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Mateuš Conrad Nov 2018
.****... who came first... ol' Jim or ol' Jack? well i know that Jim began his stature of being the marquees de bourbon in 1795... but Jacky boy? personally i can't tell the difference between two... it's not like i'm drinking whiskey... the differences are so much more subtle... and every time i crack open a bottle... brothel perfumery comes to mind... that's what bourbon feels like: if you've ever visited a brothel... the scent in the air is filled with sweet sweet bourbon and soap and tender skins: no latex, no leather.

the day began with me having a cigarette,
and admiring rain drops hanging off
the washing line...
    oh... like that flock of birds...
that sit on a roof in rows...
it might have been the European starlings,
but, my guess is just as good as yours...
so let's say... a row of ~starlings...

now for the sentence...
no... wait...
a side-note addition postscriptum
of working from
a sample of a cultural exhange
program from Cold War II
,
                  circa? now.

synthetic a priori is
actually synthetic a- priori,
there's no knowledge involved...
   hence the a- hyphen being
     added to denote: without...
only chance, a curiosity,
a haphazard...
   a genius invention,
a "mistake"...
   take champagne
or L.S.D., these are examples
of a case of synthetic a- priori,
i.e. they they take a concept
of synthesis, and apply it to:
with a prior to, said example...
a discovery!

now for trying to write that sentence
using 7 variant dialects...
mind you...
i think i figured out the circumflex
over the omicron
in the Kashubian word for boy:
knôp...
             see... the linguistic explanation
is a tongue tied /uo/
doesn't work for me...
i found a better depiction...
      of ô:
i.e. kno'op - the apostrophe better
explains the circumflex hanging over
the omicron...
   it's... such an outdated linguistic
system...
to explain a diacritical mark in a word
with merely more letters,
i.e. ô (circumflex,
   which will not appear
in commaful's html) = /uo/
   i prefer the new method i conjured...
use the whole word
so? the ô in the word knôp = kno'op...
or at least... look here,
there's a U in there, oddly enough,
using the apostrophe you can
create a U shape with this "x-ray":

                kno   op
                       U
                                     but saying:
knuop?
                  well, my taste is different...
oh... and... today i watched a scary video...
people were giving out their D.N.A.
details out for free..
saliva swabs...
                     that bothers me...
so... you think these ancestry companies...
will not pass the data
to crime prevention agencies?
   you don't think they're creating
a database... not that you might commit
a crime... but if you were to...
isn't this... minority report?

anyway... looking at these dialects...
oh... look...
     an overring... which is typical
for Scandinavian languages...
  notably in the chemical constant
of the å (ångström)...
     well... that **** wasn't invented
by the Masovians...
  it had to come with the Vikings,
passing down the Vistula to found
Kiev...

(you know you're writing something
difficult to read...
when even you experience... tedium)...
you just know it...

now, the sentence...
utilizing (in no particular order):
Kurpian, Kashubian, Silesian,
Gaelic, Pict Gaelic, Cymru and Cornish...
oh ****... revising the Book of Revelation's
seven headed beast...
i.e. "revising"... I, V, X, L, C, D, M...

now for some more brothel
perfume... to think of a decent sentence...

( cicha woda, brzegi rwie
   - the silent water tears away
     at the edges -
so much for the freedom of speech,
so much said, and yet,
silence... eats away the fringes
of society, while the majority,
are fathomed, to be subdued
by a lullaby...

