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Who will believe my verse in time to come
If it were filled with your most high deserts?
Though yet heaven knows it is but as a tomb
Which hides your life, and shows not half your parts:
If I could write the beauty of your eyes,
And in fresh numbers number all your graces,
The age to come would say, “This poet lies,
Such heavenly touches ne’er touched earthly faces.”
So should my papers, yellowed with their age,
Be scorned like old men of less truth than tongue,
And your true rights be termed a poet’s rage,
And stretchèd metre of an antique song.
    But were some child of yours alive that time,
    You should live twice, in it and in my rhyme.
Those parts of thee that the world’s eye doth view
Want nothing that the thought of hearts can mend;
All tongues, the voice of souls, give thee that due,
Utt’ring bare truth, even so as foes commend.
Thy outward thus with outward praise is crowned,
But those same tongues that give thee so thine own
In other accents do this praise confound
By seeing farther than the eye hath shown.
They look into the beauty of thy mind,
And that, in guess, they measure by thy deeds;
Then churls their thoughts, although their eyes were kind,
To thy fair flower add the rank smell of weeds.
    But why thy odour matcheth not thy show,
    The soil is this, that thou dost common grow.
Lo, as a careful huswife runs to catch
One of her feathered creatures broke away,
Sets down her babe and makes all swift dispatch
In pursuit of the thing she would have stay,
Whilst her neglected child holds her in chase,
Cries to catch her whose busy care is bent
To follow that which flies before her face,
Not prizing her poor infant’s discontent:
So runn’st thou after that which flies from thee,
Whilst I, thy babe, chase thee afar behind;
But if thou catch thy hope turn back to me,
And play the mother’s part: kiss me, be kind.
    So will I pray that thou mayst have thy Will,
    If thou turn back and my loud crying still.
Why didst thou promise such a beauteous day
And make me travel forth without my cloak,
To let base clouds o’ertake me in my way,
Hiding thy brav’ry in their rotten smoke?
’Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak
That heals the wound and cures not the disgrace.
Nor can thy shame give physic to my grief;
Though thou repent, yet I have still the loss.
Th’ offender’s sorrow lends but weak relief
To him that bears the strong offence’s cross.
    Ah, but those tears are pearl which thy love sheds,
    And they are rich, and ransom all ill deeds.
Not mine own fears, nor the prophetic soul
Of the wide world, dreaming on things to come
Can yet the lease of my true love control,
Supposed as forfeit to a confined doom.
The mortal moon hath her eclipse endured,
And the sad augurs mock their own presage;
Incertainties now crown themselves assured,
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since spite of him I’ll live in this poor rhyme,
While he insults o’er dull and speechless tribes;
    And thou in this shalt find thy monument,
    When tyrants’ crests and tombs of brass are spent.
O, for my sake do you with Fortune chide,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than public means which public manners breeds.
Thence comes it that my name receives a brand,
And almost thence my nature is subdued
To what it works in, like the dyer’s hand.
Pity me then, and wish I were renewed,
Whilst like a willing patient I will drink
Potions of eisel ‘gainst my strong infection;
No bitterness that I will bitter think,
Nor double penance to correct correction.
    Pity me then, dear friend, and I assure ye
    Even that your pity is enough to cure me.
If my dear love were but the child of state,
It might for Fortune’s ******* be unfathered,
As subject to Time’s love or to Time’s hate,
Weeds among weeds, or flowers with flowers gathered.
No, it was builded far from accident;
It suffers not in smiling pomp, nor falls
Under the blow of thralled discontent,
Whereto th’ inviting time our fashion calls.
It fears not policy, that heretic,
Which works on leases of short-numbered hours,
But all alone stands hugely politic,
That it nor grows with heat, nor drowns with showers.
    To this I witness call the fools of Time,
    Which die for goodness, who have lived for crime.
Where art thou, Muse, that thou forget’st so long
To speak of that which gives thee all thy might?
Spend’st thou thy fury on some worthless song,
Darkening thy power to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, resty Muse, my love’s sweet face survey
If time have any wrinkle graven there;
If any, be a satire to decay,
And make time’s spoils despisèd everywhere.
    Give my love fame faster than Time wastes life;
    So thou prevent’st his scythe and crooked knife.
So is it not with me as with that muse,
Stirred by a painted beauty to his verse,
Who heaven it self for ornament doth use
And every fair with his fair doth rehearse,
Making a couplement of proud compare
With sun and moon, with earth and sea’s rich gems,
With April’s first-born flowers, and all things rare
That heaven’s air in this huge rondure hems.
O, let me, true in love, but truly write,
And then, believe me, my love is as fair
As any mother’s child, though not so bright
As those gold candles fixed in heaven’s air.
    Let them say more that like of hearsay well;
    I will not praise that purpose not to sell.
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since everyone hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit
Is poorly imitated after you;
On Helen’s cheek all art of beauty set,
And you in Grecian tires are painted new.
Speak of the spring, and foison of the year;
The one doth shadow of your beauty show,
The other as your bounty doth appear,
And you in every blessèd shape we know.
    In all external grace you have some part,
    But you like none, none you, for constant heart.
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