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Jan 2020
i don't actually remember writing these words
(ref. to a schematic revision (b)...
all the way through to 5 minute sketch
in a Polish supermarket / edradour distillery)...
am i to find myself being ashamed by them...
i clearly saved them for the draft tenure...
to find myself agitated by their very existence...
getting drunk and writing...
it would be so much easier to simply drink and drive
and cause an accident...
then i'd sober up... there on the spot!
but to have to feed into a responsibility of writing
when under the influence?
and there are no hallucinogenic drugs involved:
to... "expand" on?
every time i see something that i clearly wrote...
i am doubly clear in:
an inability to recognise it... something came over me...
most -esque to a cynddaredd...
rage... to write with a ferocity of a blindman's
sneaking a peek from within behind the prop of blindness...
i don't remember writing these words:
but i do remember that i was drinking...
and if i remember that i was drinking...
i can't expect myself to remember writing these words...
to write poetry sober?
well sure... but what would happen if,
"somehow" a self-censorship impetus overcame me?
what if cages of narrative and the prosaic
took over me? and i could... quiet simply...
find the iron maiden of poetics in a drinking session
to boot?
then i wouldn't be: uninhibited...
with a pairing to the ears catching a drift of:
years of denial - body map e.p. -
i do not recognise myself with or in these drafts...
i see the poems of architecture that
never surprise with a rhyme...
i can see the zoological animal of a man bound
to customs and regulations of a lexicon...
never such roughage... such fibre...
in a spontaneity...
never a letting go... or rather...
hanging onto a razor that's the only "leftover" base
for a ledge...
it's never feeding a quality of fleeting
or of chaotic... esp. that the vicinity shelters...
a made bed... a private library of records and books
that have been dusted...
the house is clean... the dinners are cooked...
i do not remember these berserker outpourings...
it's almost "funny": to have written something...
but at the same time... being unable to recognise...
except for the idiosyncratic punctuation markers...
and a knowledge of diacritical markers...
it's not for my eyes to peer at a second time...
it was already agony the first time round
when i wrote what i wrote as... this most uncertain "i"...
if these drafts are better for those about
to squat... i am not their owner...
these are forbidden children with mother past...
i see no father future worth for them...
they are to be chained and beaten into
an archeological rubric: aye! december the 22nd 2019...
etc.,
come midnight i will want to have forgotten
even having written this!

at least when taking photographs...
there's something you can detach yourself from...
not when making these escapades of wording...
you can allow yourself: most assured...
a pressure to be alien to them...
to be ashamed by them...
there is never a novelty to them:
never a novel binding -
such is the nature of these words...
they are the houses that are to be abandoned...
perhaps stop-over places of cohabiation
by (psychological) squatters...
i gave these rooms, these words,
the original dimensions...
stop-over places between finding (a) ritual
and sacrifice and altar at the feet
of a Dostoyevsky... or some other...

esp. the somehow arrived at:
over-burdening tone of "know it all"...
which none of it is allowed a translation
into a formal use of the tongue...
because it was never about finding a cutie
in a rhyme...
or a psychology to be washed in rose water
without some knee-**** and bulimia reaction
when the sulphur would come out...

these drafts are abandoned poems...
because i am most certainly cruel to myself...
i cannot help not being cruel to myself...
that's how i always mistake kindness...
i have always mistaken kindness...
since whatever kindness i offered i did so
from a lense of selflessness...
the ghost aid... trivial 3rd party seances of
kindness... ghost hands and ghost tongue...
because i am a tyrant unto myself...
i am most cruel: unto myself...
the number of times my "ego" becomes
a tool for self-laceration is... quiet frankly...
hardly the 2nd tier of unit for
a personality and a fathomability of character
that would ever allow a person in...

even if i am right... i cannot allow myself to gloat...
happiness is such a butterfly of time...
such a whimsical affair...
it can be appreciated...
but once it is... a tonne of bricks
must fall onto it for a sense of stability and:
how best to feed capriciousness
with an immovable object?

it's one of those questions that will never allow
itself to arrive at "wisdom"...
a notable statement usually juggled
by certain youthful muslims is:
there's no water in the desert...

i'm pretty sure that's supposed to imply,
something, other than...
of note... i have stopped biting my nails...
the argument was:
i like the taste of keratin...
and i "know" keratin in nails and the keratin
in hair...
how i have succumbed to enjoy
clipping my nails...

like i never smoked a cigarette because
i was nervous...
i needed circa 5 minutes to lag behind me...
or scout ahead of me...
something to scout ahead and lag behind...
something to capture a pensive
evil-brooding of the brows...
or imitate a cat inclined to entertain
itself over some cobweb it would later
ingest...

now these clipped nails...
it's almost as if i found my teeth to be
necessarily itchy...
itching bones...
of note: those bones that itch when
left exposed, signatures to the former
muscle, flab and ghost tenants they were
once landlords to...

how else? there's no more a dissatifying ending
as that in cinema of: the end...
i still don't know why the credits roll...
the old movies...
the old... the passed...
this has to feel like an abandonment
to the very last...
i might as well call it: 15th january 2020...
circa 15 minutes past midnight.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
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