  a liar does not walk
on stilts - i.e. a liar is no
             longshank (edvard) -


       yr łgårz a 'dèanamh nynj
          ar hir giry
      
- a łżélc je chan eil
                   hir-aranau -

certainly not:
Eideard Fadacasan.
bheith acu:
             déanta úsáid roinnt
   Gaelach,
however much broken.
                                                         ­          )

p.s. if you're not in some way intoxicated,
or in a "schizoid" state of mind,
invoking ciphers and metaphors...
how the hell do you know you're
writing poetry?
is reading the book a revelation
something to be taken...
literally, or with a grain of cipher?
who the hell writes poetry
like its some reply to a company memo?
who makes poetic language
authoritarian,
giving out commands,
or worse still: advice?
     who makes the art of poetry
less than a hallucination of language,
of phonetic encoding that
transcends, phonetic encoding?!
poetry is bound to an inherent
incoherency, because it does not
translate into rhetoric...
it is a fascination with the elevation
of autism into the realm
of the demigod Solipssus...
it can't be coherent,
it cannot be found to not be teasing
the para-schizoid dimension
of the reality of language...
listen...
  i'm not giving you sentences,
i'm not spewing the lawyer gerbil
language of... god prevent us
using the dictionary,
and direct meaning...
we all know that lawyers
have not knowledge of the existence
of the dictionary...
they skipped that part...
and went straight for the thesaurus...
******* weasels...
poetry is the ultimate authority
of language...
if it's confusing,
it's supposed to be confusing...
how can you expect to say:
a square is a square is a square...
how can a poet be poet...
when he hasn't experienced
an auditory hallucination...
you trip on psychoactive substances...
you become a painter...
but people are afraid of what they
might "hear" compared to
something they might, "see"...
the eye is an enthralling palace...
but the ear?
     ah... the scary place...
how would i ever write poetry,
to the coherency standards of
sane people literature?!
   can anyone even comprehend
the mundane reality of
writing sane people literature?!
of course they can...
most of that literature is adopted
into movies...
or, whatever translates the x-ray
into muscles, body, flesh...
you can't be expected to write sane poetry...
you're already dealing
with the metaphysical...
   which implies:
that, which translates
the transcendence of the physical
into the meta- realm...
   of language...
  the, literally is the one poison
arrow that kills the art of poetry...
poetry is, by far,
the best translation of philosophy...
whereas the far *******,
sorry, darker aspect of poetry,
is the, "translation" of sophistry...
but that aspect of "poetry" is
a lesser form of sophistry...
esp. within the realm of populist
poetics...
it's called: latching onto the bandwagon
of what was already said,
and emphasizing a partisan
language of appeasement...
no, philosophy is not a pretentious
genre in literature...
it's just ******* difficult...
plain and simple...
   for a philosophy book,
to be translated into a poem...
5 years, and the greatest aspect of
this scenario?
   it'... inexhaustible...
who the hell expected for poetry
to be a sanity bastion for those
who do not have enough *******
in them to write fictional narrations,
and character plots of expansion?!
        
to end? my fetish for the deutschezung:
   ein steinherz,
                ein leeren verstand:
         ein eisenwerden -
              und die vergessene welt:
wohnte im durch eisen sein.
In die asemdroogtes van die nag
Word ek gebombardeer deur die warrelwinde van my ongesproke woorde
Wat ten laaste my hart van dolomiet versag

Skrapnel vlieg rond in die inner ruimtes van my gesonder verstand
In die geweldadige debat tussen die skynbare sinneloosheid van die Woord
En die gevoel van jou hand in myne

In geheim bou ek ń koningryk van lugkastele
Waarin jou beeld in elke kamer pronk.
Maar selfs díe verdwyn in die wasige misgordyn van dade
Waarvoor ek self nog swyg

