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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Hannah Christina May 2018
Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?
Problems only We True Artists face.
Victor D López  Apr 2019
Trust
Victor D López Apr 2019
Trust is earned slowly,
Over the course of one's life,
But lost in an instant.


____
I am grateful for the feedback our colleagues here were kind enough to leave (likes, loves, etc.). If anyone would like a free copy of the ebook version of my latest book of poems, Echoes of Dawn at Dusk: Collected Poems, Volume 2 you can download a copy in all ebook formats but only through one of my vendors, Smashwords -- no coupon necessary. Ends April 4, 2022. Just copy and paste the following link into your browser:
https://www.smashwords.com/books/view/1035449

Thanks again for sharing this poem and for your feedback. Much appreciated!
Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
anastasiad Jan 2017
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Design and style ( blank ) Hewlett packard ProBook 450 G2
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Present, sound, net camera - Horsepower ProBook 400 G2
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Keyboard set along with Touchpad ( blank ) Hewlett packard ProBook Four hindred and fifty G2
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Efficiency ( blank ) Hp . p . ProBook 400 G2
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Locations as well as Marketing communications * Hp . p . ProBook 400 G2
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Sa Sa Ra Dec 2012
Yo _,
Hoping all is well as sugary sweet flowing going more like honey beeing;
you---- and---- too-uly have been so how do we like to say so, romp rompy and we just don't know X'actly as is, as it might appear though let us hope it's not too rhymey or schemey with Pop Pomp Pompey on and in too deeply into those ity bity incy weeny little commentary boxery's!!

If you don't get my follow ups to Heaven Made'r and or Garlic Please they are in draft form which I may poem-alize live copy dat roger over and over or not. I'm going out about it never mind worrying about yourself, but before or later don't worry so much we all here are so under staffed it's one of those scarcity things we need to promote to keep all you potentially dangerous and certainly crazy types safe. We've myopically studied humanity and yes those aliens have been helping too for well let's just say here cause I'm to say not so much about it, but I've already been chipped as spared with a tag of 'IDKy'. My Mom was told as a child it might be curse but I feel now with my spare free pass I'm feeling lucky and so gamble ramble rolly and once I found out it actually rhymed with Holy so who Holy knowly's? Okay my apologies and I'm overly busy you know the staff scarcity thing though we try to usually depersonalize for both the guilty and innocent as well one as you as far as we can tell are innocent yet and charges have been brought against you, but don't get your hopes up quite yet!!!

So if you would like to consult with a lawyer we are fine by this we'd understand but understand this we do not have public funds on that scarcity list for defending such kinds of non-nonsensical indefensible, but of psychiatrist and getting locked up for this we could turn you in or give ya' a long set of lists...

And we try to promote optimism firstly especially moslty up-frontly; but know see here steer clear of what we just might need a little bit more clarity therein thereoutward IDK peeps are saying all kinds of crazy things out there we're trying very hard at keeping you safe from all those other's now. I think they call themselves all kinds of crazy things like 'One Another', then they say 'All's ya' need is Love" but see then they've got all kinds of other deep rooted kinds of mix-ups within for next thing you know ya', we have finally figure this much. They seem so contradictory, we've butchered and tortured the best specimens we could and too some even helped with every bit and like too all kinds of crazy things they call us conformists!! We have not got that one figured out yet but new techies well ya know we stole some of their genetics fore if you just keep them reigned in on just a precise tether we have got a bit done with them. Well they are coming soon can't say when with chips that make silicon again dark ages at last, well then as I was saying the new algorithmics and transprogramizations might be able to be downloaded in. Now yes the stuff we have now and we're building servers and storage what they say of Gods House Many Mansions, well we don't know what crazies think they think they think they believe somehow they actually can do anything at all but we have got this thing that fits what they call Gods House we think on the small tip end of the needle ya, as they say JC, Pop's little one, all these mansions just one son. Anyway said something about us being like trying to get a camel though the eye of that thing. But wowza we got a barn load of that House of God stuff on the small end remember and they pretty safe we's moling around underground and along with a little nuclear waste and all the kinds of formats and types of files well if they were barns on grounds oh what a city!! We think perhaps a metaphorical thing we might be able to some how use it then they say we are abusing it. Well to say this for the new humanity and like that "Jeweled City" coming down for their own good looking over them it will be. We have our special agents everywhere, from a handful of string puppeteer players but don't worry the aliens say most of the genes did what they were supposed to. So we might be getting close to pulling this off. Well, these thing now are like what they say about this thing they call 'God'. It's like it knows no country, race, religious affiliations or associations, secular or non those work we have found about the same way. Currencies, politics they all make pretty good mindful fences and we like that stuff it's all in your head, because there are some still trying figure this stuff too, about some kind of connection from the mind to or from the heart and which way we just don't get the technical details. All we really know is that when this heart matter comes up our systems nearly crash. So as far as we can tell we still pushing hard that EMC squared energy matter to crazy people, crazy enough keeps theirs minds busy with stuff dig!! This oh, how this the beautiful kicker still scares the living 'um we'll just call it crap here. For if this ever goes public you know the scarcity promotional plan and shortness of staff, well it might save us some editing and save energy from servers trying to catch stuff that might upset and make unruly those same people we do all we can for. But you never know we're just not so sure so too we let them selves go on with maybe 'Mother' needs to cleanse herself... we like to leave room for a few contingency things.

