May 2015
James, you make my eyebrows feel so heavy.
To think: if I never find the one and one make too many empty glasses were broken in the mud-
dled my words when she asked for the time for bed –
All during my morning constitutional.
Take your ***** on the Mount and your Sin of the Farter
Because I know there’s nothing behind the artist except falling towers and furniture-sellers.
But can the deaf still listen?
Or should I care what’s inside a box I can never open?
And how many carriages will follow my coffin
And who will be my wormeaten neighbors
And which tongue will be employed to engrave the epitaph
And topped by what symbol or none?
In the beginning the first two words began to breed
And each generation issued reduplication
Evolving vestigial verbiage and new punctuation
All the way down to a young Poet-Hero-Creator:
Use illusory contours to paint the gravity between heavenly bodies, and use
The shared human experience of multistable perception to imply the gestalt of Dublin
(and be sure to use that German term).
We are the artificers of meaning.
Item: the location of the key.
Cat: things I should be thinking about but am not.
Item: the *** organs of strangers and acquaintances.
Category: things I should not be thinking about but am.
Item: the autobiographical component of Shakespeare’s later works.
Cat: things I need you to know that I think about.
Item: the possibility that my presence is not nearly as commanding as I’d formerly assumed.
Item: the increasing inebriatory similarities between myself and my father.
Item: the fear of losing my memory of Mother’s face,
as directly correlated to the expanding passage of time.
Cat: things I need you to think I don’t think about, at all.
Picture a symphony.
Hold the moment when the lights first fall and the cacophony of tuning
Floods into a single, synthesized vibrating tone. After the silence and before the song.
Write what you hear.
Write the chords in semiotic rhyme; transcribe harmony as memory:
Sing lived and unlived love and stride through on inkblot feet.
Now add the missing notes.
To think: if I never find the one and one make too many empty glasses were broken in the mud-
dled my words when she asked for the time for bed –
All during my morning constitutional.
Take your ***** on the Mount and your Sin of the Farter
Because I know there’s nothing behind the artist except falling towers and furniture-sellers.
But can the deaf still listen?
Or should I care what’s inside a box I can never open?
And how many carriages will follow my coffin
And who will be my wormeaten neighbors
And which tongue will be employed to engrave the epitaph
And topped by what symbol or none?
In the beginning the first two words began to breed
And each generation issued reduplication
Evolving vestigial verbiage and new punctuation
All the way down to a young Poet-Hero-Creator:
Use illusory contours to paint the gravity between heavenly bodies, and use
The shared human experience of multistable perception to imply the gestalt of Dublin
(and be sure to use that German term).
We are the artificers of meaning.
Item: the location of the key.
Cat: things I should be thinking about but am not.
Item: the *** organs of strangers and acquaintances.
Category: things I should not be thinking about but am.
Item: the autobiographical component of Shakespeare’s later works.
Cat: things I need you to know that I think about.
Item: the possibility that my presence is not nearly as commanding as I’d formerly assumed.
Item: the increasing inebriatory similarities between myself and my father.
Item: the fear of losing my memory of Mother’s face,
as directly correlated to the expanding passage of time.
Cat: things I need you to think I don’t think about, at all.
Picture a symphony.
Hold the moment when the lights first fall and the cacophony of tuning
Floods into a single, synthesized vibrating tone. After the silence and before the song.
Write what you hear.
Write the chords in semiotic rhyme; transcribe harmony as memory:
Sing lived and unlived love and stride through on inkblot feet.
Now add the missing notes.
A poem about nothing.