Ten slotte:
Ek smag na jou...
-kammeraaddkap
Weißer Tagesanbruch. Stille. Als das Kräuseln begann,
hielt ich es für Seewind, in unser Tal kommend mit Raunen
von Salz, von baumlosen Horizonten. Aber der weiße Nebel
bewegte sich nicht; das Laub meiner Brüder blieb ausgebreitet,
regungslos.
Doch das Kräuseln kam näher – und dann
begannen meine eigenen äußersten Zweige zu prickeln, fast als wäre
ein Feuer unter ihnen entfacht, zu nah, und ihre Spitzen
trockneten und rollten sich ein.
Doch ich fürchtete mich nicht, nur
wachsam war ich.
Ich sah ihn als erster, denn ich wuchs
draußen am Weidehang, jenseits des Waldes.
Er war ein Mann, so schien es: die zwei
beweglichen Stengel, der kurze Stamm, die zwei
Arm-Äste, biegsam, jeder mit fünf laublosen
Zweigen an ihrem Ende,
und der Kopf gekrönt mit braunem oder goldenem Gras,
ein Gesicht tragend, nicht wie das geschnäbelte Gesicht eines Vogels,
eher wie das einer Blume.
Er trug eine Bürde,
einen abgeschnittenen Ast, gebogen, als er noch grün war,
Strähnen einer Rebe quer darüber gespannt. Von dieser,
sobald er sie berührte, und von seiner Stimme,
die, unähnlich der Stimme des Windes, unser Laub und unsere
Äste nicht brauchte, um ihren Klang zu vollenden,
kam das Kräuseln.
Es war aber jetzt kein Kräuseln mehr (er war nahe herangekommen und
stand in meinem ersten Schatten), es war eine Welle, die mich umspülte,
als stiege Regen
empor von unten um mich herum,
anstatt zu fallen.
Und was ich spürte, war nicht mehr ein trockenes Prickeln:
Ich schien zu singen, während er sang, ich schien zu wissen,
was die Lerche weiß; mein ganzer Saft
stieg hinauf der Sonne entgegen, die nun
aufgegangen war, der Nebel hob sich, das Gras
wurde trocken, doch meine Wurzeln spürten, wie Musik sie tränkte
tief in der Erde.

Er kam noch näher, lehnte sich an meinen Stamm:
Die Rinde erschauerte wie ein noch gefaltetes Blatt.
Musik! Kein Zweig von mir, der nicht
erbebte vor Freude und Furcht.

Dann, als er sang,
waren es nicht mehr nur Klänge, aus denen die Musik entstand:
Er sprach, und wie kein Baum zuhört, hörte ich zu, und Sprache
kam in meine Wurzeln
aus der Erde,
in meine Rinde
aus der Luft,
in die Poren meiner grünsten Knospen
sanft wie Tau,
und er sang kein Wort, das ich nicht zu deuten wußte.
Er erzählte von Reisen,
davon, wo Sonne und Mond hingehen, während wir im Dunkeln stehen,
von einer Erden-Reise, von der er träumte, sie eines Tages zu tun
tiefer als Wurzeln…
Er erzählte von den Menschenträumen, von Krieg, Leidenschaften, Gram
und ich, ein Baum, verstand die Wörter – ach, es schien,
als ob meine dicke Rinde aufplatzen würde, wie die eines Schößlings,
der zu schnell wuchs im Frühling,
so daß später Frost ihn verwundete.

Feuer besang er,
das Bäume fürchten, und ich, ein Baum, erfreute mich seiner Flammen.
Neue Knospen brachen auf in mir, wenngleich es Hochsommer war.
Als ob seine Leier (nun wußte ich ihren Namen)
zugleich Frost und Feuer wäre, ihre Akkorde flammten
hinauf bis zu meiner Krone.
Ich war wieder Samen.
Ich war Farn im Sumpf.
Ich war Kohle.
Mateuš Conrad Jul 2016
why my poetry is as if a heilig schrein?
teutonisch schwarz auf weiß -
kreuz imitieren zunge -
Preußen war etabliert pre Weimar:
verloren ein Verstand mit Jagiełło;
die punkt auf sein?! nichts zu hinz,
unless electorate Hector
and that Trojan vigil to mind,
with aviation of Ottomans deciphering
the gallop and sneeze of the Arab breed -
more racehorse and less dummy of carpenters'
excess.
My vingers jeuk om iets te skryf
My hart bloei storms
Maar my vingers jeuk
My gemoed eb en vloei
Maar my vingers jeuk om iets te skryf
My siel hammer verwoed teen my ribbekas
En my vingers jeuk om te skryf

My pen hunker om te vloek
Die swart ink wil die wit vel breek en skree
My polse wil huil
My longe wil verteer
En my nek wil omhels word met n tou
Maar my vingers jeuk om te skryf

Ék kan nie díe jeuk krap nie.
Dít klou aan mý wese
En dít krap mý verstand
En ek bloei waansin
En ek wil skree vir die maan
En ek wil vloek tenoor die son.