Give it a couple of weeks and try not to sweat it too much a bit. But then try to get back with me on this. We have setup a private file here; we respect your privacy but you might want to check the details of fine print on the site here that just keeps a hoing along linking to the indefinite indeed-ly insane rather cool gruelingly cruel more so beyond too colder than natures own ice here which such is ever dear kinder sweeter than the down linking of going to be your bad. However now too understand there are new technologies out there while we are at it if your feeling a bit chilly chilled here now beside all those turn on and off pills and again the bugs are not so clear if they can ever worked out but there are places and they can make it painless, sounds nice right hmmm now ya got me thinking too much again. Susssh's not a word one slip click of mouse here that I don't need meece or even mice just one mouse dig and mine is wired just one little slip click and oh 'ooops your prioritized and if your a unlucky type of fellow we always need a good sporting specimen of public spectacle. Just so you know we don't want 'Gods Children' acting and playing in love, joy, fun or singing not in that counterproductive heartfelt way. The chips are almost ready and for their own good we wouldn't want you to get in the way!!!
This was msg saved as draft for a spell about;
These were responses saved as drafts for a spell,
a bit watered for public consumption about;
http://hellopoetry.com/poem/garlic-please/
about;
http://hellopoetry.com/poem/garlic-really-or/
and just in part really;
http://hellopoetry.com/poem/heaven-mader/
to;
http://hellopoetry.com/poem/heaven-fader-why-not-lata/
I continue to be amused &
Captivated by Gabriel García Márquez,
His Love in the Time of Cholera,
Captivating me still.
His simple use of the name
“Bolívar,” por ejemplo.
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There is something uniquely Latin
About life in Latin America,
Once again, stating the obvious
For all the media-slain retards
Hovering around me.
Their never-ending enthrallment
With Strong Men,
Particularly when strength is
A measure of one’s honor,
Hizzoner,
Your honor,
To wit: Honor Killings.
In practice, a sober demonstration
Of the theory as it is practiced.
Americans—with swarthy exceptions—
Do unfavorably view most of us who
Can trace our ancestry to Southern Europe.
“Southern European,”
Itself a vicious racial slur,
And remains so north of Eboli,
No surprise that Christ stopped there,
According to Carlo Levi, writing off the
Il Mezzogiorno, beyond redemption.
Southern European:
Smug words you make them eat,
Throwing Greco-Roman Civilization
Up into their faces.
Athens & Rome--
Epitomes of culture and class--
Patricians, of course, yet
Skifoso bragging rights for all those
***** scratched plebeians of the mob.
But I digress.

