Submit your work, meet writers and drop the ads. Become a member
Jun 2018
come:
   and of the few -
to join in, in the spectacle
              of humanity;
however many bones need to be
crunched, broken,
and allowed a  suffocation with
                                     to allow a flute
                                                    seer...­
               if only
the mortals didn't implant
                                  a "future" from
an immortal perspective...
there is a death-defying
act...
         it's called: a lie...
  much of my mortality
has been wasted on
               this puppet show
of claiming
to be part of, the events...
      i too, once, could reap
a shadow
of an impeding trot
as arriving at a "desired"
destination...
             old age is no
achievement within the confines
of the impeding death...
   but i do love how the dead
implore for a singing
encore,
        with epitaphs and
               asthmatic half-laughs...
king matters,
   while the very many
become the favoured few...
we can work with that:
   zeitgeist is apparently
an aphrodisiac:
to counter the "heilig"-geist
                                  momentum;
can't be too prudent to mind
nearing autumn,
  and the fallen prune...
    P.R.                  für sie (foor sigh,
in quasi-german, that's english,
which is the highest form
of saxon you'll ever have
a chance to experience).

     in the title, inclusive of the syllable
count, the counter with a
doubled-up: consonant...
                     matter, though,
isn't a problem...
           you can guess i've had
entertained a background
in chemistry...
                Na is no different
to sodium to me...
             liberal arts?
        social "sciences"?
               i have a fixation worth
an itch... then i'm reminded
of the 3rd party authorities...
        you know, that form of
an insatiable itch...
               something quiet relevanat
to improvising a headache,
   migrane, in mimic form,
second cousin, boring as ****,
but nonetheless utilised...

   ah... but poetry:
the candy equivalent to:
a sweet, said nothing...

            i like listening to
the jeff deist sanity...
                     you get the feeling
of actually wanting to wear
a crsip, well ironed,
white shirt,
          being able to, yourself,
manoeuvre donning a tie
           unlike it being a noose...

doubling on consonants?
   it's not exactly an english thing,
in how, western slavic is approached...
   ch' ch' chequers or chess?
     ****... called it drit in times of draughts...
or O...                the big moom
and the lesser whee,
   but more or less a concept
arrived to, from exposure to a pregnant
                                                        ­ woman...

         sh' sh': hushing the *******
narrative?
              not nice...
    counter with a noun...

                                  shish kebab'ah!

told you H was a vowel-catcher...
minus the laughter, + a sigh...
      
     unless that's macron-style-africaan...
i.e.
          doner kebāb...

                     reign / rain from
                                           above...

   i always loved juggling,
or tossing aside,
        inter-mingling the english
punctuation marks, with a complete,
absence, of "punctuation marks"
above, or below letters...

            sympathetic fren'cheese...
(whatever the "correct" spelling
is to boot, to market
equivalence) -
                     say ******* when
someone takes a photograph
of you and a bunch of ****-clinging
turds?!) -
                        
                  right.... who knows!

some consonants are not well
equipped with a quasi-syllable-invoked
doubling...
         verbum-intra has
                  apostrophes and diacritics,
primarily the former...
verbum-inter has
          commas, and allusion of
grandeour with colons, hyphens,
semi-colons and...
                 dot dot d... dotty: dittoing -
down-to-earth metaphors
without italics, or "air" quotes.

i still love the fact that rubber-ball
                , (comma) can jump and
attach itself to ceiling of a sentence
          and become an ' (apostrophe)...

because that's what existentialist
"mastered", or rather tried to exploit,
borrowing a re-framing of
the capacity of the metaphor...
                  with:           "                    "...

what the **** happened to
the good old days of fiction with
the gaelic narrative impetus
akin to a genesis of a paragraph,
beginning with a:

    -                      yes, a hyphen!

if it weren't for the exposure to
pedantry: making language encoding
into surd a technicality-bias
               for pedantry per se...
i really don't know,
what i would do...

                hyper-literacy is not some
teddy-bear you squeeze to get a giggle
from...
              i was never fond of
americanism's acronyms,
                      grafitti,
                or otherwise
the internet fission of hieroglyphics
through memes...
                        the: an image + a word...

what, if anything, can ever be justified
      as "self"-explanatory?!

it explains itself to a self?
        i think that's a rhetorical question...
point being:
              who governs it
in bypassing phenomenology,
  and attributing a self,
      to the confines of a noumenon?
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
95
 
Please log in to view and add comments on poems