My vingers jeuk on te skryf
En ek gee in tot die demoon
Wat honger na n stem.

Iewers sal my woorde weer
N lee papier vind...
En dan kan ek sy lastergille tem.
m Oct 2010
Ich ging durch den beschmutzten bevölkerten Korridor mit den Reben, die drinnen und draußen wuchsen, entlang und ich sah in jeder Tür mein Spiegelbild, während ich vorüberging. Ich wohnte genau zum Zimmer – nicht einhundertfünfzig Zentimeter weg; die Entfernung war fast nicht größer, als ich war, und nicht alter. Ich erläuterte meine Angst vor dem Dunkel mit einem Frösteln. Meine Zähne klapperten und klingelnden Münzen, die in meiner Tasche blieben, schrien in meinem Ohr gewohnte Lieder.
Eine Tür öffnete und einen Moment lang hörten wir das Weltall. Wir allesamt waren in dem Korridor. Ein krystallener Stab wie einer, den Leute in der Versuchsansalt oder in der Kneipe benützten, zerbrach. Der Stabinhalt floß in die Hand des Mannes, der sein Zimmer verließ, eine silberne Flüssigkeit. Das Echo des Wortes „Quecksilber“ klang in dem Korridor.
Jedes Zimmer ist gleichbedeutend wie das Letztere, aber es ist auch unterschiedlich. Jedes beinhaltet grenzenlos Fähigkeiten, und unterschiedliche Chemikalien, unterschiedliche Chemie, und unterschiedliche Emotionen.
Ängstlich öffnete ich meine Tür und trat in einen millionsten Anteil von mir selber und ich war ich selber. Symphonien flossen von meinem Kopf weiter, und von den Symphonien kamen fliegende Fische.
Es war nicht wichtig, dass andere Menschen ähnliche Zimmer wie mein Zimmer hatten; es war nur wichtig, dass ihre Zimmer verschieden waren. Ihre Zimmer waren Käfige, genau wie ihre Herzen und auch ihre Hände. Der Mann im Korridor, der hirschartige Augen hatte, blies das flüssige Metall, das seine Hand fasste weg. Die Flüssigkeit wurde Staub und glitt zu mir wie Backpulver oder Schnee im Schneesturm. Ich konnte alles hören und ich musste mich von dem Weiß, das der Staub brachte, trennen. Ich hasste den öden Morgen, den das hervorbrachte.
Ich wollte meine Tür öffnen und wollte den silbernweißen Straub vorzeigen, dass ich auch Sachen in der Luft erschaffen konnte. Ich wollte, aber ich konnte nicht. Ich konnte Sachen in der Luft meines Zimmers erschaffen, aber nicht im Korridor. Man braucht Ressourcen, um etwas zu ändern oder zu formen. Ich besaß Keine.
Die Welt schüchterte die Leute ein, die Verstand hatten.
In die asemdroogtes van die nag
Word ek gebombardeer deur die warrelwinde van my ongesproke woorde
Wat ten laaste my hart van dolomiet versag

Skrapnel vlieg rond in die inner ruimtes van my gesonder verstand
In die geweldadige debat tussen die skynbare sinneloosheid van die Woord
En die gevoel van jou hand in myne

In geheim bou ek ń koningryk van lugkastele
Waarin jou beeld in elke kamer pronk.
Maar selfs díe verdwyn in die wasige misgordyn van dade
Waarvoor ek self nog swyg

Ten slotte:
Ek smag na jou...
-kammeraaddkap
Vat ń slukkie verdriet
En ontnugter jou verstand
Tot dit niks meer
As net ń spookdorp is
Wat tolbos oor
Jou silwerdoek-lewe nie

Jy voed op energie
, maar in ń moeë wêreld
Teer jy jouself uit
Totdat honger straatkinders
Jou ribbes speel
soos marimbas
Vir net ń laaste trek.