Strongman Latino-Americano.
Some Bolívar, some José Martí.
Why not some Fidel?
¿Por Que No?
Tu compadre, Gabo--
Tu Generalissimo Cubano.
How could you miss, Gabo?
Castro lobbying for you, twisting the
Surreal & squirrely qualms
Of Nobel Prize Nabobs.
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You owe that bearded strong man, Gabo.
Fidel Castro: Maximum Leader to be sure--
Like Omar Torrijos & Noriega--
Panamanian Reds,
Tasmanian Devils!
And Sonny Barger –
Dubbed Maximum Leader,
By Hunter S. Thompson's Hell's Angels:
(The Strange and Terrible Saga of the Outlaw Motorcycle Gangs RetroBites: Hunter S. Thompson & Hell's Angels (1967) - YouTube ► 6:21► 6:21 www.youtube.com/watch?v=ccyu44rsaZo‎ Jul 7, 2010 - Uploaded by CBCtv Hunter S.Thompson defends his book against an irate Hell's Angels biker.)
Come Perón, come Hugo Chávez.
But, Hark-a-lark,
Let’s wait a sec
Lest we forget
Cristina Fernández de Kirchner,
One tough, Argentine *****,
Illustrating again for all men
The root of all machismo:
La Mujer!
The ***** that bore him;
Nurtured & nursed him.
****** & ****** him.
La Mujer!
(La mujer sin cabeza (2008) - IMDb www.imdb.com/title/ tt1221141/‎ Rating: 6.4/10 - ‎1,815 votes Directed by Lucrecia Martel. With María Onetto, Claudia Cantero, César Bordón, Daniel Genoud. After running into something with her car, Vero experiences a... I get 7 cents for each link, each hit, making poetry pay for once, the savvy poet, a marketer finally figuring out how to avoid death in the gutter, a death penniless, diseased, babbling and insane.)
Yes, the woman,
The woman, who loved him,
That widow who buried him.
The woman—at any particular
Time of life, in his life—
The woman who just happened to be there;
Was just hanging around
During that brief, emphatic,
Conversation lull.
Genesis got it wrong:
Adam was a stiff rib of Eve,
Made from sterner stuff,
A creation conceived in torture,
Reared in disequilibrium.

Women create the men they touch.
Strong women.
POETRY AND ITS IMPACT ON HUMANITY

Today the word poetry evokes images of love and sentimentality, but the term romanticism has a much wider meaning. It covers a choice of developments in art, literature, music, dance and philosophy, spanning the late 20 th and early 21 st centuries.

The romantics would not have used the term themselves and the label was applied retrospectively, from around the middle of the 20 th century. Man was born free in this virtual environment of real life but, everywhere he is in chains. During the romantic period major transitions took place in culture, as dissatisfied intellectuals and artists challenged the establishment.

Almost all the romantic poets were at the very heart of this movement. They were inspired by a desire for liberty, and they denounced the misuse of the poor.There was a highlight on the significance of the individual; a conviction that people should follow ideals rather than imposed conventions and rules. The romantics renounced the rationalism and order linked with the preceding clarification era, stressing the importance of expressing authentic personal feelings.

They had a real sense of responsibility to their fellow men: they felt it was their duty to use their poetry to inform and inspire others, and to change the humanity and their social attitude. Poet Rumpa Ray Ghosh believe in this theory on life and poetry of this time.

A PASSIONATE POET OF THIS TIME

For Poet Rumpa Ghosh, even a quatrain is what in a verse, which makes someone to cry or to laugh, or just be silent, makes your twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.
Poetry is taking at the heartstrings, and making music within our solitude in life. Rumpa Ray Ghosh is a poet of profound obsession towards composing lyrical form of poetry. Her poetic enthusiasm makes her verses, extremely impressive and highly alluring. She is fast budding poetess of wisdom and emotional response. She had completed her Masters degree from University of Calcutta, though she is from Calcutta currently living in Mumbai.She started composing poems since her young age.

Intentionally or innocently, many of the poets are most often trying to fill a vast space with things that cannot satisfy fully. We look forward to fill the void with our own possessions for comfort, but unfortunately we normally end up wanting more and more. We try to fill it with relationships or pleasures, but we end up feeling even more empty and further more depressed than from the point where and when we commenced the discontentment as these thoughts were well presented by Rumpa Ray Ghosh in her poems, namely, “ The Roof”, “ The broken house “.
The only place that we can really find true fulfilment and gratification is in the hands of divine God. We need to recall and allow our convictions, not in circumstances, to govern our sense of contentment. The anthology freshly illuminates many excellent lyrics and short poems and are highly valued regardless of its freestyle genre.
For both the poet’s, self-consciousness is connected to the new eminence established to poetry by the feelings of the self, which truly resembles the title of the anthology, “ The Musical Marvels of Self “. Her poems are lyrical, close to heart, soft and romantic. The scrupulous flow in her rhyme magnetizes the readers. Her works were widely published in many national and international journals. She is a regular blogger. She takes the images of her writing from simple every day incidents, uses metaphors and imagery to add grace in her skill of presentation.
Her language is simple, easily understood by lay man, quite touching and heart rendering. Her first book " Musical Marvels of Self ", an anthology of 43 poems came out through Zorba publishers.

