Submit your work, meet writers and drop the ads. Become a member
Sep 2016
of course i believe in an after-life,
well, let's say ~life, or
passing on tradition "life" -
however you note it down,
because that's what this out-of-every-instance
is described: a second chance -
however hellish or heavenly,
that's beside the point,
either way the idea is not a torture rack -
but nonetheless,
serious intellectuals are reduced to
smithereens by merely considering
arguing such realms -
the **** do it better with Manga cartoons,
so ******, so exotic -
by the way? Tokyo Tribes is the
most ******-up film i've seen
since Battle Royale - new-age propaganda
spinsters... Alistair Cambel looks
like a boy-scout by comparison...
oh, rolls-Royce- royal, roy-all - not the
tip end of ale from Roy Orbison,
roy-all - ******* missed the diacritical
marks and went mad with punctuation
nobody ever ******* minds:
laugh now, pay later.
but with all these people concerned
with their body image, their hologram
selves, it's no wonder that Darwinism
is apprehensive about it's archaeology
(******, please insert the presence of
the æ γραφημ) - when the fashion
industry is doing, what the hell it's doing -
why would i believe in this world,
this world alone, when people
are adamant to perform hologram spectacles,
the: let's try to make it all look pretty,
but ******-up beneath all the fake aesthetics?
it doesn't take questioning the entire world,
or abstracting this world and questioning
reality to provide the answers...
it simply takes the fashion industry
and the ******* industry -
or 17th century sensibilities of painters:
plums versus twigs -
                                        and you think this is
the only world? given that people around you
are not being who they deem they are
because they're more concerned with
projection rather than perception?
i love these alphabetical clues...
                                  they're the rhyming couplets
i live for outside the reach of a thesaurus -
if a person stages concentrating on
a hologram ambition, and empties himself
so that he's constantly c.c.t.v. prone to
sit up, never pick his nose, wipe his *** with velvet...
well... how can you experience this world
for its worth, when a person also involved in
this world, monetises the world into
a hologram flip of the otherwise dormant stone?
only a fake world would ever provide fakers
to reside in it and reside in it as the highest authority...
there's the television / Plato's cave to mind also...
i just don't see it fulfilling in what Heidegger
deems being - comfort in concerns -
or simply there - so what compliments
this world is illusory, a hologram that isn't neither
being nor non-being -
                                 i'd call this world
and all the powers involved in keeping it
an assortment process - allocation in extreme -
at least a way to see the full potential of
humanity's free will... or the least desired
verse alter of the collective: making your mind up.
all in all: thespians and make-up artists!
  and the need to keep animals for company
to shy away from social-mobility (lying)
                       of the everyday and tell the truth -
to animals, who bark and meow,
the true onomatopoeia poets of our truant morals
and they too: truants of speech, knock on wood,
lick the testicles, play ping pong.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
453
   Doug Potter
Please log in to view and add comments on poems