Dalk is vandag
Net een van dáárdie dae
, waar jy my sou red
En jou skouers
my vertroosting sou wees-
Jou lippe my spiersalf
Vir ń hart wat seer
geklop is.

Een van daardie dae
, maar jy is nog een van
Dáárdie mense...

Een van mý dae...
Iets wat jy nie is nie-
Myne
Mateuš Conrad Jul 2017
mit herz allein, und verstand verlassen.

of those who once lived by heart alone,
to be told to now live
by mind alone -
              if there be no greater sorrow,
this sorrow comes first.

are we to say that the mind is superior
to the heart?
  that what the heart wrote,
while the mind has only begun writing
is to give us the grand usurp?

how the mind has made the heart
so fickle, so tantamount in
                       seeking non-existing
shores or abides by laws of
   "******" nonetheless healthy mentalities
of unsaid genesis.

we have a spawn of history in our reach,
within a day we can catalogue
a century of years,
  with the crucifix 2000 years,
within a single day
we can be "reminded"
   of the ultimate genesis,
the foundation, the cowering stone
of homage...
          and yet, next tuesday,
we'll be sipping coffee in a cafe
bewildered by our infantile
and if not infantile, when insect-like
worries
         of re-arranging furniture
to suit our *feng shui
...
                          if only for the love
of music would our souls dare to breathe
their last composition of a sigh...
by my word,
   i'd leverage the remains of the hyper-psyche
of a woman's worth into the depths
of tartarus...
  so that the titans might grapple with it,
while hades, remaining hidden,
entertains nothing but song...
       and praises no god,
other than the golden ratio of harmonies!
so much distance between
   a da               &      the    sein...
       why not congratulate myself to succumb
to the inverse potency of the original,
and simply state:                jetztsein...
now, i am...
                                   jetzt, ich bin:
a colander through which imagination
is seived, but keeps memory intact...
that forevermore hidden cinema
                     that breathes a gust of
historical subjectivity into
              an ever-objective present,
toward no objectified past,
toward no objective that resounds
                       within the word: future.

oh how we once lived by heart alone,
   to have this char-smog-tar worth of
a heart evenly beating a rhythm
but no rhyme...
               how poetry devolved into
prose, and how prose aspires to poetry...
how we once lived by heart alone,
and mastered all those forthcoming pains...
to now live by mind alone...
    where the only place for a heart
to still be guiding, is to guide us toward
the most irritable path,
  the only path it now would seem
is welcoming our treading feet...
    and to think, we lived, some time ago,
by heart alone;
             i keep finding the need to live
my mind alone
   a harsh dictum -
               the brain inside a pickle jar...
         what heart remains,
has receeded to the confines of sporting
events...
         a collectivism...
                    a football chant...
            what sad events are to come
and prosper from such changes!
                        
to think, we once lived by heart alone,
with whatever agony, with whatever
gnaw of bone & limbs, and lived!