The anthology was a combined effort in association with honourable poet Dr Ujjwala Kakarala during September 2017 Besides, being a talented poetess of lyrics, she was an excellent singer Proficient in Bengali folksongs, Rabindra Sangeet and Nazrulgeeti and ghazals and has sung in numerous local stage shows. Rabindra Sangeet merge gracefully into Tagore's literature, most of which—poems or parts of single scene plays alike—were beautifully transformed or converted to lyrical formats. Influenced by the “ Thumri “ style of classical vocal music, this has made the entire scope of human emotion, ranging from his early songs-like Brahma devotional hymns to human soul.
This has emulated the tonal color of classical “ragas “to varying extents.
Earlier, She had also the chance to attain a position as Quarter-finalist in BBC Mastermind Family Quiz competition aired on Disney Channel.Poet Rumpa Ray Ghosh, an Indian by nationality, she hails from West Bengal, the “ City of Joy “, but currently living in Mumbai, Maharashtra, India. She is by occupation a teacher, content writer and a blogger. By obsession she is a poetess and a singer. She has completed her post-graduation and B.Ed. from the University of Calcutta. She has worked as a teacher in St. Thomas School, Mumbai, as a content-writer for ‘Pratham’ (NGO) and as an English curriculum developer in Vibgyor High School in Mumbai.
She publishes her writings on her own blog with a name ( fragmentofimagination). She is also a writer for some literary groups. Some of her poems have been published in national anthologies. Recently one of her poems has been published in a US e-magazine "Beyond Borders” in a popular poetry site. She has also participated in an open-mic poetry reciting performance in the Prithvi theater arena in Mumbai. Being Proficient in classical vocal music, she had the opportunity to perform in classical vocal music on various musical events. She is a Sangeet Visharad from Bhatkhande Sangit Vidyapith, Lucknow and is trained under Late Pandit Vinayak Vohra. More tha a Poetess having a deep passion in writing, she enjoys dance, music and teaching his students as part of her professional skills. Stay blessed in all ways at all times.

WILLIAMSJI MAVELI
Reece Nov 2013
So the keyboard in morose haze is a maze for the poet, blurred mind, slurred lines
How impossible to focus on screen and desk, simultaneously and keeping uniform
He doesn't look anywhere but within himself, the core reliance on life and poetry
A system of chemicals that writhe within him, every second an ordeal and euphoric
How he licks his lips, as they dry so fast, and the throat he clears is rough, how ironic
Since drinking a five ounce bottle of cough suppressant and smoking three joints down
His fingers are numb and act as spoiled children, incapable of civility on worn keyboards
On multitasking he fails, the new joint lays dead 'neath his once deft hands, wringing
Stench of smokey tobacco and ash from the splitting of old cigarettes for rolling tobacco
and roaches, sticky with resin, dripping on cheap wood desktops and staining pajamas
His hands no longer work, as the spirits have taken hold and disassociation is supreme
There's a cam model in the tab by the one he writes, frittering between the two
Inspiration for the loneliest of souls on wistful whistling autumnal nights, and the winds are howling
Everything around him is cold to the touch, the window's been open for hours now
and here is linguistic death upon your eyes and in such beautiful formats
Did Burroughs burrow too with the door-mouse on the first days of fall, when the world did end
and love left for the south and the curtains of Britain were drawn with pretty girls on postcards
This language is too morbid for him, and the land's aghast when tires screech in the night
The itching begins about now, with a furrow of the poets brow, liberation grows sour
The name Alice reminds him of her and the itching remains but a new itch needs scratching
Tired and free, discordant and discarded with the rest when all are in bed and I can attest
Do not re-read for he is ill of nationality and the land falls away each night beside the doorstep
He no longer watches screens or sees in colour, no time is passing but he grows older
Shaking when the westward winds howl in city streets and foxes rummage in overturned bins
It's cold but not too cold; cold enough to need a blanket but not too cold as to need two
He's an ambling rambler when he gambles with the shambles
But when the mind is beaten by the by he sighs and says goodbyes

