First, garlic.

Dig your nails into its flaking paper,
pink and beige like magnolia petals parched
in the gutter.
Peel back the skin and crush
the weighted bud
with the heel of your hand on your favourite knife.
It has been waiting for this.
The thick expectent smell sits up on the chopping board,
looks up at you like an old friend.
It has burrowed itself into the skin of your hands and lingers there

it will not be washed away, instead
it quietly clings to your fingers, flavouring
letters on your keyboard, the edge of the banister,
every light switch in the house.

The pulped clove is scattered into a scraped frying pan,
your grandmother's; it was never non-stick.
The stuck parts were always the best bit,
and so it goes,
the oil and creamy crumbs find the same spots,
engineered over forty years.
Some were accidents. All were happy.
Yours were ambition-led experiments.
The thumbs in the brown recipe book
were never your thumbs,
the dried-out sedimentary edges
were never your mishaps
but still it is a bible of sorts,
providing answers but never asking questions.

Later after dinner when everything is cleared away
and nobody can tell that you had been cooking at all
bring your fingertips to your nose
and inhale
the remaining relic of your meal,
a letter to yourself,
the end notes enduring but faint
now, lastly
lastly
garlic.