                       where there was once a heart,
there was beauty,
                 but where now there is nought
but mind, what rigidity,
                what little comfort
other than in the ease of menial toils,
what little comfort in a sleepless night...
what of life, if life be purely the domain
of the mind... and the agonising death of
both heart, and soul.
Mateuš Conrad Jun 2018
the little people: and their grand words...
some within reaching the stasus
of colossus,
       while others groveling like
maggots, come back to the collective
unconscious (memory):
        with a stalled craft to make
the morbid fusion of an impetus...
        the grand people:
          and their concern for the lexicon;
secularism had but one advantage,
the holiness of the subconsciousness
of lingua...
              but, apparently, the communist
didn't teach anyone anything,
other than what needed to be minded:
a reiteration of the winding back
of ******* symbolism,
          back: into the clock-face of
resembling an impeding loss of
a status quo...
                         before the altar of
unmoved pieces of chess,
the current, unfathomability of
a "sudden" move...
                  pawn-broker: pawn-maker,
crude: the collection of
   a tsunami mingling with
the antithesis of the holy ghost within
the shackles of:
                            a zeitgeist...
bounty and beauty bound to
the same curator,
            of the fallen curtain
revealing the androids of future
depictions of kings, raised,
subsequently toppled,
   yet nonetheless kept:
   at a leisure...
                         toad-markings
of the first supposed bite...
like a kiss of the enchanted prince...
who kissess, before
             the other churns a bite?!

i might laugh at attire, but,
all of the fashion industry is
structured around ******-*******...

there is still not greater insult
than what other people eat...
and i can't stomach culinary insults...
the omnivore that i am...

how i ate those dried-out fish-snacks
with a St. Petersburg drinker,
and that every-man's orange caviar
i won't even bother to question...
culinary insults... doesn't matter:
can dress the ***,
                   in a king's tug & ware...

culinary insults are the depth upon
which you base making
           fashion "statements"...
    
see... the western concept of the "left"
is Mongolian to me...
                   i, simply, cannot
comprehend it...
                    one would expect:
a rule of thumb;
  instead one receives a conclave
of giving "it": the index finger...

           which isn't even a forfeit of
tipping into narratives of
the current circumstance...    
         in the omnipresent:
membrane - of -
      fragility within the confines
of: being reactant to
whatever enzyme is made
adjusted to thrill,
  or make *******,
             of a future without
                                            a yesterday.

who let the "idiots" in?
mind you: there are no idiots among
pawns, merely sacrificial lambs...
       and who said that grammar
          could be given a religiosity,
and a deconstructionist-dogma-medium
readily stalked, and subsequently
made: unfathomable?
                it could have worked...
    the anti-nationalistic agenda...
         but given the attempts to
puruse a feat of ridiculing the basic
foundation of a, coherent expression
of a coherent acquisition of language,
with not real basis of nation,
  but erroding the prime of
the individual to start a zoology-creep
invigoration?
                
             there are sensibilities than
transcend nationalism...
    as there are sensibilities than make
"transgressions"
      of globalisation...
         grammar is the only orthodoxy
that remains intact from
the segregation of the church and state...

        i already stated that i am,
blissfully unware of a need to take to
engaging in the catholic bureaucracy of
confirmation...
             but a direct attack on grammar
is a self-defeatist mishandling of
secularism...
                             grammar = dogma...

         since can         dada,           truly rule?!

sure, attack grammar,
  with an unconventionality of the use
of language,
   that doesn't assertain a use of language
with the social focus of
    the pleasantries of formalism...
transgress language formalism...
                and, suddenly,
all cobblers become death-aspiring
"artists"...

                  why isn't artist deemed to
by synonymous with gambler?!

      what a bleak picture,
    a fiction that's the fiction of Dicken's
bleak:
                     something or other...

     yet i love being attached to
a current narrative...
          this: culprit conversation
interlude of a people...
                        
               beside the canadian pronoun
incident...
        and using grammar orientated
words...
       can anyone tell me why english
uses so much conjunction-preposition
shrapnel of a bullet to the letter
to the gun with an aimed word?

        papa germanicus uses a lot of
Faustian... conventionality,
of making words into:
  hydrocrabon-length words...
    compounds...
                          without these little
in-between bothersome flies...
        and he is: papa germanicus...
given his:
   well... he's not regarded as
anglo-pomeranian...
            or anglo-bavarian...
aber: ein: schwab!
                     aber: ein anglo-sächsisch...

petulance of a foreign son:
    before an aged, almost non-existent,
father -

gereiztheit von ein fremdsohn,
    vor eine alt, nahezu nicht-gabe,
                     die vater.

zorn: manchmal
            ertriken mein verstand...
  für ein blick von ein herz!

i can't imagine the remants of
Saxon, to be of must gesticulation
in cultural norms,
          when the remains
of the *****,
           are made to stand... schtill.