The wooded lands are a beacon tonight
and life is on the horizon
*Stream-of-conscious
*Written under the influence of dissociatives
*And sleep deprivation
STLR Oct 2016
What is 1 to 1.5

currency to relativity

urgency brings negativity

It's not about new tools

it withers your tools bring productivity

The way you slap that old guitar, the way you drive that beat up car

How fast does it run? How long does it last? How fast does it charge?

New can only take you so far

Let that distance your reach be derived from a skill, not from how rich or famous your are.

I often walk, even though I own a car...I prefer feeling the wind, the open-air, it makes me feel like I'm apart of something

The emotions I feel are driven from an organic substance, the dirt that I see the wind that I feel..these constant conflicts between what is man-made and what was here.

The stare of a deer, the tree was its friend, it's now been destroyed to make a path of cement.

That path of cement created a state of solidarity, urban prosperity, violence numbified by media regularities.

Civilizations become the norm, even though we all barely speak to each other physically

Digital formats become our literal floor mats, every result you leave results in a digital footprint, cataloged for the marketing lab rats

Too complex to understand like a physical labyrinth, Let me elaborate

So let me ask you ?! What is 1 to 1.5

Can you live without your social media vices, multimedia devices, tell me the definition of what "like" is

Currency, urgency, thumbs up if you feel like every part of your life is an emergency, if so then share it,
so the world can see

Then watch your conversations about fashion turn into a targeted ad about a jacket that is burgundy

Invasion of privacy? Not if your privacy is for the world to see.

Coincidently that jacket is on sale, so if you buy it this theory will not fail, and if you don't the media will still prevail, it's presence is an entire quarter, meaning it's heads or tails.

That's urgency hiding behind a veil.
LARISSA LOU McCASKY female 40 years of age 5’7” lanky physique stitched old pillowcases random fabric homemade knee length wrap skirt tight brown velvet vest no shirt camping sandals subtle smile

CLYDE ELI MOSKOWITZ male 52 years of age 5’9” athletic build yet signs of age white painter’s pants rolled up to mid-shin light blue vintage cowboy shirt wet black high-tops

act 1 scene 1

Sky bar 4th Avenue Tucson Arizona 6:30 PM actors sit 3 seats away from each other at bar bartender approaches Larissa

BARTENDER can i help you?

LARISSA (she looks up from cell phone) yes thank you may i please have a glass of sauvignon blanc or reasonable facsimile and tall ice water

BARTENDER we have a California pinot grigio $5 a glass

LARISSA is it good? i’ll try a glass (bartender serves wine and tall ice water Larissa sips) oh yeah this is good thank you

CLYDE excuse me i was considering switching from this Spanish red to what you ordered you like it huh?

LARISSA yes it’s quite good funny coincidence i just switched too from pinot noir last week i decided it’s unseasonably heavy you look familiar have we met?

CLYDE we’ve almost met on several occasions i’m a fan of your beauty (raises hand appealing to bartender’s attention) hi may i please try what she’s having

BARTENDER no problemo señor

LARISSA oh that’s sweet i thought for a moment you were going to say you’re a fan of my writing

CLYDE you’re a writer huh what kind of writing?

LARISSA whim fancy poetry fiction essays critiques i like to experiment with different formats

CLYDE hmmm what are you currently reading?

LARISSA aren’t you the inquisitive one i’m currently reading Yukio Mishima’s Madame de Sade it’s a play

CLYDE wow i’m a fan of Yukio Mishima and the Marquis de Sade yet unaware of the work are you enjoying it? i’m Clyde what’s your name?

LARISSA Larissa i just began reading it so far so good

CLYDE may i move closer?

LARISSA yes

CLYDE thank you (he picks up glass and sits next to her) hello

LARISSA is the mustache recent?

