Plane Poetry: I go to Barber*

aisle seat C 14,
an emergency exit row,
forced to solemnly swear
that for the extra legroom,
I will solemnly assist to open
the exit door, me first as my reward,
and keep my terrified screaming
below an elephant's trumpeting mating call

what hast this to do with a trip to Barber?

you Brits and Aussies, ever economical,
say went 'to hospital,'
leaving we Ameddicans
to dignify that august institution
as going to
The Hospital

Thus advised, be apprised, a
Nota Bene Benidictus:

I go to Barber,
Not
I go to the barber.

Samuel Barber,
Adagio for String Quartet, Barber

If unfamiliar with this piece,
you will recall it well
if "Apocalypse Now" registers at all

If not stop immediately,
return to Go,
start here,

www.youtube.com/watch?v=RRMz8fKkG2g


be prepared to surrender your mortality,
listen and if effected,
if you find yourself on your knees
weeping, recalling the days of loss,
the early empires of hope,
the first kiss
of your firstborn
and unknowingly,
the last you gave
a loved one

if you have the courage to
be touched and impacted,
as I,
then welcome back to
right here where why...

I go to Barber
where violins soar me heavenwards,
where violins rip open sores long since scarred over,
I go to Barber
and float, eyes sky'd, as water
fills and departs my body simultaneously,
I go to Barber
to know that art can rise beyond,
that my weakened, wrecked human flesh, surpassable  
I go to Barber
to harmonize my disconcordia,
romantic lyricisize my waning days,
I go to Barber
to voluntary confess, admit my impoverishment,
to acknowledge that they, my days, yet are capable,
I go to Barber
to remember and to forget,
to mark and unmark time
I go to Barber
to be created and recreated,
to be destructed and despaired
I go to Barber
to acknowledge, as human, better is forever possible,
for of the god spark, yet unextinguished
I go to Barber
because there is no plane as fast as his slow adagio,
to transport me to the who I am and should yet be