ęgleesh will not even begin
to bleach me...
           have the globalists and
their tattooed bodies...
           cheap franchise of
a coulrophobia circus...
               now i have a tattoo:
1410!
                                      1918!
apparently eating fungus
         is but one route...
                  of the spider Atlantis-mythos
monkey...
        as became the common practice
of eating
               remnants of
    aquatic genitalia embodied
by oysters:
  ******* poetics,
as in...
                 once you devour the desire
to ****...
               who the **** needs
to paint like a van gogh within
the origins of the trans-African
                      highway toward a today?
Mateuš Conrad Oct 2018
.bei am wenigsten die deutsche können denken... die englisch? zu viel... zu gefühl... zu gefühlisch... too feely feely; pandering; windeln auf der verstand und herz, ja?

da-?
      more like: hier-

now...
               now...

not some transcendent "there"...

ergo?

     it's no longer cogito ergo...

more like:

            cogito qua sum...

because how much of thought
is lost to non-being,
daydreaming and what not?

to think (in the capacity)
of translating thought,
into being.
carmel Oct 2019
Tan pronto tus labios se separaron de los míos pensé, esto es un delicioso error de la matrix
Je voulais t'aimer de tout mon cœur
Aber dein Verstand hat Angst vor deiner Vergangenheit
And i know my love i can’t heal that Wound, even if i want i just cant
Por que no importa en qué idioma te hable tu no lo vas a entender.
Mateuš Conrad Nov 2020
the wind: the stormfront
that bridges
a forefront... a breaking
of a knuckle: the erasure
of a concept that's the width
of the Vistula river...
an encompass thus tamed
thus groaned:
this bemoaning escape
from a load of:
a people... heave!
heave!
in deutsche!
ein verstand das verlassen:

heute! morgen!
ob is gut:            mein betreffen?

if i were hebrew i might heave
a cosmopolitan...
coonquest h'america...
a people: right arm... mein ast:
dies schwankend "es"...

freiheithohlgeben:
strict! learn your lesson...
prussian translates back
into galician.. and silesian...
how i fell and came across
all that's superficially "love"...

as i heard?
born & bred...
all sire mr. hire thai?
english whittle...
   ancient lot of SAS...

   und etwas...
               besste:   schtille...
                                 eh?!
promenade mein teil!?
nein neu trauer?!

this new breeding of *****...
and all that leather...
all those pickling of clarity juices...
taming bite...
taming hours and aeons of script...
this deutsche holy...
my... konrad wallenrod:
nobly cursed... his.... his...

          my middle nay-m'eh among
scotch iranian...
this little heave...
  soul grieving...
       von wallenrode...

ich bin!
               spielzung mit ein kind!
jetzt mich!

jeztz oder nie!
hier: gehalten...
   hohl... und nichts;
und zirkus auf schatten.

mein beste kleidung von
            dämonlachen -
   glaubensbekenntnis-aus-stille...

zähne! zähne! lächeln!
Die Wimpern flattern über geschwollenen Augen
grell sticht das Licht der anbrechenden Zeit
unglaubliche Gewissheit
Werte und Moral zerstört
eingetauscht gegen falsche Hoffnungen
ohne Sinn und Verstand
dunkle Wolken formieren sich
ein Sturm zieht auf
Verzweifelte Versuche ihn zu besänftigen
oder sich zu wappnen
gegen Unberechenbarkeit und Zerstörung
Die alte Weltordnung macht Platz
für eine neue Realität

— The End —