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Play ball.
Bathroom stalls.
Cotton candy.
Randy Jackson.
Action films, comedies, and romances.
Shopping malls.
Blue ***** and hot chicks.
**** itch.
Shop lift.
Pockets full of chocolates.
A rock in my pocket reminds to think.
I hate when my clothes shrink.
Smoke rings.
Chinese Yo Yos.
** Hos and a slurpee.
7 11, stopped for munchies and im thirsty.
Working overtime.
Overworking me.
The herbal remedy has my mind fried.
Blind sided.
Hindsight is 20/20.
Im lazy.  
The shades are pulled down.
Its hazy.
Inactive.
Let me roll this blunt in the back seat of this cadillac.
Two P, pass that.
Im not looking to die.
Im looking for life after death.
Aftermath.
Nothing left.
Blasted, not bombs.  
Its my head and my chest.
Its the sess.
On my finger tips and on my breath.
I exhale clouds of wickedness.
Cleanse the soul.
Refresh.
Impress the judges to sway their interests.
A continual writing... A warm up exercise.
I sat next to Death
In a ***** and dark barn.
"Take a swig of ***
And taste the smoke, brother.
I'm cooking humans,
Like pine-nuts, in the cauldron. "

She said, smoking a pipe.
"In the dry and gray wilderness
Called 'life' I got them;
They are, like oysters, food:
The shells of flesh houses
Tasteless and slimy mucus,

The watery rheum of the soul,
That some God in there sneezed. "
"But such oysters have no pearls?"
My ambition asked.
"Nearly all, not" Death,
Chewing, belched:

“But the heart of some
Rots and inflammates in strange islands:
The dreams, the fantasies,
The most durable daughters of the soul;
But even such diamonds I break
And eat like peas porridge."

And at that I rose disturbed
By Death, who I could not trust
And went about my way.
"Come back soon, dear oyster."
Called the woman enrobed,
"For Death finds all, eventually."
See original at www.poetboi.deviantart.com
Guys with long hair have agendas. And if they don't, they're stoners and 'agenda' a really long word, man.

Guys with long hair are the poetic types with acoustic guitars and incense in their dorm room and they hold their hair back with a pen behind their ear and they use it to write in a leather-bound journal about girls who smoke too much and have soft ***** so they can pick up more girls who smoke too much and have soft *****.

Guys with long hair are the metalheads who sit in the back of class and use their hair to distract from the fact that they're wearing poor-quality ironic headphones that project Alice in Chains to everyone within a four-desk radius but no one's going to say anything because hey, that guy's a creep.

Guys with long hair are the classical types that play expensive instruments and have beautiful eyes that you can't see very often and have to keep ponytail elastics on their wrists, their wrists that never stop moving, conducting, tapping, curling, because Chopin slows for no man, no matter how long his locks.

And if you poured all these guys with long hair in a test tube and melted them until the agendas broke and forged and changed colors, you'd have him.

I found him in a smoky sweet basement in a house where everyone belongs but no one should actually live. I braided his shoulder-brushing hair without asking and saw his smile like a chunk of snow the size of your high school falling off a mountain, fast and white, huge and more important than anything else around.

I found him again in a different basement where only musicians belong. He invited me into the closet with the piano and it's like he asked me to crawl inside his head and hang out for a while. He casually mentioned his favorite angry bands while his fingers brushed keys in an order they seemed to know on their own, tendons and strings.

He says things that deserve to be handwritten in leather-bound journals. He holds your wrist with one hand when you shake the other because people have become desensitized to handshakes and don't feel the human contact of it anymore. He hugs to the right because you're supposed to hug heart-to-heart.

*"People are going to judge based on what they see anyway. Might as well make sure they're right, sort of."
First, if I am comatose for a while pre-death, don't let them call me a fighter.
I'm probably not fighting it.
It's probably the first time I've been able to relax in a decade.

Second, keep my death off the internet.
Tell my friends of my demise with handwritten notes delivered by white-gloved butlers with somber expressions.
Tell my enemies by sitting on their chests and poking them in the forehead repeatedly until they guess how it happened. It shouldn't take long.

Third, my friends from high school will immediately try to design stickers for their car windows with my name on them and a graphic of dance shoes or track shoes or my college mascot.
You are not to allow this.
A sticker denoting the death of a loved one will not keep fellow motorists from noticing that my friends from high school **** at driving.

Not permitted at the funeral:
Gerber daisies
poetry
blue jeans
any ex-boyfriend I refer to by something other than their name (i.e. "the fat hipster I used to hang out with.")

Encouraged at the funeral:
Hugs - everyone must hug
lots of appropriately sad, yet tasteful songs sung by my musically-minded loved ones (may I suggest "In Light of Time" by Phillip E. Silvey?)
And make sure they bury me in the blue dress.

Last, for every story they tell about me where I was kind or selfless or funny or caring,
make sure someone also tells the story where I got too drunk at a frat house and made out with a kid from upstate New York and then spent four hours passed out and/or puking on the floor of the communal bathroom in Ashley's building,
or the one where I punched Savannah in third grade,
or the one where I rolled a car for no particular reason.

Remember me as I was.

— The End —