...
           and how sergeant blackman was
  convicted of warcrimes... when he was a trained
killer... some said that people akin to moses couldn't
fit into our modern society...
                           neither could albert camus...
               it might still be considered an existentialist
movement... but it's definetly moved beyond absurdism.

— The End —