CLYDE still growing in

LARISSA i like you better without it

CLYDE got a razor on you?

LARISSA it makes you look sad

CLYDE hmmm (long pause he looks away then into her eyes)

LARISSA are you ok?

CLYDE yes

LARISSA what’s your profession?

CLYDE i’m a painter sometimes writer and i teach yoga when i can find work otherwise i scrape out a living house painting restoration whatever pays

LARISSA a painter what do you paint besides houses?

CLYDE i’m old i’ve painted everything figurative representational abstract symbolism you name it i’ve painted it

LARISSA you’re funny

CLYDE you think so?

LARISSA Clyde why are you sad?

CLYDE oh Larissa i don’t know what to say in a way i feel i was sent here to do a different job i don’t understand why i'm here or what i’m doing do i sound crazy? life throws a lot of hardballs at you few are good enough to make the big leagues the rest of us struggle day to day no i don’t mean to express that thought i’m grateful for the opportunity of this life in my own little way i try to make a better difference

LARISSA you’re not crazy Clyde you’re wise well spoken words you’re a sweetheart i’m glad to finally meet you

CLYDE oh god Larissa you have no idea how good that makes me feel i am such a fan of your beauty the way you dress your voice gestures everything i look forward to reading your work

LARISSA chill on the flattery Clyde my dog is dying (tears well up in her eyes)

CLYDE i am so sorry for you (he reaches into back pocket) here’s a tissue i know what it’s like to lose a precious friend i lost my baby 12 years ago and still carry her picture in my wallet i’m probably not someone you want to talk to i totally freaked out (tears well up in his eyes)

LARISSA Clyde you are so sweet can i buy you a drink anything what do you desire please

CLYDE uhh thank you but no not tonight i think i’ve had enough i need to go home Larissa you’re an angel my precious angel thank you my heart flames for you (he stands up)

LARISSA you’re being dramatic Clyde please stay and talk with me i won’t ask you again why you’re sad i like your mustache it’s growing on me please hang out with me

act 1 scene 2

9 PM they are walking back to her place

CLYDE (looking up at sky) the moon Larissa the moon

LARISSA you’re so dramatic Clyde

CLYDE you think i’m a drama queen?

LARISSA i don’t know you well enough yet Clyde are you?

CLYDE sometimes i think i’m a woman trapped in a man’s body

LARISSA shut up Clyde

CLYDE i’m definitely a man but way too sensitive for this world

LARISSA i need to *** (she squats and pees)

CLYDE (he looks up and down street keeping guard) you’re the coolest girl in the world

LARISSA you think so?

act 2 scene 1

cell phone conversation

LARISSA i’m taking Sweeny to the vet i can tell he’s hurting bad

CLYDE i’m coming with you

LARISSA no this is too personal

CLYDE shut up Larissa i’ll see you there

LARISSA i don’t know i need to do this by myself i feel so sad Sweeny’s eyelids are half closing I’m losing him

CLYDE i love Sweeny for adoring you the joy he brought to you please don’t shut me out Larissa i’ll meet you at the veterinarian’s we’ll figure this out write paint practice yoga work it out somehow

LARISSA ok alright see you at the vet’s

act 2 scene 2

they are shoveling a hole in her backyard deep enough so no creatures can intrude both are crying Larissa is in a daze

CLYDE that caliche is a ***** to shovel through

LARISSA yup

CLYDE oh baby let me have the shovel

LARISSA i can do this i need to do this i think it’s deep enough let’s go look at Sweeny (tears pouring out of her eyes they go back into house Sweeny is lying wrapped in blanket on table)

act 2 scene 3

he is lying next to her sniffing smelling her underarm kissing her neck hair she is lifeless coming to consciousness crying hysterically

CLYDE rest easy darling Sweeny is up in heaven waiting for you

act 2 scene 4

Thai restaurant

LARISSA i’m not hungry can’t focus on the menu order for me

CLYDE i love you Larissa more than anyone anything else in this whole world i love you

LARISSA i feel sick tired

CLYDE shall i drive us home

LARISSA no let’s eat in an unforeseen surprising way Clyde i love you too deep down stay with me Clyde don’t ever go away
Paul Hansford Aug 2018
1 - Limerick

If you wanted to go to the moon
you wouldn’t go in a balloon.
    The hot air inside
    gives a nice quiet ride,
but you'd come back to earth much too soon.

2 - Senryu

With all that puffing
    his cheeks, so round, so scarlet
         – just like the balloon.

3 - Diamond poem

             Blow,
           puff hard.
        That’s better,
      getting  bigger,
balloon’s fat and round.
     No more blowing,
       that’s enough.
          Look out.
            Bang!
Any offers for another? Anyone?
The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when the earth touched our life, being able to see how the cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from the other taste of self-observing and seeing ourselves in the face of the Horcondising anti material And Universal Biomass. We preexist under science that models the energy and matter system in causes of the ancestors, with which their life and ours sneakily crashed. Gravity made us a great paternity in Vernarth Biomass, being in the Dodecanese, being the cosmos in the arcuate curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also the time2-space2 that has not been afflicted at the origin or in the abscess of the stars that move irregularly in zig zag, for the fractality of its component, which is clearly aramaic blue light, in circuits of cumulus movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young with gratitude’s "

The distribution of the nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are percentages of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a frozen present specific. Its final station is to stake the Zig Zag Universe on the re-expanding medieval crestomatia, in qualities of gregarious Sub-mythology, already settling here in Archangelos. The implosion of my gravity, has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring from the hexagonality the primogeniture of the passage, which from Jerusalem goes to Bethlehem, where the Davidian prism, of whose Original fractal is attributed in the two-dimensional shape of a line of the Mediterranean fractal flap, resembling the gems of the crown of the King David to that of the Messiah, appearing to be similes, but of irregular geometric formats, to build gems in landscape spines, basically sub dividing into equal conical funnels, and then being randomly displaced towards its central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to B ethlehem and then to the Church of the Shepherds in its fractured hexagonal base, figuring to be snow falling on the cusp of the roofs, where in the Kafersuseh manger, the Mashiach emerged and died in the abstraction of the One-dimensional Beams in the foreign eyes, eroding those who are mortal and do not see it with divine eyes in the self-likeness of our hypochondria and the failed plan to increase the size in the unknown analytic of this new implosive moving dimension of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailing in their nature and in the natural infinity, here the new privileged world was envisioned for self-similarity in the speculative and cosmogony functions of Vertnarth, at intervals in each space of shadowy walls , bringing accelerated bombs of messaging from Gethsemane among mutated olive trees to other humans. "Its correlation is infinite fractal with reversible observable time, and with the patronal belonging of mobile echoes of a space, which is occupied by Vernarth as multi monograph and integers between the fractional integers”

Finite is the curvature, between the time that walks between the grove of the Duouniverse as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, what is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the Beams One-dimensional of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change of arduous colors in gradient in Avant Garde, for its confines of perspectives of verbality, and of amendments of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the reaction disturbances and recreation of multiform plasmas of Christian cosmic savior. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of error of the current universe losing itself, in the second thousandths of figures that separate us from the Universe,but all of them being more than time ...!, remaining at the expense of the wick of all electro-matter "

The sub-mythology having already been established, Hestia appears, after having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was already two meters away from him she looked monumentally huge, but with a versatile physiognomy, therefore it was already appreciated in recent years. Footsteps, with her domestic Goddess figure emanating light years from the chimneys of her habitable galaxies. The critical immanence that would happen would preexist the perfectible plan for the Zig Zag Universe and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great ratio of proscenium in the vicinity to Tsambika, between Mind / Meditation for Wisdom / Meditant constant mechanism, according to the cosmological constant, taking them perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range; therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backwards advancing between the dizzying lights of creation. Immediately afterwards, the Universe is torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in her prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, “Prytaneum”, smoothing the light in the clarity of the faith of the owners of the hamlets that were founded when they arrived at Tsambika, in search of Vas Auric, cheering with the omphalos stone, that marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils over her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterwards. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between distances that discount minutes of the Hestian space, for such a corollary of approaching its finitude, and inaugurating the sub-finite, which will never be the source of a term in a disconcerting end of time that is not equationally physical. "This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)"
Zig Zag Universe / Part 19

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